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The album is based on field recordings made in
Cameroon in 1994, with Baka percussionists and vocalists; Cradick then took the recordings to the studio. Cradick used more Celtic musical styles, compared to the first album.
120:, released in 1995. It was a collaboration between British musicians and the Cameroonian Baka. Martin Cradick, the founder and guitar player for the group, decided to make a second album after the success of the first,
309:
has moments of real piquancy, as on 'Ohureo', a traditional from the
Western Isles of Scotland... This macabre lullaby, dressed up with African drums and LeMercier's fiddle commentary, is achingly entrancing."
288:
stated: "Occasional Irish overtones emerge from this strange brew; the overall feeling is one of a pulsing dreaminess, grounded by a happy percussive underbeat given heart by recurring female vocal tonings."
127:
The album sold more than 50,000 copies in its first year of release. Cradick set up a foundation to distribute royalties to the Baka people, for the songs that were considered traditional.
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determined that the attempt "to merge gentle Celtic themes and original music of the Baka people of
Cameroon's forests ... just doesn't work."
200:
721:
711:
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716:
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299:"a lush, complex and richly rewarding album," noting the "beautiful melodies and haunting rhythms."
613:
540:
Melville, Caspar (2017). "Valuing
Tradition: Mali's jeliw, European publishers and Copyright".
446:
510:
Langley, Martin (6 May 1999). "Stretching the boundaries of fusion music far out of Africa".
291:
62:
661:
Cummings, Jim (22 Dec 1995). "Eclectic Mix of
Rollicking New Acoustic, Jazz". Pasatiempo.
28:
705:
448:
Western Music and Its Others: Difference, Representation, and
Appropriation in Music
316:
deemed the album "a truly inspired cultural mish mash that defies categorisation."
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278:
57:
462:
Andrews, Jon (Dec 1995). "Worlds in collision — The
Meeting Pool by Baka Beyond".
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41:
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302:
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574:
Feld, Steven (1996). "Pygmy Pop: A Genealogy of
Schizophonic Mimesis".
36:
477:
Tearson, Michael (Dec 1995). "The
Meeting Pool by Baka Beyond".
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World Music: Africa, Europe and the Middle East, Volume 1
529:. Vol. 108, no. 21. May 25, 1996. p. 35.
680:. Vol. 13, no. 21. May 25, 1996. p. 13.
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313:World Music: Africa, Europe and the Middle East
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646:Chapman, Geoff (14 Jan 1996). "World Music".
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493:"Baka Beyond Biography, Songs, & Albums"
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597:MusicHound World: The Essential Album Guide
239:MusicHound World: The Essential Album Guide
599:. Visible Ink Press. 2000. pp. 52–53.
143:
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481:. Vol. 79, no. 12. p. 99.
466:. Vol. 62, no. 12. p. 75.
445:Hesmondhalgh, David (October 15, 2000).
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16:1995 studio album by Baka Beyond
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694:. Rough Guides. 1999. p. 607.
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635:. Vol. 1. MUZE. p. 372.
633:The Encyclopedia of Popular Music
451:. University of California Press.
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663:The Santa Fe New Mexican
563:. Heinemann. p. 19.
285:The Santa Fe New Mexican
722:Hannibal Records albums
559:Allen, Patrick (1999).
525:"When worlds collide".
631:Larkin, Colin (2006).
145:Professional ratings
122:Spirit of the Forest
82:Spirit of the Forest
388:"Meeting of Tribes"
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712:Baka Beyond albums
614:"The Meeting Pool"
355:"Ancestor's Voice"
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37:Studio album
717:1995 albums
118:Baka Beyond
70:Baka Beyond
42:Baka Beyond
706:Categories
432:References
131:Production
72:chronology
527:Billboard
399:"Journey"
618:AllMusic
548:(1): 35.
497:AllMusic
464:DownBeat
377:"Ohureo"
303:AllMusic
164:AllMusic
63:Hannibal
49:Released
39: by
344:"Woosi"
295:called
101:(1996)
98:Outback
94:(1995)
85:(1993)
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366:"Lupé"
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336:Length
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582:: 23.
479:Audio
333:Title
58:Label
276:The
52:1995
329:No.
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