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which had just come to hand as a performance began." Yet, Wilson claimed that some of the new music "was written by a composer while he was being whirled away to
Chicago on the Pennsylvania 'Limited' train... he handed the manuscript to messenger awaiting him at Pittsburg, who hurried back to New York and placed it in our hands." And then it was performed the next evening.
230:, where it is claimed that the marriage laws require a divorced wife who wishes to return to a husband must first marry another man, and then divorce that second spouse. "The Oolah" is the person who performs that role. However, the Oolah seeks to retire from his job to marry for real, yet he has one more professional marriage to accomplish first.
167:
The opening night did not go very well. Wilson had risked much of his money on the production, and was distraught. Rosenfeld refused to make changes without a new contract and a cut of the profits. This led to Godwin's immediate work to revise the text (including expanding Wilson's parts, as he
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likely orchestrated the music for Wilson, though this was not advertised. Wilson did not say in his autobiography who provided "the infusion of some whistlish and hummable melodies that set the audience in fine humor and their feet to keeping time," or who prepared "the orchestral arrangement to
183:
In any event, the changes worked, and the play had a successful run of 154 performances over 22 weeks, closing on
October 12, and then went on tour. A letter opener souvenir was given out to ticket holders at the 100th performance, a number of which are still extant. The next season Wilson and
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The Oolah's most popular comedic lines included "think twice about divorcing once", and "I have been married a hundred and fifteen times and not once deceived. I have known men who have been married but once, but who were deceived a hundred and fifteen times."
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and music and alterations by
Hubbard T. Smith. Other popular songs included "Nobody Knows", as well as "Be Good", which Jansen performed, and was considered too suggestive by some.
180:'s observation that "Plays are not written; they are rewritten," and concluded that "this seems to apply to comic operas especially." Rosenfeld later sued Wilson over song rights.
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The popular songs of the show included "A Little Peach in an
Orchard Grew" or "Listen to My Tale of Woe", a Wilson-Jansen duet which had previously been used in
156:(where Wilson had been a performer), but other obligations for that venue and contractual disputes caused delay and eventual failure. Thus,
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on 41st Street on May 13, 1889. The show marked Wilson's debut as a manager of his own company and as a
Broadway star.
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was clearly an audience favorite), and to radical changes in the music, including three new songs from
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Francis Wilson, Manager; The Career of "The Oolah" and its Coming Tour in the
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Songs in "The Oolah": Sydney
Rosenfeld's Latest Suit Against Comedian Francis Wilson
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Making the March King: John Philip Sousa's
Washington Years, 1854-1893
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Kansas City, Missouri: Its
History and Its People 1808-1908, Volume 1
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661:, with "Casino Theatre" reference on front cover corrected)
671:(1901), National Jukebox at Library of Congress (see also
184:Jansen had success with another French adaptation,
152:Wilson originally planned to debut the play at the
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413:, p. 6, col. 4 (advertisement for opening night)
137:, with a liberal adaptation of the libretto by
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519:(advertisement for "farewell night")
269:The Fig Dealer – Benjamin F. Johnson
214:. The lyrics which originated from
651:, at Museum of the City of New York
257:The Prince of Eriven – Hubert Wilke
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589:The Works of John Philip Sousa
129:The opera is an adaptation of
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260:Akhalzakek – Charles Plunkett
278:The Watchman – Henry Hoffman
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272:The Barber – Carlo Segelini
266:The Cadi – Harry MacDonough
246:Marie Jansen as Tourouloupi
30:Francis Wilson as the Oolah
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616:Whitney, Carrie Westlake.
531:(week of November 4, 1889)
443:Dramatic and Musical Notes
422:Dale, Alan (14 May 1889).
251:Boolahgoolah, the Oolah –
353:Recollections of a Player
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392:The Illustrated American
325:Mr. Wilson's New Venture
263:Nejef – Thomas H. Persse
675:at Library of Congress)
649:Multiple photos of cast
284:Darinoora – Laura Moore
388:Our Gallery in Players
293:Shimrana – Ida Kissing
290:Altoora – Ida Fitzhugh
287:Bampoora – Elma Delaro
281:The Baker – H. Ledbury
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238:Original Broadway cast
46:, English libretto by
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540:(21 December 1889).
475:(14 November 1889).
460:About Francis Wilson
424:"The Oolah" (review)
296:Velis – Josie Winner
275:The Tailor – W. Carr
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620:, pp. 379-81 (1908)
574:Warfield, Patrick.
511:(12 October 1889).
226:The play is set in
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493:(6 October 1889).
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441:(22 August 1889).
410:The Sun (New York)
355:, pp. 56-63 (1897)
330:The New York Times
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147:J. Cheever Goodwin
52:J. Cheever Goodwin
699:Plays set in Iran
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655:Oolah Sheet Music
605:The Evening World
587:Bierley, Paul E.
517:The Evening World
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458:(February 1902).
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386:(1 August 1891).
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683:Categories
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307:References
125:Production
36:Written by
366:The Stage
158:The Oolah
106:The Oolah
19:The Oolah
449:, p. 668
394:, p. 499
372:, p. 371
447:America
93:Setting
228:Persia
141:, and
97:Persia
212:Nadjy
206:Songs
85:Genre
222:Plot
117:and
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