237:
into consideration: getting that message out there of what is going on in the environment, and not only what's going on in the environment, but what's going on with us as people. And I think that she was able to lyrically nail that soft spot in people, to tug on their heart strings a little bit, to make people walk out and maybe think about doing something nice, or think about doing something different than what they do on a daily basis. Just to do something good for the environment and good for your fellow person".
224:"The use of music, in this film, is very unconventional, which I love. When you listen to the music in this film, it's working on the level of melody, but the other key element is lyrics. There are a number of songs in the film where the lyrics themselves are very much speaking to the essence of what Ted Geisel was setting out to do. Songs give you incredible opportunity to convey a tremendous amount in a relatively short period of time".
87:
665:
854:
without ever breaking a sweat". Filmtracks.com wrote: "A strong balance of action, fantasy, and tragedy is conveyed by Powell in this score, though its tone is really too disparate from that of the songs to form a truly cohesive whole The score-only product, on the other hand, is a decent listening
236:
and the type of person that Ester is, those are the type of things that really mean something to her". He further stated about the song: "The song was a light-hearted version of what the film is about. But at the same time there is a seriousness to the message of the record. We take all those things
281:
wrote: "The main songs, "Let It Grow", "Everybody Needs a Thneed", and "Thneedville", like the film itself, are subversive and silly, incorporating dance, pop, and rock elements while maintaining the general weirdness of a tree-hugging, mustachioed monster helping a 12-year-old boy land the girl of
255:
said that the film's silliness is "loud and slightly hysterical, as if young viewers could be entertained only by a ceaseless barrage of sensory stimulus and pop-culture attitude, or instructed by songs that make the collected works of Up With People sound like
Metallica".
612:
855:
experience and has roughly fifteen minutes of music that will fit nicely with Powell's similarly friendly but somewhat forgettable children's writing. If you are stuck watching the film, at least you will hear the debut of
232:. Stewart wanted Dean to rope her for the song, as "from a subject matter standpoint, the song would be something that she would want to be involved with. Because of the message in
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wrote: "Powell's deft blend of old-school orchestral grandeur and modern bombast yields some splendid fruit here, channeling the whimsy of
214:, as the animated version of The Grinch – embraced the use of songs in an unconventional way. He further revealed this in an interview to
1500:
1413:
1326:
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1581:
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opined that the songs "are genial and loopy enough to give the film something of a
Seussical sensibility". James Christopher Monger of
1328:
Original
Soundtrack - Dr. Seuss' the Lorax [Original Songs from the Motion Picture] Album Reviews, Songs & More | AllMusic
1226:
664:
1161:
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1382:"Annie Awards: 'Wreck-It-Ralph' Wins 5 Including Feature, Robot Chicken 'DC Comics Special' TV, 'Paperman' Best Short"
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55:. The first album consisted of several original songs written for the film, released on February 21, 2012 by
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52:
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his dreams, but they could have easily been integrated into the orchestral version of the soundtrack".
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Keith
Slettedahl and The 88 featuring Antonio Sol, Fletcher Sheridan, and Taylor Graves
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Ed Helms, Randy
Crenshaw, Fletcher Sheridan, Edie Lehmann Boddicker, Monique Donnelly,
203:
177:
64:
1662:
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logo music at the outset, arguably a more interesting attraction than what follows".
1196:"Chris Meledandri Talks DR. SEUSS' THE LORAX, Dr. Seuss Biopic, and DESPICABLE ME 2"
851:
843:
729:
607:
527:
272:
147:
31:
1162:"Interview: Tricky Stewart Talks "The Lorax" Soundtrack & Signing Frank Ocean"
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composed the musical score for the film, after he previously scored the animated
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John Powell - Dr. Seuss' The Lorax Album
Reviews, Songs & More | AllMusic
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379:
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48:
40:
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1414:"Video Highlights from ASCAP Film & Television Music Awards 2013"
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critics felt that the songs "did not quite hit the desired chord".
210:, revealed that the inspiration of using songs, came directly from
811:
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served as the executive producer for the soundtrack. The producer
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The lead single from the film, titled "Let It Grow" was sung by
70:
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1127:"Dr. Seuss' The Lorax (Original Songs From The Motion Picture)"
928:"Truffula Valley Fantasy (featuring The Lorax Humming Fish)"
245:
Critical reception to the soundtrack was mixed. Film critic
80:
Dr. Seuss' The Lorax: Original Songs from the Motion
Picture
72:
Dr. Seuss' The Lorax: Original Songs from the Motion
Picture
21:
Dr. Seuss' The Lorax: Original Songs from the Motion
Picture
59:. The second album consisted of original score composed by
1471:"Filmtracks: Dr. Seuss' The Lorax (John Powell/Various)"
648:
343:, Oliver Powell, Edie Lehmann Boddicker, Missi Hale,
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1603:
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728:
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Dr. Seuss' The Lorax: Original Motion
Picture Score
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Dr. Seuss' The Lorax: Original Motion Picture Score
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110:
93:
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27:
Dr. Seuss' The Lorax: Original Motion Picture Score
468:"The Once-ler's Traveling Madness (Original Demo)"
1532:"The Ivor Novello Awards 2013: Winners in full"
1354:"Soundtrack Chart History (Soundtrack Albums)"
30:are the albums released for the 2012 animated
1575:
8:
198:composed and wrote the original tracks with
440:"Let It Grow Gospel Ending (Original Demo)"
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1568:
1560:
1051:
663:
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589:
554:
85:
76:
875:
297:
1684:John Powell (film composer) soundtracks
1194:Radish, Christina (February 25, 2012).
1118:
1092:
1033:
613:Music in an Animated Feature Production
536:
510:"Nobody Needs a Thneed (Original Demo)"
1544:from the original on November 28, 2022
1034:
537:
7:
1380:Patten, Dominic (February 2, 2013).
1264:T. H. R. Staff (February 29, 2012).
1189:
1187:
1156:
1154:
1152:
513:Fletcher Sheridan and Randy Crenshaw
1295:Chang, Justin (February 29, 2012).
496:"You Need a Thneed (Original Demo)"
320:"Let It Grow (Celebrate the World)"
202:, one of the film's screenwriters.
1481:from the original on July 29, 2022
1452:from the original on July 29, 2022
1424:from the original on July 29, 2022
1394:from the original on June 18, 2014
1335:from the original on July 29, 2022
1307:from the original on July 29, 2022
1276:from the original on July 29, 2022
1245:from the original on July 29, 2022
1206:from the original on July 29, 2022
1172:from the original on July 29, 2022
429:, Rob Riggle, Ed Helms & Choir
194:Besides composing the film score,
14:
1694:Music based on works by Dr. Seuss
1227:"How the Grinch Stole the Lorax"
339:Fletcher Sheridan, Antonio Sol,
53:1972 animated television special
482:"I Love Nature (Original Demo)"
63:and released on February 28 by
1674:Interscope Records soundtracks
1530:Corner, Lewis (May 16, 2013).
1225:Scott, A. O. (March 1, 2012).
879:
301:
1:
454:"Thneedville (Original Demo)"
836:James Christopher Monger of
824:. The score was released by
530:, Randy Crenshaw, and The 88
939:"Once-ler & Lorax Meet"
895:"Ted, Audrey and the Trees"
524:"Biggering (Original Demo)"
1710:
1679:Back Lot Music soundtracks
789:Ice Age: Continental Drift
421:, Edie Lehmann Boddicker,
375:"Everybody Needs a Thneed"
291:All tracks are written by
1074:Best Original Film Score
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84:
1266:"The Lorax: Film Review"
639:John Powell, Cinco Paul
850:, and the mad fancy of
1669:2012 soundtrack albums
1297:"Dr. Seuss' The Lorax"
1270:The Hollywood Reporter
1048:Awards and nominations
828:on February 28, 2012.
586:Awards and nominations
570:US Soundtrack Albums (
259:The Hollywood Reporter
226:
636:Top Box Office Films
222:
1102:Dr. Seuss' The Lorax
1027:"Funeral For a Tree"
906:"Granny to the Edge"
180:(executive producer)
1418:Film Music Reporter
1070:Ivor Novello Awards
1005:"Thneedville Chase"
820:(2008) produced by
817:Horton Hears a Who!
556:
417:Fletcher Sheridan,
397:"How Bad Can I Be?"
358:"This is the Place"
1475:www.filmtracks.com
1387:Deadline Hollywood
1231:The New York Times
950:"O'Hare Warns Ted"
555:
252:The New York Times
57:Interscope Records
1656:
1655:
1615:(1972 TV special)
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688:February 28, 2012
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457:Fletcher Sheridan
425:, Claira Titman,
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114:February 21, 2012
39:(2012), based on
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1511:on June 28, 2016
1507:. Archived from
1501:"The Ivors 2013"
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1137:on March 3, 2012
1133:. Archived from
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859:'s reworking of
822:Blue Sky Studios
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208:Chris Meledandri
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95:Soundtrack album
89:
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51:, following the
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994:"The Last Seed"
983:"Valley Exodus"
961:"The River Bed"
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861:Jerry Goldsmith
834:
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125:Film soundtrack
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45:children's book
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1099:Also known as
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869:
848:Alan Silvestri
833:
830:
826:Back Lot Music
814:adaptation of
803:
802:
799:
798:
795:
794:
785:
776:
771:Happy Feet Two
762:
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735:Back Lot Music
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485:Randy Crenshaw
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295:and Cinco Paul
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204:Tricky Stewart
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178:Tricky Stewart
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65:Back Lot Music
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1398:September 14,
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1079:
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1071:
1068:
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1053:
1047:
1039:
1036:Total length:
1029:
1026:
1022:
1018:
1016:"At the Park"
1015:
1011:
1007:
1004:
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996:
993:
989:
985:
982:
978:
974:
972:"Houseguests"
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934:
930:
927:
923:
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901:
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894:
890:
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871:Track listing
870:
868:
866:
862:
858:
853:
849:
846:, the joy of
845:
841:
840:
831:
829:
827:
823:
819:
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800:
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790:
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773:
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623:
619:
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611:
609:
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605:
591:
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575:
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568:
560:Chart (2018)
558:
550:
542:
539:Total length:
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529:
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512:
509:
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501:
498:
495:
491:
487:
484:
481:
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467:
463:
459:
456:
453:
449:
445:
442:
439:
435:
431:
428:
424:
420:
416:
414:"Let It Grow"
413:
409:
405:
403:
400:Ed Helms and
399:
396:
392:
388:
385:
381:
377:
374:
370:
366:
363:
360:
357:
353:
349:
346:
342:
341:Beth Anderson
338:
336:"Thneedville"
335:
331:
327:
325:
322:
319:
315:
299:
296:
294:
286:Track listing
285:
283:
280:
279:
274:
270:
269:
265:In contrast,
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58:
54:
50:
46:
42:
38:
37:
33:
29:
28:
23:
22:
1644:
1626:
1623:(2012 film)
1618:
1610:
1594:
1548:November 19,
1546:. Retrieved
1535:
1525:
1513:. Retrieved
1509:the original
1504:
1495:
1483:. Retrieved
1474:
1465:
1454:, retrieved
1444:
1438:
1426:. Retrieved
1417:
1408:
1396:. Retrieved
1385:
1375:
1363:. Retrieved
1357:
1348:
1337:, retrieved
1327:
1321:
1309:. Retrieved
1300:
1290:
1278:. Retrieved
1269:
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1247:. Retrieved
1230:
1220:
1208:. Retrieved
1199:
1174:. Retrieved
1165:
1139:. Retrieved
1135:the original
1130:
1121:
1101:
1100:
1095:
1077:John Powell
852:Danny Elfman
844:Randy Newman
837:
835:
815:
806:
787:
779:
778:
769:
649:
632:ASCAP Awards
608:Annie Awards
572:
528:Gabriel Mann
290:
276:
273:Justin Chang
266:
264:
257:
250:
244:
233:
227:
223:
215:
193:
71:
34:
32:musical film
26:
25:
20:
19:
18:
1689:Film scores
1537:Digital Spy
1061:Recipients
917:"Wasteland"
857:Brian Tyler
808:John Powell
758:John Powell
747:John Powell
678:John Powell
618:John Powell
599:Recipients
443:Jenny Slate
427:Betty White
423:Jenny Slate
419:Dan Navarro
386:& Choir
364:& Choir
347:& Choir
293:John Powell
247:A. O. Scott
196:John Powell
168:John Powell
100:John Powell
61:John Powell
16:2012 albums
1663:Categories
1627:soundtrack
1131:Interscope
1113:References
1080:Nominated
760:chronology
707:Film score
673:Film score
626:Nominated
622:Cinco Paul
402:Kool Kojak
345:Rob Riggle
324:Ester Dean
230:Ester Dean
200:Cinco Paul
190:Background
173:Cinco Paul
153:Interscope
104:Cinco Paul
1649:(musical)
1646:The Lorax
1620:The Lorax
1612:The Lorax
1596:The Lorax
1591:Dr. Seuss
1505:The Ivors
1359:Billboard
1239:0362-4331
1141:March 11,
1058:Category
865:Universal
832:Reception
780:The Lorax
596:Category
573:Billboard
565:position
380:Ty Taylor
241:Reception
234:The Lorax
212:Dr. Seuss
49:same name
41:Dr. Seuss
36:The Lorax
1542:Archived
1485:July 29,
1479:Archived
1456:July 29,
1450:archived
1428:July 29,
1422:Archived
1392:Archived
1365:July 29,
1339:July 29,
1333:archived
1311:July 29,
1305:Archived
1280:July 29,
1274:Archived
1249:July 29,
1243:Archived
1210:July 29,
1204:Archived
1200:Collider
1176:July 29,
1170:Archived
839:Allmusic
742:Producer
693:Recorded
685:Released
675: by
471:Ed Helms
362:Ed Helms
278:AllMusic
217:Collider
160:Producer
111:Released
97: by
1638:Theatre
1515:June 8,
1301:Variety
1166:Complex
1064:Result
793:(2012)
784:(2012)
775:(2011)
602:Result
268:Variety
47:of the
1237:
1055:Award
887:Length
713:Length
593:Award
551:Charts
384:The 88
312:Length
131:Length
1604:Media
1087:Notes
1040:45:51
884:Title
812:Seuss
730:Label
702:Genre
543:34:00
309:Music
306:Title
148:Label
120:Genre
1550:2021
1517:2016
1487:2022
1458:2022
1430:2022
1400:2021
1367:2022
1341:2022
1313:2022
1282:2022
1251:2022
1235:ISSN
1212:2022
1178:2022
1143:2012
1030:2:10
1019:3:12
1008:5:04
997:4:54
986:4:54
975:3:12
964:4:03
953:3:21
942:2:35
931:5:00
920:2:17
909:2:33
898:2:36
696:2011
642:Won
563:Peak
533:5:01
516:1:52
502:1:32
488:2:43
474:1:35
460:3:58
446:0:52
432:3:17
406:2:52
389:1:31
367:2:24
350:2:44
328:3:39
102:and
24:and
1024:13.
1013:12.
1002:11.
991:10.
880:No.
863:'s
579:24
521:13.
507:12.
493:11.
479:10.
302:No.
271:'s
249:of
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980:9.
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722:51
718:45
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