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National Theatre School of Canada

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training conducted over three years, with eight months annually spent in Montreal and the two summer months in Stratford, Ontario, where students were afforded access to the facilities and professional influences of the Stratford Shakespeare Festival. In 1961, a bilingual production program was inaugurated. In 1978, a French program in playwriting was added to the French acting section of the school and in 1980, an equivalent English playwriting program was added to its English acting section. Directing has been the most changeable program at the school. Beginning in the early 1980s, various attempts were made to create programs in English and French for the instruction of directing; but for both financial and pedagogical reasons, these programs have not always succeeded, and the English and French sections of the school have apparently abandoned the pursuit of synchronized objectives in this area. Indeed, while the integration of anglophone and francophone students has been fairly thorough in the production program, in other programs it has been more usual to see the English and French sections of the school operating autonomously.
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School experienced its own uprising. The 8 graduating acting students in the French section resigned en masse in protest against the school's disregard of Québécois playwrights, particularly as exemplified in statements made by the director of the French acting section, André Muller. As a result of the protest, the school pointedly reversed its neglect of Québécois plays. In 1971, Muller's successor, André Pagé, had the students perform a selection of work from various Québécois writers and began a program of commissioning work for the school from prominent Québécois playwrights. In 1998, the 8 students who had resigned were sent a letter from the school declaring that they had been reinstated as alumni and recognizing that their protest had resulted in progressive change in school policy.
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2 Nov 1960 in premises owned by the Canadian Legion at 1191 Mountain Street in Montréal. The school changed locations several times over the next decade until in 1970 it settled at 5030 rue Saint-Denis. Beginning in 1965, it also rented performing space in the Monument-National, which it purchased outright in 1978. This historic theatre (built 1891-94) was then in a dilapidated state; a major renovation in the early 1990s restored the beauty of the old Monument-National and introduced many modernizations, resulting in 2 theatres- the 804-seat Ludger-Duvernay theatre and a smaller flexible Studio theatre, which seats as many as 180 spectators.
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the Theatre: Premises and Promises"). In the 1920s, he worked closely with his uncle, the remarkable French theatre director Jacques Copeau, to revolutionize theatrical practice and training in France through the Vieux-Colombier troupe. In the 1930s, Saint-Denis moved to London, England, where he became one of the most highly regarded stage directors of the decade, being responsible for a series of landmark productions featuring such stars of the British stage as John Gielgud, Laurence Olivier and Alec Guinness.
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The CTC committee had been formed with a mandate to create a "truly bilingual school, located in Toronto." The committee decided that Montréal, as a more "truly bilingual" city, was a better location and the National Theatre School of Canada / École nationale de théâtre du Canada officially opened on
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While the history of the National Theatre School has generally been prestigious, the institution has not been without controversy. For example, in 1968, which was dubbed "the year of the barricades" because of the many student protests that swept across Europe and North America, the National Theatre
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In fact, French-born Saint-Denis had what many regarded as an ideal background to offer guidance to Canada's national co-lingual theatre school project (he gives details of his employment as a consultant for this project, and the involvement of his wife Suria, in their co-authored book "Training for
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The campus of the National Theatre School stretches all the way to the Monument-National in the core of downtown Montreal. This hundred-year-old theatre, owned and operated by the NTS, has been classified as a heritage building. Recently restored and renovated, the Monument-National is composed of
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In 1960, the first year of its operation, the National Theatre School only offered classes in acting for its Francophone and English students. They had been selected from hundreds of auditions conducted in every province and territory across the country to participate in thirty months of rigorous
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The Pavilion houses rehearsal halls, classrooms (including specially converted spaces for voice, dance, movement, set and costume design and writing), the André-Pagé Studio (a flexible studio space with a 150-seat capacity), the Pauline McGibbon Studio (80-seat capacity), a small costume shop, a
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The National Theatre School typically graduates approx. 60 students a year from its combined programs and English and French sections, and its alumni include Canada's prominent theatre artists with an influence that extends deep into the US and European worlds of theatre, television and film.
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Students are auditioned and/or interviewed from all across the country, and NTS accepts international students as well. Placements at the school are highly competitive; for example, the Acting program auditions around six hundred students annually but only twelve are accepted.
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and cultural ministries in each province, with added financial support from private and corporate donors. It has offered incomparable training to actors, directors, playwrights, set and costume designers and production specialists to work in professional
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The Pavilion also houses Canada's largest collection of theatre related books and manuscripts, both published and unpublished, and audio visual materials available in both official languages. This outstanding collection was founded by
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sound studio, a lighting laboratory, a projection room, a computer room, a school supplies store, a cafeteria, and a common space equipped with refrigerators and microwaves for the students.
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Once a juvenile courthouse, the school’s main home, the Michel and Suria Saint-Denis Pavilion, sits on the border between the Plateau Mont-Royal and Mile End neighbourhoods.
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The notion of a national theatre school first received focused attention as an indirect result of the "Massey Report" (the report of the Massey-Levesque
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Saint-Denis, Michel (1982) Training for the Theatre: Premises & Promises. (Suria Saint-Denis, ed.) New York: Theatre Arts Books.
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was brought in from Britain to act as senior advisor. He was a leading authority on theatre training who had created the
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was the first Director-General (Principal) at the NTS and head of the school's Francophone programs while
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The National Theatre School occupies a historic landmark in Montreal, the 
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William "Bill" Millerd (1968) - Director, producer, Artistic Director of The
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Royal Commission on National Development in the Arts, Letters and Sciences
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The following is a list of notable students and the year they graduated.
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It offers professional training in all the major theatre arts in both
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took over the role of Director-General from 1964 until 1968.
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chaired the committee that included Colonel Yves Bourassa,
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Unsourced material may be challenged and removed. 984:(1983) - Actress (Stratford Shakespeare Festival) 640:Category:National Theatre School of Canada alumni 1277:"Marilyn Castonguay a le vent dans les voiles". 1442: 813:(1962) - Actress and director, first graduate 8: 254: 1660:Private universities and colleges in Quebec 593:headed up the English programming section. 61:Learn how and when to remove these messages 1449: 1435: 1427: 716:(1992) - Actor, playwright, and politician 269: 253: 1417:National Theatre School of Canada website 242:Learn how and when to remove this message 224:Learn how and when to remove this message 158:Learn how and when to remove this message 1134: 1422:Text of the Massey Commission's report 185:contains content that is written like 1655:Universities and colleges in Montreal 1167:. 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