213:] and a couple of other people, and I split off in late 84, and I'm a friend of Phil, and we got together and started jamming with the idea of getting a band together. And I sort of knew Dave and Shane... they'd been in a band called Risque Humour, and we bumped into them through a mutual friend who became our sound engineer and they said let's have a jam, so we all got together and it all started from there, just jamming in Shane's lounge until we got a little more serious and hit the practice room.
247:, which McFarlane observed was "slightly less supercharged (though still effective)". Its lead single, "Beauty Underground" had appeared in June and was followed in October by "Ever Been There?". Drew left in December, according to Willard "we'd found that the three of us couldn't get on with Phil anymore so we asked him to leave", and the group continued as a trio. They toured Europe again and then in September 1989 they started recording their second album,
1097:], vocals/drums/vibraphone/percussion; Chris Willard, bass guitar/backing vocals; Adam Kyle Spellicy, guitars/banjo/backing vocals; Simon Whithear, saxophone/clarinet/backing vocals; Glendon Blazely, trombone/trumpet/tuba/backing vocals; Kiernan Box, piano/piano accordion; Phil Kakulas, double bass. Notes: Hour of Need : HON001. Recorded at the Yarn Factory. Mastered at Crystal Mastering
203:
lead guitar and lead vocals. Willard's former bandmate and then-girlfriend, Liz Dealey, formed her own band, Liz Dealey and the Twenty Second Sect. The Lizard Train's first gig was in May 1985 and their first recording was as backing musicians on Liz Dealey and the Twenty Second Sect's debut single, "The
Wailing House", in 1986. In late 1989 Willard recalled the band's formation:
170:, contrasted their early work as "a melange of screaming guitars did battle over a rumbling rhythm section. Yet, beneath the distorted riffs and lyrical angst, the band boasted a melodic and harmonic sensibility usually disregarded in such aggressive music" with later work "brimming with powerful, dark songs and inspired musicianship".
310:
amalgamation of avant-garde jazz and slide guitar". In
December 1994 they had recorded their debut single, "Taxi Me Through" while still in Adelaide, at The Basement with Grant Sullivan producing – it was released the following year on Pop Gun Records. By June 1997 they had signed with Rubber Records and issued their debut album,
317:
By 2001 Ford had been replaced on saxophone by Simon
Whithear who also provided clarinet and backing vocals; the line-up was expanded by the addition of Glendon Blazely on trombone, trumpet, tuba and backing vocals; Kiernan Box on piano and piano accordion; and Phil Kakulas on double bass. The Dumb
202:
The Lizard Train were formed in
Adelaide in early 1985 with Shane Bloffwitch (ex-Risque Humour) on bass guitar and vocals; David Creese (Risque Humour) on drums, chimes and vocals; Phil Drew on guitar and vocals; and Chris Willard (Head On, Crawling Eye, Acid Drops, Revenge of the Gila Monsters) on
747:
Performer: Shane
Bloffwitch – bass, vocals; David Creese – drums, chimes, vocals; Phil Drew – guitar, vocals; Chris Willard – vocals, guitar. Notes: Produced by Kim Horne and The Lizard Train. All songs by The Lizard Train except 'Explosion in a room' by The Lizard Train and M. Bland. Recorded at
1060:
Performer: David Creese – vocals, drums, percussion; Mark Ford – saxophone; Adam Kyle – guitar, vocals; Chris
Willard – bass. Notes: Compact disc. Produced by Martyn Robinson and The Dumb Earth. All songs by David Creese except "This is what I'm saying", "Blue sky and a bird" and "Blues in love
309:
By May 1995 The Lizard Train's Creese and
Willard, now on bass guitar and backing vocals, had relocated to Melbourne and formed The Dumb Earth with Mark Ford on saxophone and Adam Kyle Spellicy on guitar and vocals. According to music journalist, Andy Turner, their sound was "brain-melting
262:' label, Shagpile Records and released the album that year. McFarlane felt the title was apt as it "featured an unsettling sonic assault of wah wah and fuzzed guitar effects that was remarkably intriguing by the same token". In October 1993 they followed with a six-track album,
251:, at Bartels St Studio with Tony Elliot producing. It appeared the following year with a single, "She Gets Me". McFarlane felt the album "stands as the high point in the band's career, a work brimming with powerful, dark songs and inspired musicianship".
239:, described the EP, "a melange of screaming guitars did battle over a rumbling rhythm section. Yet, beneath the distorted riffs and lyrical angst, the band boasted a melodic and harmonic sensibility usually disregarded in such aggressive music".
181:, was formed to play late 1960s and early 1970s psychedelic country rock. Founders of all three groups were David Creese on drums, chimes and vocals; and Chris Willard on lead vocals, lead guitar, and bass guitar. The Dumb Earth's second album,
314:, which was produced by Martyn Robinson at Domestic Bliss Studios. The majority of tracks were written by Creese alone with three co-written by Creese and Willard. Willard described their "playing sort of dark jazz /blues filmic music".
333:) on bass guitar and backing vocals. This group played late 1960s and early 1970s psychedelic country rock. In 1998 they released a split/single "Blue Sunday" backed by a track by The Dearhunters. In 2002 they issued their debut album,
1307:
189:, was issued the following year. In November 2002 Willard left The Dumb Earth, by mid-2005 the group had disbanded and Creese pursued a solo career. Willard continued with The Hired Guns until it disbanded in late 2010.
242:
From August to
October 1987 The Lizard Train undertook their first tour of Europe where the EP had gained some popularity in France and Germany. In September that year they issued their debut studio album,
976:
1177:
326:. By November 2002 had Willard left the group and was replaced by Justin Avery on bass guitar. By mid-2005 The Dumb Earth had disbanded and Creese pursued a solo career.
1074:
Dumb Earth (Musical group); Crees, David; Willard, Chris; Spellicy, Adam Kyle; Whithear, Simon; Blazely, Glendon; Box, Kiernan; Kakulas, Phil; Nelson, David (2001).
177:
in June 1997. Music journalist, Andy Turner, described their sound as a "brain-melting amalgamation of avant-garde jazz and slide guitar". In 1996 a side-project,
1341:
235:. Its four tracks had been recorded in December the previous year at Adelaide's Studio 202 with Kim Horne engineering and producing. Australian music historian,
1336:
1356:
329:
Back in 1996 Creese, Spellicy and
Willard, now on lead guitar and lead vocals, had formed a side-project, The Hired Guns, with Anthony Paine (also in
674:
1346:
1351:
1331:
337:, on Laughing Outlaw Records. By 2005 Creeese had left The Hired Guns but Willard continued with the group until it disbanded in late 2010.
322:, was released in September that year with David Nelson producing at the Yarn Factory for the Hour of Need label and was distributed by
669:
173:
Chris
Willard and David Creese went on to form the Dumb Earth in 1993 then relocated the new band to Melbourne which issued an album,
691:
293:. Both albums "maintained the noise factor as well as the song quality". In May that year they issued a five-track extended play,
1301:
297:, also produced by Albini. By that time they had relocated to Melbourne and became The Dumb Earth. In a 1998 interview with
1256:
1230:
1200:
1079:
1048:
1011:
945:
911:
877:
812:
735:
273:, appeared; it was preceded by its associated single, "It all Came from Nothing", a month earlier. They were produced by
1171:
679:
1135:
1109:
769:
1315:
207:
We've been around since early 85, and I was in a band before that called the Acid Drops with Liz Dealy [
855:
Produced by Lizard Train and Tony Elliot. Recorded at Bartels Street Studio, Adelaide, October/November 1991
549:
290:
1091:
Credits: Produced by The Dumb Earth and David Nelson. Performer: The Dumb Earth are: David Crees [
1008:"'Taxi me through' / 'I closed my eyes and a truck came through the window' / 'Taxi me through (reprise)'"
824:
Produced by the Lizard Train and Tony Elliot. Recorded and mixed at Bartels Street Studio, Sept 89-Feb 90
1253:"[Poster advertising performance by the Dumb Earth at The Continental Café, Prahran, Victoria]"
1023:
Produced by Grant Sullivan and The Dumb Earth. Recorded at The Basement, South Australia, December 1994
266:, produced by Darren McBain, Dave Lokan and Lizard Train; and recorded at Big Sound Studios in April.
1288:
1284:
1280:
889:
Produced by Darren McBain, Dave Lokan and Lizard Train. Recorded at Big Sound Studios, April 1993
800:
723:
516:
360:
232:
90:
1311:
687:
1297:
984:
683:
286:
697:
48:
936:
Lizard Train (Musical group); Willard, Chris; Creese, David; Bloffwitch, Shane (1995).
902:
Lizard Train (Musical group); Willard, Chris; Creese, David; Bloffwitch, Shane (1994).
868:
Lizard Train (Musical group); Willard, Chris; Creese, David; Bloffwitch, Shane (1993).
837:
Lizard Train (Musical group); Willard, Chris; Creese, David; Bloffwitch, Shane (1992).
301:
Willard recalled The Lizard Train's music as "a sort of heavy pop / psychedelic band".
278:
1325:
665:
529:
383:
259:
236:
167:
94:
1166:(Media notes). The Dearhunter / The Hired Guns. Steady Cam Records. 1998. scam 9804.
330:
282:
274:
1292:
957:
Produced by Steve Albini. Recorded at Mixmasters Studio, Belair, South Australia
923:
Produced by Steve Albini. Recorded at Mixmasters Studio, Belair, South Australia
799:
Lizard Train (Musical group); Willard, Chris; Creese, David; Bloffwitch, Shane;
323:
98:
62:
1061:
major" by David Creese and Chris Willard. Recorded at Domestic Bliss Studios
52:
1139:
1113:
1252:
143:
44:
1192:
1075:
1040:
1007:
937:
903:
869:
838:
804:
777:
1222:
727:
227:
In August 1986 The Lizard Train released their debut extended play,
1006:
Dumb Earth (Musical group); Creese, David; Pop Gun Records (1995).
1039:
Dumb Earth (Musical group); Willard, Chris; Creese, David (1997).
1112:. The Dumb Earth Official Website. November 2002. Archived from
305:
Melbourne years (1995-current): The Dumb Earth vs The Hired Guns
218:
Chris Willard, Gardner, Steve (Fall 1989). "The Lizard Train",
1300:, photograph from 1992, part of Messenger Press Collection at
1093:
209:
258:, with Elliot producing again. By 1992 they had signed with
1310:, concert poster for performance at The Continental Café,
254:
In October–November 1991 they recorded their next album,
1078:. Hour of Need : Sony & ATV Music Publishing.
146:
which formed in early 1985. They released five albums,
109:
105:
86:
68:
58:
40:
30:
23:
1138:. The Dumb Earth Official Website. Archived from
185:, appeared in 2001. The Hired Guns debut album,
1176:: CS1 maint: others in cite AV media (notes) (
205:
776:. NKVD Records (Steve Gardner). Archived from
722:Lizard Train (Musical group); Bland, Martin;
8:
660:
658:
656:
654:
652:
650:
648:
646:
670:"Encyclopedia entry for 'The Lizard Train'"
644:
642:
640:
638:
636:
634:
632:
630:
628:
626:
717:
715:
20:
1251:Continental Café (Prahran, Vic.) (1999).
763:
761:
759:
757:
166:(1995). Australian rock music historian,
1034:
1032:
675:Encyclopedia of Australian Rock and Pop
622:
1169:
970:
968:
966:
1342:Musical groups disestablished in 2010
7:
1221:Dumb Earth (Musical group) (2004).
1191:Hired Guns (Musical group) (2002).
748:Studio 202, Adelaide, December 1985
1337:Musical groups established in 1985
983:. Oz Music Project. Archived from
977:"An Interview with The Hired Guns"
142:were an Australian rock band from
14:
599:"It all Came from Nothing" (1995)
405:– Shagpile Records/Shock Records
395:– Shagpile Records/Shock Records
1357:1985 establishments in Australia
1302:State Library of South Australia
97:, Pop Gun, Rubber, Hour of Need/
269:In March 1995 the next album,
36:The Dumb Earth, The Hired Guns
1:
1347:Musical groups from Melbourne
1257:National Library of Australia
1231:National Library of Australia
1225:Old days rarities (1993–2004)
1201:National Library of Australia
1080:National Library of Australia
1049:National Library of Australia
1012:National Library of Australia
946:National Library of Australia
912:National Library of Australia
878:National Library of Australia
813:National Library of Australia
736:National Library of Australia
491:Old Days Rarities (1993–2004)
1352:Musical groups from Adelaide
1332:Australian rock music groups
1195:Between Here & the Night
768:Gardner, Steve (Fall 1989).
457:Between Here & the Night
335:Between Here & the Night
187:Between Here & the Night
1199:. Laughing Outlaw Records.
593:"Motorcycle of Love" (1988)
587:"Beauty Underground" (1987)
1373:
1318:. Retrieved 27 March 2013.
1304:. Retrieved 26 March 2013.
459:– Laughing Outlaw Records
289:) at Mixmasters Studio in
198:Adelaide years (1985–1995)
1316:State Library of Victoria
590:"Ever Been There?" (1987)
609:"Taxi Me Through" (1995)
1163:'Ivy' / 'Blue Sunday'
1076:"Blessings in disguise"
1314:, March 1999. Held at
1136:"News: Latest Release"
1110:"News: Latest Release"
975:Webb, Cameron (1998).
811:. Greasy Pop Records.
734:. Greasy Pop Records.
730:Thirteen Hour Daydream
513:Thirteen Hour Daydream
318:Earth's second album,
229:Thirteen Hour Daydream
225:
469:– (10 September 2010)
430:Blessings in Disguise
380:Get Your Wah Wahs Out
372:– Greasy Pop Records
320:Blessings in Disguise
256:Get Your Wah Wahs Out
183:Blessings in Disguise
944:. Shagpile Records.
910:. Shagpile Records.
876:. Shagpile Records.
841:Get yer wah wahs out
612:"Tailem Bend" (1998)
596:"She Gets Me" (1990)
546:Auld Lanxiety Attack
156:Get Yer Wah Wahs Out
16:Australian rock band
1172:cite AV media notes
1116:on 12 December 2002
1010:. Pop Gun Records.
528:– Shagpile Records/
382:– Shagpile Records/
1047:. Rubber Records.
981:Slide Show Fanzine
801:Greasy Pop Records
770:"The Lizard Train"
724:Greasy Pop Records
568:One Sided Records
517:Greasy Pop Records
480:Compilation albums
467:You Know Something
361:Greasy Pop Records
299:Slide Show Fanzine
233:Greasy Pop Records
150:(September 1987),
125:Adam Kyle Spellicy
1142:on 26 August 2005
684:Allen & Unwin
571:
534:
521:
496:
462:
445:
442:– UXB Recordings
435:
425:
422:– Rubber Records
408:
398:
388:
375:
365:
137:
136:
101:, Laughing Outlaw
1364:
1281:The Lizard Train
1268:
1267:
1265:
1263:
1248:
1242:
1241:
1239:
1237:
1229:. Hour of Need.
1218:
1212:
1211:
1209:
1207:
1188:
1182:
1181:
1175:
1167:
1158:
1152:
1151:
1149:
1147:
1132:
1126:
1125:
1123:
1121:
1106:
1100:
1099:
1088:
1086:
1071:
1065:
1063:
1057:
1055:
1036:
1027:
1025:
1020:
1018:
1003:
997:
996:
994:
992:
987:on 6 August 2003
972:
961:
959:
954:
952:
933:
927:
925:
920:
918:
906:Everything Moves
899:
893:
891:
886:
884:
865:
859:
857:
852:
850:
834:
828:
826:
821:
819:
796:
790:
789:
787:
785:
780:on 9 August 2010
774:Noise for Heroes
765:
752:
750:
744:
742:
719:
710:
709:
707:
705:
700:on 3 August 2004
696:. Archived from
680:St Leonards, NSW
662:
582:The Lizard Train
569:
566:
532:
519:
507:The Lizard Train
494:
460:
443:
436:(September 2001)
433:
423:
406:
403:Everything Moves
396:
386:
373:
366:(September 1987)
363:
351:The Lizard Train
287:The Jesus Lizard
271:Everything Moves
223:
220:Noise for Heroes
164:Everything Moves
140:The Lizard Train
115:Shane Bloffwitch
112:
81:
79:
71:
33:
25:The Lizard Train
21:
1372:
1371:
1367:
1366:
1365:
1363:
1362:
1361:
1322:
1321:
1291:discography at
1277:
1272:
1271:
1261:
1259:
1250:
1249:
1245:
1235:
1233:
1220:
1219:
1215:
1205:
1203:
1190:
1189:
1185:
1168:
1160:
1159:
1155:
1145:
1143:
1134:
1133:
1129:
1119:
1117:
1108:
1107:
1103:
1084:
1082:
1073:
1072:
1068:
1053:
1051:
1038:
1037:
1030:
1016:
1014:
1005:
1004:
1000:
990:
988:
974:
973:
964:
950:
948:
935:
934:
930:
916:
914:
901:
900:
896:
882:
880:
867:
866:
862:
848:
846:
836:
835:
831:
817:
815:
798:
797:
793:
783:
781:
767:
766:
755:
740:
738:
721:
720:
713:
703:
701:
694:
664:
663:
624:
619:
579:
564:
552:(February 1999)
548:Rubber Records/
504:
493:– Hour of Need
482:
432:– Hour of Need
348:
343:
307:
224:
217:
200:
195:
132:
130:
128:
127:Glendon Blazely
126:
124:
122:
120:
118:
116:
110:
77:
75:
69:
49:South Australia
31:
26:
17:
12:
11:
5:
1370:
1368:
1360:
1359:
1354:
1349:
1344:
1339:
1334:
1324:
1323:
1320:
1319:
1308:The Dumb Earth
1305:
1298:"Lizard Train"
1295:
1289:The Hired Guns
1285:The Dumb Earth
1276:
1275:External links
1273:
1270:
1269:
1243:
1213:
1183:
1153:
1127:
1101:
1066:
1043:Walk the Earth
1028:
998:
962:
928:
894:
860:
829:
791:
753:
711:
692:
666:McFarlane, Ian
621:
620:
618:
615:
614:
613:
610:
606:
605:
604:The Dumb Earth
601:
600:
597:
594:
591:
588:
584:
583:
578:
575:
574:
573:
559:
558:
557:The Hired Guns
554:
553:
542:
541:
540:The Dumb Earth
537:
536:
523:
509:
508:
503:
502:Extended plays
500:
499:
498:
487:
486:
485:The Dumb Earth
481:
478:
477:
476:
470:
464:
453:
452:
451:The Hired Guns
448:
447:
437:
427:
420:Walk the Earth
416:
415:
414:The Dumb Earth
411:
410:
400:
399:(October 1993)
390:
377:
367:
353:
352:
347:
344:
342:
339:
312:Walk the Earth
306:
303:
215:
199:
196:
194:
191:
179:The Hired Guns
175:Walk the Earth
135:
134:
133:Simon Whithear
113:
107:
106:
103:
102:
88:
84:
83:
72:
66:
65:
60:
56:
55:
42:
38:
37:
34:
28:
27:
24:
15:
13:
10:
9:
6:
4:
3:
2:
1369:
1358:
1355:
1353:
1350:
1348:
1345:
1343:
1340:
1338:
1335:
1333:
1330:
1329:
1327:
1317:
1313:
1309:
1306:
1303:
1299:
1296:
1294:
1290:
1286:
1282:
1279:
1278:
1274:
1258:
1254:
1247:
1244:
1232:
1228:
1226:
1217:
1214:
1202:
1198:
1196:
1187:
1184:
1179:
1173:
1165:
1162:
1157:
1154:
1141:
1137:
1131:
1128:
1115:
1111:
1105:
1102:
1098:
1096:
1095:
1081:
1077:
1070:
1067:
1062:
1050:
1046:
1044:
1035:
1033:
1029:
1024:
1013:
1009:
1002:
999:
986:
982:
978:
971:
969:
967:
963:
958:
947:
943:
941:
932:
929:
924:
913:
909:
907:
898:
895:
890:
879:
875:
873:
864:
861:
856:
844:
842:
833:
830:
825:
814:
810:
808:
802:
795:
792:
779:
775:
771:
764:
762:
760:
758:
754:
749:
737:
733:
731:
725:
718:
716:
712:
699:
695:
693:1-86508-072-1
689:
685:
681:
677:
676:
671:
667:
661:
659:
657:
655:
653:
651:
649:
647:
645:
643:
641:
639:
637:
635:
633:
631:
629:
627:
623:
616:
611:
608:
607:
603:
602:
598:
595:
592:
589:
586:
585:
581:
580:
576:
567:
561:
560:
556:
555:
551:
547:
544:
543:
539:
538:
531:
530:Shock Records
527:
524:
522:(August 1986)
518:
514:
511:
510:
506:
505:
501:
492:
489:
488:
484:
483:
479:
474:
471:
468:
465:
458:
455:
454:
450:
449:
441:
438:
431:
428:
421:
418:
417:
413:
412:
404:
401:
394:
391:
385:
384:Shock Records
381:
378:
371:
368:
362:
358:
355:
354:
350:
349:
346:Studio albums
345:
340:
338:
336:
332:
327:
325:
321:
315:
313:
304:
302:
300:
296:
292:
288:
284:
280:
276:
272:
267:
265:
261:
260:Shock Records
257:
252:
250:
246:
240:
238:
237:Ian McFarlane
234:
230:
221:
214:
212:
211:
204:
197:
192:
190:
188:
184:
180:
176:
171:
169:
168:Ian McFarlane
165:
161:
157:
153:
149:
145:
141:
121:Chris Willard
114:
108:
104:
100:
96:
92:
89:
85:
73:
67:
64:
61:
57:
54:
50:
46:
43:
39:
35:
32:Also known as
29:
22:
19:
1260:. Retrieved
1246:
1234:. Retrieved
1224:
1216:
1204:. Retrieved
1194:
1186:
1164:
1161:
1156:
1144:. Retrieved
1140:the original
1130:
1118:. Retrieved
1114:the original
1104:
1092:
1090:
1083:. Retrieved
1069:
1059:
1052:. Retrieved
1042:
1022:
1015:. Retrieved
1001:
989:. Retrieved
985:the original
980:
956:
949:. Retrieved
939:
931:
922:
915:. Retrieved
905:
897:
888:
881:. Retrieved
871:
863:
854:
847:. Retrieved
840:
832:
823:
816:. Retrieved
806:
794:
782:. Retrieved
778:the original
773:
746:
739:. Retrieved
729:
702:. Retrieved
698:the original
673:
562:
545:
525:
512:
490:
472:
466:
456:
439:
429:
419:
409:(March 1995)
402:
392:
387:SHAG CD 0010
379:
369:
356:
334:
328:
319:
316:
311:
308:
298:
294:
283:The Breeders
275:Steve Albini
270:
268:
263:
255:
253:
248:
244:
241:
228:
226:
219:
208:
206:
201:
186:
182:
178:
174:
172:
163:
159:
155:
151:
147:
139:
138:
131:Phil Kakulas
117:David Creese
111:Past members
70:Years active
18:
1293:MusicBrainz
473:Golden Home
426:(June 1997)
397:Shag CD2014
341:Discography
162:(1993) and
129:Kiernan Box
93:, Shagpile/
1326:Categories
845:. Shagpile
617:References
535:(May 1995)
533:SHAGCD7015
407:SHAGCD2022
324:Sony Music
91:Greasy Pop
461:LORCD-048
424:RUB 069CD
123:Mark Ford
119:Phil Drew
53:Australia
1262:27 March
1236:27 March
1206:27 March
1146:27 March
1120:27 March
1085:27 March
1054:27 March
1017:27 March
991:27 March
951:27 March
917:27 March
883:27 March
849:26 March
818:25 March
807:The Ride
803:(1990).
784:25 March
741:25 March
726:(1986).
704:25 March
668:(1999).
475:– (2014)
440:Dry Land
370:The Ride
357:Slippery
249:The Ride
245:Slippery
216:—
158:(1992),
154:(1990),
152:The Ride
148:Slippery
144:Adelaide
45:Adelaide
1312:Prahran
940:Inertia
577:Singles
526:Inertia
520:GPR 117
374:GPR 156
364:GPR 132
295:Inertia
279:Nirvana
193:History
76: (
690:
572:(2009)
570:ONE001
497:(2004)
495:HON002
463:(2002)
446:(2005)
444:uxb811
434:HON001
389:(1992)
376:(1990)
291:Belair
87:Labels
59:Genres
41:Origin
872:Couch
565:'
563:Flyin
393:Couch
331:Snout
264:Couch
231:, on
160:Couch
95:Shock
82:–2010
1264:2013
1238:2013
1208:2013
1178:link
1148:2013
1122:2013
1087:2013
1056:2013
1019:2013
993:2013
953:2013
919:2013
885:2013
851:2013
820:2013
786:2013
743:2013
706:2013
688:ISBN
99:Sony
78:1985
74:1985
63:Rock
1094:sic
550:BMG
210:sic
1328::
1287:,
1283:,
1255:.
1174:}}
1170:{{
1089:.
1058:.
1031:^
1021:.
979:.
965:^
955:.
921:.
887:.
853:.
822:.
772:.
756:^
745:.
714:^
686:.
682::
678:.
672:.
625:^
515:–
359:–
285:,
281:,
51:,
47:,
1266:.
1240:.
1227:"
1223:"
1210:.
1197:"
1193:"
1180:)
1150:.
1124:.
1064:.
1045:"
1041:"
1026:.
995:.
960:.
942:"
938:"
926:.
908:"
904:"
892:.
874:"
870:"
858:.
843:"
839:"
827:.
809:"
805:"
788:.
751:.
732:"
728:"
708:.
277:(
222:.
80:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.