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The Magnificent Seven (song)

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format, is the dance remix of "The Magnificent Seven". The maxi single was released in the UK featuring an edited version of "The Magnificent Seven" on side A, and in the U.S., where it was backed with the extended version of "The Cool Out". It is credited to "Pepe Unidos", a pseudonym for Strummer,
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When we came to the U.S., Mick stumbled upon a music shop in Brooklyn that carried the music of Grand Master Flash and the Furious Five, the Sugar Hill Gang...these groups were radically changing music and they changed everything for
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in 1977, four years on, they were also bored with both punk and rock. Instead, they became infatuated with NYC street culture, from early hip-hop to post-disco. This dubbed-out disco remix of the lead track off of
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Though it failed to chart in America, the song was a hit on underground and college radio. Music critic
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The single was reissued in 1981 with "Stop the World" as its B-side and with different sleeve art.
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s other rap track, "Lightning Strikes (Not Once But Twice)". This white rap single is earlier than
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wrote that in New York City, the song "had become an unlikely hit on the Black radio station,
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This article is about the song by the Clash. For the theme to the 1960 western film, see
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was still a new and emerging music genre at the time, and the band, especially
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included the song on its "Early '80s Disco" playlist, saying "if they were
279:. Released in 1981, it was the third single from the Clash's fourth album, 2036: 1290: 906: 661: 131: 42:
UK vinyl single showing a clock set to 7:00 a.m., as in the song's lyrics
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wrote the words on the spot, a technique that was also used to create
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groove of the original, adding in some very cool drumming."
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in New York City, built around a funky bass loop played by
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Can't Stop Won't Stop: A History of the Hip-Hop Generation
549:"Lightning Strikes (Not Once But Twice) (The Clash) – 4:49 405:. "Pepe Unidos" also produced "The Cool Out", a remix of " 777: 775: 717: 715: 320:"The Magnificent Seven" was recorded in April 1980 at 409:". This dance version "definitely capitalized on the 373:. WBLS' "Dirty Harry" remix appears on various Clash 1964: 1916: 1786: 1614: 1589: 1492: 1467: 1414: 220: 208: 168: 156: 140: 112: 99: 91: 80: 68: 58: 47: 30: 1145: 992: 1028:Passion Is a Fashion: The Real Story of The Clash 766: 1182:(2nd ed.). Richmond: Reynolds & Hearn. 1061:(5th revised ed.). London: Helter Skelter. 1231:(2). 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London: Omnibus. 530:"The Cool Out" (The Clash) – 2:57 513:"The Cool Out" (The Clash) – 2:57 2132: 2131: 1508:The Story of the Clash, Volume 1 1088:(3rd ed.). London: Orion. 2188:Songs written by Topper Headon 1259:Gibson, Nigel (January 2018). 948:. Record Research. p. 59. 546:"The Magnificent Seven" – 5:31 536:"The Magnificent Seven" – 2:16 533:"The Magnificent Dance" – 5:36 503:"The Magnificent Dance" – 5:29 490:"The Magnificent Dance" – 5:29 487:"The Magnificent Seven" – 4:22 477:"The Magnificent Dance" – 3:26 474:"The Magnificent Seven" – 3:33 429:was a club hit and the record 301:acts from New York City, like 285:. It reached number 34 on the 1: 2193:Songs written by Joe Strummer 1749:Should I Stay or Should I Go 2054:The Joe Strummer Foundation 1476:From Here to Eternity: Live 851:Andy Beta (7 August 2015). 552:"One More Time" (The Clash/ 271:" is a song by the English 2209: 1114:; Chris Salewicz (2004) . 946:Hot Dance/Disco: 1974–2003 559:"One More Dub" (The Clash/ 15: 2127: 2012:The Latino Rockabilly War 1816:I'm So Bored with the USA 1344: 297:The song was inspired by 228: 35: 1537:Super Black Market Clash 1030:(4th ed.). 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AllMusic 747:19 January 706:References 664:Flanders) 591:Mick Jones 447:Mick Jones 359:Jeff Chang 315:Mick Jones 185:Mick Jones 108:, New York 95:April 1980 2064:Don Letts 1992:London SS 1693:Clampdown 1658:Tommy Gun 1423:The Clash 1338:The Clash 1237:0027-0520 1178:(2004) . 1116:The Clash 857:Pitchfork 691:Billboard 660:Belgium ( 639:position 568:Personnel 416:In 2015, 277:the Clash 273:punk rock 222:The Clash 216:The Clash 53:the Clash 2137:Category 2037:Gorillaz 1927:Rude Boy 1198:63129186 1168:53155325 1134:69241279 1104:52990890 1077:60668626 1050:61177239 1019:62860625 972:(2018). 944:(2004). 802:19 April 584:vocals, 563:) – 3:34 556:) – 3:32 375:bootlegs 132:rap rock 92:Recorded 81:Released 1615:Singles 1245:1758661 1001:Picador 957:Sources 582:backing 371:remixes 346:Rapture 342:Blondie 257:(1981) 248:(1981) 239:(1981) 127:hip hop 1561:(2007) 1532:(1991) 1243:  1235:  1196:  1186:  1166:  1156:  1132:  1122:  1102:  1092:  1075:  1065:  1048:  1038:  1017:  1007:  980:  634:Chart 624:Charts 141:Length 101:Studio 86:(U.K.) 71:B-side 49:Single 1977:Songs 1918:Films 962:Books 685:1982 672:1981 657:1981 644:1981 631:Year 608:drums 411:funky 275:band 158:Label 114:Genre 1299:2010 1274:2018 1252:2010 1241:OCLC 1233:ISSN 1194:OCLC 1184:ISBN 1164:OCLC 1154:ISBN 1130:OCLC 1120:ISBN 1100:OCLC 1090:ISBN 1073:OCLC 1063:ISBN 1046:OCLC 1036:ISBN 1015:OCLC 1005:ISBN 978:ISBN 928:2010 909:. 889:2010 864:2016 838:2010 804:2022 749:2019 741:Spin 637:Peak 580:and 578:lead 363:WBLS 344:'s " 305:and 122:Funk 1283:Web 699:21 688:US 680:21 667:18 652:34 437:." 353:us. 328:of 311:Rap 163:CBS 51:by 2154:: 1263:. 1239:. 1229:55 1227:. 1221:. 1192:. 1162:. 1128:. 1098:. 1071:. 1044:. 1034:. 1013:. 1003:. 880:. 855:. 774:^ 757:^ 738:. 714:^ 616:– 606:– 593:– 576:– 381:. 332:. 309:. 289:. 255:" 246:" 237:" 150:33 1909:" 1905:" 1902:" 1898:" 1895:" 1891:" 1888:" 1884:" 1881:" 1877:" 1874:" 1870:" 1867:" 1863:" 1860:" 1856:" 1853:" 1849:" 1846:" 1842:" 1839:" 1835:" 1832:" 1828:" 1825:" 1821:" 1818:" 1814:" 1811:" 1807:" 1804:" 1800:" 1797:" 1793:" 1779:" 1775:" 1772:" 1768:" 1765:" 1761:" 1758:" 1754:" 1751:" 1747:" 1744:" 1740:" 1737:" 1733:" 1730:" 1726:" 1723:" 1719:" 1716:" 1712:" 1709:" 1705:" 1702:" 1698:" 1695:" 1691:" 1688:" 1684:" 1681:" 1677:" 1674:" 1670:" 1667:" 1663:" 1660:" 1656:" 1653:" 1649:" 1646:" 1642:" 1639:" 1635:" 1632:" 1628:" 1625:" 1621:" 1330:e 1323:t 1316:v 1301:. 1276:. 1254:. 1200:. 1170:. 1136:. 1106:. 1079:. 1052:. 1021:. 986:. 930:. 901:" 891:. 866:. 840:. 806:. 784:. 769:. 751:. 523:" 506:" 461:/ 457:/ 453:/ 449:/ 267:" 251:" 242:" 233:" 148:: 146:5 20:.

Index

The Magnificent Seven § Soundtrack

Single
the Clash
Sandinista!
B-side
Studio
Electric Lady
Genre
Funk
hip hop
rap rock
Label
CBS
Songwriter(s)
Joe Strummer
Mick Jones
Topper Headon
Norman Watt-Roy
Mickey Gallagher
Producer(s)
The Clash
Hitsville UK
This Is Radio Clash
punk rock
the Clash
Sandinista!
UK Singles Chart
old school hip hop
the Sugarhill Gang

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