Knowledge (XXG)

The Makropulos Affair (opera)

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Speaking with unusual familiarity of these long-ago events, she states that Ferdinand Gregor was the out-of-wedlock son of Baron Joseph (who was a very centered and diligent man, contradicting Dr. Kolenatý's description) and opera singer Ellian MacGregor. Kolenatý says that the case seems to be on the side of the Prus family, because there is no will. Emilia asks what would be required for Albert Gregor to win, and Kolenatý answers that the missing will is such an item. Emilia says that there is in fact a will, and describes an old cupboard in the Prus mansion where important papers were kept, where that document may be found.
622:, whose love letters he has read. Prus describes her as a passionate woman with flexible morals, to which Emilia takes offense. He continues saying that only a descendant of Ferdinand Makropoulos can claim the estate. Emilia offers to buy a mysterious document found with the will, but Jaroslav refuses and leaves. Albert returns and again pleads his love, but Emilia merely falls asleep, and Albert leaves. Janek returns, and Emilia asks him to get the document for her. Jaroslav overhears this, and orders Janek to leave. He then agrees to provide the document himself if Emilia will spend the night with him. 291:, 63, whilst climbing the 20-foot (6.1 m) ladder which was part of the set, fell 10 feet (3.0 m) from the ladder, from a heart attack, immediately after singing Vitek's line: "Too bad you can only live so long". His death was reported that same evening. The scheduled second performance on 8 January 1996 was cancelled because of severe winter weather, and the first full performance of the Metropolitan Opera production did not take place until 11 January 1996. The first Metropolitan Opera performances of the work in the original Czech occurred in April 1998. 656:, and Hieronymus was sent to prison. After a week, Elina woke up and fled with the formula, which proved successful. She has since lived an itinerant life for three centuries, becoming one of the best singers of all time. To conceal her longevity, she has assumed many identities, including 'Eugenia Montez', 'Ekaterina Myshkin', and 'Ellian McGregor'. She confided her secret to Baron Joseph and gave him the formula, which he attached to his will for his son. However, the document was lost among the Baron's papers after his death. 1852: 47: 640:. Albert, Kolenatý, and Kristina enter, with a doctor who takes Count Hauk-Šendorf away. Kolenatý has noticed that Emilia's handwriting matches that of Ellian MacGregor and suspects her of forgery. She leaves the room to get dressed, and says that after she has had her breakfast, she will clarify everything. 635:
Emilia and Jaroslav have spent the night together. Though disappointed by Emilia's coldness, Jaroslav nonetheless gives her the envelope containing the document. News arrives that his son Janek has committed suicide because of his infatuation with Emilia. Jaroslav grieves, but Emilia is indifferent.
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Kolenatý thinks Emilia is inventing stories, but Albert insists that Kolenatý investigate at once, and even threatens to take the case to a rival lawyer. Kolenatý leaves, and Albert tells Emilia that if he does not get the estate, he will be penniless and shoot himself. He is already infatuated with
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Musically, much of the piece has little in the way of thematic development, instead presenting the listener with a mass of different motifs and ideas. Janáček's writings indicate that this was a deliberate ploy to give musical embodiment to the disruptive, unsettling main character Emilia Marty/Elina
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on 10 December 1922, and immediately saw its potential as an opera. He entered into a correspondence with Čapek, who was accommodating towards the idea, although legal problems in securing the rights to the play delayed work. When these problems were cleared on 10 September 1923, Janáček began work
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The potion is finally wearing off. Elina had wanted the formula to gain another 300 years of life. As the first signs of old age appear on her face, the others, initially disbelieving her story, come to believe her, and to feel pity for her. Elina has realized that perpetual youth has led her to
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has been going on for almost a century. Kolenatý represents the middle-class Gregors against the wealthy and aristocratic Prus family. Albert Gregor comes in to ask about the case. Kolenatý is at the Supreme Court, but has not returned because he is expecting the final resolution. Vitek's daughter
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or legitimate children. His cousin claimed the estate, but so did Albert's ancestor, Ferdinand Gregor, who asserted that the Baron had promised the estate to him. Each party presented different evidence to support their case, but neither could proffer an actual will. Here Emilia interrupts.
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come from a naturally short span of life. Aging rapidly before the eyes of the astonished onlookers, she offers Kristina the formula so she now can become a great artist herself. However, Kristina burns the parchment in a candle flame. Elina collapses as she recites the first words of the
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The rest of the party begins to search her papers and belongings. The searchers find many documents and keepsakes, all bearing names with the initials 'E.M.' Jaroslav says that the handwriting of Elina Makropulos on Ferdinand's birth certificate also matches that of Emilia.
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Emilia returns, drunk and with a pistol, but Albert disarms her. Emilia decides to tell the truth. She is Elina Makropulos, born in 1575 (not 1585, as in Čapek's eponymous original stage play, which premiered in 1922), daughter of Hieronymus Makropulos, an alchemist in
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Kolenatý returns with Jaroslav Prus. They found the will where Emilia said it would be, and Jaroslav congratulates Albert on his victory – if he can prove that Ferdinand Gregor was the Baron's out-of-wedlock son. Emilia says that she can prove that.
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Janáček was making adjustments to the score almost right up to the premiere in Brno. Two years after its premiere, the opera was given in Prague, and also in Germany in 1929, but it did not become really popular until a production by the
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A stagehand and a cleaning woman discuss Emilia's extraordinary performance. Jaroslav Prus enters, seeking Emilia, accompanied by his young son Janek, and Kristina. Kristina is in love with, and in a relationship with, Janek.
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Emilia enters, but spurns them all, including Janek, who falls under her spell, and Albert, who brings her expensive flowers. The old Count Hauk-Šendorf enters, and thinks he recognizes Emilia as Eugenia Montez, a
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gave the first US performances (in an English translation), also with Marie Collier in the lead role. The first New York City performance was in December 1967, by the Little Orchestra Society with
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Kolenatý returns to his law office. Emilia Marty enters displaying an interest in the Gregor case, which Kolenatý summarizes for her. Baron Joseph Ferdinand Prus died in 1827, leaving no
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Makropulos. Only at the end of the final act, when Makropulos' vulnerability is revealed, does the music tap into and develop the rich lyrical vein that has driven it throughout.
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Emilia, and makes advances to her. But Emilia, bored and indifferent, coldly refuses him. However, she asks his help in retrieving a document that will be found with the will.
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Kristina, enters. She is a young opera singer, and praises Emilia Marty, a famous singer she has seen rehearsing, and admits that she will never be the artist Emilia Marty is.
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sang the title role in a San Francisco Opera production in November 2010. The production was filmed live, and was later streamed for free for two days in July 2020 during the
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Jaroslav hardly has time to express his anger at her reaction before Count Hauk-Šendorf enters. Hauk-Šendorf says that he has left his wife and wants to elope with Emilia to
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on the opera. By December 1924, he had completed the first draft of the work. He spent another year refining the score, before completing it on 3 December
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All except Jaroslav leave. He demands an explanation of her strange interest in his family, and reveals that the mother of the Baron's child was recorded as
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production of the opera, in an English translation, had its opening night on 5 January 1996, but ended prematurely only a few minutes into act 1 when
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The Australian premiere was in 1996, with the Australian Opera, conducted by David Stanhope. (Richard Synott "THE AO DOES JANACEK PROUD",
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as Emilia Marty. While performed with some regularity, it has not become part of the core opera repertory in the same way as have
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in August–September 2012, and in the semi-staged version at The Proms in the Royal Albert Hall in August 2016.
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exhausted apathy and resolves to allow death to come naturally to her, understanding that a sense of
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was his penultimate opera and, like much of his later work, was inspired by his infatuation with
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This article is about the opera by Leoš Janáček. For the play by Karel Čapek, see
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Tomáš Šimerda directed a 2001 version of the opera for Czech television, with
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half a century before. Emilia tells him Eugenia is not dead, and in
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https://www.afr.com/politics/the-ao-does-janacek-proud-19960202-k6rim
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review – Karita Mattila's diva glows with breathtaking opulence"
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Emilia, Gregor, Kolenatý, Vítek, Kristina, Jaroslav Prus, Janek
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Conductor, chorus & orchestra, stage director (for videos)
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Has U.S. Premiere – Striking Work Is Taken From Play by Capek"
899:, Peter Hoare, Jurgita Adamonyte, Johan Reuter, Ales Briscein 1112:"Opera Review: She's a Free Spirit, Forever Toying With Men" 751:, Dalibor Jedlička, Vladimír Krejčík, Anna Czaková, 1810: 1774: 1721: 1681: 1641: 1613: 1569: 1495: 611:, calls him by a pet name and asks him for a kiss. 111: 94: 86: 78: 68: 56: 28: 1435:returns to Prague's National Theatre – Czech Radio 859:, Robert Brubaker, Neal Davies, John Graham-Hall, 792:, Kathleen Brett, Cornelius Opthof, Benoit Boutet 1825:Leoš Janáček International Competition in Brno 217:Janáček had seen the play early in its run in 1464: 201:The opera received its world premiere at the 198:, a married woman much younger than himself. 8: 1027:"Met Tenor Is Stricken Ill Onstage And Dies" 1002:; Janacek Work Is Heard Here for First Time" 1471: 1457: 1449: 1133: 1131: 301:as Emilia Marty, and a cast that included 205:in Brno on 18 December 1926, conducted by 45: 25: 384:Emilia Marty, formerly Elina Makropulos, 684: 556:Vitek, Kolenatý's clerk, notes that the 361: 313:. The opera has been performed twice at 243:company in London in 1964, conducted by 51:Relief of the composer by Julius Pelikán 1411:Janáček's Operas, A Documentary Account 928: 321:production presented in concert at the 173:in 3 acts, with music and libretto by 329:, in a semi-staged concert version). 7: 845:, Nikolaus Lehnhoff (stage director) 603:woman with whom he had an affair in 1910:Adaptations of works by Karel Čapek 1744:Elegy on the Death of Daughter Olga 1240:Tommasini, Anthony (Apr 29, 2012). 848:VHS & DVD: Warner Music Vision 631:Emila's hotel room the next morning 552:Kolenatý's law office, Prague, 1922 309:Chorus and Orchestra and conductor 1782:Janáček Academy of Performing Arts 1385:, New York: Penguin Putnam, 2001, 824:, Anthony Roden, Manuela Kriscak, 590:The empty stage of the opera house 190:. Composed between 1923 and 1925, 14: 1440:Metropolitan Opera programme for 1190:"A Miraculous Mattila Makropulos" 177:. Janáček based his opera on the 1851: 1850: 1751:The Diary of One Who Disappeared 1293:"Finland's Classical Crescendo" 1080:"Opera Review : Janacek's 1050:Lynette Holloway (1996-01-07). 373:Premiere cast, 18 December 1926 325:) and in August 2016 (with the 1797:Janáček Philharmonic Orchestra 1632:The Wandering of a Little Soul 1271:seenandheard-international.com 877:CD: Chandos (sung in English) 1: 1532:The Excursions of Mr. Brouček 1291:Marcus, J. S. (Sep 6, 2012). 1194:San Francisco Classical Voice 1166:"You are being redirected..." 835:London Philharmonic Orchestra 1787:Leoš Janáček Airport Ostrava 1025:Randy Kennedy (1996-01-06). 936:Kenneth Furie (1995-12-24). 863:, John Wegner, Thomas Walker 447:his daughter, a young singer 1383:The New Penguin Opera Guide 966:"Janacek in San Francisco; 916:DVD: C-Major Entertainment 736:LP and Audio CD: Supraphon 618:, who might be the same as 280:as Emilia Marty. The first 1926: 1560:From the House of the Dead 809:VHS Video: Pickwick Video 348:COVID-19 pandemic lockdown 116:18 December 1926 18: 1848: 1486: 1421:, Ch. 8 (p. 304–325) 1413:, Faber and Faber, 1992, 1346:Tim Ashley (2012-12-13). 1317:Tim Ashley (2007-02-23). 1138:Tim Ashley (2016-08-21). 532: 44: 33: 1546:The Cunning Little Vixen 1511:The Beginning of a Novel 1306:– via www.wsj.com. 266:The Cunning Little Vixen 60: 776:LP and Audio CD: Decca 731:Prague National Theatre 1890:Science fiction operas 1880:Operas by Leoš Janáček 1401:The Makropoulos Affair 1397:English National Opera 890:Jochen Schmeckenbecher 872:English National Opera 800:Canadian Opera Company 764:Wiener Staatsopernchor 352:Finnish National Opera 327:BBC Symphony Orchestra 317:, in August 1995 (the 1895:Operas based on plays 1875:Czech-language operas 1553:The Makropulos Affair 1142:The Makropulos Affair 843:Glyndebourne Festival 772:Wiener Philharmoniker 717:Helena Tattermuschová 307:Brno National Theatre 192:The Makropulos Affair 150:The Makropulos Secret 141:The Makropulos Affair 29:The Makropulos Affair 21:The Makropulos Affair 16:Opera by Leoš Janáček 1819:In Search of Janáček 1758:The Wandering Madman 1690:On an Overgrown Path 1673:String Quartet No. 2 1661:String Quartet No. 1 1489:List of compositions 1084:at the Met Misfires" 874:Orchestra and Chorus 745:Elisabeth Söderström 733:Chorus and Orchestra 534:Offstage male chorus 459:Baron Jaroslav Prus 158:The Makropulos Thing 146:The Makropoulos Case 73:The Makropoulos Case 1840:Moravian folk music 1442:The Makropulos Case 1433:The Makropulos Case 1399:'s performances of 1350:The Makropulos Case 1321:The Makropulos Case 1297:Wall Street Journal 994:Harold C. 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Schonberg 911:Christoph Marthaler 907:Vienna Philharmonic 830:Christopher Ventris 784:Stephanie Sundine, 488:Count Hauk-Šendorf 386:a celebrated singer 311:Oliver von Dohnányi 274:San Francisco Opera 234:Performance history 213:Composition history 1246:The New York Times 1219:Local News Matters 1116:The New York Times 1056:The New York Times 1031:The New York Times 1006:The New York Times 974:The New York Times 942:The New York Times 861:Elena Xanthoudakis 768:Helmuth Froschauer 715:, Rudolf Vonásek, 336:, 2 February 1996 299:Gabriela Beňačková 282:Metropolitan Opera 1905:Fictional singers 1862: 1861: 1712:Intimate Sketches 1578:Idyll for Strings 1169:www.operanews.com 1088:Los Angeles Times 1076:Martin Bernheimer 920: 919: 903:Esa-Pekka Salonen 868:Charles Mackerras 796:Berislav Klobučar 760:Charles Mackerras 650:Emperor Rudolf II 539: 538: 499:Stage Technician 440:Valentin Šindler 396:Alexandra Čvanová 377:František Neumann 323:Royal Albert Hall 245:Charles Mackerras 207:František Neumann 137: 136: 1917: 1854: 1853: 1830:Kamila Stösslová 1792:Janáček (crater) 1592:Ballad of Blaník 1473: 1466: 1459: 1450: 1366: 1365: 1363: 1362: 1343: 1337: 1336: 1334: 1333: 1314: 1308: 1307: 1305: 1303: 1288: 1282: 1281: 1279: 1277: 1263: 1257: 1256: 1254: 1252: 1237: 1231: 1230: 1228: 1226: 1211: 1205: 1204: 1202: 1200: 1186: 1180: 1179: 1177: 1175: 1162: 1156: 1155: 1150:. Archived from 1135: 1126: 1125: 1123: 1122: 1104: 1098: 1097: 1095: 1094: 1072: 1066: 1065: 1063: 1062: 1047: 1041: 1040: 1038: 1037: 1022: 1016: 1015: 1013: 1012: 990: 984: 983: 981: 980: 958: 952: 951: 949: 948: 933: 913:(stage director) 898: 888:, Raymond Very, 806:(stage director) 790:Richard Margison 766:(chorus master: 707:Libuše Prylová, 685: 620:Ellian MacGregor 616:Elina Makropulos 518:Jelena Ježičová 454:Jožka Mattesová 433:Kolenatý's clerk 362: 334:Financial Review 289:Richard Versalle 278:Naděžda Kniplová 203:National Theatre 196:Kamila Stösslová 131: 128:National Theatre 123: 121: 49: 26: 1925: 1924: 1920: 1919: 1918: 1916: 1915: 1914: 1865: 1864: 1863: 1858: 1844: 1806: 1802:Janáček Quartet 1770: 1765:Glagolitic Mass 1717: 1677: 1637: 1609: 1565: 1491: 1482: 1477: 1428: 1375: 1370: 1369: 1360: 1358: 1345: 1344: 1340: 1331: 1329: 1316: 1315: 1311: 1301: 1299: 1290: 1289: 1285: 1275: 1273: 1265: 1264: 1260: 1250: 1248: 1239: 1238: 1234: 1224: 1222: 1213: 1212: 1208: 1198: 1196: 1188: 1187: 1183: 1173: 1171: 1164: 1163: 1159: 1137: 1136: 1129: 1120: 1118: 1106: 1105: 1101: 1092: 1090: 1074: 1073: 1069: 1060: 1058: 1049: 1048: 1044: 1035: 1033: 1024: 1023: 1019: 1010: 1008: 1000:Makropulos Case 992: 991: 987: 978: 976: 960: 959: 955: 946: 944: 935: 934: 930: 925: 892: 788:, Robert Orth, 755:, Zdeněk Švehla 692: 683: 628: 587: 549: 544: 510:Cleaning Woman 505:Jaroslav Čihák 494:Václav Šindler 426:Ferdinand Pour 374: 360: 294: 236: 215: 133: 132: 126: 124: 119: 117: 103: 64: 52: 24: 17: 12: 11: 5: 1923: 1921: 1913: 1912: 1907: 1902: 1897: 1892: 1887: 1882: 1877: 1867: 1866: 1860: 1859: 1849: 1846: 1845: 1843: 1842: 1837: 1832: 1827: 1822: 1814: 1812: 1808: 1807: 1805: 1804: 1799: 1794: 1789: 1784: 1778: 1776: 1772: 1771: 1769: 1768: 1761: 1754: 1747: 1740: 1733: 1725: 1723: 1719: 1718: 1716: 1715: 1708: 1701: 1699:(piano sonata) 1693: 1685: 1683: 1679: 1678: 1676: 1675: 1670: 1663: 1658: 1653: 1645: 1643: 1639: 1638: 1636: 1635: 1628: 1623: 1617: 1615: 1611: 1610: 1608: 1607: 1602: 1599:Lachian Dances 1595: 1588: 1581: 1573: 1571: 1567: 1566: 1564: 1563: 1556: 1549: 1542: 1535: 1528: 1521: 1514: 1507: 1499: 1497: 1493: 1492: 1487: 1484: 1483: 1478: 1476: 1475: 1468: 1461: 1453: 1447: 1446: 1437: 1427: 1426:External links 1424: 1423: 1422: 1404: 1395:Programme for 1393: 1379:Holden, Amanda 1374: 1371: 1368: 1367: 1338: 1309: 1283: 1258: 1232: 1221:. Jul 22, 2020 1206: 1181: 1157: 1154:on 2016-12-28. 1127: 1110:(1998-04-13). 1108:Paul Griffiths 1099: 1078:(1996-02-03). 1067: 1042: 1017: 996:(1967-12-13). 985: 964:(1966-11-21). 953: 927: 926: 924: 921: 918: 917: 914: 900: 883: 879: 878: 875: 864: 854: 850: 849: 846: 832: 820:, Kim Begley, 815: 811: 810: 807: 804:Lotfi Mansouri 793: 782: 778: 777: 774: 756: 742: 738: 737: 734: 727:Bohumil Gregor 724: 705: 701: 700: 697: 694: 689: 682: 679: 627: 624: 586: 583: 562:Gregor v. Prus 548: 545: 543: 540: 537: 536: 530: 529: 527: 524: 520: 519: 516: 511: 507: 506: 503: 500: 496: 495: 492: 489: 485: 484: 481: 478: 471: 470: 465: 460: 456: 455: 452: 449: 442: 441: 438: 435: 428: 427: 424: 419: 412: 411: 410:Emil Olšovský 408: 403: 402:Albert Gregor 399: 398: 393: 388: 381: 380: 371: 366: 359: 356: 344:Karita Mattila 241:Sadler's Wells 235: 232: 214: 211: 183:Věc Makropulos 166:Věc Makropulos 135: 134: 125: 115: 113: 109: 108: 100:Věc Makropulos 96: 92: 91: 88: 84: 83: 80: 76: 75: 70: 66: 65: 62:Věc Makropulos 58: 54: 53: 50: 42: 41: 31: 30: 15: 13: 10: 9: 6: 4: 3: 2: 1922: 1911: 1908: 1906: 1903: 1901: 1898: 1896: 1893: 1891: 1888: 1886: 1883: 1881: 1878: 1876: 1873: 1872: 1870: 1857: 1847: 1841: 1838: 1836: 1835:Literaturoper 1833: 1831: 1828: 1826: 1823: 1821: 1820: 1816: 1815: 1813: 1809: 1803: 1800: 1798: 1795: 1793: 1790: 1788: 1785: 1783: 1780: 1779: 1777: 1773: 1767: 1766: 1762: 1760: 1759: 1755: 1753: 1752: 1748: 1746: 1745: 1741: 1739: 1738: 1734: 1732: 1731: 1727: 1726: 1724: 1720: 1714: 1713: 1709: 1707: 1706: 1702: 1700: 1698: 1694: 1692: 1691: 1687: 1686: 1684: 1680: 1674: 1671: 1669: 1668: 1664: 1662: 1659: 1657: 1656:Violin Sonata 1654: 1652: 1651: 1647: 1646: 1644: 1640: 1634: 1633: 1629: 1627: 1624: 1622: 1619: 1618: 1616: 1612: 1606: 1603: 1601: 1600: 1596: 1594: 1593: 1589: 1587: 1586: 1582: 1580: 1579: 1575: 1574: 1572: 1568: 1562: 1561: 1557: 1555: 1554: 1550: 1548: 1547: 1543: 1541: 1540: 1539:Káťa Kabanová 1536: 1534: 1533: 1529: 1527: 1526: 1522: 1520: 1519: 1515: 1513: 1512: 1508: 1506: 1505: 1501: 1500: 1498: 1494: 1490: 1485: 1481: 1474: 1469: 1467: 1462: 1460: 1455: 1454: 1451: 1445: 1443: 1438: 1436: 1434: 1430: 1429: 1425: 1420: 1419:0-571-15129-9 1416: 1412: 1408: 1407:Tyrrell, John 1405: 1402: 1398: 1394: 1392: 1391:0-14-029312-4 1388: 1384: 1380: 1377: 1376: 1372: 1357: 1353: 1352:– DVD review" 1351: 1342: 1339: 1328: 1324: 1322: 1313: 1310: 1298: 1294: 1287: 1284: 1272: 1268: 1262: 1259: 1247: 1243: 1236: 1233: 1220: 1216: 1210: 1207: 1195: 1191: 1185: 1182: 1170: 1167: 1161: 1158: 1153: 1149: 1145: 1143: 1134: 1132: 1128: 1117: 1113: 1109: 1103: 1100: 1089: 1085: 1083: 1077: 1071: 1068: 1057: 1053: 1046: 1043: 1032: 1028: 1021: 1018: 1007: 1003: 1001: 995: 989: 986: 975: 971: 969: 963: 957: 954: 943: 939: 932: 929: 922: 915: 912: 908: 904: 901: 896: 891: 887: 886:Angela Denoke 884: 881: 880: 876: 873: 869: 865: 862: 858: 857:Cheryl Barker 855: 852: 851: 847: 844: 840: 836: 833: 831: 827: 823: 819: 816: 813: 812: 808: 805: 801: 798:, conductor, 797: 794: 791: 787: 783: 780: 779: 775: 773: 769: 765: 761: 757: 754: 750: 749:Peter Dvorský 746: 743: 740: 739: 735: 732: 728: 725: 723:, Viktor Kočí 722: 718: 714: 710: 706: 703: 702: 698: 695: 690: 687: 686: 680: 678: 676: 672: 671:Lord's Prayer 667: 663: 662:transcendence 657: 655: 651: 645: 641: 639: 633: 632: 625: 623: 621: 617: 612: 610: 606: 602: 596: 592: 591: 584: 582: 578: 574: 571: 566: 563: 559: 554: 553: 546: 541: 535: 531: 528: 525: 522: 521: 517: 515: 512: 509: 508: 504: 501: 498: 497: 493: 490: 487: 486: 483:Antonín Pelc 482: 479: 477: 473: 472: 469: 466: 464: 461: 458: 457: 453: 450: 448: 444: 443: 439: 436: 434: 430: 429: 425: 423: 422:bass-baritone 420: 418: 415:Dr Kolenatý, 414: 413: 409: 407: 404: 401: 400: 397: 394: 392: 389: 387: 383: 382: 378: 372: 370: 367: 364: 363: 357: 355: 353: 349: 345: 341: 339: 335: 330: 328: 324: 320: 316: 312: 308: 304: 300: 295: 292: 290: 287: 283: 279: 275: 272:In 1966, the 270: 268: 267: 262: 261: 260:Káťa Kabanová 256: 255: 250: 249:Marie Collier 246: 242: 233: 231: 227: 225: 220: 212: 210: 208: 204: 199: 197: 193: 189: 185: 184: 180: 176: 172: 169:) is a Czech 168: 167: 163: 159: 155: 151: 147: 143: 142: 129: 114: 110: 107: 102: 101: 97: 93: 89: 85: 81: 77: 74: 71: 67: 63: 59: 55: 48: 43: 40: 36: 32: 27: 22: 1817: 1763: 1756: 1749: 1742: 1735: 1728: 1711: 1705:In the Mists 1703: 1696: 1688: 1665: 1648: 1630: 1597: 1590: 1583: 1576: 1558: 1552: 1551: 1544: 1537: 1530: 1523: 1516: 1509: 1502: 1480:Leoš Janáček 1444:, 5 May 2012 1441: 1432: 1410: 1400: 1382: 1359:. Retrieved 1356:The Guardian 1355: 1349: 1341: 1330:. Retrieved 1327:The Guardian 1326: 1320: 1312: 1300:. Retrieved 1296: 1286: 1274:. Retrieved 1270: 1261: 1249:. Retrieved 1245: 1235: 1223:. Retrieved 1218: 1209: 1197:. Retrieved 1193: 1184: 1172:. Retrieved 1168: 1160: 1152:the original 1148:The Guardian 1147: 1141: 1119:. Retrieved 1115: 1102: 1091:. Retrieved 1087: 1081: 1070: 1059:. Retrieved 1055: 1045: 1034:. Retrieved 1030: 1020: 1009:. Retrieved 1005: 999: 988: 977:. Retrieved 973: 967: 956: 945:. Retrieved 941: 931: 839:Andrew Davis 826:Victor Braun 822:Andrew Shore 786:Graham Clark 753:Václav Zítek 721:Přemysl Kočí 713:Karel Berman 658: 646: 642: 634: 630: 629: 619: 615: 613: 597: 593: 589: 588: 579: 575: 567: 561: 555: 551: 550: 533: 475: 468:Zdeněk Otava 446: 432: 416: 385: 375:(Conductor: 342: 333: 331: 319:Glyndebourne 303:Roman Sadnik 296: 293: 271: 264: 258: 252: 237: 228: 216: 200: 191: 181: 175:Leoš Janáček 165: 164: 157: 149: 145: 140: 139: 138: 98: 72: 61: 57:Native title 39:Leoš Janáček 1885:1925 operas 1614:Concertante 1605:Sinfonietta 1585:Taras Bulba 893: [ 523:Hotel Maid 188:Karel Čapek 106:Karel Čapek 69:Other title 1869:Categories 1737:Our Father 1697:1. X. 1905 1621:Concertino 1570:Orchestral 1403:, May 2006 1361:2016-08-23 1348:"Janáček: 1332:2016-08-23 1319:"Janacek: 1121:2016-10-03 1093:2016-10-03 1061:2008-11-29 1036:2016-08-23 1011:2016-08-23 979:2016-08-23 947:2016-08-23 923:References 818:Anja Silja 681:Recordings 445:Kristina, 369:Voice type 120:1926-12-18 79:Librettist 1775:Namesakes 1626:Capriccio 709:Ivo Žídek 605:Andalusia 502:baritone 315:The Proms 154:literally 1856:Category 560:case of 542:Synopsis 463:baritone 451:soprano 417:a lawyer 112:Premiere 95:Based on 87:Language 1811:Related 1650:Pohádka 1642:Chamber 1525:Destiny 1381:(ed.), 1373:Sources 666:purpose 609:Spanish 558:probate 476:his son 474:Janek, 431:Vítek, 391:soprano 118: ( 82:Janáček 1900:Operas 1730:Amarus 1722:Choral 1518:Jenůfa 1496:Operas 1417:  1389:  1302:Dec 1, 1276:Dec 1, 1251:Dec 1, 1225:Dec 1, 1199:Dec 1, 1174:Dec 1, 837:, Sir 699:Label 601:Romani 491:tenor 480:tenor 437:tenor 254:Jenůfa 219:Prague 152:, or, 130:, Brno 1682:Piano 1667:Youth 1504:Šárka 897:] 691:Cast: 688:Year 675:Greek 638:Spain 626:Act 3 585:Act 2 547:Act 1 526:alto 406:tenor 365:Role 358:Roles 340:) 286:tenor 247:with 171:opera 162:Czech 90:Czech 35:Opera 1415:ISBN 1387:ISBN 1304:2020 1278:2020 1253:2020 1227:2020 1201:2020 1176:2020 1082:Case 882:2012 866:Sir 853:2007 814:1995 781:1989 758:Sir 741:1978 704:1966 664:and 654:coma 570:will 514:alto 224:1925 179:play 144:(or 770:), 673:in 263:or 186:by 104:by 37:by 1871:: 1409:. 1354:. 1325:. 1295:. 1269:. 1244:. 1217:. 1192:. 1146:. 1130:^ 1114:. 1086:. 1054:. 1029:. 1004:. 972:. 940:. 909:, 905:, 895:de 870:, 841:, 828:, 802:, 762:, 747:, 729:, 719:, 711:, 677:. 379:) 269:. 257:, 226:. 209:. 160:; 156:, 148:, 1472:e 1465:t 1458:v 1364:. 1335:. 1280:. 1255:. 1229:. 1203:. 1178:. 1140:" 1124:. 1096:. 1064:. 1039:. 1014:. 998:" 982:. 950:. 122:) 23:.

Index

The Makropulos Affair
Opera
Leoš Janáček

Věc Makropulos
Karel Čapek
National Theatre
literally
Czech
opera
Leoš Janáček
play
Věc Makropulos
Karel Čapek
Kamila Stösslová
National Theatre
František Neumann
Prague
1925
Sadler's Wells
Charles Mackerras
Marie Collier
Jenůfa
Káťa Kabanová
The Cunning Little Vixen
San Francisco Opera
Naděžda Kniplová
Metropolitan Opera
tenor
Richard Versalle

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