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The Narrow Margin

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himself in with Ann and demands the payoff list. Brown and Jennings later arrive. Densel is trapped but has Ann as hostage. Brown uses the reflection from the window of a train on the next track to see into Ann's compartment, and he shoots Densel through the door without endangering her. Brown then enters the compartment and finishes Densel off with more shots. Kemp jumps off the train and heads for accomplices in a car nearby, but they are all quickly arrested. The train arrives in Los Angeles, and Brown escorts Ann from the station toward the court house. She chooses to walk with Brown the two blocks straight to testify rather than sneak out under cover.
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car so Kemp will know that the room is unguarded. Kemp goes back and searches both rooms, finding nothing. Kemp later returns to the dining car, which Brown leaves to escort Neall back to her room. Later, mobster Vincent Yost meets Brown and unsuccessfully tries to bribe him into pointing out Neall and abandoning her, appealing to both his greed and his fear (Brown tells Yost he is under arrest for bribery but Brown is out of his jurisdiction so he has no arresting authority). He even suggests that Brown could use the bribe to help the family of his murdered partner, Gus Forbes.
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in case he might be corrupt. Ann had earlier mailed the payoff list to the Los Angeles District Attorney. Meanwhile, Densel and Kemp search for the payoff list and discover the fake Neall in her compartment; the music from her record player gives her away. They break into her room, and Densel shoots her dead as she tries to sneak her gun out of her purse. Then Kemp discovers a badge and police identification, identifying her as Chicago policewoman Sarah Meggs, hidden within her record player.
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Brown tries to explain to Ann that mobsters on the train plan to kill her, mistakenly believing she is Neall. However, she stuns him by revealing that she is the real Neall. The woman he has been protecting is an undercover policewoman, a decoy, and Brown was not told of either woman's true identity
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Kemp tries to open the door to the next compartment, where Mrs. Neall hides, but Brown tells the conductor that the room is empty, and Kemp and the conductor leave. Brown knows that Kemp will come back to her room, so he hides Neall in the ladies room with all of her luggage, and goes to the dining
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As the detectives and Mrs. Neall leave her apartment, they are waylaid by Densel, a mob assassin. Forbes is shot to death, and Densel, wounded by Brown, escapes. At the train station, Brown discovers that he has been followed by gangster Joseph Kemp. Each man knows the other is a mortal enemy. With
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By chance, Brown makes friends with passenger Ann Sinclair and her young son Tommy. When Kemp spots Brown with her, he mistakes Ann for Neall. After Brown beats him up in a fight and questions him, the policeman learns of the mistake. Brown again attempts an arrest without arresting authority. But
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Using a small cast of comparative unknowns, headed by Charles McGraw, Marie Windsor and Jacqueline White, this inexpensive Stanley Rubin production for R.K.O. is almost a model of electric tension that, at least technically, nudges some of the screen's thriller milestones. Crisply performed and
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Densel, deducing the truth, goes for Ann. Her door is locked, but he knocks on the next door. Tommy opens and Densel enters, grabbing him. Densel knocks on the interior door to Ann's room and threatens to kill Tommy if she does not open. She complies, and he pushes Tommy away. Densel then locks
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release was held up for two years after its completion. Reasons given for the delay have varied from Hughes' indecision to coaxing the in-demand Fleischer into doing more work for the mogul. Hughes did assign Fleischer to reshoot sections of the Mitchum–Russell film,
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for background landscapes. The film was shot in just 13 days, and made extensive use of a handheld camera to film within the confined sets without having to remove their walls, an innovative practice at the time. While a few instances of
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Later, in 2005, film critic Dennis Schwartz said, "A breathtakingly suspenseful low-budget crime thriller that is flawlessly directed ... The fast-paced pulpish taut story is filled with tense incidents and a well-executed twist."
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written and directed by Earl Felton and Richard Fleischer with tingling economy, this unpretentious offering should glue anyone to the edge of his seat and prove, once and for all, that a little can be made to count for a lot.
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A police detective plays a deadly game of cat-and-mouse aboard a train with mob assassins out to stop a slain gangster's widow before she can testify before a grand jury.
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this time, he turns Kemp over to railroad agent Sam Jennings and hurries to warn Ann. Densel, however, has boarded the train during a stop at
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and his partner, Sergeant Gus Forbes, are assigned to protect Frankie Neall, a mob boss's widow, as she rides a train from
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The review aggregator Rotten Tomatoes reported that 100% of critics gave the film a positive review, based on 10 reviews.
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the help of a conductor, Kemp comes into Brown's room under the pretense that he is looking for lost luggage.
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can be heard in the movie, it is also notable for the absence of a traditional
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picture was written by Earl Felton, based on an unpublished story written by
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The film was based on a story by Martin Goldsmith and Jack Leonard titled
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is considered by critics and film historians to be a classic example of
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to release it as an A picture. While extensive reshoots did not happen,
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reflects the "noir view" of an unstable and deceiving moral reality.
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and Jack Leonard. The screenplay by Earl Felton was nominated for an
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was so taken with the film he considered reshooting most of it with
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The film's train followed a similar route to that of the real-life
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Film Noir: An Encyclopedic Reference to the American Style
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Fictional portrayals of the Los Angeles Police Department
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Academy Award for Best Writing (Motion Picture Story)
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(April 30, 2015). 653:Just Tell Me When to Cry: A Memoir 450:did film a few additional scenes. 14: 798:Erickson, Glenn (June 24, 2005). 128:Uncredited stock music composers: 1217:The Girl in the Red Velvet Swing 952:; Ward, Elizabeth, eds. (1992). 874:Erickson, Glenn (June 3, 2016). 716:"Metro Acquires Buckner's Story" 543:, Earl Felton, 1953. (nominated) 1498:American black-and-white films 393:was the film's working title. 16:1952 film by Richard Fleischer 1: 694:Dennis Schwartz Movie Reviews 591:"Catalog - The Narrow Margin" 410:also stands in for Chicago's 1503:1950s English-language films 1201:20,000 Leagues Under the Sea 1000:AFI Catalog of Feature Films 657:. Carroll and Graf. p.  595:AFI Catalog of Feature Films 566:in 1990. It was directed by 852:Rode, Alan K. (Fall 2004). 825:"The Narrow Margin: Trivia" 649:Fleischer, Richard (1993). 464:, with the screenwriter of 1564: 18: 1409:The Prince and the Pauper 1091: 939:. Retrieved May 31, 2020. 325:as Det. Sgt. Walter Brown 40:Theatrical release poster 33: 1528:Films set in Los Angeles 1233:Between Heaven and Hell 749:streamlinermemories.com 599:American Film Institute 552:The film was remade as 448:William Cameron Menzies 364:as Det. Sgt. Gus Forbes 1465:Million Dollar Mystery 513: 418:at RKO Studios, using 508: 340:Peter Virgo as Densel 331:as Mrs. Frankie Neall 174:May 2, 1952 1548:1950s American films 1523:Films set in Chicago 1401:The Incredible Sarah 1305:The Boston Strangler 1257:These Thousand Hills 688:(January 22, 2005). 285:to testify before a 1533:Films set on trains 1449:Conan the Destroyer 1329:10 Rillington Place 1265:Crack in the Mirror 1169:Armored Car Robbery 1121:So This Is New York 776:. November 13, 2021 234:is a 1952 American 1538:RKO Pictures films 1353:The New Centurions 1083:Films directed by 1034:TCM Movie Database 962:The Overlook Press 910:The New York Times 880:Trailers From Hell 854:"Credit Where Due" 774:Trailers From Hell 721:The New York Times 503:The New York Times 496:. In 1952, critic 303:La Junta, Colorado 1475: 1474: 1321:Tora! Tora! Tora! 1177:The Narrow Margin 1145:Follow Me Quietly 1085:Richard Fleischer 1041:The Narrow Margin 1029:The Narrow Margin 1018:The Narrow Margin 1007:The Narrow Margin 994:The Narrow Margin 932:The Narrow Margin 535:Awards and honors 529:The Narrow Margin 486:The Narrow Margin 481:Critical response 461:His Kind of Woman 452:The Narrow Margin 346:as Tommy Sinclair 248:Richard Fleischer 231:The Narrow Margin 227: 226: 108:George E. 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Index

Narrow Margin

Richard Fleischer
Earl Felton
Martin Goldsmith
Charles McGraw
Marie Windsor
Jacqueline White
George E. Diskant
Robert Swink
RKO Pictures
film noir
Charles McGraw
Marie Windsor
Richard Fleischer
RKO
Martin Goldsmith
Academy Award
LAPD
Chicago
Los Angeles
grand jury
La Junta, Colorado
Charles McGraw
Marie Windsor
Jacqueline White
Gordon Gebert
Queenie Leonard
David Clarke
Don Beddoe

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