47:
1202:
168:
Netherlandish art in this time period. Vermeer consistently used the same objects within his paintings such as the draped rug, the white water jug, various instruments, tiled floor and windows that convey light and shadows. This is one of few paintings produced by
Vermeer which were kept in his home until his death in 1675 when his family was forced to sell them. It became a part of the
594:
296:
to test his theory that
Vermeer painted with the help of optical devices. Jenison is given the opportunity for a brief private viewing of the painting at Buckingham Palace. The film's claim that Vermeer used something similar to Jenison's technique has been controversial and was derided by the art
167:
from a man. The man's mouth is slightly agape giving the impression that he is singing along with the music that the young girl is playing. This suggests that there is a relationship between the two figures and the idea of love and music being bridged together. This was a common theme among
254:
The painting was investigated by
Hermann KĂĽhn in 1968 and there is also material on the pigment analysis on the website of the National Gallery in London where the painting was included in the exhibition "Vermeer and Music: The Art of Love and Leisure" in 2013.
259:
is a mature work of
Vermeer and his handling of color and his choice of painting materials is but one of the aspects proving his mastery. The painting is dominated by dark areas such as the bluish-black floor painted in
1239:
46:
1056:
334:
607:
361:
688:
1234:
505:
659:
759:
1144:
967:
682:
310:
598:
1229:
1047:
935:
1064:
569:
395:
20:
365:
1080:
1072:
823:
452:
1012:
555:
652:
533:
411:
767:
430:
Kuhn, H. A Study of the
Pigments and Grounds Used by Jan Vermeer. Reports and Studies in the History of Art, 1968, 154–202
1155:
775:
201:
975:
959:
839:
298:
213:
197:
220:
the elder because of a misinterpretation of the signature. It was not correctly attributed to
Vermeer until 1866 by
561:
217:
1205:
1134:
1017:
951:
927:
855:
735:
703:
645:
315:
96:
1139:
224:, though some scholars were skeptical whether it was Vermeer or not. It has at various times been kept at both
903:
711:
519:
487:
1224:
1124:
1119:
919:
863:
807:
719:
620:
440:
1037:
879:
799:
751:
514:
453:"Vermeer and Music: The Art of Love and Leisure | Exhibitions and displays | What's on | National Gallery"
261:
943:
831:
216:
bought Smith's collection of paintings. When the painting was acquired it was believed to be a work by
221:
1027:
895:
871:
1163:
1108:
240:
193:
994:
887:
815:
743:
565:
391:
225:
173:
115:
1187:
1179:
1114:
668:
284:
277:
209:
169:
160:
126:
92:
57:
1171:
1104:
1032:
628:
473:
1149:
1022:
911:
783:
229:
460:
1218:
791:
727:
189:
80:
233:
164:
87:
1098:
289:
265:
106:
74.6 cm Ă— 64.1 cm (29.4 in Ă— 25.2 in)
388:
The
Pictures in the Collection of her Majesty the Queen: the Dutch Pictures
593:
1129:
534:"DIY Vermeer documentary utterly misses the point about old masters"
637:
488:"Reverse-Engineering a Genius (Has a Vermeer Mystery Been Solved?)"
19:
This article is about the painting by
Vermeer. For other uses, see
185:
641:
200:
in 1718, with
Pellegrini's collection later being bought by
172:, and it is currently on display in the Picture Gallery at
1057:
The Ghost of
Vermeer of Delft Which Can Be Used as a Table
192:, which included many Vermeers. It was later acquired by
1240:
Paintings in the Royal Collection of the United Kingdom
335:"RCIN 405346 - Lady at the Virginals with a Gentleman"
1091:
1046:
1005:
986:
675:
582:, exhibition catalog, National Gallery Company 2013
132:
122:
110:
102:
86:
76:
63:
53:
28:
356:
354:
278:Johannes Vermeer § Theories of mechanical aid
163:is a painting of a young female pupil receiving a
580:Vermeer and Music: The Art of Love and Leisure
653:
8:
660:
646:
638:
45:
25:
412:"Windsor Castle: the King's Closet, 1816"
610:A Lady at the Virginals with a Gentleman
156:A Lady at the Virginals with a Gentleman
760:Girl Reading a Letter at an Open Window
326:
237:Windsor Castle: the King's Closet, 1816
689:Christ in the House of Martha and Mary
364:. The Royal Collection. Archived from
35:Lady at the Virginals with a Gentleman
16:1662–1665 painting by Johannes Vermeer
1145:Isabella Stewart Gardner Museum theft
968:A Young Woman Seated at the Virginals
311:List of paintings by Johannes Vermeer
7:
486:Andersen, Kurt (November 29, 2013).
288:documents inventor and entrepreneur
184:The picture was sold in May 1696 in
1235:Genre paintings by Johannes Vermeer
936:Lady Writing a Letter with her Maid
474:Johannes Vermeer, 'The Music Lesson
212:of Great Britain since 1762, when
14:
21:The Music Lesson (disambiguation)
1201:
1200:
592:
244:History of the Royal Residences
390:. Cambridge University Press.
1:
768:Girl Interrupted at Her Music
693:
264:with the addition of natural
239:, a watercolour prepared for
67:
1156:All the Vermeers in New York
776:The Girl with the Wine Glass
557:Vermeer and the Delft School
188:, part of the collection of
960:Lady Standing at a Virginal
840:Woman with a Pearl Necklace
554:Liedtke, Walter A. (2001).
386:White, Christopher (1982).
198:Giovanni Antonio Pellegrini
1256:
1230:Musical instruments in art
624:- Analysis and Inspiration
562:Metropolitan Museum of Art
457:www.nationalgallery.org.uk
282:The 2013 documentary film
275:
150:Woman Seated at a Virginal
39:Woman Seated at a Virginal
18:
1198:
1135:Dutch Golden Age painting
1081:Girl with a Pearl Earring
1073:Girl with a Pearl Earring
1065:Girl with a Pearl Earring
952:Lady Seated at a Virginal
856:Girl with a Pearl Earring
736:Officer and Laughing Girl
316:Dutch Golden Age painting
97:Dutch Golden Age painting
44:
33:
712:Diana and Her Companions
506:"Tim Jenison's Vermeer,
1191:(2013 documentary film)
1125:Delft School (painting)
1120:Antonie van Leeuwenhoek
864:A Lady Writing a Letter
808:Woman Holding a Balance
441:National Gallery London
292:'s attempt to recreate
1038:Arthur K. Wheelock Jr.
1013:Théophile Thoré-Bürger
880:Study of a Young Woman
824:Woman Reading a Letter
800:Woman with a Water Jug
608:The Royal Collection,
578:Marjorie E. Wieseman,
362:"The Royal Collection"
944:The Allegory of Faith
232:, and is depicted in
208:has been part of the
1140:Hockney–Falco thesis
1028:John Michael Montias
604:at Wikimedia Commons
522:on January 12, 2014.
1183:(2008 history book)
987:Formerly attributed
896:The Art of Painting
872:Girl with a Red Hat
540:. January 28, 2014.
439:Vermeer's palette,
1164:Writing to Vermeer
1109:Pieter van Ruijven
629:Johannes Vermeer,
272:In popular culture
250:Painting materials
1212:
1211:
995:Girl with a Flute
976:The Guitar Player
888:Mistress and Maid
816:Woman with a Lute
744:The Little Street
597:Media related to
226:Buckingham Palace
174:Buckingham Palace
140:
139:
116:Buckingham Palace
114:Picture Gallery,
1247:
1204:
1203:
1115:Han van Meegeren
848:The Music Lesson
698:
695:
669:Johannes Vermeer
662:
655:
648:
639:
631:The Music Lesson
622:The Music Lesson
614:The Music Lesson
600:The Music Lesson
596:
575:
542:
541:
530:
524:
523:
518:. Archived from
508:The Music Lesson
502:
496:
495:
483:
477:
471:
465:
464:
459:. Archived from
449:
443:
437:
431:
428:
422:
421:
419:
418:
408:
402:
401:
383:
377:
376:
374:
373:
358:
349:
348:
346:
345:
331:
294:The Music Lesson
257:The Music Lesson
218:Frans van Mieris
210:Royal Collection
206:The Music Lesson
170:Royal Collection
161:Johannes Vermeer
144:The Music Lesson
127:Royal Collection
93:Baroque painting
72:
71: 1662–1665
69:
58:Johannes Vermeer
49:
29:The Music Lesson
26:
1255:
1254:
1250:
1249:
1248:
1246:
1245:
1244:
1215:
1214:
1213:
1208:
1194:
1172:Chasing Vermeer
1105:Maria de Knuijt
1101:(mother-in-law)
1087:
1060:(1934 painting)
1042:
1033:Laura J. Snyder
1018:Jonathan Janson
1001:
982:
928:The Love Letter
696:
671:
666:
589:
572:
553:
550:
548:Further reading
545:
532:
531:
527:
504:
503:
499:
485:
484:
480:
472:
468:
451:
450:
446:
438:
434:
429:
425:
416:
414:
410:
409:
405:
398:
385:
384:
380:
371:
369:
360:
359:
352:
343:
341:
333:
332:
328:
324:
307:
280:
274:
252:
222:Théophile Thoré
214:King George III
182:
70:
24:
17:
12:
11:
5:
1253:
1251:
1243:
1242:
1237:
1232:
1227:
1225:1660 paintings
1217:
1216:
1210:
1209:
1199:
1196:
1195:
1193:
1192:
1184:
1176:
1168:
1160:
1152:
1150:Vermeer Centre
1147:
1142:
1137:
1132:
1127:
1122:
1117:
1112:
1102:
1095:
1093:
1089:
1088:
1086:
1085:
1077:
1069:
1061:
1052:
1050:
1044:
1043:
1041:
1040:
1035:
1030:
1025:
1023:Walter Liedtke
1020:
1015:
1009:
1007:
1003:
1002:
1000:
999:
998:(c. 1665–1670)
990:
988:
984:
983:
981:
980:
972:
971:(c. 1670–1672)
964:
963:(c. 1670–1672)
956:
955:(c. 1670–1672)
948:
947:(c. 1670–1672)
940:
939:(c. 1670–1671)
932:
931:(c. 1669–1670)
924:
923:(c. 1669–1670)
916:
915:(c. 1668–1669)
912:The Geographer
908:
904:The Astronomer
900:
899:(c. 1666–1668)
892:
884:
883:(c. 1665–1667)
876:
875:(c. 1665–1666)
868:
860:
852:
851:(c. 1662–1665)
844:
836:
828:
820:
819:(c. 1662–1663)
812:
811:(c. 1662–1663)
804:
803:(c. 1660–1662)
796:
795:(c. 1660–1661)
788:
784:The Wine Glass
780:
779:(c. 1659–1660)
772:
771:(c. 1658–1659)
764:
763:(c. 1657–1659)
756:
755:(c. 1657–1658)
748:
747:(c. 1657–1658)
740:
732:
724:
716:
715:(c. 1653–1656)
708:
704:Saint Praxedis
700:
685:
679:
677:
673:
672:
667:
665:
664:
657:
650:
642:
636:
635:
626:
618:
605:
588:
587:External links
585:
584:
583:
576:
570:
549:
546:
544:
543:
525:
497:
478:
466:
463:on 2014-10-08.
444:
432:
423:
403:
396:
378:
350:
325:
323:
320:
319:
318:
313:
306:
303:
299:Jonathan Jones
273:
270:
251:
248:
241:William Pyne's
234:Charles Wild's
230:Windsor Castle
181:
178:
138:
137:
134:
130:
129:
124:
120:
119:
112:
108:
107:
104:
100:
99:
90:
84:
83:
78:
74:
73:
65:
61:
60:
55:
51:
50:
42:
41:
31:
30:
15:
13:
10:
9:
6:
4:
3:
2:
1252:
1241:
1238:
1236:
1233:
1231:
1228:
1226:
1223:
1222:
1220:
1207:
1197:
1190:
1189:
1188:Tim's Vermeer
1185:
1182:
1181:
1180:Vermeer's Hat
1177:
1174:
1173:
1169:
1166:
1165:
1161:
1158:
1157:
1153:
1151:
1148:
1146:
1143:
1141:
1138:
1136:
1133:
1131:
1128:
1126:
1123:
1121:
1118:
1116:
1113:
1110:
1106:
1103:
1100:
1097:
1096:
1094:
1090:
1083:
1082:
1078:
1075:
1074:
1070:
1067:
1066:
1062:
1059:
1058:
1054:
1053:
1051:
1049:
1045:
1039:
1036:
1034:
1031:
1029:
1026:
1024:
1021:
1019:
1016:
1014:
1011:
1010:
1008:
1004:
997:
996:
992:
991:
989:
985:
978:
977:
973:
970:
969:
965:
962:
961:
957:
954:
953:
949:
946:
945:
941:
938:
937:
933:
930:
929:
925:
922:
921:
920:The Lacemaker
917:
914:
913:
909:
906:
905:
901:
898:
897:
893:
890:
889:
885:
882:
881:
877:
874:
873:
869:
866:
865:
861:
858:
857:
853:
850:
849:
845:
842:
841:
837:
834:
833:
829:
826:
825:
821:
818:
817:
813:
810:
809:
805:
802:
801:
797:
794:
793:
792:View of Delft
789:
786:
785:
781:
778:
777:
773:
770:
769:
765:
762:
761:
757:
754:
753:
749:
746:
745:
741:
738:
737:
733:
730:
729:
728:A Girl Asleep
725:
722:
721:
720:The Procuress
717:
714:
713:
709:
706:
705:
701:
691:
690:
686:
684:
683:List of works
681:
680:
678:
674:
670:
663:
658:
656:
651:
649:
644:
643:
640:
633:
632:
627:
625:
623:
619:
617:
615:
611:
606:
603:
601:
595:
591:
590:
586:
581:
577:
573:
571:9780870999734
567:
563:
559:
558:
552:
551:
547:
539:
535:
529:
526:
521:
517:
516:
511:
509:
501:
498:
493:
489:
482:
479:
475:
470:
467:
462:
458:
454:
448:
445:
442:
436:
433:
427:
424:
413:
407:
404:
399:
397:0-521-24283-5
393:
389:
382:
379:
368:on 2011-06-09
367:
363:
357:
355:
351:
340:
336:
330:
327:
321:
317:
314:
312:
309:
308:
304:
302:
300:
295:
291:
287:
286:
285:Tim's Vermeer
279:
271:
269:
267:
263:
258:
249:
247:
245:
242:
238:
235:
231:
227:
223:
219:
215:
211:
207:
203:
199:
195:
191:
190:Jacob Dissous
187:
179:
177:
175:
171:
166:
162:
158:
157:
152:
151:
146:
145:
135:
131:
128:
125:
121:
117:
113:
109:
105:
101:
98:
94:
91:
89:
85:
82:
81:Oil on canvas
79:
75:
66:
62:
59:
56:
52:
48:
43:
40:
36:
32:
27:
22:
1186:
1178:
1175:(2004 novel)
1170:
1167:(1999 opera)
1162:
1154:
1079:
1071:
1068:(1999 novel)
1063:
1055:
993:
974:
966:
958:
950:
942:
934:
926:
918:
910:
902:
894:
886:
878:
870:
862:
854:
847:
846:
838:
830:
822:
814:
806:
798:
790:
782:
774:
766:
758:
752:The Milkmaid
750:
742:
734:
726:
718:
710:
702:
687:
630:
621:
613:
609:
599:
579:
556:
538:the Guardian
537:
528:
520:the original
513:
507:
500:
491:
481:
469:
461:the original
456:
447:
435:
426:
415:. Retrieved
406:
387:
381:
370:. Retrieved
366:the original
342:. Retrieved
338:
329:
293:
283:
281:
256:
253:
243:
236:
205:
202:Joseph Smith
183:
165:music lesson
155:
154:
149:
148:
143:
142:
141:
38:
34:
1159:(1990 film)
1099:Maria Thins
1084:(2008 play)
1076:(2003 film)
1006:Scholarship
832:The Concert
697: 1655
634:, Colourlex
515:Vanity Fair
492:Vanity Fair
476:, Colourlex
290:Tim Jenison
266:ultramarine
176:in London.
136:RCIN 405346
1219:Categories
1048:Portrayals
417:2017-02-11
372:2013-12-24
344:2024-07-12
339:www.rct.uk
322:References
276:See also:
262:bone black
180:Provenance
103:Dimensions
1111:(patrons)
979:(c. 1672)
907:(c. 1668)
891:(c. 1667)
867:(c. 1665)
859:(c. 1665)
843:(c. 1664)
835:(c. 1664)
827:(c. 1663)
787:(c. 1660)
739:(c. 1657)
731:(c. 1657)
707:(c. 1655)
676:Paintings
602:(Vermeer)
133:Accession
1206:Category
305:See also
194:Venetian
118:, London
111:Location
88:Movement
1092:Related
297:critic
196:artist
1130:Tronie
723:(1656)
568:
394:
77:Medium
54:Artist
186:Delft
123:Owner
1107:and
566:ISBN
392:ISBN
228:and
64:Year
159:by
153:or
1221::
694:c.
564:.
560:.
536:.
512:.
490:.
455:.
353:^
337:.
301:.
268:.
246:.
204:.
147:,
95:,
68:c.
37:,
699:)
692:(
661:e
654:t
647:v
616:)
612:(
574:.
510:"
494:.
420:.
400:.
375:.
347:.
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
