27:
347:
84:
118:
The painting is a striking composition of human figures formed from white and blue geometric planes and angles, in a rectangular bath of vibrant red surrounded by a landscape of mustard brown, arranged around a brown and black vertical element (perhaps a column at the baths). There is a suggestion
160:
in 1914. In addition to taking first place in the catalogue, the work was hung on the wall outside the gallery so that it could have "every advantage of lighting and space". A critic remarked that the work was "rained upon, baked by the sun and garlanded with flags", but it did not entice many
143:
ritual bath. Bomberg's
Jewishness was a very important part of his identity as an artist. The bathing room, with a communal bath approximately 10-foot square and balcony above, was open to either men and women on different days, and may also have been the inspiration for his 1913 work,
151:
Bomberg created a series of crayon, gouache and chalk studies before the painting. The completed work measures 152.4 centimetres (60.0 in) by 224.2 centimetres (88.3 in). It was a key component in his one-man exhibition the
167:
noted that "The passers-by make no comment, because they do not recognise it as a picture". Bomberg recalled that as they turned the corner of King's Road, horses pulling the number 29 bus would shy at it.
415:
48:
248:
70:
380:
41:
35:
396:
124:
321:
52:
364:
107:. The work is considered a masterpiece of Bomberg's work in this period. Bomberg was a founder member of the
139:, which was used by the local Jewish population for cleanliness and for religious observances, including the
448:
438:
241:
190:
296:
180:
443:
331:
291:
234:
136:
372:
301:
271:
220:
214:
205:
336:
163:
281:
157:
171:
The work was purchased by the Tate
Gallery in 1964, seven years after Bomberg's death.
326:
153:
346:
83:
432:
311:
306:
286:
276:
104:
87:
120:
108:
200:
132:
316:
128:
257:
112:
140:
416:
The
Vorticists at the Restaurant de la Tour Eiffel, Spring 1915
230:
20:
345:
226:
115:, although Bomberg resisted being described as a Vorticist.
111:, and the painting is considered a leading example of
407:
356:
264:
208:
Vorticism and
Abstract Art in the First Machine Age
119:that the bathers are waving their arms as if in a
242:
201:http://www.vorticism.co.uk/vorts_bomberg.html
8:
249:
235:
227:
71:Learn how and when to remove this message
82:
34:This article includes a list of general
217:, Michael J. K. Walsh, p. 138-139
206:Origins and Development, Volume 1 of
7:
103:is a 1914 oil-on-canvas painting by
211:, Richard Cork, p. 203-207...
161:passing the gallery to enter. The
40:it lacks sufficient corresponding
14:
25:
123:revel. The scene is based on
1:
125:Schewzik Russian Vapour Baths
381:Hieratic Head of Ezra Pound
215:London, Modernism, And 1914
465:
343:
135:, near Bomberg's home in
16:Painting by David Bomberg
55:more precise citations.
350:
95:
349:
297:Henri Gaudier-Brzeska
86:
221:Ju-Jitsu circa 1913
351:
332:Dorothy Shakespear
292:Frederick Etchells
96:
426:
425:
302:Cuthbert Hamilton
272:Lawrence Atkinson
81:
80:
73:
456:
337:Edward Wadsworth
251:
244:
237:
228:
164:London Chronicle
76:
69:
65:
62:
56:
51:this article by
42:inline citations
29:
28:
21:
464:
463:
459:
458:
457:
455:
454:
453:
429:
428:
427:
422:
419:(1962 painting)
403:
352:
341:
322:William Roberts
282:Jessica Dismorr
260:
255:
181:David Bomberg,
177:
77:
66:
60:
57:
47:Please help to
46:
30:
26:
17:
12:
11:
5:
462:
460:
452:
451:
449:Bathing in art
446:
441:
439:1914 paintings
431:
430:
424:
423:
421:
420:
411:
409:
405:
404:
402:
401:
393:
385:
377:
369:
360:
358:
354:
353:
344:
342:
340:
339:
334:
329:
327:Helen Saunders
324:
319:
314:
309:
304:
299:
294:
289:
284:
279:
274:
268:
266:
262:
261:
256:
254:
253:
246:
239:
231:
225:
224:
223:, Tate Gallery
218:
212:
203:
198:
197:, Tate Gallery
188:
187:, Tate Gallery
176:
173:
154:Chenil Gallery
79:
78:
33:
31:
24:
15:
13:
10:
9:
6:
4:
3:
2:
461:
450:
447:
445:
442:
440:
437:
436:
434:
418:
417:
413:
412:
410:
406:
399:
398:
394:
391:
390:
386:
383:
382:
378:
375:
374:
370:
367:
366:
362:
361:
359:
355:
348:
338:
335:
333:
330:
328:
325:
323:
320:
318:
315:
313:
312:Wyndham Lewis
310:
308:
307:Kate Lechmere
305:
303:
300:
298:
295:
293:
290:
288:
287:Jacob Epstein
285:
283:
280:
278:
277:David Bomberg
275:
273:
270:
269:
267:
263:
259:
252:
247:
245:
240:
238:
233:
232:
229:
222:
219:
216:
213:
210:
209:
204:
202:
199:
196:
194:
189:
186:
184:
179:
178:
174:
172:
169:
166:
165:
159:
155:
149:
147:
142:
138:
134:
130:
126:
122:
116:
114:
110:
106:
105:David Bomberg
102:
101:
93:
89:
88:David Bomberg
85:
75:
72:
64:
54:
50:
44:
43:
37:
32:
23:
22:
19:
414:
395:
389:The Mud Bath
388:
387:
379:
371:
363:
207:
193:The Mud Bath
192:
183:The Mud Bath
182:
170:
162:
150:
145:
121:Bacchanalian
117:
109:London Group
100:The Mud Bath
99:
98:
97:
92:The Mud Bath
91:
67:
58:
39:
18:
408:Works about
376:(1914–1915)
368:(1914–1915)
137:east London
133:Whitechapel
53:introducing
433:Categories
397:Rock Drill
317:Ezra Pound
265:Vorticists
191:Study for
175:References
129:Brick Lane
36:references
444:Vorticism
373:The Crowd
258:Vorticism
113:Vorticism
61:July 2021
146:Ju-Jitsu
158:Chelsea
49:improve
400:(1913)
392:(1914)
384:(1914)
357:Output
185:, 1914
141:mikveh
94:, 1914
38:, but
365:Blast
195:1914
156:in
127:in
435::
148:.
131:,
90:,
250:e
243:t
236:v
74:)
68:(
63:)
59:(
45:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
