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The Lucky Horseshoe

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344:, Mordaunt Hall found the film well suited to Tom Mix's talents, calling it "a most agreeable entertainment." Hall enjoyed the super-heroism displayed by Mix in one scene—lassoing four or five men and bowling over scores of others—which remains plausible in that it occurs in a dream. As Don Juan, Tom awards the prize for beauty to Elvira Hunt, who appears as a charming Spanish girl. After fighting off and routing his enemies by leaping to a chandelier and then lunging across the great hall, Tom says to the girl, "Come, fair Eleanor; forget that despoiler, as you are mine." She replies, "Oh, Don Juan, you are a man. But will they take me from you?" Hall concluded: 349:
one perceives Tony with a rope tied to the pommel of his saddle hoisting his magnificent master to the turrets of the castle. Once there Don Juan has to fight single-handed more persons than one can count. There are plenty of surprises in this film, and the staging of the scenes is at times quite impressive ... Here is a picture which races along without a jolt—so far as the story is concerned—and one which is a most agreeable entertainment. Ann Pennington, in the rôle of a court dancer, is delightful. Miss Dove is effective as the heroine, and J. Farrell MacDonald of "Iron Horsé" furnishes the light comedy.
231:. Based on a story by Robert Lord, the film is about a ranch foreman who assumes responsibility for the ranch following the owner's death. He also cares for the owner's daughter who is taken to Europe by an aunt. Two year later the woman returns from Europe with her new wealthy fiancée and plans to hold their wedding at the ranch, which the foreman has turned into a successful tourist destination. The foreman's feelings for the woman have not been diminished by the years, and after learning some damaging information about the fiancée, the foreman must find a way to stop the wedding. 31: 272:
Wanting to eliminate any competition, Denman instructs his men to kidnap Tom and keep him prisoner until after the wedding. Tom is knocked on the head and dreams that he is the fabled Juan, fighting like a lion for love. When he wakes up, Tom frees himself from his bonds and rides back to the ranch,
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Anybody who has studied Tom Mix as a hero in films knows how impossible things are made for his enemies, and that if he, as a modern Adonis wrapped in antiques, wants the girl, no one will say him nay. True he needs the assistance of Tony in some of the chapters, but that matters not. In this story
254:), the beautiful daughter of the late owner. Although he falls in love with the girl, Tom is too diffident to express his feelings and propose marriage. Soon after, Eleanor is asked to accompany her aunt to Europe. 261:), her wealthy European fiancée. Eleanor announces that she plans to hold the wedding at the ranch, which has been renovated by Tom and transformed into a successful tourist destination. Tom's friend, Mack ( 1690: 1675: 828: 1665: 1660: 1224: 1655: 1680: 707: 776: 383: 1650: 542: 1582: 1278: 978: 1566: 1422: 1168: 1590: 1217: 1016: 1685: 1446: 1438: 1494: 1006: 737: 617: 459: 1542: 1342: 1147: 647: 1210: 637: 1574: 1478: 1398: 1117: 986: 727: 310: 1470: 1670: 1350: 1318: 1302: 949: 747: 567: 1510: 969: 858: 627: 535: 78: 717: 504: 54: 393: 1097: 1026: 996: 848: 787: 697: 667: 657: 607: 587: 577: 301: 262: 235: 141: 440: 1645: 1558: 1550: 1462: 1077: 1036: 918: 359: 30: 1358: 1246: 1188: 1107: 1067: 687: 388: 340: 677: 415: 273:
where he arrives just in time to prevent the wedding. Afterwards, Tom and Eleanor are married.
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Two years later, Eleanor returns from Europe with condescending airs, accompanied by Denman (
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Following the death of the owner of the Hunt ranch, foreman Tom Foster (
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The Library of Congress American Silent Feature Film Survival Catalog:
283: 247: 220: 94: 1206: 524: 520: 1159: 1128: 1048: 930: 819: 558: 189: 181: 171: 147: 137: 123: 113: 87: 68: 60: 50: 40: 23: 453: 451: 346: 1218: 536: 269:, hoping to instill in him a bit of romance. 8: 829:The Trickster of Seville and the Stone Guest 1225: 1211: 1203: 543: 529: 521: 265:), tells Tom about the rakish exploits of 29: 20: 377: 375: 371: 1691:English-language Western (genre) films 1676:Silent American Western (genre) films 708:Don Juan, or If Don Juan Were a Woman 7: 777:Have You Ever Really Loved a Woman? 1666:Films directed by John G. Blystone 1661:Films based on the Don Juan legend 14: 458:Hall, Mordaunt (August 8, 1925). 416:"Progressive Silent Film List: 1656:American black-and-white films 979:Madamina, il catalogo è questo 307:Clarissa Selwynne as Aunt Ruth 1: 322:Tony the Horse as Tom's Horse 1681:1920s English-language films 618:The Private Life of Don Juan 384:"The Lucky Horseshoe (1925)" 234:A print is preserved at the 1707: 1651:1925 Western (genre) films 1148:El estudiante de Salamanca 132:J. G. Blystone Productions 1241: 1007:RĂ©miniscences de Don Juan 638:The Adventures of Mandrin 156:August 30, 1925 35:Theatrical release poster 28: 1479:She Wanted a Millionaire 386:. Movies & TV Dept. 1303:The Everlasting Whisper 1169:Don Giovanni in Sicilia 628:Adventures of Don Juan 351: 1583:The Magnificent Brute 1471:Charlie Chan's Chance 1279:The Last Man on Earth 950:La pravitĂ  castigata 460:"The Lucky Horseshoe" 1686:1920s American films 1027:Margarita la tornera 997:Don Giovanni Tenorio 302:J. Farrell MacDonald 263:J. Farrell MacDonald 236:Museum of Modern Art 142:Fox Film Corporation 1567:The County Chairman 1551:Hell in the Heavens 1463:Mr. Lemon of Orange 1423:Thru Different Eyes 1343:The Family Upstairs 1311:The Lucky Horseshoe 1078:Don Juan Triumphant 970:LĂ  ci darem la mano 919:A Free Man of Color 598:The Lucky Horseshoe 511:The Lucky Horseshoe 500:The Lucky Horseshoe 489:The Lucky Horseshoe 443:The Lucky Horseshoe 418:The Lucky Horseshoe 396:on January 30, 2013 382:Hans J. Wollstein. 360:Tom Mix filmography 208:is a 1925 American 205:The Lucky Horseshoe 197:English intertitles 24:The Lucky Horseshoe 1591:Little Miss Nobody 1359:Wings of the Storm 1247:A Friendly Husband 1233:Films directed by 1189:Mary and the Giant 688:Don Juan in Sicily 505:TCM Movie Database 464:The New York Times 389:The New York Times 341:The New York Times 177:5 reels (4,949 ft) 1633: 1632: 1503:The Painted Woman 1439:So This Is London 1399:Mother Knows Best 1200: 1199: 1081:(fictional, 1910) 1071:(tone poem, 1888) 338:In his review in 319:as Denman's Valet 201: 200: 1698: 1607:Music for Madame 1535:Coming Out Party 1527:Shanghai Madness 1495:Too Busy to Work 1375:Slaves of Beauty 1367:Ankles Preferred 1327:The Best Bad Man 1235:John G. Blystone 1227: 1220: 1213: 1204: 1193: 1183: 1173: 1152: 1142: 1121: 1112: 1102: 1092: 1082: 1072: 1062: 1041: 1031: 1021: 1011: 1001: 989: 982: 973: 964: 954: 944: 923: 913: 909:Don Juan in Soho 903: 893: 889:Man and Superman 883: 873: 869:Don Juan Tenorio 863: 853: 843: 833: 812: 802: 792: 780: 771: 762: 758:Don Juan DeMarco 752: 748:Don Juan in Hell 742: 738:Little Tragedies 732: 722: 712: 702: 692: 682: 672: 662: 652: 642: 632: 622: 612: 602: 592: 582: 572: 568:Don Juan Tenorio 545: 538: 531: 522: 475: 474: 472: 470: 455: 446: 438: 432: 431: 429: 427: 412: 406: 405: 403: 401: 392:. Archived from 379: 217:John G. Blystone 163: 161: 75:John G. Blystone 45:John G. Blystone 33: 21: 1706: 1705: 1701: 1700: 1699: 1697: 1696: 1695: 1636: 1635: 1634: 1629: 1543:Change of Heart 1271:Ladies to Board 1263:Our Hospitality 1237: 1231: 1201: 1196: 1186: 1176: 1166: 1155: 1145: 1135: 1124: 1115: 1111:(musical, 2003) 1105: 1095: 1085: 1075: 1065: 1055: 1044: 1034: 1024: 1017:The Stone Guest 1014: 1004: 994: 985: 976: 967: 957: 947: 937: 926: 916: 906: 896: 886: 876: 866: 859:The Stone Guest 856: 846: 836: 826: 815: 805: 795: 785: 774: 765: 755: 745: 735: 725: 715: 705: 695: 685: 678:The Devil's Eye 675: 665: 655: 645: 635: 625: 615: 605: 595: 585: 575: 565: 554: 549: 484: 479: 478: 468: 466: 457: 456: 449: 439: 435: 425: 423: 422:. silentera.com 414: 413: 409: 399: 397: 381: 380: 373: 368: 356: 336: 331: 317:J. Gunnis Davis 292:as Eleanor Hunt 279: 244: 196: 174: 167: 159: 157: 150: 133: 128: 126: 118:Daniel B. Clark 109: 83: 36: 17: 12: 11: 5: 1704: 1702: 1694: 1693: 1688: 1683: 1678: 1673: 1671:Fox Film films 1668: 1663: 1658: 1653: 1648: 1638: 1637: 1631: 1630: 1628: 1627: 1619: 1611: 1603: 1595: 1587: 1579: 1571: 1563: 1555: 1547: 1539: 1531: 1523: 1519:My Lips Betray 1515: 1507: 1499: 1491: 1483: 1475: 1467: 1459: 1451: 1447:Tol'able David 1443: 1435: 1427: 1419: 1411: 1403: 1395: 1391:Sharp Shooters 1387: 1379: 1371: 1363: 1355: 1347: 1339: 1331: 1323: 1315: 1307: 1299: 1291: 1283: 1275: 1267: 1259: 1251: 1242: 1239: 1238: 1232: 1230: 1229: 1222: 1215: 1207: 1198: 1197: 1195: 1194: 1184: 1174: 1163: 1161: 1157: 1156: 1154: 1153: 1143: 1132: 1130: 1126: 1125: 1123: 1122: 1120:" (song, 2012) 1113: 1103: 1093: 1083: 1073: 1063: 1061:(ballet, 1761) 1052: 1050: 1046: 1045: 1043: 1042: 1032: 1022: 1012: 1002: 992: 991: 990: 983: 974: 955: 945: 940:L'empio punito 934: 932: 928: 927: 925: 924: 914: 904: 894: 884: 874: 864: 854: 844: 834: 823: 821: 817: 816: 814: 813: 803: 798:Broken Flowers 793: 783: 782: 781: 772: 768:El Toro Relajo 753: 743: 733: 723: 713: 703: 693: 683: 673: 663: 653: 648:Crossed Swords 643: 633: 623: 613: 603: 593: 583: 573: 562: 560: 556: 555: 550: 548: 547: 540: 533: 525: 519: 518: 507: 496: 483: 482:External links 480: 477: 476: 447: 433: 407: 370: 369: 367: 364: 363: 362: 355: 352: 335: 332: 330: 329: 323: 320: 314: 311:Ann Pennington 308: 305: 299: 293: 287: 280: 278: 275: 243: 240: 199: 198: 191: 187: 186: 183: 179: 178: 175: 172: 169: 168: 166: 165: 153: 151: 148: 145: 144: 139: 138:Distributed by 135: 134: 131: 129: 124: 121: 120: 115: 114:Cinematography 111: 110: 108: 107: 102: 97: 91: 89: 85: 84: 82: 81: 76: 72: 70: 66: 65: 62: 58: 57: 52: 48: 47: 42: 38: 37: 34: 26: 25: 15: 13: 10: 9: 6: 4: 3: 2: 1703: 1692: 1689: 1687: 1684: 1682: 1679: 1677: 1674: 1672: 1669: 1667: 1664: 1662: 1659: 1657: 1654: 1652: 1649: 1647: 1644: 1643: 1641: 1625: 1624: 1620: 1617: 1616: 1612: 1609: 1608: 1604: 1601: 1600: 1596: 1593: 1592: 1588: 1585: 1584: 1580: 1577: 1576: 1572: 1569: 1568: 1564: 1561: 1560: 1556: 1553: 1552: 1548: 1545: 1544: 1540: 1537: 1536: 1532: 1529: 1528: 1524: 1521: 1520: 1516: 1513: 1512: 1508: 1505: 1504: 1500: 1497: 1496: 1492: 1489: 1488: 1487:Amateur Daddy 1484: 1481: 1480: 1476: 1473: 1472: 1468: 1465: 1464: 1460: 1457: 1456: 1452: 1449: 1448: 1444: 1441: 1440: 1436: 1433: 1432: 1431:The Big Party 1428: 1425: 1424: 1420: 1417: 1416: 1412: 1409: 1408: 1404: 1401: 1400: 1396: 1393: 1392: 1388: 1385: 1384: 1380: 1377: 1376: 1372: 1369: 1368: 1364: 1361: 1360: 1356: 1353: 1352: 1348: 1345: 1344: 1340: 1337: 1336: 1332: 1329: 1328: 1324: 1321: 1320: 1316: 1313: 1312: 1308: 1305: 1304: 1300: 1297: 1296: 1292: 1289: 1288: 1287:Oh, You Tony! 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Index


John G. Blystone
John Stone
William Fox
Tom Mix
Billie Dove
Malcolm Waite
Daniel B. Clark
Fox Film Corporation
Silent
silent
Western film
John G. Blystone
Tom Mix
Billie Dove
Malcolm Waite
Museum of Modern Art
Tom Mix
Billie Dove
Malcolm Waite
J. Farrell MacDonald
Don Juan
Tom Mix
Billie Dove
Malcolm Waite
J. Farrell MacDonald
Ann Pennington
J. Gunnis Davis
Gary Cooper
The New York Times

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