587:"Great heroes are the stuff of myth and legend, not facts," he added. "Music and facts don't mix. Tchaikovsky said: 'My life is in my music.' And who can deny that the man's music is not utterly fantastic? So likewise the movie! I sought to honour his genius by offering up my own small portion of his courage to create."
843:
commented: "Seventy-seven years have passed since
Tchaikovsky's death. In this epoch of emancipated morality, it would be reasonable to expect that his life would be reviewed with fresh empathy. But no; the same malignant attitudinizing that might have been applied decades ago is still at work . . .
583:
Russell said: "The film is about the fact that
Tchaikovsky couldn't love anyone even though he wrote some of the world's most beautiful music. He loved himself really and his sister. The film is about how artists transcend personal problems, how he used these problems and their results to create this
38:
800:
Mr. Russell has told us a lot less about
Tchaikovsky and his music than he has about himself as a filmmaker . . . speculations are not as offensive as his frontal – and often absurd – attacks on the emotions. Richard Chamberlain . . . is fine as Tchaikovsky, looking a bit like a haunted faun, and
856:
opined, "By unduly emphasizing the mad and the perverse in their biopic . . . producer-director Ken
Russell and scripter Melvyn Bragg lose their audience. The result is a motion picture that is frequently dramatically and visually stunning but more often tedious and grotesque . . . Instead of a
660:
In one sequence, Tchaikovsky and his patron glimpse each other from a distance as she passes through a wood in her carriage. In real life, their paths accidentally crossed in an
Italian park. Later, his wife Nina loses her mind and is placed in an insane asylum; in reality, she was not
805:
as an advance on the classical musical biographies turned out by
Hollywood in the 1940s, but for all of its so-called frankness, there isn't much difference between this kind of sensational, souped-up popularization and the sort of pious, souped-down popularization that cast
614:
was suggested, who had recently relocated to the UK. Russell said "When his name was originally put forward I nearly had a heart attack. I'd only seen him as a bland TV doctor." However, the director changed his mind after he saw the actor in a TV version of
624:
Chamberlain called the role "easily the biggest challenge of my career." Russell said
Chamberlain "had a certain quiet dignity... which I felt the character needed. He was good to work with, very gentle and sweet; he did everything we asked him."
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desire for Count Anton
Chiluvsky. The dynamics of his life lead to deteriorating mental health and the loss of von Meck's patronage, and he dies of cholera after deliberately drinking contaminated water while his wife ends up in an insane asylum.
903:
calls it "vulgar, excessive, melodramatic and self-indulgent . . . the drama is at fever pitch throughout . . . Chamberlain doesn't quite have the range required in the central role, though his keyboard skills are impressive."
634:
Jackson said the filmmakers tried to research insane asylums in Russia at the time by asking the
Russian embassy "but they told us they were all wonderful so we ended up literally making the film out of the imagination of Ken
857:
Russian tragedy, Russell seems more concerned with haunting the viewers' memory with shocking scenes and images. The opportunity to create a memorable and fluid portrait of the composer has been sacrificed for a musical
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wrote of
Russell when reviewing this film: "His talent, his sheer zest for film-making are not in doubt. But there is no doubt that his unique gifts are matched at times by a unique talent for misapplying them."
883:" and added, " hangs together more successfully than his other similar efforts, thanks largely to a powerhouse performance by Glenda Jackson, one actress who can hold her own against Russell's excess."
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called it "an involved and garish private fantasy" and "totally irresponsible as a film about, or inspired by, or parallel to, or bearing a vague resemblance to, Tchaikovsky, his life and times."
607:. Both accepted, but Bates then changed his mind. Russell felt this was because Bates "thought it might not be good for his image to play two sexually deviant parts in rapid succession."
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Glenda Jackson is all sinewy nerves as Nina, but they are hard put to match the . . . nonstop hysteria of the production that surrounds them . . . I expect many people may look on
638:
Jackson said "I think people will love it or hate it but I doubt that anyone will go away feeling nothing. I think it's really quite extraordinary." She also said she preferred
2063:
2018:
558:. Russell later claimed: "if I hadn't told United Artists that it was a story about a homosexual who fell in love with a nymphomaniac it might have never been financed."
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had seen some of Russell's television work and wanted to collaborate with him. Russell had made many films for television about composers and artists, including
924:
would later say in an interview: "You really feel you should drive a stake through the heart of the man who made it. I mean it is so vile. It is so horrible."
870:, Toni Mastroianni said, "The movies have treated composers notoriously badly but few films have been quite so awful as this pseudo-biography of Tchaikovsky."
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calls it "a spurious biography of a great composer that is so filled with wretched excesses that one hardly knows where to begin . . . all the attendant
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sequences set to Tchaikovsky's music. As a child, the composer sees his mother die horribly, forcibly immersed in scalding water as a supposed cure for
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Russell brought on his wife Shirley as costume designer and cast four of their children – Alexander, Victoria, James, and Xavier – in small roles.
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particular kind of music." The director later added "there's as much tranquillity in my film on Tchaikovsky as there is in his music."
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537:(1967). Following that film, Russell tried to get Saltzman to finance the Tchaikovsky film again but the producer declined as
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touches director Ken Russell has added take this out of the realm of plausibility and into the depths of cheap gossip."
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arch tableaux, its unstable amalgam of life and art, make it a director's picture . . . attempting to reveal
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to differentiate from the Russian film released the previous year. The title card ultimately reads
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1321:. Literary Conversations Series. Jackson, Miss.: University Press of Mississippi. p. 28.
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through music, Russell makes every character grotesque, every bar of music programmatic."
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and Barbara von Meck, focuses on the life and career of 19th-century Russian composer
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She Began In a Furor: Rex Reed The Washington Post and Times-Herald 31 Jan 1971: E6.
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UA wanted a star to play Tchaikovsky but Russell struggled to find someone willing.
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The Oscar of His Dreams Is Wilde Haber, Joyce. Los Angeles Times 30 Apr 1972: d15.
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From Humdrum to an Oscar Champlin, Charles. Los Angeles Times 4 June 1971: f1.
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on October 12, 2011 via its DVD-on-demand service available through Amazon.
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described the film as a "Ken Russell fantasia – musical biography as
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Much of the film is without dialogue and the story is presented in
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The script was based on a collection of letters from Tchaikovsky,
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Russell offered the two lead roles to actors he worked with on
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Consuela Chapman as Tchaikovsky's mother (Alexandra Andreyevna)
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recorded the piano pieces played by Tchaikovsky in the film.
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Kahan, Saul. Ken Russell: A Director Who Respects Artists
1315:"Pauline Kael Wants People to Go to the Movies: A Profile"
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Ken Russell's Film on Tchaikovsky and The Music Lovers
309:(1975), made from an often idiosyncratic standpoint.
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2064:English-language biographical drama films
2019:Films about classical music and musicians
1839:Elgar: Fantasy on a Composer on a Bicycle
1284:Taylor, John Russell (24 February 1971).
285:about classical composers, which include
1823:The Strange Affliction of Anton Bruckner
1047:Tiomkin Goes Home for Film Blume, Mary.
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418:Sabina Maydelle as Sasha Tchaikovsky
74:, a collection of letters edited by
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1815:Ken Russell's ABC of British Music
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2004:British biographical drama films
1194:"Film reviews: The Music Lovers"
683:has been a Labour member of the
1791:The Rime of the Ancient Mariner
1663:John Betjeman: A Poet in London
1319:Conversations with Pauline Kael
1152:Ebert, Roger (1 January 1971).
281:. It was one of the director's
1994:1970s biographical drama films
1719:The Dotty World of James Lloyd
1636:The Fall of the Louse of Usher
1034:Lennon, Peter. Russell's time
706:Piano Concerto in B-flat minor
406:Izabella Telezynska as Madame
21:The Music Lovers (The Goodies)
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2044:Films set in the 19th century
2029:Films directed by Ken Russell
1942:Ken Russell's Treasure Island
1926:The Secret Life of Arnold Bax
949:List of British films of 1971
527:), and suggested a biopic of
19:For the Goodies episode, see
2054:1970s English-language films
2014:Films scored by André Previn
1287:"Russell's Pathetic fallacy"
991:Russell, Ken (1 July 2004).
445:Joanne Brown as Olga Bredska
1317:. In Brantley, Will (ed.).
728:Symphony No. 6 in B minor,
489:Victoria Russell as Tatiana
468:Alan Dubreuil as Prince in
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2009:British LGBT-related films
1883:The Insatiable Mrs. Kirsch
1873:Segment "Nessun Dorma" in
1596:The Lair of the White Worm
367:Alex Brewer as young Pyotr
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1831:The Mystery of Dr Martinu
1192:Rick. (27 January 1971).
770:Symphony No. 4 in F minor
765:Symphony No. 5 in E minor
698:London Symphony Orchestra
668:later served together as
480:Ernest Bale as Headwaiter
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1775:Dance of the Seven Veils
1743:Don't Shoot the Composer
1354:Siegel, Barbara (1989).
1051:14 December 1969: r. 34.
677:British House of Commons
543:his own Tchaikovsky film
529:Pyotr Ilyich Tchaikovsky
524:Dance of the Seven Veils
439:Xavier Russell as Koyola
394:as Count Anton Chiluvsky
363:Pyotr Ilyich Tchaikovsky
279:Pyotr Ilyich Tchaikovsky
16:1971 film by Ken Russell
1999:1971 LGBT-related films
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935:was released to DVD by
486:James Russell as Bobyek
275:Catherine Drinker Bowen
193:July 25, 1971
182:July 24, 1971
76:Catherine Drinker Bowen
1313:Malko, George (1996).
937:MGM Home Entertainment
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618:The Portrait of a Lady
294:Delius: Song of Summer
2024:Films about composers
1377:Russell, Ken (1991).
1271:10 March 2008 at the
1064:28 March 1971, n. 18.
1038:1 November 1969 p. 7.
565:, published in 1937.
454:Clive Cazes as Doctor
167:6 July 1971
2034:United Artists films
1866:Amelia and the Angel
1679:A House in Bayswater
1484:Billion Dollar Brain
757:Incidental music to
534:Billion Dollar Brain
265:. The screenplay by
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1968:Unrealised projects
1937:(mini-series, 1993)
1899:A Kitten for Hitler
1783:William and Dorothy
1588:Salome's Last Dance
1358:Richard Chamberlain
1126:(25 January 1971).
915:John Russell Taylor
612:Richard Chamberlain
436:as Young Lieutenant
359:Richard Chamberlain
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1687:Pop Goes the Easel
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1362:. Martin's Press.
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1132:The New York Times
1020:The New York Times
789:The New York Times
786:In his review for
568:Originally titled
458:Georgina Parkinson
430:as Alexei Sofronov
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1348:Bibliography
1318:
1308:
1296:. Retrieved
1294:. p. 10
1291:
1279:
1263:
1258:
1249:
1244:
1235:
1230:
1221:
1216:
1204:. Retrieved
1202:. p. 17
1197:
1187:
1178:
1173:
1161:. Retrieved
1157:
1147:
1135:. Retrieved
1131:
1118:
1109:
1061:
1056:
1048:
1043:
1036:The Guardian
1035:
1019:
1014:
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997:The Guardian
996:
972:
963:
932:
931:
922:Pauline Kael
920:
908:
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893:surrealistic
886:
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865:
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837:
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808:Cornel Wilde
802:
799:
787:
785:
758:
749:
742:
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681:Melvyn Bragg
670:Labour Party
664:Jackson and
643:
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623:
616:
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594:
586:
582:
577:
573:
569:
567:
562:
560:
554:
548:Eventually,
547:
532:
522:
512:
502:
469:
461:
460:as Odile in
316:
304:
298:
292:
286:
270:
267:Melvyn Bragg
253:directed by
245:
244:
243:
210:Running time
127:André Previn
71:
62:Melvyn Bragg
25:
1799:The Planets
1604:The Rainbow
1548:Lisztomania
1461:Ken Russell
1092:Siegel p 76
827:Roger Ebert
687:since 1998.
570:Tchaikovsky
541:was making
499:Development
306:Lisztomania
303:(1974) and
269:, based on
255:Ken Russell
238:$ 2 million
214:124 minutes
86:Ken Russell
83:Produced by
52:Ken Russell
48:Directed by
42:Film Poster
1989:1971 films
1983:Categories
1628:Mindbender
1508:The Devils
1206:23 January
1137:13 January
955:References
928:Home media
846:psychology
730:Pathétique
692:Soundtrack
605:Alan Bates
494:Production
424:as Davidov
383:Max Adrian
323:nightmares
319:flashbacks
251:drama film
197:1971-07-25
186:1971-07-24
171:1971-07-06
143:Russ Films
134:Production
1910:TV movies
1858:Peep Show
1556:Valentino
1292:The Times
881:wet dream
782:Reception
720:(soprano
708:(soloist
635:Russell."
503:Producer
470:Swan Lake
463:Swan Lake
375:as Nina (
141:Russ-Arts
136:companies
115:Edited by
1424:AllMovie
1337:34319309
1269:Archived
1250:TV Guide
943:See also
888:TV Guide
796:stated:
434:Ben Aris
297:(1968),
291:(1962),
227:Language
123:Music by
91:Starring
68:Based on
1961:Related
1950:Dogboys
1199:Variety
864:In the
853:Variety
829:of the
777:Release
675:in the
591:Casting
519:Strauss
509:Debussy
346:lustful
331:cholera
327:fantasy
230:English
219:Country
195: (
184: (
169: (
1953:(1998)
1945:(1995)
1929:(1992)
1921:(1991)
1902:(2007)
1894:(2000)
1886:(1993)
1878:(1987)
1869:(1958)
1861:(1956)
1850:Shorts
1842:(2002)
1834:(1992)
1826:(1990)
1818:(1988)
1810:(1984)
1802:(1983)
1794:(1978)
1786:(1976)
1778:(1970)
1770:(1968)
1762:(1967)
1754:(1966)
1746:(1966)
1738:(1965)
1730:(1965)
1722:(1964)
1714:(1964)
1711:Bartok
1706:(1963)
1698:(1962)
1690:(1962)
1682:(1959)
1674:(1959)
1666:(1959)
1647:(2006)
1639:(2002)
1631:(1995)
1623:(1991)
1615:(1990)
1607:(1989)
1599:(1988)
1591:(1988)
1583:(1986)
1580:Gothic
1575:(1984)
1567:(1980)
1559:(1977)
1551:(1975)
1543:(1975)
1535:(1974)
1532:Mahler
1527:(1972)
1519:(1971)
1511:(1971)
1503:(1971)
1495:(1969)
1487:(1967)
1479:(1964)
1389:
1366:
1335:
1325:
1298:4 June
1266:review
1252:review
1238:review
1224:review
1181:review
1163:4 June
820:Brahms
812:Chopin
759:Hamlet
517:) and
325:, and
300:Mahler
235:Budget
1695:Elgar
1620:Whore
1540:Tommy
1468:Films
910:Times
288:Elgar
1875:Aria
1413:IMDb
1387:ISBN
1364:ISBN
1333:OCLC
1323:ISBN
1300:2022
1208:2024
1179:Time
1165:2022
1139:2012
840:Time
814:and
696:The
603:and
353:Cast
313:Plot
261:and
1422:at
1411:at
861:."
818:as
810:as
673:MPs
642:to
400:as
385:as
361:as
1985::
1331:.
1290:.
1196:.
1156:.
1130:.
1097:^
1085:^
1069:^
1027:^
995:.
981:^
913:,
792:,
599:,
580:.
545:.
321:,
1452:e
1445:t
1438:v
1395:.
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1210:.
1167:.
1141:.
999:.
822:.
724:)
712:)
521:(
511:(
379:)
199:)
188:)
173:)
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
