Knowledge (XXG)

The Negro Scipion

Source đź“ť

718: 29: 841: 94:. The painting depicts a model, Scipion, in CĂ©zanne's studio. Scipion is portrayed with an elongated torso with a muscular back, accentuated by broad brushstrokes. CĂ©zanne used a variety of colors to modulate the tone of Scipion's back. Art historians consider the painting to be among the strongest works of CĂ©zanne's early career, as it surprised many visitors to Monet's studio in Giverny, including 174: 275: 121:
Scholars have offered various interpretations of the painting, often suggesting that Scipion is mourning over the death of an unknown person. Scholars also speculate that CĂ©zanne may have initially included another figure in the painting in the area of the white mass, which he later painted over.
125:
The painting belonged to Monet, who owned thirteen other works by Cézanne. He kept this painting in his bedroom along with other favorite works. He considered it to be "un morceau de première force" ("a work of the greatest strength"). Originally, Monet acquired this canvas from
454: 485: 705: 446: 150:, dated 1867. Due to its similarity in style, both in the type of model and in the style of long brush strokes and unique form, scholars assign the two paintings to the same date. 515: 878: 110:, where CĂ©zanne studied after arriving in Paris in 1862. Little else is known about him, but scholars speculate that he also posed for a plaster by 619: 307: 469: 912: 922: 500: 332: 187: 907: 539: 741: 681: 407: 547: 871: 801: 627: 392: 917: 346: 300: 158:. Scholars regard the painting as one of three important works that CĂ©zanne executed in either Paris or Aix in that year ( 28: 571: 902: 588: 438: 604: 279: 864: 635: 354: 131: 73: 650: 369: 689: 293: 897: 580: 422: 697: 523: 776: 759: 531: 154:
is one of Cézanne’s few pictures that bear a date, allowing scholars to more firmly secure the date of
793: 596: 555: 822: 816: 130:
and subsequently passed to his son, Michel Monet, who sold it to the dealer Paul Rosenberg. The
107: 673: 665: 477: 848: 260:. New York : H.N. Abrams in association with the Philadelphia Museum of Art. p. 43. 230:. New York : H.N. Abrams in association with the Philadelphia Museum of Art. p. 99. 809: 733: 377: 127: 95: 840: 111: 316: 91: 39: 891: 430: 98:, who described it as a “striking masterpiece” and deemed it “worthy of Delacroix”. 77: 173: 274: 146:, with its thick brush strokes, is often linked with CĂ©zanne's painting 65:
107 cm Ă— 83 cm (42 in Ă— 33 in)
172: 134:
in SĂŁo Paulo purchased it from the Wildenstein Galleries in 1950.
289: 285: 245:. Berkeley : University of California Press. p. 39. 447:
Mont Sainte-Victoire and the Viaduct of the Arc River Valley
706:
La Montagne Sainte-Victoire vue du bosquet du Château Noir
852: 847:
This article about a nineteenth-century painting is a
785: 769: 752: 725: 325: 69: 61: 53: 45: 35: 21: 114:, which is exhibited at the Salon of 1868 titled 872: 516:Portrait of Madame CĂ©zanne with Loosened Hair 301: 8: 569: 879: 865: 308: 294: 286: 27: 18: 486:Chestnut Trees and Farm at Jas de Bouffan 455:Chestnut Trees and Farm at Jas de Bouffan 470:Mont Sainte-Victoire seen from Bellevue 198: 7: 837: 835: 501:Mont Sainte-Victoire with Large Pine 221: 219: 217: 177:The Abduction, 1867 by Paul Cezanne 851:. You can help Knowledge (XXG) by 210:. Paris : Somogy. p. 42. 14: 540:Still Life with Peaches and Pears 188:List of paintings by Paul CĂ©zanne 839: 716: 548:View of the Domaine Saint-Joseph 273: 243:CĂ©zanne, murder, and modern life 628:Pipe Smoker Leaning on a Table 116:Nègre endormi (Sleeping Negro) 1: 655: 640: 609: 560: 505: 490: 459: 412: 397: 382: 359: 620:Portrait of Ambroise Vollard 572:Rideau, Cruchon et Compotier 923:19th-century painting stubs 589:Portrait of Gustave Geffroy 439:Portrait of Louis Guillaume 106:Scipion was a model at the 939: 834: 347:The Overture to Tannhäuser 256:Cachin, Françoise (1996). 241:Dombrowski, AndrĂ© (2013). 226:Cachin, Françoise (1995). 206:Cahn, Isabelle (c. 1995). 913:Paintings by Paul CĂ©zanne 908:Paintings of black people 714: 26: 90:is an early painting by 16:Painting by Paul CĂ©zanne 581:The Boy in the Red Vest 423:View of Auvers-sur-Oise 355:L'Estaque, Melting Snow 74:SĂŁo Paulo Museum of Art 698:Still Life with Teapot 570: 524:The Banks of the Marne 370:The Hanged Man's House 208:Paul CĂ©zanne 1839-1906 178: 760:Marie-Hortense Fiquet 532:Pierrot and Harlequin 393:L'Après-midi Ă  Naples 176: 918:Unfinished paintings 742:Mont Sainte-Victoire 682:The Bunch of Flowers 597:Bridge Across a Pond 556:The Basket of Apples 408:The Eternal Feminine 282:at Wikimedia Commons 102:Context and analysis 823:Corbarimys cezannei 802:The Impressionists 179: 860: 859: 832: 831: 794:Homage to CĂ©zanne 666:Pyramid of Skulls 478:House in Provence 339:The Negro Scipion 333:List of paintings 278:Media related to 160:The Negro Scipion 156:The Negro Scipion 87:The Negro Scipion 83: 82: 22:The Negro Scipion 930: 881: 874: 867: 843: 836: 817:CĂ©zanne (crater) 777:CĂ©zanne's studio 762:(model and wife) 734:The Card Players 720: 719: 660: 657: 645: 642: 614: 611: 575: 565: 562: 510: 507: 495: 492: 464: 461: 417: 414: 402: 399: 387: 386: 1873-1874 384: 378:A Modern Olympia 364: 361: 319: 310: 303: 296: 287: 280:Scipio the Negro 277: 262: 261: 253: 247: 246: 238: 232: 231: 223: 212: 211: 203: 128:Ambroise Vollard 96:Louis Vauxcelles 31: 19: 938: 937: 933: 932: 931: 929: 928: 927: 903:Artists' models 888: 887: 886: 885: 833: 828: 797:(1900 painting) 781: 765: 748: 721: 717: 712: 658: 643: 612: 563: 508: 493: 462: 415: 400: 385: 362: 321: 317: 314: 270: 265: 255: 254: 250: 240: 239: 235: 225: 224: 215: 205: 204: 200: 196: 184: 140: 112:Philippe Solari 108:AcadĂ©mie Suisse 104: 17: 12: 11: 5: 936: 934: 926: 925: 920: 915: 910: 905: 900: 898:1867 paintings 890: 889: 884: 883: 876: 869: 861: 858: 857: 844: 830: 829: 827: 826: 819: 814: 806: 798: 789: 787: 783: 782: 780: 779: 773: 771: 767: 766: 764: 763: 756: 754: 750: 749: 747: 746: 738: 729: 727: 723: 722: 715: 713: 711: 710: 702: 694: 686: 678: 670: 662: 647: 632: 624: 616: 605:Seated Peasant 601: 593: 585: 577: 567: 552: 544: 536: 528: 520: 512: 497: 482: 474: 466: 451: 443: 435: 427: 419: 404: 389: 374: 366: 351: 343: 335: 329: 327: 323: 322: 315: 313: 312: 305: 298: 290: 284: 283: 269: 268:External links 266: 264: 263: 248: 233: 213: 197: 195: 192: 191: 190: 183: 180: 139: 136: 103: 100: 81: 80: 71: 67: 66: 63: 59: 58: 55: 51: 50: 47: 43: 42: 37: 33: 32: 24: 23: 15: 13: 10: 9: 6: 4: 3: 2: 935: 924: 921: 919: 916: 914: 911: 909: 906: 904: 901: 899: 896: 895: 893: 882: 877: 875: 870: 868: 863: 862: 856: 854: 850: 845: 842: 838: 825: 824: 820: 818: 815: 812: 811: 810:CĂ©zanne and I 807: 805:(2006 series) 804: 803: 799: 796: 795: 791: 790: 788: 784: 778: 775: 774: 772: 768: 761: 758: 757: 755: 751: 744: 743: 739: 736: 735: 731: 730: 728: 724: 708: 707: 703: 700: 699: 695: 692: 691: 687: 684: 683: 679: 676: 675: 671: 668: 667: 663: 653: 652: 648: 638: 637: 636:Women Bathing 633: 630: 629: 625: 622: 621: 617: 607: 606: 602: 599: 598: 594: 591: 590: 586: 583: 582: 578: 574: 573: 568: 558: 557: 553: 550: 549: 545: 542: 541: 537: 534: 533: 529: 526: 525: 521: 518: 517: 513: 503: 502: 498: 488: 487: 483: 480: 479: 475: 472: 471: 467: 457: 456: 452: 449: 448: 444: 441: 440: 436: 433: 432: 431:Three Bathers 428: 425: 424: 420: 410: 409: 405: 395: 394: 390: 380: 379: 375: 372: 371: 367: 357: 356: 352: 349: 348: 344: 341: 340: 336: 334: 331: 330: 328: 324: 320: 311: 306: 304: 299: 297: 292: 291: 288: 281: 276: 272: 271: 267: 259: 252: 249: 244: 237: 234: 229: 222: 220: 218: 214: 209: 202: 199: 193: 189: 186: 185: 181: 175: 171: 169: 168:Mary Magdalen 165: 164:The Abduction 161: 157: 153: 152:The Abduction 149: 148:The Abduction 145: 144:Negro Scipion 137: 135: 133: 132:Museu de Arte 129: 123: 119: 117: 113: 109: 101: 99: 97: 93: 89: 88: 79: 75: 72: 68: 64: 60: 57:Oil on canvas 56: 52: 48: 44: 41: 38: 34: 30: 25: 20: 853:expanding it 846: 821: 808: 800: 792: 740: 732: 704: 696: 688: 680: 672: 664: 651:Lady in Blue 649: 634: 626: 618: 603: 595: 587: 579: 554: 551:(late 1880s) 546: 538: 530: 522: 514: 499: 484: 476: 468: 453: 445: 437: 429: 421: 406: 391: 376: 368: 353: 345: 338: 337: 318:Paul CĂ©zanne 257: 251: 242: 236: 227: 207: 201: 167: 163: 159: 155: 151: 147: 143: 141: 124: 120: 115: 105: 92:Paul CĂ©zanne 86: 85: 84: 40:Paul CĂ©zanne 813:(2016 film) 745:(1904–1906) 737:(1890–1895) 701:(1902–1906) 693:(1898–1905) 690:The Bathers 685:(1902–1904) 677:(1902–1904) 659: 1900 644: 1900 631:(1895–1900) 613: 1892 600:(1895–1898) 584:(1894–1895) 576:(1893–1894) 564: 1893 543:(1888–1890) 535:(1888–1890) 519:(1883–1887) 509: 1887 494: 1886 463: 1884 450:(1882–1885) 442:(1879–1882) 434:(1879–1882) 416: 1877 401: 1876 363: 1871 892:Categories 194:References 138:Comparison 62:Dimensions 426:(1879–80) 326:Paintings 78:SĂŁo Paulo 182:See also 70:Location 786:Related 770:Museums 258:CĂ©zanne 228:CĂ©zanne 753:Family 726:Series 709:(1904) 674:Forest 669:(1901) 623:(1899) 615:–1896) 592:(1895) 527:(1888) 481:(1885) 473:(1885) 373:(1873) 350:(1869) 342:(1867) 166:, and 54:Medium 36:Artist 849:stub 142:The 49:1867 46:Year 170:). 894:: 656:c. 641:c. 610:c. 561:c. 506:c. 491:c. 460:c. 413:c. 398:c. 383:c. 360:c. 216:^ 162:, 118:. 76:, 880:e 873:t 866:v 855:. 661:) 654:( 646:) 639:( 608:( 566:) 559:( 511:) 504:( 496:) 489:( 465:) 458:( 418:) 411:( 403:) 396:( 388:) 381:( 365:) 358:( 309:e 302:t 295:v

Index


Paul CĂ©zanne
SĂŁo Paulo Museum of Art
SĂŁo Paulo
Paul CĂ©zanne
Louis Vauxcelles
Académie Suisse
Philippe Solari
Ambroise Vollard
Museu de Arte

List of paintings by Paul CĂ©zanne




Scipio the Negro
v
t
e
Paul CĂ©zanne
List of paintings
The Negro Scipion
The Overture to Tannhäuser
L'Estaque, Melting Snow
The Hanged Man's House
A Modern Olympia
L'Après-midi à Naples
The Eternal Feminine
View of Auvers-sur-Oise

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑