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The Mines of Sulphur

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360:. The count threatens the lovers, and the girl urges the valet to kill the count. The play parallels the prior situation of Boconnion, Braxton and Rosalind. At the point just before the girl and the valet are about to kill the count, Boconnion halts the play. The actress Jenny (the wife in the play) faints, and Tooley takes her upstairs, where he discovers the murdered landowner. Boconnion imprisons the actors in the cellar and plans to set fire to the manor to get rid of them the next morning. Boconnion then kisses Jenny to taunt Rosalind, but then it is revealed that Jenny has the 344:, in the mid-18th century. Rosalind has returned to the manor of Braxton, her master, where she had formerly been a servant and where Braxton had been treating her abusively. Boconnion, a military deserter wanted on charges of killing a man, and the tramp Tovey arrive. Boconnion, Tovey and Rosalind conspire to kill Braxton, and carry out this plan. The three steal Braxton's riches and begin to celebrate their new wealth, planning to escape with it as well. 364:. A ballad from Jenny reaffirms a link between her troupe and the earlier actors. The actors then somehow have vanished from the locked cellar, and Jenny takes her leave. Rosalind, Boconnion and Tovey see that the manor door has the plague mark painted on it, and they stay in the manor, realizing that they are doomed. 347:
A group of itinerant actors then arrives at the manor. Boconnion agrees to give them shelter, in return for entertainment. The troupe bears a resemblance to actors who had visited the manor centuries earlier. The actors present their newest play,
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Radio Network Three on 5 March 1965, and produced in a version for BBC Television on 13 November 1966. It received numerous subsequent performances, including in
616: 410: 611: 414: 636: 631: 494: 386: 513: 479: 59: 300: 111: 29: 268: 626: 389:, Brian Anderson, Michael Todd Simpson, Caroline Worra, Andrew Gorell; Glimmerglass Opera Orchestra; 156: 217: 107: 378: 103: 465: 451: 390: 295: 554: 49: 102:. After the mid-1970s, however, the work was mostly forgotten, until a popular revival by 94:(at the Juilliard School). Most productions were well received, except for one directed by 621: 517: 382: 196: 33: 605: 212: 191: 185: 91: 374: 338: 48:, who eventually directed the first production in 1965. The opera is dedicated to 45: 361: 341: 324: 134: 95: 87: 593:
Anthony Tommasini (2005-10-21). "A Composer Happily Returns To 'The Mines'".
249: 206: 75: 172: 145: 99: 37: 233: 83: 71: 318: 63: 52:, whose Aldeburgh Festival had originally commissioned the opera. 110:, and also commercially recorded in 2005. It had 7 performances at 357: 353: 227: 166: 151: 79: 25: 480:
Allan Kozinn, "A Dark and Stormy Night, With Doings to Match".
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who weds a beautiful girl, who falls in love with the count's
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in 2004. The Glimmerglass production was then brought to the
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Susan Bradshaw. "The Mines of Sulphur". In L. Macy (ed.).
32:, his first full-length opera, composed in 1963. 8: 373:Chandos CHSA 5036(2): Kristopher Irmiter, 430:Stanley Sadie, "Richard Rodney Bennett's 121: 403: 337:The opera is set in an old, decaying 58:was premièred on 24 February 1965 at 7: 541:. L'Almanacco di Gherardo Casaglia 469:Issue 2244, 10 November 1966, p 14 455:Issue 2155, 25 February 1965, p 64 14: 495:Andrew Clark, "Arts & Ideas: 617:Operas by Richard Rodney Bennett 131:Premiere Cast, 24 February 1965 16:Opera by Richard Rodney Bennett 1: 559:. Richard Rodney Bennett". 393:, conductor (live recording) 66:. It was also broadcast on 653: 529:Casaglia, Gherardo (2005). 499:, New York City Opera". 411:Obituary for Colin Graham 612:English-language operas 44:, at the suggestion of 514:Review by Andrew Clark 112:Wexford Festival Opera 60:Sadler's Wells Theatre 30:Richard Rodney Bennett 637:Operas based on plays 632:Operas set in England 557:The Mines of Sulphur 497:The Mines of Sulphur 432:The Mines of Sulphur 350:The Mines of Sulphur 56:The Mines of Sulphur 40:, based on his play 21:The Mines of Sulphur 561:The Opera Quarterly 352:, about an elderly 108:New York City Opera 595:The New York Times 585:Grove Music Online 503:, 26 October 2005. 484:, 25 October 2005. 379:Brandon Jovanovich 104:Glimmerglass Opera 567:, 775-778 (2005). 539:24 February 1965" 520:, 20 October 2008 421:, 11 April 2007. 391:Stewart Robertson 330: 329: 238:Catherine Wilson 28:in three acts by 644: 598: 589: 569: 552: 546: 544: 538: 533:Mines of Sulphur 527: 521: 511: 505: 492: 486: 477: 471: 463: 457: 449: 443: 428: 422: 415:Elizabeth Forbes 408: 301:Harold Blackburn 291:an actor/manager 122: 50:Benjamin Britten 652: 651: 647: 646: 645: 643: 642: 641: 602: 601: 592: 581: 578: 573: 572: 553: 549: 542: 536: 528: 524: 518:Financial Times 512: 508: 501:Financial Times 493: 489: 478: 474: 464: 460: 450: 446: 442:, 24-25 (1965). 429: 425: 419:The Independent 409: 405: 400: 383:James Maddalena 370: 335: 177:Gwin Griffiths 157:Gregory Dempsey 132: 120: 42:Scarlet Ribbons 17: 12: 11: 5: 650: 648: 640: 639: 634: 629: 624: 619: 614: 604: 603: 600: 599: 590: 577: 574: 571: 570: 547: 522: 506: 487: 482:New York Times 472: 458: 444: 423: 402: 401: 399: 396: 395: 394: 369: 366: 334: 331: 328: 327: 322: 311: 304: 303: 298: 293: 286: 285: 282: 279: 272: 271: 266: 263: 256: 255: 252: 247: 240: 239: 236: 231: 221: 220: 218:Frank Olegario 215: 210: 200: 199: 197:Joyce Blackham 194: 189: 179: 178: 175: 170: 160: 159: 154: 149: 139: 138: 129: 126: 119: 116: 34:Beverley Cross 15: 13: 10: 9: 6: 4: 3: 2: 649: 638: 635: 633: 630: 628: 625: 623: 620: 618: 615: 613: 610: 609: 607: 597:. p. E1. 596: 591: 587: 586: 580: 579: 575: 568: 566: 562: 558: 551: 548: 540: 534: 526: 523: 519: 515: 510: 507: 504: 502: 498: 491: 488: 485: 483: 476: 473: 470: 468: 462: 459: 456: 454: 448: 445: 441: 437: 433: 427: 424: 420: 416: 412: 407: 404: 397: 392: 388: 387:Dorothy Byrne 384: 380: 376: 372: 371: 367: 365: 363: 359: 355: 351: 345: 343: 340: 332: 326: 323: 320: 316: 312: 310: 306: 305: 302: 299: 297: 294: 292: 288: 287: 284:David Bowman 283: 280: 278: 274: 273: 270: 269:David Hillman 267: 264: 262: 258: 257: 253: 251: 248: 246: 242: 241: 237: 235: 232: 230: 229: 223: 222: 219: 216: 214: 213:bass-baritone 211: 209: 208: 202: 201: 198: 195: 193: 192:mezzo-soprano 190: 188: 187: 181: 180: 176: 174: 171: 169: 168: 162: 161: 158: 155: 153: 150: 148: 147: 141: 140: 136: 130: 127: 124: 123: 117: 115: 113: 109: 105: 101: 97: 93: 92:New York City 89: 85: 81: 77: 73: 69: 65: 61: 57: 53: 51: 47: 43: 39: 35: 31: 27: 23: 22: 594: 584: 564: 560: 556: 550: 543:(in Italian) 532: 525: 509: 500: 496: 490: 481: 475: 466: 461: 452: 447: 439: 438:(New Ser.), 435: 431: 426: 418: 406: 375:Beth Clayton 349: 346: 339:West Country 336: 308: 290: 276: 260: 244: 225: 204: 183: 164: 143: 133:(Conductor: 55: 54: 46:Colin Graham 41: 20: 19: 18: 627:1965 operas 467:Radio Times 453:Radio Times 342:manor house 325:John Fryatt 254:Ann Howard 142:Boconnion, 135:Colin Davis 128:Voice type 96:John Huston 88:Los Angeles 606:Categories 555:Joe Law, " 398:References 182:Rosalind, 36:wrote the 368:Recording 289:Sherrin, 281:baritone 250:contralto 207:landowner 203:Braxton, 114:in 2008. 76:Marseille 333:Synopsis 313:silent ( 277:an actor 275:Tooley, 261:an actor 259:Fenney, 245:an actor 173:baritone 146:deserter 100:La Scala 38:libretto 576:Sources 234:soprano 224:Jenny, 163:Tovey, 84:Toronto 72:Cologne 622:Operas 537:  362:plague 319:dancer 309:a mute 307:Trim, 265:tenor 243:Leda, 90:, and 64:London 24:is an 565:21(4) 436:Tempo 358:valet 354:count 228:actor 186:gypsy 167:tramp 152:tenor 125:Role 118:Roles 80:Milan 26:opera 315:mime 296:bass 434:. 226:an 98:at 68:BBC 62:in 608:: 563:, 516:, 440:73 417:, 413:, 385:, 381:, 377:, 321:) 205:a 184:a 165:a 144:a 137:) 86:, 82:, 78:, 74:, 588:. 545:. 535:, 531:" 317:/

Index

opera
Richard Rodney Bennett
Beverley Cross
libretto
Colin Graham
Benjamin Britten
Sadler's Wells Theatre
London
BBC
Cologne
Marseille
Milan
Toronto
Los Angeles
New York City
John Huston
La Scala
Glimmerglass Opera
New York City Opera
Wexford Festival Opera
Colin Davis
deserter
tenor
Gregory Dempsey
tramp
baritone
gypsy
mezzo-soprano
Joyce Blackham
landowner

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