632:
that starts very bleak, but his character was quite optimistic and humerous. Gregson-Williams wanted to track his ups and downs musically. On writing his theme, he found a "more personal sound" that accompanied his monologues and required him to go deeper into it. He used arpeggiated synth sounds which could accompany a piano or similar instruments, but as the film progressed and his tasks became more grander, so as the music. He recorded a large orchestra and choir at
624:, confirming his involvement. He was involved in the project, four weeks before the film entered post-production, and Scott supervised the film in the editing room, and was further amazed by the "tight and innovative" writing, performances, and the "perfectly executed" edit which thought of him as "a charm to work on a film where three moons are aligned". They discussed about the textures, sounds and colors of the music might provide and the emotional arc of the film.
79:, composing the main film score for the first and last films, and doing additional music for the other two. Williams said that, the score would be mostly hybrid, but also being "epic" and "large" in terms of scale, while the film tells about a man's survival. A deluxe edition combining both the film score and the soundtrack, were released in digital and physical formats on November 6.
875:, and may disappoint listeners looking for that sort of score, I personally think Harry Gregson-Williams interpreted Ridley Scott’s vision perfectly. The electronic ideas capture its scientific backbone in terms of the film’s celebration of intellect and ingenuity, and pays homage to its classic sci-fi outlook." James Southall of
627:
Gregson-Williams, however had certain challenges geographically, as most of the film's story set in Mars and had to find a character, in which he would serve as a "monster" metaphorically, and that approach would counter what they were really after, where Mars had the austerity to it, being calming
631:
The score had plenty of long notes, which were not in hurry at most of the times. It was further being a hybrid score, of epic and large in scale, but at its heart, it depicts about Watney's (Matt Damon) survival. The thematic material attached to him progresses and evolves throughout his journey,
887:
called it as "a very stylish score with each cue feeling like a nicely rounded piece of music. The composer effortlessly mixes orchestral and synthesized textures to create a very human, yet very alien atmosphere. It suits the film to the ground, and makes for a beautiful, new age-type album."
1137:
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felt that the musical choices "make Mark's predicament seem like an elevated version of a tedious but necessary task, like tiling a roof or repainting a garage. Hard work always seems to go faster when you put some tunes on."
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is smart music, cleverly conceived and like all good film music there’s a great dramatic impetus to it on the album, a clear course being travelled." Pete Simons of
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soundtrack reflects Watney's struggle, and by the time you leave the theater, you'll have heard enough '70s hits to last a lifetime." Megan Garner of
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Critics noted the use of 70's disco music in the film being compiled into a soundtrack, would bring a prominent response, similar to the
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58:. The music served as a "comic relief" to provide sarcasm where most of the songs are chosen and performed ironically.
1608:
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1181:
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54:, and the latter, featured incorporated songs used in the film, that was released as a separate album under the title
628:
and spacious, and there had been hints of danger and malevolence because Mars will kill him if he puts a foot wrong.
1572:
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1419:
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1038:""Songs From The Martian" and "Original Motion Picture Score" by Harry Gregson-Williams Available Digitally Today"
1520:
1338:"'The Martian' Composer Harry Gregson-Williams Discusses David Bowie, Collaborating With Ridley Scott, and More"
1686:
395:
63:
35:
1214:"'The Martian' Soundtrack Keeps It Funky With A Groovy '70s Disco Feel, Just Like Another Space-Faring Movie"
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genre, which apparently Watney hates), the only music available to Watney on Mars which often appears as
976:
1511:"Hollywood Music in Media Awards: 'Hunting Ground,' 'Furious 7,' '50 Shades of Grey' Claim Top Prizes"
1515:
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27:
61:
This film marked the fourth collaboration between
Gregson-Williams and Scott, the former worked on
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21:
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A running gag in the film is commander
Melissa Lewis's love for 1970s songs (especially of the
1145:
871:
590:
158:
95:
43:
1182:"'The Martian' Composer on Creating Matt Damon's Theme, Ridley Scott's 'Prometheus' Plans"
543:
1107:"Will the '70s Disco Soundtrack of 'The Martian' Be the Next 'Guardians of the Galaxy'?"
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1138:"'The Martian' has a killer soundtrack — here are the 5 best musical moments"
443:
and all that—but for a colonial one". Matt
Zoeller Seitz, in his review for
403:
127:
31:
1364:"Harry Gregson-Williams Interview: The Martian, Ridley Scott, Hans Zimmer"
1576:
1550:
1427:
1638:
1480:"Jameson Empire Awards 2016: Star Wars and Mad Max lead the nominations"
1637:. St. Louis Film Critics Association. December 13, 2015. Archived from
439:
becomes a metaphor not just for an exploratory approach to the cosmos—
869:
might not have the crowd-pleasing overt heroism of something like an
498:
50:, features instrumental tracks from the original score composed by
384:
406:, was played in the film, but was not included in the soundtrack.
301:
454:
ranked it as one among the "30 Best Film
Soundtracks of 2015".
620:(2014), Scott asked Gregson-Williams to read the script of
1245:"'The Martian' and Disco as the New Soundtrack of Space"
895:
42:. Two soundtrack albums for the film were released by
1611:. December 2, 2015. pressacademy.com. Archived from
1276:"The Martian movie review & film summary (2015)"
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1307:"The 30 Best Scores & Soundtracks Of 2015"
865:Music critic Jonathan Broxton wrote "Although
8:
943:Best Original Score in a Sci-Fi/Fantasy Film
1071:"The Music Of 'The Martian,' Deconstructed"
963:Best Sound Editing – Music in Feature Film
46:on October 2, 2015. The first album titled
465:The Martian: Original Motion Picture Score
461:
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48:The Martian: Original Motion Picture Score
1305:The Playlist Staff (December 14, 2015).
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171:
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1450:"The Martian (Harry Gregson-Williams)"
1389:"THE MARTIAN – Harry Gregson-Williams"
425:(2014). Johny Brayson of Bustle said "
1509:Feinberg, Scott (November 12, 2015).
907:
904:
901:
898:
847:
614:After providing additional music for
366:
7:
1418:Southall, James (October 13, 2015).
1336:Ciafardini, Marc (October 5, 2015).
1220:. September 30, 2015. Archived from
1194:from the original on October 5, 2015
1100:
1098:
1096:
1065:
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1048:from the original on October 5, 2015
1032:
1030:
1028:
1026:
911:
1635:"2015 StLFCA Annual Award Nominees"
1105:Newman, Melinda (October 2, 2015).
1677:Harry Gregson-Williams soundtracks
1180:Gajewski, Ryan (October 3, 2015).
999:St. Louis Film Critics Association
14:
1456:. October 6, 2015. Archived from
1395:. October 9, 2015. Archived from
1243:Garber, Megan (October 4, 2015).
1362:Lambie, Ryan (October 1, 2015).
1136:Yahr, Emily (October 14, 2015).
1547:Hollywood Music in Media Awards
1420:"The Martian soundtrack review"
938:Hollywood Music in Media Awards
16:Motion picture soundtrack album
966:Tony Lewis, Richard Whitfield
708:"Science the S*** Out of This"
648:
175:
1:
1672:Columbia Records soundtracks
959:Motion Picture Sound Editors
1604:International Press Academy
1703:
1575:. Mpse.org. Archived from
1599:"Satellite Awards (2015)"
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441:space, the final frontier
354:"The Martian Score Suite"
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396:All Along the Watchtower
422:Guardians of the Galaxy
256:Don't Leave Me This Way
1667:2015 soundtrack albums
1486:. 2016. Archived from
1187:The Hollywood Reporter
987:Harry Gregson-Williams
899:Award / Film Festival
719:"Messages from Hermes"
617:Exodus: Gods and Kings
560:Harry Gregson-Williams
549:Harry Gregson-Williams
476:Harry Gregson-Williams
358:Harry Gregson-Williams
90:Songs from The Martian
76:Exodus: Gods and Kings
56:Songs from The Martian
52:Harry Gregson-Williams
1641:on February 21, 2016
1615:on February 21, 2016
1573:"2016 Film Nominees"
1490:on February 19, 2016
1430:on November 15, 2015
1274:Seitz, Matt Zoller.
1081:on November 25, 2015
730:"Sprouting Potatoes"
435:wrote "the music of
242:The Hues Corporation
196:Turn the Beat Around
28:science fiction film
1286:on November 4, 2015
1255:on November 8, 2015
1224:on January 14, 2016
1156:on October 22, 2017
1044:. October 2, 2015.
840:"Fly Like Iron Man"
697:"Spotting Movement"
83:Original soundtrack
1523:on August 14, 2020
818:"See You In A Few"
807:"Work The Problem"
675:"Emergency Launch"
634:Abbey Road Studios
495:Abbey Road Studios
202:Vicki Sue Robinson
1682:Disco soundtracks
1553:on August 8, 2016
1040:(Press release).
1014:
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741:"Watney's Alive!"
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64:Kingdom of Heaven
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1579:on March 9, 2016
1569:
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1549:. Archived from
1539:
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1519:. Archived from
1506:
1500:
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1476:
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1460:on July 28, 2021
1446:
1440:
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1435:
1426:. Archived from
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1317:on June 16, 2023
1313:. Archived from
1302:
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1293:
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1282:. Archived from
1271:
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1262:
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1251:. Archived from
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1152:. Archived from
1133:
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1117:on June 25, 2022
1113:. Archived from
1102:
1091:
1090:
1088:
1086:
1077:. Archived from
1067:
1058:
1057:
1055:
1053:
1034:
1003:Best Soundtrack
977:Satellite Awards
913:
896:
850:
796:"Crops Are Dead"
785:"Reap & Sow"
650:
645:
591:Miss You Already
568:
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398:", performed by
394:A track titled "
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96:Soundtrack album
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44:Columbia Records
36:of the same name
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1687:Pop soundtracks
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1399:on June 2, 2016
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1142:Washington Post
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924:Best Soundtrack
894:
863:
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848:
774:"Crossing Mars"
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486:October 2, 2015
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109:October 2, 2015
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100:various artists
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1590:
1564:
1543:"2015 winners"
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1393:MOVIE MUSIC UK
1380:
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1342:The Film Stage
1328:
1297:
1280:RogerEbert.com
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829:"Build a Bomb"
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763:"Hexadecimals"
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686:"Making Water"
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573:Monkey Kingdom
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458:Original score
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446:RogerEbert.com
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389:diegetic music
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336:I Will Survive
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34:'s 2011 novel
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947:Ridley Scott
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919:Empire Awards
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905:Recipient(s)
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640:Track listing
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368:Total length:
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342:Gloria Gaynor
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167:Track listing
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1645:December 13,
1643:. Retrieved
1639:the original
1629:
1617:. Retrieved
1613:the original
1602:
1593:
1581:. Retrieved
1577:the original
1567:
1555:. Retrieved
1551:the original
1546:
1537:
1525:. Retrieved
1521:the original
1514:
1504:
1492:. Retrieved
1488:the original
1483:
1474:
1462:. Retrieved
1458:the original
1454:Synchrotones
1453:
1444:
1432:. Retrieved
1428:the original
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885:Synchrotones
884:
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752:"Pathfinder"
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432:The Atlantic
430:
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400:Jimi Hendrix
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222:Donna Summer
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40:Ridley Scott
38:directed by
26:is the 2015
22:
20:
18:
1619:December 2,
1557:November 3,
1527:November 3,
1368:Den of Geek
1042:PR Newswire
881:The Martian
867:The Martian
636:in London.
622:The Martian
582:The Martian
437:The Martian
427:The Martian
282:David Bowie
73:(2012) and
23:The Martian
1661:Categories
1494:August 18,
1464:August 18,
1434:August 18,
1424:Movie Wave
1403:August 18,
1373:August 18,
1347:August 18,
1321:August 18,
1290:August 18,
1198:October 4,
1160:August 18,
1052:October 4,
1017:References
1008:Nominated
991:Nominated
982:Best Music
969:Nominated
950:Nominated
930:Nominated
877:Movie Wave
610:Background
562:chronology
511:Film score
471:Film score
417:soundtrack
322:The O'Jays
316:Love Train
70:Prometheus
1583:April 11,
1516:Billboard
1311:IndieWire
1259:April 10,
1228:April 10,
1150:0190-8286
1121:April 10,
1111:Billboard
1085:April 10,
902:Category
892:Accolades
872:Apollo 13
861:Reception
452:IndieWire
411:Reception
404:Bob Dylan
216:Hot Stuff
183:Artist(s)
32:Andy Weir
30:based on
1192:Archived
1046:Archived
544:Producer
538:Columbia
483:Released
473: by
296:Waterloo
159:Columbia
106:Released
98: by
67:(2005),
1075:NPR.org
908:Result
879:wrote "
595:(2015)
586:(2015)
577:(2015)
276:Starman
1484:Empire
1218:Bustle
1148:
912:Ref(s)
664:"Mars"
656:Length
517:Length
499:London
491:Studio
379:Notes
186:Length
137:Length
853:51:49
653:Title
534:Label
506:Genre
385:disco
372:33:06
180:Title
154:Label
123:Disco
115:Genre
1647:2015
1621:2015
1585:2016
1559:2016
1529:2016
1496:2023
1466:2023
1436:2023
1405:2023
1375:2023
1349:2023
1323:2023
1292:2023
1261:2022
1230:2022
1200:2015
1162:2023
1146:ISSN
1123:2022
1087:2022
1054:2015
843:4:45
832:5:06
821:5:11
810:1:57
799:3:26
788:2:21
777:3:36
766:2:33
755:2:33
744:2:46
733:1:39
722:3:31
711:2:16
700:1:49
689:2:38
678:3:09
667:2:25
402:and
362:4:19
346:3:17
326:2:58
306:2:46
302:ABBA
286:4:14
266:3:37
246:3:19
226:5:12
206:3:24
1609:IPA
837:17.
826:16.
815:15.
804:14.
793:13.
782:12.
771:11.
760:10.
649:No.
419:of
176:No.
128:pop
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