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David's enthusiasm for the republican cause, at least at this early stage, is a matter of dispute. Many historians believe his painterly inspirations were more prosaic, drawn from standard classical history lessons and lesser events of contemporary notoriety. In spite of its quick apotheosis by the
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Note Brutus' tense crossed feet in the picture, the sharp scissors that lay dead in the center of the painting, and the use of light and dark to draw a distinction between Brutus and his wife. Brutus does not even look back as his headless sons
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David labored over the painting for more than two years before he considered it complete. His attachment to the motif of Brutus had been evident for years before this painting, at least since the early 1780s when he was making
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Brutus, first consul, returned to his house after having condemned his two sons who had allied themselves with the
Tarquins and conspired against Roman liberty; the lictors return their bodies so that they may be
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through the themes of duty, loyalty, and virtue. The oath itself was an element of the Brutus legend which David artistically transposed to the
Horatii. Similar license was taken with the composition of
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882:
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251:. The complete original name as presented to the Salon was much lengthier and more explicative. It too has been rendered in various forms, but as translated from the small Salon guidebook (
141:, and Brutus himself was compelled to order their deaths. In doing so, Brutus became the heroic defender of the republic, at the cost of his own family. The painting was a bold allegory of
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was almost not shown because of concerns about inflaming pro-revolutionary passions. The public's insistence was too great, however, and the authorities were forced to give in.
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Brutus
Returning Home after Having Sentenced His Sons for Plotting a Tarquinian Restoration and Conspiring against Roman Freedom; the Lictors Bring their Bodies to be Buried.
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The work had tremendous resonance for the time. The
Revolution had already begun, and all paintings shown at the Salon had to be approved for political acceptability.
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is on a large canvas. It measures 323 centimetres (127 in) in height and 422 centimetres (166 in) in width. The style of painting is in the
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public, some contemporaries questioned the personal intentions of David regarding this work, and the debate remains unresolved.
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holds their two horrified daughters, the elder of which is about to faint, while a servant on the far right quakes in anguish.
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and added in a scene in which the stage direction exactly replicated the composition of the already famous painting.
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had already been refused a display because the famed chemist was a potentially divisive figure, tied as he was to the
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312:. This painting, now lost, is known only by written description and a preparatory pen and ink drawing from 1788.
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308:(1741–1807) was commissioned by Polish royalty to create a work she entitled
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Enlightenment
Phantasies: Cultural Identity in France and Germany, 1750–1914
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177:: the return of the sons' bodies is an episode not found in the accounts of
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323 cm Ă— 422 cm (127 in Ă— 166 in)
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Perry, Gillian; Rossington, Michael; Roworth, Wendy
Wassyng (1994).
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in New York City. An oil-on-canvas study is in the collections of
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Femininity and masculinity in eighteenth-century art and culture
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Saint Roch
Interceding with the Virgin for the Plague-Stricken
700:"Study for The Lictors Bringing Brutus the Bodies of his Sons"
678:. Manchester UK: Manchester University Press. pp. 53–54.
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in Paris. A study in ink and chalk from 1787 is housed in the
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conspired to overthrow the republic and restore the monarchy
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Antoine
Lavoisier: science, administration, and revolution
393:. New Haven, CT: Yale University Press. pp. 248–253.
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168:(1784). This earlier work bears a distinct connection to
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Erasistratus
Discovering the Cause of Antiochus' Disease
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The Lictors Returning to Brutus the Bodies of his Sons
452:. Cambridge: Cambridge University Press. p. 273.
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After its first exhibition, David's friend, the actor
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Les licteurs rapportent Ă Brutus les corps de ses fils
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Painters and public life in eighteenth-century Paris
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Saint Jerome Hears the Trumpet of the Last Judgment
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Nineteenth- and Twentieth-century European Drawings
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971:The Lictors Bring to Brutus the Bodies of His Sons
955:Portrait of Antoine-Laurent Lavoisier and his Wife
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606:The Lictors Bring to Brutus the Bodies of His Sons
420:. Oxford: Cambridge University Press. p. 24.
321:The Lictors Bring to Brutus the Bodies of His Sons
284:The Lictors Bring to Brutus the Bodies of His Sons
98:The Lictors Bring to Brutus the Bodies of His Sons
22:The Lictors Bring to Brutus the Bodies of His Sons
342:The painting is featured in the 1980 BBC series
145:with immense resonance for the growing cause of
310:Brutus Condemning His Sons to Death for Treason
209:on the left, alone and brooding; to the right,
137:, contemplating the fate of his sons. They had
643:Citizens: A Chronicle of the French Revolution
564:. Cornell University Press. pp. 209–211.
233:The name is frequently rendered in English as
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1139:Portrait of comte Antoine Français de Nantes
511:"Atlas database of exhibits: The Lictors..."
1280:Cultural depictions of Lucius Junius Brutus
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304:Contemporaneously with David, the painter
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1260:Paintings in the Nationalmuseum Stockholm
1255:Paintings in the Louvre by French artists
843:Diana and Apollo Killing Niobe's Children
539:. Metropolitan Museum of Art. p. 2.
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1003:Portrait of Madame Marie-Louise Trudaine
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358:List of paintings by Jacques-Louis David
1171:The Farewell of Telemachus and Eucharis
1131:The Distribution of the Eagle Standards
995:Portrait of Philippe-Laurent de Joubert
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236:Brutus Receiving the Bodies of His Sons
706:. The Metropolitan Museum of Art. 2018
482:. New York: Harper & Row. p.
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1019:The Last Moments of Michel Lepeletier
614:. Boston College Fine Arts Department
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1067:The Intervention of the Sabine Women
239:, among other variations, including
1275:Paintings set in the Roman Republic
891:Portrait of Count Stanislas Potocki
647:. New York: Vintage Books. p.
1205:Marguerite Charlotte PĂ©coul (wife)
1091:Napoleon at the Saint-Bernard Pass
197:Like most of David's major works,
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1265:Paintings by Jacques-Louis David
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16:Painting by Jacques-Louis David
867:The Funeral Games of Patroclus
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535:Brettell, Richard R. (2002).
1187:Mars Being Disarmed by Venus
1107:Napoleon in Imperial Costume
963:The Loves of Paris and Helen
125:in 1789. The subject is the
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1051:Portrait of Pierre Seriziat
979:Portrait of Madame Pastoret
899:Belisarius Begging for Alms
323:is on permanent display in
293:, played the title role in
225:are brought into the room.
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1115:The Coronation of Napoleon
1083:Portrait of Cooper Penrose
923:Portrait of Alphonse Leroy
915:Andromache Mourning Hector
819:Portrait of François Buron
587:. BBC documentary series:
329:Metropolitan Museum of Art
282:. Out of similar caution,
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1099:Portrait of Pope Pius VII
205:manner. Brutus sits on a
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446:Donovan, Arthur (1996).
414:Hardwick, Lorna (2003).
242:Brutus and His Dead Sons
1155:Leonidas at Thermopylae
1027:The Death of Young Bara
165:The Oath of the Horatii
1250:Neoclassical paintings
604:"Jacques-Louis David,
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93:
1270:Paintings about death
1179:The Anger of Achilles
1147:Napoleon in His Study
1035:The Tennis Court Oath
947:The Death of Socrates
835:Minerva Fighting Mars
730:www.nationalmuseum.se
291:François-Joseph Talma
272:David's 1788 portrait
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560:Mah, Harold (2018).
131:Lucius Junius Brutus
931:Oath of the Horatii
907:Christ on the Cross
851:The Death of Seneca
827:Jupiter and Antiope
797:Jacques-Louis David
479:Jacques-Louis David
345:100 Great Paintings
119:Jacques-Louis David
40:Jacques-Louis David
1038:(1794, incomplete)
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1011:The Death of Marat
1006:(1792, unfinished)
987:Lycurgus of Sparta
516:. The Louvre. 2018
514:Cartelen.Louvre.fr
306:Angelica Kauffmann
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1094:(1800–1805)
245:and simply
193:Composition
123:Paris Salon
1239:Categories
735:2020-06-16
685:0719042283
658:0679726101
618:19 January
493:0064305074
459:052156672X
427:0198528655
400:0300037643
364:References
325:the Louvre
157:Background
62:Dimensions
998:(c. 1792)
942:(c. 1787)
805:Paintings
337:Stockholm
1226:Category
753:David –
710:15 March
639:(1989).
520:15 March
476:(1980).
387:(1985).
352:See also
295:Voltaire
259:entombed
219:Tiberius
211:his wife
183:Plutarch
70:Location
1198:Related
207:klismos
129:leader
117:artist
113:by the
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316:Legacy
299:Brutus
266:Impact
253:livret
248:Brutus
199:Brutus
175:Brutus
170:Brutus
115:French
103:French
74:Louvre
54:Medium
36:Artist
223:Titus
127:Roman
78:Paris
712:2018
680:ISBN
653:ISBN
620:2011
566:ISBN
541:ISBN
522:2018
488:ISBN
454:ISBN
422:ISBN
395:ISBN
221:and
181:and
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111:oils
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649:564
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