Knowledge (XXG)

The Mad Fox

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Kuzunoha. They come across an injured old woman from out of whom Yasuna pulls an arrow. The hunting party arrives and ask if the trio have seen the white fox they have shot but Yasuna calls them idiots who can't tell the difference between a fox and a human. Kuzunoha and Yasuna escort the old lady to her hut. After the young couple depart the old lady, her husband and their granddaughter, Kon, are revealed to be
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wandering men see Kon and soon Lord Shoji arrives at the hut with his wife and Kuzunoha who is lovesick for Yasuna. Shoji, Shoji's wife and Yasuna become confused at seeing two identical women: Kon and Kuzunoha. Kon admits to being inhuman and says she will leave their child with Yasuna. She departs in the form of a white vixen and their hut disappears leaving Yasuna wondering if it was just a dream.
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the box is empty. Suspicion is cast all around. Doman imprisons Yasuna and tortures Sakaki to death. Yasunori's widow privately confesses to Doman that she stole the scroll to help him succeed and she initiates an affair with him. Yasuna escapes, finding Sakaki dead and overhearing the deceitful plan
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tell Yasunori that the heirless crown prince is cursed and the country will soon be in turmoil. A second prediction is made but Yasunori can tell this only to his successor. Doman arrives late, saying he went to the royal court to urge them to consult with Yasunori. This action was disrespectful and
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Doman sees that Yasuna has the scroll and with the hunting party he attacks and takes the scroll. Travelling first as balls of flame, Kon's clan arrives. The kitsune fight off the hunting party and make off with the scroll while Yasuna and Kuzunoha are separated. Kon is ordered to shapechange into
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Wandering madly wearing both his and Sakaki's clothes, Yasuna ends up in Izumi where he sees Sakaki's identical twin sister Kuzunorha. Lord Shoji takes him in and the family overlook his mistaken belief that Kuzunoha is Sakaki. Yasuna does not believe himself mad and wonders why Shoji does not yet
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Without a formal succession document Sakaki realises that the Court will appoint Doman as successor. As she loves Yasuna she intrigues against Doman by appearing at Court as heir of her adopted father and the Court declares that lots shall be cast to determine the successor. However, when Sakaki
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However, Kon had fallen in love with Yasuna at first sight. She remains in Kuzunoha's form and, with Yasuna still believing her to be Sakaki, the pair live in a small isolated hut and have a child together. Kon dreads the day she must return the scroll to him as on that day they must part. Some
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which said the Crown Prince's curse could be lifted by the prince siring an heir by copulating in a room adorned with the blood of a white vixen. A court minister says a white vixen exists in Izumi and a hunting party is despatched. The hunt takes places in a forest where Yasuna is walking with
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Yasunori publicly denounces Doman and says Doman will not be his successor. Yasunori starts a journey to the Imperial Court. Yasunori's wife lusts after Doman and has her husband killed on the road blaming the murder on bandits.
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but the scene instantly changes to reprise the scene where Yasuna was alone and wandering madly after Sakaki's murder. He lies upon the ground in foetal position wearing Sakaki's kimono. The scene changes to a
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Kuzunoha's form while she tends to Yasuna's injuries (which she initially does by licking his wounds). Kon is warned not to do anything which might permanently isolate herself from her own kind.
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and learns he should adopt a particular girl. His two disciples, Abe no Yasuna and Absiya Doman, search separately for this girl. Yasuna discovers identical twin girls born to Lord Shoji of
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he goes mad and attacks the conspirators. Yasunori's widow dies in a fire and Yasuna escapes with
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This article about a Japanese film or Japanese film–related topic is a
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at the correct time and returns with the older one, Sakaki.
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Gerstle, C. Andrew; Clark, Timothy; Yano, Akiko (2010).
598: 273:. In gratitude Kon is ordered to look after Yasuna. 350:as part of a retrospective on Tomu Uchida in 2016. 162: 154: 144: 120: 112: 96: 88: 80: 72: 48: 38: 28: 23: 185: 179: 618: 480: 8: 455:Kabuki Heroes on the Osaka Stage, 1780-1830 625: 611: 487: 473: 465: 457:. University of Hawaii Press. p. 244. 394: 392: 20: 248:opens the locked box that should contain 659:Films with screenplays by Yoshikata Yoda 359: 264:At court Doman says he saw a little of 423: 421: 365: 363: 308:Michiko Saga as Sakaki, Kuzuno and Kon 284:Upon picking up their child, he finds 7: 583: 581: 597:. You can help Knowledge (XXG) by 239:Ten years later strange omens and 14: 323:Kensaku Hara as Nakahira Fujiwara 585: 549:Hero of the Red-Light District 1: 664:Japanese films based on plays 654:Films directed by Tomu Uchida 311:Junya Usami as Yasunori Kamo 186: 700: 580: 525:Bloody Spear at Mount Fuji 212:. It is based upon a 1734 503: 180: 565:A Fugitive from the Past 197:Love, Thy Name Be Sorrow 533:A Hole of My Own Making 375:Japanese Movie Database 200:, is a 1962 Japanese 679:1960s Japanese films 433:Museum of Modern Art 348:Museum of Modern Art 346:was screened in the 329:as Tadahira Fujiwara 314:Choichiro Kawarasaki 261:permit them to wed. 187:Koiya koi nasuna koi 129:1 May 1962 684:Japanese film stubs 333:RyÅ«nosuke Tsukigata 64:RyÅ«nosuke Tsukigata 669:Toei Company films 509:Kagirinaki Zenshin 495:Films directed by 16:1962 Japanese film 606: 605: 575: 574: 170: 169: 84:Shintarō Miyamoto 691: 649:1962 drama films 627: 620: 613: 589: 582: 541:Dai-bosatsu tōge 489: 482: 475: 466: 459: 458: 450: 444: 443: 441: 439: 425: 416: 415: 413: 411: 396: 387: 386: 384: 382: 367: 193: 192: 189: 183: 182: 136: 134: 21: 699: 698: 694: 693: 692: 690: 689: 688: 674:Jidaigeki films 634: 633: 632: 631: 578: 576: 571: 499: 493: 463: 462: 452: 451: 447: 437: 435: 427: 426: 419: 409: 407: 398: 397: 390: 380: 378: 369: 368: 361: 356: 341: 299: 286:The Golden Crow 266:The Golden Crow 255:The Golden Crow 250:The Golden Crow 241:The Golden Crow 230:The Golden Crow 222: 190: 177: 147: 140: 132: 130: 123: 108: 101: 99: 92:Chuji Kinoshita 68: 17: 12: 11: 5: 697: 695: 687: 686: 681: 676: 671: 666: 661: 656: 651: 646: 636: 635: 630: 629: 622: 615: 607: 604: 603: 590: 573: 572: 570: 569: 561: 553: 545: 537: 529: 521: 513: 504: 501: 500: 494: 492: 491: 484: 477: 469: 461: 460: 445: 417: 388: 358: 357: 355: 352: 340: 337: 336: 335: 330: 324: 321: 315: 312: 309: 306: 298: 295: 221: 218: 194:, also titled 168: 167: 164: 160: 159: 156: 152: 151: 148: 145: 142: 141: 139: 138: 126: 124: 121: 118: 117: 114: 113:Distributed by 110: 109: 104: 102: 97: 94: 93: 90: 86: 85: 82: 78: 77: 76:Sadaji Yoshida 74: 73:Cinematography 70: 69: 67: 66: 61: 58: 52: 50: 46: 45: 43:Yoshikata Yoda 40: 36: 35: 30: 26: 25: 15: 13: 10: 9: 6: 4: 3: 2: 696: 685: 682: 680: 677: 675: 672: 670: 667: 665: 662: 660: 657: 655: 652: 650: 647: 645: 642: 641: 639: 628: 623: 621: 616: 614: 609: 608: 602: 600: 596: 591: 588: 584: 579: 567: 566: 562: 559: 558: 554: 551: 550: 546: 543: 542: 538: 535: 534: 530: 527: 526: 522: 519: 518: 514: 511: 510: 506: 505: 502: 498: 490: 485: 483: 478: 476: 471: 470: 467: 456: 449: 446: 434: 430: 424: 422: 418: 406:(in Japanese) 405: 401: 395: 393: 389: 377:(in Japanese) 376: 372: 366: 364: 360: 353: 351: 349: 345: 338: 334: 331: 328: 327:Eijirō Yanagi 325: 322: 319: 316: 313: 310: 307: 305:as Abe Yasuna 304: 303:Hashizo Okawa 301: 300: 296: 294: 292: 287: 282: 278: 274: 272: 267: 262: 258: 256: 251: 245: 242: 237: 235: 231: 227: 219: 217: 215: 211: 207: 203: 199: 198: 188: 176: 175: 165: 161: 157: 153: 149: 143: 128: 127: 125: 119: 115: 111: 107: 103: 95: 91: 87: 83: 79: 75: 71: 65: 62: 59: 57: 56:Hashizo Okawa 54: 53: 51: 47: 44: 41: 37: 34: 31: 27: 22: 19: 599:expanding it 592: 577: 563: 556: 555: 547: 539: 531: 523: 515: 507: 454: 448: 436:. 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Retrieved 374: 343: 342: 285: 283: 279: 275: 265: 263: 259: 254: 249: 246: 240: 238: 229: 226:Heian period 223: 208:directed by 196: 195: 173: 172: 171: 146:Running time 137: (Japan) 122:Release date 116:Toei Company 106:Toei Company 60:Michiko Saga 18: 557:The Mad Fox 497:Tomu Uchida 344:The Mad Fox 291:Sessho-seki 210:Tomu Uchida 174:The Mad Fox 150:109 minutes 33:Tomu Uchida 29:Directed by 24:The Mad Fox 644:1962 films 638:Categories 354:References 318:Yoshi Katō 206:drama film 133:1962-05-01 98:Production 39:Written by 400:"恋や恋なすな恋" 371:"恋や恋なすな恋" 202:jidaigeki 81:Edited by 404:Kinenote 320:as Shōji 257:scroll. 166:Japanese 163:Language 89:Music by 49:Starring 438:12 July 410:12 July 381:12 July 271:kitsune 224:During 214:bunraku 181:恋や恋なすな恋 155:Country 131: ( 100:company 568:(1965) 560:(1962) 552:(1960) 544:(1957) 536:(1955) 528:(1955) 520:(1939) 512:(1937) 339:Legacy 216:play. 517:Earth 234:Izumi 158:Japan 595:stub 440:2023 412:2023 383:2023 297:Cast 220:Plot 204:and 640:: 431:. 420:^ 402:. 391:^ 373:. 362:^ 184:, 626:e 619:t 612:v 601:. 488:e 481:t 474:v 442:. 414:. 385:. 191:) 178:( 135:)

Index

Tomu Uchida
Yoshikata Yoda
Hashizo Okawa
Ryūnosuke Tsukigata
Toei Company
jidaigeki
drama film
Tomu Uchida
bunraku
Heian period
Izumi
kitsune
Sessho-seki
Hashizo Okawa
Yoshi Katō
Eijirō Yanagi
Ryūnosuke Tsukigata
Museum of Modern Art


"恋や恋なすな恋"


"恋や恋なすな恋"


"Koi ya koi nasuna koi (The Mad Fox). 1962. Directed by Tomu Uchida"
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