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Speaking with unusual familiarity of these long-ago events, she states that
Ferdinand Gregor was the out-of-wedlock son of Baron Joseph (who was a very centered and diligent man, contradicting Dr. Kolenatý's description) and opera singer Ellian MacGregor. Kolenatý says that the case seems to be on the side of the Prus family, because there is no will. Emilia asks what would be required for Albert Gregor to win, and Kolenatý answers that the missing will is such an item. Emilia says that there is in fact a will, and describes an old cupboard in the Prus mansion where important papers were kept, where that document may be found.
622:, whose love letters he has read. Prus describes her as a passionate woman with flexible morals, to which Emilia takes offense. He continues saying that only a descendant of Ferdinand Makropoulos can claim the estate. Emilia offers to buy a mysterious document found with the will, but Jaroslav refuses and leaves. Albert returns and again pleads his love, but Emilia merely falls asleep, and Albert leaves. Janek returns, and Emilia asks him to get the document for her. Jaroslav overhears this, and orders Janek to leave. He then agrees to provide the document himself if Emilia will spend the night with him.
291:, 63, whilst climbing the 20-foot (6.1 m) ladder which was part of the set, fell 10 feet (3.0 m) from the ladder, from a heart attack, immediately after singing Vitek's line: "Too bad you can only live so long". His death was reported that same evening. The scheduled second performance on 8 January 1996 was cancelled because of severe winter weather, and the first full performance of the Metropolitan Opera production did not take place until 11 January 1996. The first Metropolitan Opera performances of the work in the original Czech occurred in April 1998.
656:, and Hieronymus was sent to prison. After a week, Elina woke up and fled with the formula, which proved successful. She has since lived an itinerant life for three centuries, becoming one of the best singers of all time. To conceal her longevity, she has assumed many identities, including 'Eugenia Montez', 'Ekaterina Myshkin', and 'Ellian McGregor'. She confided her secret to Baron Joseph and gave him the formula, which he attached to his will for his son. However, the document was lost among the Baron's papers after his death.
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640:. Albert, Kolenatý, and Kristina enter, with a doctor who takes Count Hauk-Šendorf away. Kolenatý has noticed that Emilia's handwriting matches that of Ellian MacGregor and suspects her of forgery. She leaves the room to get dressed, and says that after she has had her breakfast, she will clarify everything.
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Emilia and
Jaroslav have spent the night together. Though disappointed by Emilia's coldness, Jaroslav nonetheless gives her the envelope containing the document. News arrives that his son Janek has committed suicide because of his infatuation with Emilia. Jaroslav grieves, but Emilia is indifferent.
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Kolenatý thinks Emilia is inventing stories, but Albert insists that
Kolenatý investigate at once, and even threatens to take the case to a rival lawyer. Kolenatý leaves, and Albert tells Emilia that if he does not get the estate, he will be penniless and shoot himself. He is already infatuated with
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Musically, much of the piece has little in the way of thematic development, instead presenting the listener with a mass of different motifs and ideas. Janáček's writings indicate that this was a deliberate ploy to give musical embodiment to the disruptive, unsettling main character Emilia Marty/Elina
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on 10 December 1922, and immediately saw its potential as an opera. He entered into a correspondence with Čapek, who was accommodating towards the idea, although legal problems in securing the rights to the play delayed work. When these problems were cleared on 10 September 1923, Janáček began work
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The potion is finally wearing off. Elina had wanted the formula to gain another 300 years of life. As the first signs of old age appear on her face, the others, initially disbelieving her story, come to believe her, and to feel pity for her. Elina has realized that perpetual youth has led her to
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has been going on for almost a century. Kolenatý represents the middle-class
Gregors against the wealthy and aristocratic Prus family. Albert Gregor comes in to ask about the case. Kolenatý is at the Supreme Court, but has not returned because he is expecting the final resolution. Vitek's daughter
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or legitimate children. His cousin claimed the estate, but so did Albert's ancestor, Ferdinand Gregor, who asserted that the Baron had promised the estate to him. Each party presented different evidence to support their case, but neither could proffer an actual will. Here Emilia interrupts.
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come from a naturally short span of life. Aging rapidly before the eyes of the astonished onlookers, she offers
Kristina the formula so she now can become a great artist herself. However, Kristina burns the parchment in a candle flame. Elina collapses as she recites the first words of the
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The rest of the party begins to search her papers and belongings. The searchers find many documents and keepsakes, all bearing names with the initials 'E.M.' Jaroslav says that the handwriting of Elina
Makropulos on Ferdinand's birth certificate also matches that of Emilia.
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Emilia returns, drunk and with a pistol, but Albert disarms her. Emilia decides to tell the truth. She is Elina
Makropulos, born in 1575 (not 1585, as in Čapek's eponymous original stage play, which premiered in 1922), daughter of Hieronymus Makropulos, an alchemist in
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Kolenatý returns with
Jaroslav Prus. They found the will where Emilia said it would be, and Jaroslav congratulates Albert on his victory – if he can prove that Ferdinand Gregor was the Baron's out-of-wedlock son. Emilia says that she can prove that.
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Janáček was making adjustments to the score almost right up to the premiere in Brno. Two years after its premiere, the opera was given in Prague, and also in
Germany in 1929, but it did not become really popular until a production by the
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A stagehand and a cleaning woman discuss Emilia's extraordinary performance. Jaroslav Prus enters, seeking Emilia, accompanied by his young son Janek, and
Kristina. Kristina is in love with, and in a relationship with, Janek.
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Emilia enters, but spurns them all, including Janek, who falls under her spell, and Albert, who brings her expensive flowers. The old Count Hauk-Šendorf enters, and thinks he recognizes Emilia as Eugenia Montez, a
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gave the first US performances (in an English translation), also with Marie Collier in the lead role. The first New York City performance was in December 1967, by the Little Orchestra Society with
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652:'s Court, who ordered him to prepare a potion that would extend his life. When the potion was ready, the Emperor ordered his alchemist to test it on his daughter first. She fell into a
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Kolenatý returns to his law office. Emilia Marty enters displaying an interest in the Gregor case, which Kolenatý summarizes for her. Baron Joseph Ferdinand Prus died in 1827, leaving no
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Makropulos. Only at the end of the final act, when Makropulos' vulnerability is revealed, does the music tap into and develop the rich lyrical vein that has driven it throughout.
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Emilia, and makes advances to her. But Emilia, bored and indifferent, coldly refuses him. However, she asks his help in retrieving a document that will be found with the will.
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Kristina, enters. She is a young opera singer, and praises Emilia Marty, a famous singer she has seen rehearsing, and admits that she will never be the artist Emilia Marty is.
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sang the title role in a San Francisco Opera production in November 2010. The production was filmed live, and was later streamed for free for two days in July 2020 during the
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Jaroslav hardly has time to express his anger at her reaction before Count Hauk-Šendorf enters. Hauk-Šendorf says that he has left his wife and wants to elope with Emilia to
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on the opera. By December 1924, he had completed the first draft of the work. He spent another year refining the score, before completing it on 3 December
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All except Jaroslav leave. He demands an explanation of her strange interest in his family, and reveals that the mother of the Baron's child was recorded as
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production of the opera, in an English translation, had its opening night on 5 January 1996, but ended prematurely only a few minutes into act 1 when
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The Australian premiere was in 1996, with the Australian Opera, conducted by David Stanhope. (Richard Synott "THE AO DOES JANACEK PROUD",
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as Emilia Marty. While performed with some regularity, it has not become part of the core opera repertory in the same way as have
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1215:"Best Bets: S.F. Opera's 'The Makropulos Case,' Yoshi's benefit concert, Shakespeare fest and much more on tap"
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in August–September 2012, and in the semi-staged version at The Proms in the Royal Albert Hall in August 2016.
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exhausted apathy and resolves to allow death to come naturally to her, understanding that a sense of
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was his penultimate opera and, like much of his later work, was inspired by his infatuation with
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This article is about the opera by Leoš Janáček. For the play by Karel Čapek, see
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Tomáš Šimerda directed a 2001 version of the opera for Czech television, with
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938:"A Woman Skips Across 3 Centuries, Maintaining Her Ability to Enchant"
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half a century before. Emilia tells him Eugenia is not dead, and in
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https://www.afr.com/politics/the-ao-does-janacek-proud-19960202-k6rim
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1052:"Richard Versalle, 63, Met Tenor, Dies After Fall in a Performance"
1267:"Triumphant Makropulos in Helsinki – Seen and Heard International"
1242:"A Mysterious Woman With a Past, 300 Years of It (Published 2012)"
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review – Karita Mattila's diva glows with breathtaking opulence"
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Emilia, Gregor, Kolenatý, Vítek, Kristina, Jaroslav Prus, Janek
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Conductor, chorus & orchestra, stage director (for videos)
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Has U.S. Premiere – Striking Work Is Taken From Play by Capek"
899:, Peter Hoare, Jurgita Adamonyte, Johan Reuter, Ales Briscein
1112:"Opera Review: She's a Free Spirit, Forever Toying With Men"
751:, Dalibor Jedlička, Vladimír Krejčík, Anna Czaková,
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1435:returns to Prague's National Theatre – Czech Radio
859:, Robert Brubaker, Neal Davies, John Graham-Hall,
792:, Kathleen Brett, Cornelius Opthof, Benoit Boutet
1825:Leoš Janáček International Competition in Brno
217:Janáček had seen the play early in its run in
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201:The opera received its world premiere at the
198:, a married woman much younger than himself.
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1027:"Met Tenor Is Stricken Ill Onstage And Dies"
1002:; Janacek Work Is Heard Here for First Time"
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301:as Emilia Marty, and a cast that included
205:in Brno on 18 December 1926, conducted by
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384:Emilia Marty, formerly Elina Makropulos,
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556:Vitek, Kolenatý's clerk, notes that the
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313:. The opera has been performed twice at
243:company in London in 1964, conducted by
51:Relief of the composer by Julius Pelikán
1411:Janáček's Operas, A Documentary Account
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321:production presented in concert at the
173:in 3 acts, with music and libretto by
329:, in a semi-staged concert version).
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845:, Nikolaus Lehnhoff (stage director)
603:woman with whom he had an affair in
1910:Adaptations of works by Karel Čapek
1744:Elegy on the Death of Daughter Olga
1240:Tommasini, Anthony (Apr 29, 2012).
848:VHS & DVD: Warner Music Vision
631:Emila's hotel room the next morning
552:Kolenatý's law office, Prague, 1922
309:Chorus and Orchestra and conductor
1782:Janáček Academy of Performing Arts
1385:, New York: Penguin Putnam, 2001,
824:, Anthony Roden, Manuela Kriscak,
590:The empty stage of the opera house
190:. Composed between 1923 and 1925,
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1440:Metropolitan Opera programme for
1190:"A Miraculous Mattila Makropulos"
177:. Janáček based his opera on the
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1751:The Diary of One Who Disappeared
1293:"Finland's Classical Crescendo"
1080:"Opera Review : Janacek's
1050:Lynette Holloway (1996-01-07).
373:Premiere cast, 18 December 1926
325:) and in August 2016 (with the
1797:Janáček Philharmonic Orchestra
1632:The Wandering of a Little Soul
1271:seenandheard-international.com
877:CD: Chandos (sung in English)
1:
1532:The Excursions of Mr. Brouček
1291:Marcus, J. S. (Sep 6, 2012).
1194:San Francisco Classical Voice
1166:"You are being redirected..."
835:London Philharmonic Orchestra
1787:Leoš Janáček Airport Ostrava
1025:Randy Kennedy (1996-01-06).
936:Kenneth Furie (1995-12-24).
863:, John Wegner, Thomas Walker
447:his daughter, a young singer
1383:The New Penguin Opera Guide
966:"Janacek in San Francisco;
916:DVD: C-Major Entertainment
736:LP and Audio CD: Supraphon
618:, who might be the same as
280:as Emilia Marty. The first
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1560:From the House of the Dead
809:VHS Video: Pickwick Video
348:COVID-19 pandemic lockdown
116:18 December 1926
18:
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1421:, Ch. 8 (p. 304–325)
1413:, Faber and Faber, 1992,
1346:Tim Ashley (2012-12-13).
1317:Tim Ashley (2007-02-23).
1138:Tim Ashley (2016-08-21).
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33:
1546:The Cunning Little Vixen
1511:The Beginning of a Novel
1306:– via www.wsj.com.
266:The Cunning Little Vixen
60:
776:LP and Audio CD: Decca
731:Prague National Theatre
1890:Science fiction operas
1880:Operas by Leoš Janáček
1401:The Makropoulos Affair
1397:English National Opera
890:Jochen Schmeckenbecher
872:English National Opera
800:Canadian Opera Company
764:Wiener Staatsopernchor
352:Finnish National Opera
327:BBC Symphony Orchestra
317:, in August 1995 (the
1895:Operas based on plays
1875:Czech-language operas
1553:The Makropulos Affair
1142:The Makropulos Affair
843:Glyndebourne Festival
772:Wiener Philharmoniker
717:Helena Tattermuschová
307:Brno National Theatre
192:The Makropulos Affair
150:The Makropulos Secret
141:The Makropulos Affair
29:The Makropulos Affair
21:The Makropulos Affair
16:Opera by Leoš Janáček
1819:In Search of Janáček
1758:The Wandering Madman
1690:On an Overgrown Path
1673:String Quartet No. 2
1661:String Quartet No. 1
1489:List of compositions
1084:at the Met Misfires"
874:Orchestra and Chorus
745:Elisabeth Söderström
733:Chorus and Orchestra
534:Offstage male chorus
459:Baron Jaroslav Prus
158:The Makropulos Thing
146:The Makropoulos Case
73:The Makropoulos Case
1840:Moravian folk music
1442:The Makropulos Case
1433:The Makropulos Case
1399:'s performances of
1350:The Makropulos Case
1321:The Makropulos Case
1297:Wall Street Journal
994:Harold C. Schonberg
968:The Makropulos Case
962:Harold C. Schonberg
911:Christoph Marthaler
907:Vienna Philharmonic
830:Christopher Ventris
784:Stephanie Sundine,
488:Count Hauk-Šendorf
386:a celebrated singer
311:Oliver von Dohnányi
274:San Francisco Opera
234:Performance history
213:Composition history
1246:The New York Times
1219:Local News Matters
1116:The New York Times
1056:The New York Times
1031:The New York Times
1006:The New York Times
974:The New York Times
942:The New York Times
861:Elena Xanthoudakis
768:Helmuth Froschauer
715:, Rudolf Vonásek,
336:, 2 February 1996
299:Gabriela Beňačková
282:Metropolitan Opera
1905:Fictional singers
1862:
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1712:Intimate Sketches
1578:Idyll for Strings
1169:www.operanews.com
1088:Los Angeles Times
1076:Martin Bernheimer
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903:Esa-Pekka Salonen
868:Charles Mackerras
796:Berislav Klobučar
760:Charles Mackerras
650:Emperor Rudolf II
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499:Stage Technician
440:Valentin Šindler
396:Alexandra Čvanová
377:František Neumann
323:Royal Albert Hall
245:Charles Mackerras
207:František Neumann
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620:Ellian MacGregor
616:Elina Makropulos
518:Jelena Ježičová
454:Jožka Mattesová
433:Kolenatý's clerk
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278:Naděžda Kniplová
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1395:Programme for
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1379:Holden, Amanda
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1221:. Jul 22, 2020
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1154:on 2016-12-28.
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1110:(1998-04-13).
1108:Paul Griffiths
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1078:(1996-02-03).
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996:(1967-12-13).
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1835:Literaturoper
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1539:Káťa Kabanová
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1407:Tyrrell, John
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1391:0-14-029312-4
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1352:– DVD review"
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723:, Viktor Kočí
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671:Lord's Prayer
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260:Káťa Kabanová
256:
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249:Marie Collier
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169:) is a Czech
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1705:In the Mists
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1480:Leoš Janáček
1444:, 5 May 2012
1441:
1432:
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1400:
1382:
1359:. Retrieved
1356:The Guardian
1355:
1349:
1341:
1330:. Retrieved
1327:The Guardian
1326:
1320:
1312:
1300:. Retrieved
1296:
1286:
1274:. Retrieved
1270:
1261:
1249:. Retrieved
1245:
1235:
1223:. Retrieved
1218:
1209:
1197:. Retrieved
1193:
1184:
1172:. Retrieved
1168:
1160:
1152:the original
1148:The Guardian
1147:
1141:
1119:. Retrieved
1115:
1102:
1091:. Retrieved
1087:
1081:
1070:
1059:. Retrieved
1055:
1045:
1034:. Retrieved
1030:
1020:
1009:. Retrieved
1005:
999:
988:
977:. Retrieved
973:
967:
956:
945:. Retrieved
941:
931:
839:Andrew Davis
826:Victor Braun
822:Andrew Shore
786:Graham Clark
753:Václav Zítek
721:Přemysl Kočí
713:Karel Berman
658:
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475:
468:Zdeněk Otava
446:
432:
416:
385:
375:(Conductor:
342:
333:
331:
319:Glyndebourne
303:Roman Sadnik
296:
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175:Leoš Janáček
165:
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149:
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138:
98:
72:
61:
57:Native title
39:Leoš Janáček
1885:1925 operas
1614:Concertante
1605:Sinfonietta
1585:Taras Bulba
893: [
523:Hotel Maid
188:Karel Čapek
106:Karel Čapek
69:Other title
1869:Categories
1737:Our Father
1697:1. X. 1905
1621:Concertino
1570:Orchestral
1403:, May 2006
1361:2016-08-23
1348:"Janáček:
1332:2016-08-23
1319:"Janacek:
1121:2016-10-03
1093:2016-10-03
1061:2008-11-29
1036:2016-08-23
1011:2016-08-23
979:2016-08-23
947:2016-08-23
923:References
818:Anja Silja
681:Recordings
445:Kristina,
369:Voice type
120:1926-12-18
79:Librettist
1775:Namesakes
1626:Capriccio
709:Ivo Žídek
605:Andalusia
502:baritone
315:The Proms
154:literally
1856:Category
560:case of
542:Synopsis
463:baritone
451:soprano
417:a lawyer
112:Premiere
95:Based on
87:Language
1811:Related
1650:Pohádka
1642:Chamber
1525:Destiny
1381:(ed.),
1373:Sources
666:purpose
609:Spanish
558:probate
476:his son
474:Janek,
431:Vítek,
391:soprano
118: (
82:Janáček
1900:Operas
1730:Amarus
1722:Choral
1518:Jenůfa
1496:Operas
1417:
1389:
1302:Dec 1,
1276:Dec 1,
1251:Dec 1,
1225:Dec 1,
1199:Dec 1,
1174:Dec 1,
837:, Sir
699:Label
601:Romani
491:tenor
480:tenor
437:tenor
254:Jenůfa
219:Prague
152:, or,
130:, Brno
1682:Piano
1667:Youth
1504:Šárka
897:]
691:Cast:
688:Year
675:Greek
638:Spain
626:Act 3
585:Act 2
547:Act 1
526:alto
406:tenor
365:Role
358:Roles
340:)
286:tenor
247:with
171:opera
162:Czech
90:Czech
35:Opera
1415:ISBN
1387:ISBN
1304:2020
1278:2020
1253:2020
1227:2020
1201:2020
1176:2020
1082:Case
882:2012
866:Sir
853:2007
814:1995
781:1989
758:Sir
741:1978
704:1966
664:and
654:coma
570:will
514:alto
224:1925
179:play
144:(or
770:),
673:in
263:or
186:by
104:by
37:by
1871::
1409:.
1354:.
1325:.
1295:.
1269:.
1244:.
1217:.
1192:.
1146:.
1130:^
1114:.
1086:.
1054:.
1029:.
1004:.
972:.
940:.
909:,
905:,
895:de
870:,
841:,
828:,
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762:,
747:,
729:,
719:,
711:,
677:.
379:)
269:.
257:,
226:.
209:.
160:;
156:,
148:,
1472:e
1465:t
1458:v
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1335:.
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1229:.
1203:.
1178:.
1140:"
1124:.
1096:.
1064:.
1039:.
1014:.
998:"
982:.
950:.
122:)
23:.
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