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dallying with a feature program. Some of these wise ones will tell you that business has picked up since they went into features, — BUT — ask them whether they are talking NET or GROSS. They will find they have an immediate appointment and terminate your queries unceremoniously. Funny how we like to kid ourselves, isn't it? The man who is packing 'em in and losing money on features is envied by his competitor, who is laying by a bit every day, and has a good steady, dependable patronage but admits to a few vacant seats at some performances. When this chap wakes up, he will realize that he has a gold mine and that good advertising will make it produce to capacity. The moral is that if you can tie up to the
Universal Program, DO IT. If you can't NOW, watch your first chance. Let the people know what you have, and let the feature man go on to ruin if he wants to. You should worry!
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immigrant clothes. The woman should wear a short skirt, with an apron over it, and a three-cornered handkerchief of bright color tied over her hair. Put wooden shoes, or heavy man's shoes of some kind, on her feet and a bright-colored shawl around her shoulders. The man should wear a shabby, shapeless suit, heavy shoes on his feet, and a woolen scarf around his neck. He should carry a big bundle. On his back, he may wear a placard advertising the picture. They should walk through the streets, bewildered and lost-looking, staring at the building, and acting as two peasants from a far land, would behave in a strange country. The picture is called "The Morals of Hilda."
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her own. She names the boy Steven. But Ester is alone and unable to raise the boy without help. She asked Hilda to return to service and become a nurse. Hilda accepts the offer, then discovers Steven is her abandoned baby. Hilda must keep her relationship with the baby a secret. Unable to help raise a boy she mothered, Hilda leaves Ester's service.
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book the movie can be challenging, especially since mixed reviews do not mean it is a bad movie. In the end, it boils down to personal choices and how much value you place in the movie review and the reviewer. Movie critics and theater owners often use the following expressions to describe the movies they are reviewing or showing.
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empty. She assumes the worst, but unbeknownst to Hilda, August had stowed away on a tramp steamer heading for Europe. Hilda's situation is desperate, and she wants to meet death, letting the fates determine her son's future. Hilda places the baby boy in a basket, sets it afloat, then heads off to another part of the sea.
563:(1891-1955) was a 25 year-old actress when she landed this role as Hilda. Lederer was a German actress getting her first start in 1912 with Carl Laemmle. At the time of this film, she was still a Universal contract actress. She had previously acted in two Bosworth-Johnson projects preceding this movie -
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is based on a situation that always fails to convince, the entire picture is of an unconvincing nature. A couple from some "old country" migrate to
America without first having gone through the formality of a marriage ceremony. In their country, there were no marriage laws. Passing over the fact that
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This film has one overriding theme. A mother's love is the bedrock upon which this film stands. We know the bond between mother and son is one of the most potent forces in the world. A mother's love for her child is a special relationship built on love, trust, and respect. The bond intensifies as the
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After the crowd subdues the assassin, Steven rushes to the woman's side. As she lies dying, she tells Steven she is his birth mother. Hilda dies while her head rests in Steven's lap. Marion, who is nearby, consoles Steven and tells him his background doesn't matter to her. She loves him, and they can
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Steven wins the election and schedules an outdoor inauguration. Hilda reads about the event in the local newspaper and plans to attend. Steven is speaking to the crowd, highlighting his platform on underprivileged children. Suddenly, Hilda sees someone in the group with a gun. She believes the man is
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Hilda finds work as a domestic for Harris Grail and his wife, Ester. She discovers the Grails cannot have children. Then, Hilda finds she is expecting a child. Realizing Hilda's condition, the Grails learn Hilda is unmarried and living with her boyfriend. The wealthy couple can't have an unwed mother
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responded by forming a three-tier branding system for their films based on the size of their budget and status. In the book "The
Universal Story," Hirschhorn describes the branding as "the low budget, Red Feather programmers, the more ambitious Bluebird releases, and the occasional Prestige or Jewel
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The moving picture business is here to stay. That you must admit despite carping critics and blundering sore-heads, true, some exhibitors have found business so good lately — but if you get down to facts when you look for a reason why, it's a 100 to 1 shot that they are, and for some time have been,
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August and Hilda were living together while saving money to get married. In their country, it did not discourage living arrangements like theirs. Since finding work was difficult in their village, they immigrated to
America. American values challenged them by asserting that only wed couples can live
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Movie reviews were critical opinions for theater owners and fans. Critiques of movies printed in different trade journals were vital in determining whether to book or watch the movie. Movie critics' evaluations of this film were mixed. When critics have divergent reviews, deciding whether to see or
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August and Hilda were simple peasants living together, desperate to wed and start a new family. In the "old country," a man does not marry until he has saved money to support his new family. Since August cannot find work in the village, he cannot earn enough money to consider marriage. They resolve
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There were a number of very beautifully photographed exteriors, this being particularly true of the surf scenes and a few exteriors when the son was about five years of age. The general atmosphere of the offering lacked artistic distinction, however, and many ordinary lightings brought the general
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or roughly five thousand feet of film. The average time per reel is between ten and fifteen minutes. As a result, they estimated the total time for this movie to be between fifty and seventy-five minutes. The Wid's Film and Film Folk film critic stated the full duration of the film was fifty-eight
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We discover that someone has murdered Ester's beloved husband - Harris Grail. Ester finds herself alone and childless and loses the will to live. Ester heads to the sea, determined to drown herself. While wandering the shore, she finds a baby floating in a basket. Ester decides to raise the boy as
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were slowly becoming the standard fare for
Hollywood producers. Before 1913, you could count the yearly features on two hands. Between 1915 and 1916, the number of feature movies rose 2 ½ times or from 342 films to 835. There was a recurring claim that Carl Laemmle was the longest-running studio
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Steven grows into adulthood and becomes an educated, articulate man. After consulting with his sweetheart, Marion, he runs for governor. Ester doesn't want Steven to have skeletons in the closet, so she tells him about his adoption. Steven reacts by creating a new plank on his political agenda,
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The years pass, and Hilda can't bear to be without her son. She returns to Ester's house and confronts Ester with the truth about being Steven's mother. They talk, and Ester convinces Hilda the boy should stay with her. In that way, Steven would have all the advantages that wealth offers. Hilda
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Soon, she finds herself in the hospital giving birth to a healthy boy. The law states that nurses must register a newborn's parentage. The nurses ask the father's name, and Hilda refuses. Hilda's only option was to escape the hospital under cover of night. She returns home but finds the cottage
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Hilda gives birth to a baby boy but becomes distraught upon learning of August's fate. Realizing she cannot support the child alone, she sets the boy adrift in the sea. Fate steps in, and Hilda's former employer, Ester, finds and adopts the boy. Hilda secretly watches her son grow up and seek a
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they must move to
America. After they arrive, the couple finds a home, and August seeks a job. August has trouble finding work because he has no vendible skills. Another challenge faces the couple in America, people frown upon unmarried couples living together, and August fears incarceration.
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The Red
Feather for December eleventh is a wonderful picture and tells the story of the effect of our uncomprehended laws on the immigrants who flock to our country. You could not advertise this great feature more effectively than by dressing a pair, a young man and a young woman, in typical
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The years between 1908 and 1917 witnessed what may have been the most significant transformation in
American film history. During this "transitional era," widespread changes affected film form and film genres, filmmaking practices and industry structure, exhibition sites, and audience
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in
November 1916. Johnson would make 17 movies in 1916, including six shorts and 11 feature-length Dramas. 1916 would become the second-highest movie output of his entire acting career. Emory acted in 25 films for Universal, mostly dramas with a sprinkling of comedies and
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It is often claimed that 75 percent of all
American silent films are gone, and 50 percent of all films made before 1950 are lost, but such figures, as archivists, admit in private, were thought up on the spur of the moment, without statistical information to back them
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There are some strong situations in this, but some of them are unpleasant and not altogether convincing. The question raised at the close concerning the status of illegitimate children is interesting but seemed more like special propaganda than a part of the story
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A subordinate issue is people view suicide as a perplexing and taboo topic. Hilda and Ester contemplated suicide after experiencing intense grief, guilt, anger, and confusion. However, since either party performed the deed, it did not warrant further exploration.
762:(alternative H. C. Warnack) (1877 – 1927) was 39 years old when he wrote the story for this film. Warnack had spent most of his career as a newspaper reporter before moving to Los Angeles in 1907. He became the dramatic department editor of the
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living in their household and ask her to resign from her position. Hilda didn't understand the decision of her puritanical hosts. Even though she is distraught, she does not want to burden August with this load. Hilda leaves August and strikes out on her own.
629:(circa|1872 - 1933) was born in New York City, New York, sometime in 1872. He was 44 years-old when he directed this film. Carleton started working for Carl Laemmle in the Fall of 1915. Carleton arrived with impeccable credentials, directing sixty films for
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is an exceptionally strong screen play which teaches a vigorous moral without sermonizing, and the story has wide appeal and is particularly suited for women. The settings and photography are up to the high standard demanded In Red Feather productions.
617:(1868-1928) was 48 years old when she acted in this movie. Helen Wright (born Helen Boyd) was a well-known Universal character actress who appeared mostly in silent films between 1915 and 1930. She spent most of her career under contract at Universal.
518:-1936) was 49 years old when she portrayed Esther Grail. She was also a Universal contract player appearing in 74 films between 1914 and 1926. Although she got her start in movies when she was 47 years old (1914), Universal cast her mostly in
685:" You can arouse considerable interest in this by advertising along these lines: 'Do you believe the State should recognize motherhood and make every child legitimate, providing the mother certifies the father's name in the probate court?' "
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and Emory Johnson. Carl Laemmle wanted his best director to create the necessary screen chemistry, which, if successful, would convert into increased box office earnings. The screen pairing is explained in the Emory Johnson part of the
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By the time of this release, he had written scenarios for over forty films. Although most of his scripts were for short films, he had created scripts for three feature-length comedies before this release.They nominated him for an
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tone of the production down to that of average features. The players all tried hard, but never at any time did they reach dramatic heights, the unconvincing situations making most of their attempts to act fail to reach the mark.
774:
Post-production is a crucial step in filmmaking, transforming the raw footage into the finished product. It requires skilled professionals working together to create a film that meets the director's vision and engages audiences.
1131:— Major film studios owned many movie houses. This enabled them to have guaranteed outlets for their products. Since Universal-owned no theaters, they needed a solution advising exhibitors on the type of movie they received.
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contains an advertising section titled - PUTTING IT OVER. The section would give exhibitors suggestions for advertising selected movies. The December 2, 1916 issue had the following advertising suggestions for this movie:
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participants age. By abandoning her child, Hilda could not assist her son in his personal growth and maturation into adulthood. Unable to overcome her guilt, she is more than willing to sacrifice herself for her son.
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Despite the complexity and controversy of the issue, few media reviewers have mentioned this suggested theme. They only briefly considered the issue toward the movie's end, not enough to make it a prominent idea.
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production." The ticket-buying audience he serviced went to the movies to see their favorite stars, not the vehicle allowing them to perform. The branding system had a brief existence and by 1920 had faded away.
611:(1877-1946) was a 39 year-old actor when he played August. He appeared in 66 films between 1915 and 1937. This was one of his early efforts, and he would become more widely known later in his acting career.
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together and have children. Seeking employment, Hilda secures a position as a domestic, while August has trouble. Hilda discovers she is pregnant. A desperate August goes to sea and dies in a shipwreck.
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chief resisting the production of feature films. Universal was not ready to downsize its short film business because short films were cheaper, faster, and more profitable to produce than feature films.
733:(1887 – 1963) was a prolific American screenwriter, storyteller, and director. He was only 29 years old when he wrote the scenario for this film. Coldeway created his first scenario for
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leads. Many of her roles were acting alongside her husband, Hobart Bosworth, who married in 1909 and divorced in 1920. In addition to her role as an actress, she was also a music composer and writer.
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all countries have marriage rituals of some sort or another, it seems rather peculiar that the pair should have rebelled at having their union legalized in America. Licenses aren't very expensive.
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One reviewer proposed that theater operators allocate some promotional time to emphasize recognizing the legitimacy of all children of questionable parentage. He states
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attempting to assassinate her son. Hilda rushes towards her son as the assassin fires a shot. Hilda jumps in front of her son at the last moment and takes the bullet.
1699:
Motion Pictures, 1912-1939, is a cumulative catalog listing works registered in the Copyright Office in Classes L and M between August 24, 1912 and December 31, 1939
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and Emory Johnson could make the chemistry he sought. Johnson and Davenport would complete 13 films together. They started with the successful feature production of
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Emory Johnson acted in sixteen of these Carleton films, including ten features and six shorts. A major part of Carlton's 1916 output was the thirteen films pairing
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film if it equals or exceeds a specified minimum running time and satisfies other defined criteria. The minimum time depends on the governing agency. The
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with a running time long enough to be considered the principal or sole presentation in a commercial entertainment program. A film can be distributed as a
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and ending with this film. Ten of Carleton's 1916 Universal productions were feature films; the remaining seven were two and three-reel short films.
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legitimizing all children of questionable parents. Since his ancestry is suspicious, he chooses not to propose marriage to the lovely Marion.
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thought he saw great potential in Johnson, so he chose him to be Universal's new leading man. Laemmle hoped Johnson would become another
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Laemmle would continue to buck this trend while slowly increasing his output of features. In 1914, Laemmle published an essay titled -
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After finishing this film, Carleton would sever his affiliations with Universal. He died in New York on August 8, 1933 (age 61)
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1090:, require a film's running time to be 60 minutes or greater. Currently, most feature films are between 70 and 210 minutes long.
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Film is history. With every foot of film lost, we lose a link to our culture, the world around us, each other, and ourselves.
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581:(1862-1924) was a 54 year-old actor when he played Harris Grail. He was a character actor and former opera singer known for
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In 1915, Laemmle ran an advertisement extolling Bluebird films while adding the following vocabulary on the top of the ad.
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defines a short film as "an original motion picture that has a running time of 40 minutes or less, including all credits".
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Thanhouser Company, Thanhouser Films: An Encyclopedia and History Version 2.1 by Q. David Bowers, Volume III: Biographies
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2019:
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website, this film has a status of - No holdings located in archives; thus, it is presumed all copies of this film are
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This will have introduced speculative and possibly inaccurate details not present in the source material. Such images
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only 14% of the 10,919 silent films released by major studios exist in their original 35 mm or other formats;
528:(1894-1960) was 22 years old when he acted in this movie as Steven. In January 1916, Emory signed a contract with
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The Library of Congress American Silent Feature Film Survival Catalog: The Morals of Hilda (motion picture)"
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require films to have a minimum running time of forty minutes or longer. Other film agencies, e.g.,
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645:. Between March and December 1916, Carleton directed seventeen movies for Universal, starting with
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Nationally known newspaperman, Poet, and Author Formerly Was Editor of "Times" Dramatic Department
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Silent Players: A Biographical and Autobiographical Study of 100 Silent Film Actors and Actresses
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544:. He planned to create a movie couple that would sizzle on the silver screen. Laemmle thought
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1323:"Only Whoop Dee Do Songs. Bluebird Photoplays Light(en) Up the Cinema Ritrovato — Photogénie"
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A report by Library of Congress film historian and archivist David Pierce estimates that:
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11% survive only in full-length foreign versions or film formats of lesser image quality.
766:. Warnack also became an author, composing essays, books, movie stories, and scenarios.
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for this film on December 6, 1916. The official release date was December 11, 1916.
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agrees, Steven will stay with Ester, and Hilda's motherhood will remain a secret.
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Many silent-era films did not survive for reasons as explained on this Knowledge
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Movie themes are the underlying ideas or concepts explored throughout the film.
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career in politics. In the end, she makes the ultimate sacrifice for her son.
1550:. New York, Wid's Films and Film Folks, Inc. December 16, 1916. p. 935.
2042:
The Five Sedgwicks: Pioneer Entertainers of Vaudeville, Film, and Television
1683:"Catalog of Copyright Entries Cumulative Series Motion Pictures 1912 - 1939"
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He would eventually participate in many future Johnson projects, including
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1845:. Council on Library and Information Resources and the Library of Congress
1780:. New York, Chalmers Publishing Company. December 16, 1916. p. 1667.
1580:. New York, Chalmers Publishing Company. December 16, 1916. p. 1660.
571:. She had previously united with Emory Johnson in the 1916 productions of
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A DEPARTMENT OF ADVERTISING SUGGESTIONS FOR THE BENEFIT OF ALL EXHIBITORS
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Universal released ninety-one feature films in 1916 including fifty-four
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In the book "American Cinema's Transitional Era," the authors point out,
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Universal Women: Filmmaking and Institutional Change in Early Hollywood
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The Morals of Hilda, featuring Lois Wilson is scheduled for December 11
1958:
American Cinema's Transitional Era: Audiences, Institutions, Practices
1885:. Women and film history international. University of Illinois Press.
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Runtime depends on projection speed ranging 16 to 24 frames per second
1989:
Nitrate Won't Wait: History of Film Preservation in the United States
1384:. New York, Chalmers Publishing Company. July 11, 1914. p. 185.
1718:. New York, Motion Picture News, Inc. December 2, 1916. p. 3864
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except for one immutable rule -the film's maximum running time. The
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The final copyright listing was entered into the record as shown:
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1747:. New York, Motion PictureNews. December 16, 1916. p. 3864.
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One aspect of this transition was the longer duration of films.
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Movies have documented America for more than one hundred years
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2114: – Movie history by Film Historian Tom Dirks
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1689:. Copyright Office * Library of Congress. 1951. p. 571
1961:. ACLS Humanities E-Book. University of California Press.
1914:(1st ed.). New York: Crown Publishers. p. 400.
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released the Red Feather Photoplay on December 11, 1916.
1926:
The Complete History of the Studio and its 2,641 Films
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1099:" Short Film" - There are no defined parameters for a
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The movie theater release of this film comprised five
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1574:"Universal Film Mfg., Specials – The Morals of Hilda"
1417:. Motion Picture News, inc. May 6, 1916. p. 2704
16:
1916 silent drama film directed by Lloyd B. Carleton
791:The interiors were filmed in the studio complex at
737:in Aug 1911. The film was a western 2-reeler named
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1836:"The Survival of American Silent Films: 1912-1929"
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1505:. Thanhouser Company Film Preservation. March 1994
1544:"UNCONVINCING ACTION MELO WITH GOOD REFORM IDEA"
1070:A "feature film" or "feature-length film" is a
45:should be replaced with their original versions
855:Terms used in reviewing silent movie melodrama
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8:
1538:
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1613:Academy of Motion Picture Arts and Sciences
1185:of original silent-era films have perished;
1152:Credits: Director, Lloyd B. Carleton; story
1105:Academy of Motion Picture Arts and Sciences
36:includes historical images which have been
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2118:
1608:"The 1st Academy Awards Memorable Moments"
1459:
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1072:narrative film (motion picture or "movie")
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1156:© Universal Film Mfg. Co., Inc.; 6 Dec16;
744:Academy Award for Best Adapted Screenplay
1472:Stanca Mustea, Cristina (June 8, 2011).
795:located at 100 Universal City Plaza in
605:(1924) until his untimely death in 1924.
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1154:H. C. Warnack; scenario, A. W. Coleway.
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859:In the December 16, 1916 issue of the
2018:Slide, Anthony (September 27, 2002).
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1554:from the original on February 5, 2021
7:
1774:"Red Feather Leads Universal's Week"
1353:"Rule Nineteen: Short Film's Awards"
803:produced and distributed this film.
538:Universal Film Manufacturing Company
530:Universal Film Manufacturing Company
2837:Films directed by Lloyd B. Carleton
1388:from the original on August 9, 2011
1784:from the original on June 29, 2015
1751:from the original on June 29, 2015
1584:from the original on June 29, 2015
896:In the December 21, 1916 issue of
878:In the December 16, 1916 issue of
14:
1378:"Doom of long Features Predicted"
1148:THE MORALS OF HILDA. Red Feather.
1119:Motion Picture News - May 6, 1916
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2024:. University Press of Kentucky.
1176:, filmmaker, director NFPF Board
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714:
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490:Doom of long Features Predicted.
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1321:Brouwers, Anke (July 4, 2015).
2802:American black-and-white films
1938:University of California Press
818:United States Copyright Office
1:
2807:American silent feature films
2713:Nine and Three-Fifths Seconds
2515:The Girl with the Red Feather
2491:In the Midst of African Wilds
1637:"H. C. Warnack, Writer, Dies"
1527:Knowledge Lloyd Carleton page
1480:. German Historical Institute
512:
2852:English-language drama films
2842:1910s English-language films
2545:The White Light of Publicity
2303:The Surprise Party Surprised
2291:The Reformation of Kid Hogan
1955:Keil, C.; Stamp, S. (2004).
1474:"Carl Laemmle (1867 - 1939)"
1224:AFI Catalog of Feature Films
658:
299:Hilda must set her baby free
2822:Silent American drama films
832:Universal's trade journal,
552:in May 1916 and ended with
179:December 11, 1916
2868:
2827:Universal City, California
2202:She Wanted to Marry a Hero
2045:. McFarland. p. 262.
1478:Immigrant Entreprenuership
1129:What is Universal Branding
834:The Moving Picture Weekly,
797:Universal City, California
2812:Lost American drama films
2509:The Girl I Left Behind Me
2363:The Fiancee and the Fairy
2285:The Price of a Silver Fox
2156:
1716:The Moving Picture Weekly
1548:Wid's Films and Film Folk
363:
253:is based on the story of
71:
38:upscaled by an AI process
2832:Universal Pictures films
2539:The Sacred Tiger of Agra
2234:Her Battle for Existence
1992:. McFarland. p. 5.
1932:Kawin, Bruce F. (1987).
899:Wid's Film and Film Folk
881:The Moving Picture World
511:(Mrs. Hobart Bosworth) (
2479:Through Fire to Fortune
2435:Strength of Family Ties
2039:Zmuda, Michael (2015).
1761:REVIEWED BY PETER MILNE
1411:"The Universal Program"
1398:written by Carl Laemmle
1257:American Film Institute
1080:American Film Institute
902:, the reviewer states:
884:, the reviewer states:
760:Henry Christeen Warnack
255:Henry Christeen Warnack
98:Henry Christeen Warnack
2725:The Man Who Rode Alone
2551:Their Sinful Influence
2357:The Angel of the Slums
2309:Tricked Into Happiness
1286:British Film Institute
1084:British Film Institute
909:
894:
876:
865:, Peter Milne writes:
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595:The West~Bound Limited
587:In the Name of the Law
319:
300:
120:Red Feather Photoplays
2817:1910s melodrama films
2692:Beyond the Crossroads
2670:The Devil's Bondwoman
1879:Cooper, M.G. (2010).
1807:"Preservation Basics"
1741:"The Morals of Hilda"
1642:The Los Angeles Times
1309:Keil & Stamp 2004
1236:Keil & Stamp 2004
904:
886:
867:
839:
807:Release and reception
603:The Spirit of the USA
554:The Devil's Bondwoman
318:
298:
2847:1910s American films
2622:No. 16 Martin Street
2614:The Way of the World
2566:Two Men of Sandy Bar
2533:The Love of Loti San
2472:The Walls of Jericho
2405:A Leaf from the Past
2339:Longing for a Mother
2327:For His Child's Sake
2297:The Social Secretary
2279:The Good for Nothing
2267:Love Versus Strategy
1811:filmpreservation.org
1778:Moving Picture World
1578:Moving Picture World
1500:"CARLETON, Lloyd B."
1382:Moving Picture World
569:Two Men of Sandy Bar
469:Carl Laemmle in 1918
2700:The Flying Dutchman
2678:The Morals of Hilda
2662:Barriers of Society
2582:Her Husband's Faith
2423:His Brother's Blood
2381:The Special Officer
2345:Margaret's Painting
2333:Literature and Love
2321:Diamond Cut Diamond
2218:Cupid at the Circus
2162:She's Done it Again
2098:The Morals of Hilda
2087:The Morals of Hilda
2076:The Morals of Hilda
1912:The Universal Story
1843:Library Of Congress
1745:Motion Picture News
1415:Motion Picture News
1218:The Morals of Hilda
1088:Screen Actors Guild
925:Library of Congress
912:Preservation status
889:The Morals of Hilda
871:The Morals of Hilda
862:Motion Picture News
739:The Flaming Arrows.
241:is a 1916 American
239:The Morals of Hilda
67:The Morals of Hilda
2399:The Wiles of Cupid
2148:Films directed by
2103:TCM Movie Database
1644:. November 3, 1927
1503:www.thanhouser.org
748:1st Academy Awards
320:
301:
2740:
2739:
2731:The Young Sheriff
2527:The Jungle Lovers
2485:A Studio Escapade
2393:The Veil of Sleep
2273:Satin and Gingham
2242:The Winter's Tale
2226:The Best Man Wins
2186:A 29-Cent Robbery
2150:Lloyd B. Carleton
2052:978-0-7864-9668-6
2031:978-0-8131-2249-6
1968:978-0-520-24027-8
1908:Hirschhorn, Clive
1892:978-0-252-03522-7
1712:"PUTTING IT OVER"
1616:. August 27, 2014
1438:, pp. 22–23.
1333:on April 11, 2022
1041:Lloyd B. Carleton
923:According to the
793:Universal Studios
764:Los Angeles Times
661:of this article.
654:Dorothy Davenport
627:Lloyd B. Carleton
546:Dorothy Davenport
432:
431:
247:Lloyd B. Carleton
245:film directed by
236:
235:
88:Lloyd B. Carleton
62:
61:
2859:
2797:1916 drama films
2769:
2768:
2767:
2757:
2756:
2755:
2748:
2685:Mountain Madness
2654:The Human Gamble
2638:The Unattainable
2521:The Golden Spurs
2429:Michael Strogoff
2142:
2135:
2128:
2119:
2113:
2112:
2110:Official website
2063:
2061:
2059:
2035:
2014:
2008:
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1979:
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1951:
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1687:Internet Archive
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1329:. Archived from
1318:
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1037:
1023:
1011:Adele Farrington
1007:
993:
977:
961:
949:Gretchen Lederer
945:
812:Official release
731:Anthony Coldeway
718:
704:
561:Gretchen Lederer
517:
514:
509:Adele Farrington
460:
453:
414:Adele Farrington
368:
357:Gretchen Lederer
345:
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259:Gretchen Lederer
186:
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132:Gretchen Lederer
108:Anthony Coldeway
76:
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57:
54:
48:
29:
21:
2867:
2866:
2862:
2861:
2860:
2858:
2857:
2856:
2792:1916 lost films
2777:
2776:
2775:
2765:
2763:
2753:
2751:
2743:
2741:
2736:
2606:Her Soul's Song
2574:Doctor Neighbor
2465:The Ragged Earl
2387:The Two Cowards
2315:When Love Leads
2249:A New Beginning
2152:
2146:
2108:
2107:
2071:
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2055:
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2038:
2032:
2017:
2004:
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1982:
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1934:How Movies Work
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1460:Hirschhorn 1983
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1436:Hirschhorn 1983
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1174:Martin Scorsese
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770:Post production
728:
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659:Casting section
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591:The Third Alarm
550:Doctor Neighbor
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2707:Flash of a .45
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2630:A Yoke of Gold
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2506:
2503:The Flashlight
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2476:
2468:
2462:
2456:
2453:The Investment
2450:
2444:
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2420:
2417:Codes of Honor
2414:
2411:At His Expense
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2261:Love and Tears
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2178:Daddy's Double
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2069:External links
2067:
2065:
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2036:
2030:
2015:
1999:978-0786408368
1998:
1984:Slide, Anthony
1980:
1967:
1952:
1946:
1940:. p. 46.
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1150:1916. 5 reels.
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583:Granny (1913).
579:Richard Morris
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151:Cinematography
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526:Emory Johnson
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482:Feature films
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418:Esther Grail
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1337:November 19,
1335:. Retrieved
1331:the original
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1238:, p. 1.
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534:Carl Laemmle
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195:Running time
172:Release date
50:
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2598:Two Mothers
2255:His Mistake
2058:November 4,
1448:Cooper 2010
1421:February 7,
981:Lois Wilson
828:Advertising
722:H.C.Warnack
708:A. Coldeway
599:The Mailman
516: 1867
384:Lois Wilson
263:Lois Wilson
228:intertitles
223:Silent film
142:Lois Wilson
114:Produced by
84:Directed by
2787:1916 films
2781:Categories
2590:Heartaches
2497:Motherhood
1670:Kawin 1987
1282:bfi.org.uk
1200:References
1101:Short film
692:Screenplay
631:Thanhouser
437:Production
183:1916-12-11
94:Written by
78:Lobby Card
2558:The Yaqui
2459:The Price
2441:The Idler
2194:Jane Eyre
2005:March 25,
1693:April 28,
1249:"AFI-FAQ"
1133:Universal
822:copyright
801:Universal
783:minutes.
647:The Yaqui
593:(1922),
589:(1922),
565:The Yaqui
557:westerns.
520:character
281:Universal
251:melodrama
217:Languages
165:Universal
118:Universal
2170:St. Elmo
2081:AllMovie
1986:(2000).
1974:July 18,
1910:(1983).
1788:March 3,
1782:Archived
1755:March 3,
1749:Archived
1722:June 26,
1648:June 26,
1620:June 29,
1588:March 3,
1582:Archived
1552:Archived
1386:Archived
1082:and the
1044:Director
622:Director
601:(1923),
597:(1923),
497:Bluebird
428:unknown
226:English
125:Starring
2745:Portals
2351:Shadows
2101:at the
1595:itself.
1253:afi.com
1221:at the
1181:around
1076:feature
935:Gallery
847:Reviews
787:Studios
503:Casting
499:films.
398:August
388:Marion
378:Steven
209:Country
181: (
2733:(1925)
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2165:(1910)
2049:
2028:
1996:
1965:
1944:
1918:
1889:
1158:LP9670
984:Marion
968:Steven
668:Themes
641:, and
348:Actor
249:. The
243:silent
1839:(PDF)
1357:AMPAS
1327:Cinea
1278:"FAQ"
1050:Notes
952:Hilda
816:The
780:reels
735:Pathé
643:Selig
635:Lubin
361:Hilda
351:Role
335:wed.
201:reels
2759:Film
2092:IMDb
2060:2022
2047:ISBN
2026:ISBN
2007:2013
1994:ISBN
1976:2023
1963:ISBN
1942:ISBN
1916:ISBN
1900:2023
1887:ISBN
1851:2020
1818:2020
1790:2023
1757:2023
1724:2021
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929:lost
918:page
567:and
339:Cast
287:Plot
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2012:up.
1183:75%
869:As
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536:of
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1207:^
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41:.
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