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confined strange half-human prisoners – the previously failed experiments of Dr. Lamb's. In agony and fear, Robert pleads with the physician and tries to buy his way out of the bargain, for now that his book has been published, he is now a successful writer. Only one day remains before the time limit is up, but the doctor, realizing his victim is considering escaping, seizes him and straps him to the operating table. Robert is rescued by Mrs. Lamb, the hunchback releases one of the cage doors, and the doctor is himself brutally murdered at the hands of an ape-man who was destroyed mentally by the doctor's experiments.
428:"It appears to have been the aim of all connected with this production to accent the weird, mysterious and uncanny elements and to make the picture so that it would thrill and fascinate spectators because of its horror and mystery...Lon Chaney's work in this picture is really marvelous and he again demonstrates that he is one of the best, if not the very best, character actor on the screen. As the ape-man, his portrayal and likeness to a huge chimpanzee is wonderful and sends chills up and down your spine. " ---Moving Picture World
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431:"Chaney, doubling as both the doctor and his hunchback, gives a creditable performance and allows for some double photography that is by no means unworthy of mention. Always at his best in a grotesque make-up, Chaney predominates in the character of the man-ape, using the ungainly lope of the supposed animal as a means of locomotion throughout the interpretation of the character." ---Variety
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437:"Mr. Chaney essays the dual role assigned to him with that fine assurance that marks all of his work. His make-up is of course wonderful and one marvels at the contrast between the Doctor with his erect and distinguished carriage and the deformed little man victimized by the surgical experiments." ---Exhibitors Trade Review
434:"A theme that is thoroughly appropriate and suitable for Lon Chaney, providing him with two distinct roles in which he is given plenty of opportunities to live up to his reputation as "a man with a thousand faces"....Those who like his particular type of (grotesque) portrayal will find plenty to satisfy them." ---Film Daily
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In the meantime, the days are slipping by to the time of the experiment. Robert has been warned by Mrs. Lamb and the hunchback that great danger threatens him. At dawn, they show him as a warning a mysterious underground vault which holds a complete operating room and a tunnel of cages in which are
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Although the film was finished in
November 1921, it was only released in December 1922. This delay was due to problems with the censors, as the film's theme dealt with doctors creating artificial life and attempting to play God. The film was cut from six reels to five in the process, and the title
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The film was premiered
December 3, 1922, at the Capitol Theater in New York, and met with a standing ovation the opening night of the film. Critical response for the film was good, most praising Lon Chaney's dual performance as the mad doctor and his apish servant as being the highlight of the
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Robert
Sandell (McKee), despondent over his failure as a writer and his mother's declining health, attempts to rob a theatergoer, Dr. Lamb (Lon Chaney), a sinister, fanatical physician living in the suburbs of New York. Lamb takes the boy to his home, learns his story, and agrees to perform an
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tied together horrific elements for which Lon Chaney became so well known. His characterizations of both Dr. Lamb and the hunchback assistant showcased Chaney's talent for makeup. For the finale, the ape-man that is released upon Dr. Lamb was rumored to have been played by
302:) on one condition – that Robert shall, at the end of eight days time, deliver himself to the doctor to do with as he will for experimental purposes. Frantic with worry over his dying mother's condition, Robert blindly agrees to the bargain.
440:"As the doctor, Chaney is not so good. Lon as a grotesque mistake of nature is far more thrilling than Lon in a frock coat and a vandyke beard. There are many thrills --- illogical perhaps, but now and then breath taking." ---Photoplay
294:. The story involves a mad scientist who forces a man who is down on his luck to enter into an agreement to become a willing subject of the doctor's weird experiments, knowing full well that the result will be the loss of his humanity.
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Dr. Lamb, anxious to keep his hold over Robert, not only gives him spending money, but also assists him in having his book published through
Wytcherly, the head of a publishing company. Robert meets Wytcherly's daughter Angela
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Mother and son take up their residence in the Lamb home, where Robert is closely watched, not only by the doctor, but also by his wife (Fontaine La Rue) and a grotesque hunchback (also Lon Chaney, in a
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and remains today one of the most sought after lost films of Lon Chaney's career. A lobby card from the film exists on the internet, as well as a photo of Chaney in the Ape Man makeup.
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Finally freed from the terms of his "blind bargain", Robert returns to his home to learn that his book has met with success and that Angela awaits him at the altar.
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several years after the takeover of
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and shows the Chaney influence on McKee. The character is a strange amalgam of Chaney's character in
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Blake, Michael F. (1998). "The Films of Lon Chaney". Vestal Press Inc. Page 126.
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Blake, Michael F. (1998). "The Films of Lon Chaney". Vestal Press Inc. Page 127.
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Blake, Michael F. (1998). "The Films of Lon Chaney". Vestal Press Inc. Page 127.
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561:White Munden, Kenneth, ed. (1997).
381:Virginia Madison as Angela's Mother
1112:1920s science fiction horror films
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1082:Films directed by Wallace Worsley
542:List of early color feature films
393:as a Beast man (uncredited cameo)
1072:American black-and-white films
460:Today, the film is considered
318:) and promptly falls in love.
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1077:Films based on British novels
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403:Based on Barry Pain's novel,
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752:Original cutting continuity.
27:1922 film by Wallace Worsley
1000:The Hunchback of Notre Dame
298:operation on Mrs. Sandell (
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186:December 10, 1922
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1127:Lost science fiction films
170:December 3, 1922
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656:. McFarland. p. 55.
652:Soister, John T. (2012).
491:Handschiegl Color Process
399:Background and production
147:J. Bercovitch (cue sheet)
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1008:The Man Who Fights Alone
840:The Goddess of Lost Lake
611:"A Blind Bargain (1922)"
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912:Don't Neglect Your Wife
1097:Goldwyn Pictures films
1087:Films set in the 1920s
872:Diane of the Green Van
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405:The Octave of Claudius
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208:57 minutes (5 reels)
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888:A Woman of Pleasure
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904:The Highest Bidder
856:A Law Unto Herself
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1016:Shadow of the Law
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1041:Categories
548:References
497:Influences
352:Lon Chaney
338:Lon Chaney
264:Barry Pain
248:Lon Chaney
190:1922-12-10
181:(premiere)
174:1922-12-03
106:Lon Chaney
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69:Written by
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507:Clara Bow
470:1965 fire
425:picture.
378:as Bessie
308:dual role
246:starring
138:Paul Bern
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531:See also
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102:Starring
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