169:
876:
29:
204:
253:
was enthusiastic about the work, stating that "for the movement and fury of its composition, it is an inimitable masterpiece, a painted whirlwind, everything moving frantically in this little space, emerging from which one seems to hear lamentations and thunder; never have we seen thrown onto a
139:
168:
249:, "this little canvas yells, shouts, blasphemes ... one hears the tipsy soldiers' obscene songs. Such figures of brigands! ... What jovial and bloodthirsty bestiality! It swarms and squeaks just as it blazes and stinks!"
1046:
1071:
745:
439:
1076:
593:
1081:
254:
canvas a crowd more hard, more swarming, more screaming or more enraged This painting is truly tumultuous and loud; we hear it as much as we see it." However,
468:
1036:
936:
761:
145:
753:
585:
713:
242:. For some time it was exhibited at the gallery of Henri Gaugain, an art dealer and publisher before being put on show at the 1831 Paris Salon.
1091:
1086:
665:
649:
297:
987:
492:
358:"Linda Whiteley, « Art et commerce d'art en France avant l'époque impressionniste » in: Romantisme, 1983, no.40. L'argent. p.71"
95:
1051:
577:
875:
673:
601:
569:
554:
461:
1096:
847:
793:
234:. Delacroix' correspondence shows him to have been worried about the work, only completing it once he was sure it would be his "
785:
705:
197:
1056:
916:
721:
454:
246:
531:
1066:
941:
823:
729:
641:
625:
523:
28:
971:
831:
617:
260:
227:
133:
956:
839:
777:
951:
192:(ink on paper, showing William I de La Marck, 15 x 10.5 cm, c. 1827–1829, private collection, Paris) and
176:
Delacroix spent May to August 1825 in Great
Britain, becoming devoted to its literature, especially Scott and
1041:
921:
808:
609:
1061:
931:
855:
926:
863:
769:
546:
99:
250:
235:
131:
Its violent subject is typical of French
Romantic painting and places it alongside the same artist's
309:
1008:
946:
681:
657:
500:
477:
177:
156:
91:
39:
1015:
891:
239:
357:
737:
508:
293:
689:
369:
342:
223:
215:
103:
386:
112:
1030:
419:
966:
406:
268:
is furious debauchery by a barbarian. What is he in himself? A monkey adorned with
107:
390:
203:
697:
219:
151:
117:
255:
961:
373:
65:
91 cm × 116 cm (36 in × 46 in)
269:
143:, also painted in the late 1820s. He produced it at the same time as
121:
73:
207:
Postcard of the Great Hall of the Palais de
Justice in Rouen, c.1900
446:
991:
231:
202:
167:
125:
90:
is an oil painting on canvas created in 1829 by the French artist
77:
310:"" L'Assassinat de l'évêque de Liège ", on museeduluxembourg.fr"
450:
184:
was just one of several works by the painter to be inspired by
407:« L'Assassinat de l'évêque de Liège », on idixa.net
420:« Exposition du Louvre », sur theophilegautier.fr
436:
Eugène
Delacroix à l'Exposition du Boulevard des Italiens
214:
was commissioned by the Duke of Orléans, the future king
288:
Allard, Sébastien; Fabre, Côme; Korchane, Mehdi (2018).
154:
scene of revolutionary violence in a huge room) and
1000:
980:
909:
883:
484:
337:
335:
292:. New York, NY: Metropolitan Museum of Art. p. 61.
258:art critics savaged the work as too innovative – "
69:
61:
53:
45:
35:
21:
343:"" Eugène Delacroix ", on lanouvelleathenes.fr"
160:(similarly inspired by late medieval warfare).
462:
426:, 22 mars 1838 (consulté le 25 juillet 2016).
8:
746:Portrait of Frédéric Chopin and George Sand
469:
455:
447:
18:
1047:Paintings in the Louvre by French artists
762:Last Words of the Emperor Marcus Aurelius
1072:Cultural depictions of religious leaders
754:Entry of the Crusaders in Constantinople
594:Louis d'Orléans Showing Off His Mistress
586:The Execution of the Doge Marino Faliero
321:
319:
714:The Battle of Taillebourg, 21 July 1242
281:
937:Charles Maurice de Talleyrand-Périgord
1077:Cultural depictions of Belgian people
666:Cromwell with the Coffin of Charles I
650:A Young Tiger Playing with Its Mother
7:
1082:Adaptations of works by Walter Scott
140:The Execution of Doge Marino Faliero
16:1828/29 painting by Eugène Delacroix
917:Charles-François Delacroix (father)
578:The Combat of the Giaour and Hassan
602:Portrait of Louis-Auguste Schwiter
570:Greece on the Ruins of Missolonghi
555:Horse Frightened by a Thunderstorm
396:, Paris, Pinard, 1831, p. 114-116.
329:, Hachette, 1964, p. 187-189.
14:
932:Jean-François Oeben (grandfather)
922:Charles-Henri Delacroix (brother)
634:The Murder of the Bishop of Liège
405:Étienne-Jean Delécluze, cited in
266:The Murder of the Bishop of Liège
96:Louis de Bourbon, Bishop of Liège
87:The Murder of the Bishop of Liège
22:The Murder of the Bishop of Liège
874:
848:Arab Horses Fighting in a Stable
794:Christ Asleep during the Tempest
327:Delacroix ou le combat solitaire
264:was a painting by a savage, and
27:
988:Musée national Eugène Delacroix
102:'s men during the 15th-century
927:Henriette de Verninac (sister)
194:Quentin Durward and La Balafré
1:
1092:Works set in the 15th century
1087:Paintings based on literature
1037:Paintings by Eugène Delacroix
896:
813:
798:
559:
536:
513:
218:, who became its owner. Its
198:musée des beaux-arts de Caen
532:Orphan Girl at the Cemetery
172:Sketch by Delacroix, c.1827
106:, as told in chapter 22 of
1113:
1052:Works about assassinations
730:Convulsionists of Tangiers
722:The Kaïd, A Moroccan Chief
642:Liberty Leading the People
626:Cromwell at Windsor Castle
524:Head of an Old Greek Woman
188:– two sketches survive of
120:of 1831, it is now in the
872:
618:The Death of Sardanapalus
261:The Bridge at Taillebourg
134:The Death of Sardanapalus
116:. First exhibited at the
26:
957:Richard Parkes Bonington
840:Ovid Among the Scythians
778:The Abduction of Rebecca
493:The Entombment of Christ
409:(accessed 25 July 2016)"
356:Whiteley, Linda (1983).
222:setting was inspired by
94:, showing the murder of
1097:Oil on canvas paintings
942:Henri-François Riesener
809:Lion Devouring a Rabbit
610:Woman Stroking a Parrot
374:10.3406/roman.1983.4633
972:Pierre-Narcisse Guérin
856:Horses Leaving the Sea
247:Étienne-Jean Delécluze
208:
196:(sketch, c.1828–1829,
173:
1057:Paintings about death
864:Tiger with a Tortoise
789:(pre-1849, 1843–1849)
770:The Sultan of Morocco
547:The Massacre at Chios
206:
171:
100:William I de La Marck
438:, Paris, 1864, p.7.
110:'s historical novel
1009:Homage to Delacroix
947:Jean-Henri Riesener
786:The Bride of Abydos
706:Christ on the Cross
682:Arab Rider Charging
658:The Battle of Nancy
501:The Barque of Dante
418:Théophile Gautier,
394:, on gallica.bnf.fr
178:William Shakespeare
157:The Battle of Nancy
1016:Delacroix (crater)
952:Théodore Géricault
581:(1826, 1835, 1856)
226:in London and the
209:
174:
1067:History paintings
1024:
1023:
738:Warrior by a Tomb
693:(1834, 1847–1849)
509:Mademoiselle Rose
298:978-1-58839-651-8
251:Théophile Gautier
228:Palais de Justice
190:The Ardennes Boar
83:
82:
1104:
901:
898:
878:
818:
815:
803:
800:
690:Women of Algiers
564:
561:
541:
538:
518:
517: 1820–1824
515:
478:Eugène Delacroix
471:
464:
457:
448:
441:
433:
427:
416:
410:
403:
397:
384:
378:
377:
353:
347:
346:
339:
330:
323:
314:
313:
306:
300:
286:
224:Westminster Hall
92:Eugène Delacroix
40:Eugène Delacroix
31:
19:
1112:
1111:
1107:
1106:
1105:
1103:
1102:
1101:
1027:
1026:
1025:
1020:
1012:(1864 painting)
996:
976:
905:
899:
879:
870:
824:The Two Foscari
816:
801:
562:
539:
516:
480:
475:
445:
444:
434:
430:
417:
413:
404:
400:
387:Gustave Planche
385:
381:
355:
354:
350:
341:
340:
333:
324:
317:
308:
307:
303:
287:
283:
278:
272:'s meltwater."
186:Quentin Durward
166:
146:Boissy d’Anglas
113:Quentin Durward
17:
12:
11:
5:
1110:
1108:
1100:
1099:
1094:
1089:
1084:
1079:
1074:
1069:
1064:
1059:
1054:
1049:
1044:
1042:1829 paintings
1039:
1029:
1028:
1022:
1021:
1019:
1018:
1013:
1004:
1002:
998:
997:
995:
994:
984:
982:
978:
977:
975:
974:
969:
964:
959:
954:
949:
944:
939:
934:
929:
924:
919:
913:
911:
907:
906:
904:
903:
887:
885:
881:
880:
873:
871:
869:
868:
860:
852:
844:
836:
828:
820:
805:
790:
782:
774:
766:
758:
750:
742:
734:
726:
718:
710:
702:
694:
686:
678:
670:
662:
654:
646:
638:
630:
622:
614:
606:
598:
590:
582:
574:
566:
551:
543:
528:
520:
505:
497:
488:
486:
482:
481:
476:
474:
473:
466:
459:
451:
443:
442:
428:
411:
398:
379:
348:
331:
315:
301:
280:
279:
277:
274:
216:Louis-Philippe
165:
162:
148:Leading a Riot
81:
80:
71:
67:
66:
63:
59:
58:
55:
51:
50:
47:
43:
42:
37:
33:
32:
24:
23:
15:
13:
10:
9:
6:
4:
3:
2:
1109:
1098:
1095:
1093:
1090:
1088:
1085:
1083:
1080:
1078:
1075:
1073:
1070:
1068:
1065:
1063:
1062:Cities in art
1060:
1058:
1055:
1053:
1050:
1048:
1045:
1043:
1040:
1038:
1035:
1034:
1032:
1017:
1014:
1011:
1010:
1006:
1005:
1003:
999:
993:
989:
986:
985:
983:
979:
973:
970:
968:
965:
963:
960:
958:
955:
953:
950:
948:
945:
943:
940:
938:
935:
933:
930:
928:
925:
923:
920:
918:
915:
914:
912:
908:
894:
893:
889:
888:
886:
882:
877:
866:
865:
861:
858:
857:
853:
850:
849:
845:
842:
841:
837:
834:
833:
832:The Lion Hunt
829:
826:
825:
821:
811:
810:
806:
796:
795:
791:
788:
787:
783:
780:
779:
775:
772:
771:
767:
764:
763:
759:
756:
755:
751:
748:
747:
743:
740:
739:
735:
732:
731:
727:
724:
723:
719:
716:
715:
711:
708:
707:
703:
700:
699:
695:
692:
691:
687:
684:
683:
679:
676:
675:
671:
668:
667:
663:
660:
659:
655:
652:
651:
647:
644:
643:
639:
636:
635:
631:
628:
627:
623:
620:
619:
615:
612:
611:
607:
604:
603:
599:
596:
595:
591:
588:
587:
583:
580:
579:
575:
572:
571:
567:
557:
556:
552:
549:
548:
544:
534:
533:
529:
526:
525:
521:
511:
510:
506:
503:
502:
498:
495:
494:
490:
489:
487:
483:
479:
472:
467:
465:
460:
458:
453:
452:
449:
440:
437:
432:
429:
425:
421:
415:
412:
408:
402:
399:
395:
393:
392:Salon de 1831
388:
383:
380:
375:
371:
368:(40): 65–76.
367:
363:
359:
352:
349:
344:
338:
336:
332:
328:
325:René Huyghe,
322:
320:
316:
311:
305:
302:
299:
295:
291:
285:
282:
275:
273:
271:
267:
263:
262:
257:
252:
248:
243:
241:
237:
233:
229:
225:
221:
217:
213:
205:
201:
199:
195:
191:
187:
183:
179:
170:
163:
161:
159:
158:
153:
149:
147:
142:
141:
136:
135:
129:
127:
123:
119:
115:
114:
109:
105:
104:Wars of Liège
101:
97:
93:
89:
88:
79:
75:
72:
68:
64:
60:
57:Oil on canvas
56:
52:
48:
44:
41:
38:
34:
30:
25:
20:
1007:
967:Ary Scheffer
890:
862:
854:
846:
843:(1859, 1862)
838:
830:
822:
807:
792:
784:
776:
768:
760:
752:
744:
736:
728:
720:
712:
704:
696:
688:
680:
672:
664:
656:
648:
640:
633:
632:
624:
621:(1827, 1844)
616:
608:
600:
592:
584:
576:
568:
553:
545:
530:
522:
507:
499:
491:
435:
431:
423:
414:
401:
391:
382:
365:
361:
351:
326:
304:
289:
284:
265:
259:
244:
211:
210:
193:
189:
185:
181:
175:
155:
144:
138:
132:
130:
111:
108:Walter Scott
86:
85:
84:
900: 1850
817: 1855
802: 1853
733:(1837–1838)
698:The Natchez
674:The Picador
563: 1824
540: 1824
220:chiaroscuro
152:chiaroscuro
118:Paris Salon
1031:Categories
362:Romantisme
276:References
238:" not his
236:Austerlitz
62:Dimensions
962:Paul Huet
701:(1834–35)
653:(1830–31)
605:(1826–27)
485:Paintings
424:La Presse
290:Delacroix
256:classical
884:Drawings
240:Waterloo
70:Location
1001:Related
981:Museums
164:History
910:People
892:Sunset
867:(1862)
859:(1860)
851:(1860)
835:(1855)
827:(1855)
781:(1846)
773:(1845)
765:(1840)
757:(1840)
749:(1838)
741:(1838)
725:(1837)
717:(1837)
709:(1835)
685:(1832)
677:(1832)
669:(1831)
661:(1831)
645:(1830)
637:(1829)
629:(1828)
613:(1827)
597:(1826)
589:(1826)
573:(1826)
550:(1824)
527:(1824)
504:(1822)
496:(1820)
296:
270:Titian
212:Murder
182:Murder
122:Louvre
74:Louvre
36:Artist
992:Paris
232:Rouen
126:Paris
78:Paris
294:ISBN
245:For
137:and
54:Type
49:1829
46:Year
370:doi
230:in
200:).
150:(a
124:in
98:by
1033::
990:,
897:c.
814:c.
799:c.
560:c.
537:c.
514:c.
422:,
389:,
366:13
364:.
360:.
334:^
318:^
180:.
128:.
76:,
902:)
895:(
819:)
812:(
804:)
797:(
565:)
558:(
542:)
535:(
519:)
512:(
470:e
463:t
456:v
376:.
372::
345:.
312:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.