383:), to take their son out of town for the weekend so the two of them would miss the reunion. He does not want them involved but cannot tell her why, which upsets her. Fassett tells Tanner that his family is safer at home where the CIA can keep an eye on them, but Tanner disagrees. While driving his wife and son to the airport, their car is ambushed, and Ali and the child are kidnapped. With Fassett's intervention, they are rescued unhurt and the kidnapper is shot dead. In the meantime, Tanner's home has been wired with closed circuit video so Fassett can gather more evidence. Now that Ali is aware Tanner is involved in espionage activity (although not knowing the details), Tanner has her and their son stay at the house for the weekend. Fassett sets himself up in a large van on the grounds with a squad of CIA agents on the outskirts of Tanner's property.
404:
enraged when he realizes that he has been tricked, publicly unleashing a paranoid diatribe and threatening
Fassett with assassination. Fassett's remote location is a secret, but it is clear someone is coming for him. It is revealed that Tanner himself has pre-recorded his questions for both men with Osterman's assistance, and has used the video feed to locate Fassett, whom he shoots and kills. The angle from which Fassett's death is captured protects Tanner's anonymity, thereby appearing to confirm Danforth's threats in real time. Tanner then rescues his wife, his son, and his dog.
753:. It was included as a special feature on Anchor Bay Entertainment's 2004 DVD release of the film. Featuring interviews with many members of the cast and crew, it not only examines the process of bringing Ludlum's novel to the screen, but also provides a portrait of Peckinpah's approach to the filmmaking process and of his frame of mind and physical health following years of substance abuse. It was directed by Jonathan Gaines, who co-wrote it with Michael Thau, who was also the editor.
732:. Disc 1 includes a 1080p high-definition presentation of the theatrical cut in 1.78:1 aspect ratio and an alternative unrestored presentation of the film in 1.66:1 aspect ratio scanned from a 35mm German print. Disc 2 includes a 1080p high-definition, unrestored 2K scan of the director's cut sourced from Sam Peckinpah's personal 35mm negative. The release also includes two audio commentaries and several documentaries, including the feature documentary
376:. Tanner eventually agrees to try turning one of them at their annual reunion, which is coming up that weekend (these reunions are named "Ostermans", in honour of their initial sponsor), which this year is being held at Tanner's house; but only on the condition that Danforth, the CIA director, appear as a guest on his show. Danforth agrees to this condition.
372:
video clips, the
Russian man discusses with Cardone the prospect of "targeting" Tanner, seeing him as a threat; Tremayne expresses his desire to leave the country when "it" goes down; Osterman talks about wanting to see "radical change" in the current system, but makes clear that he's only interested if paid handsomely, asking for a
392:
the severed head of the family dog in the refrigerator, but it turns out to be fake. Tanner has had enough and demands that his guests leave. Tanner confronts
Fassett and insists he arrest the suspects. Fassett sends an order to the CIA guards to kill Osterman, who is an expert in martial arts and kills one of them barehanded.
681:
wrote, "I do not understand this movie. I sat before the screen, quiet, attentive and alert, and gradually a certain anger began to stir inside me, because the movie was not holding up its side of the bargain. It was making no sense. I don't demand that all movies make sense. I sometimes enjoy movies
572:
Many studios did not want to work with
Peckinpah because of his antagonistic relationship with producers. Additionally, the director's health was poor. Davis and Panzer were undaunted, because they felt that having Peckinpah's name attached to their film would lend it an air of respectability. Due to
403:
Sometime later, Danforth prepares for his remote interview with Tanner. Danforth is at his office and will speak into a camera and microphone crewed by the TV station. Tanner introduces
Fassett on the air and Fassett, who is also being filmed remotely, exposes Danforth as a murderer. Danforth becomes
391:
that focuses on Swiss bank accounts and illegal financial manipulation. Virginia, Tremayne's wife, becomes furious, and Ali punches her in the face. Osterman tells Tanner that he's getting himself into something out of his depth, and everyone retires to their rooms. Soon after, Tanner's son discovers
592:
Multiple actors in
Hollywood auditioned for the film, intrigued by the chance of working with the legendary director. Many of those who signed on, including John Hurt, Burt Lancaster and Dennis Hopper, did so for less than their usual salaries for an opportunity to work with Peckinpah. Rutger Hauer,
629:
Panzer and Davis were hoping that
Peckinpah would re-edit the film himself because they did not desire to antagonize him any further, but the director refused to make changes. Peckinpah had also filmed several satirical scenes, subtly ridiculing the product. As a result, the producers felt they had
399:
Fassett appears on the television and admits that he knows
Osterman and his friends are only tax evaders. Fassett kills the Tremaynes and Cardones by remotely detonating an explosive device on the RV. He sends his soldiers into the house to kill Osterman and Tanner. Fassett taunts Tanner during the
395:
Cardone and
Tremayne and their wives escape in Tanner's RV. Tanner confronts Osterman and assaults him. Osterman easily overpowers him and demands an explanation. Tanner says that he knows that Osterman and his friends are Soviet agents. Osterman dismisses the accusation and explains that they have
625:
This version was screened once on May 25, 1983. Test audiences reacted unfavorably and many walked out of the theater during the first few minutes. Peckinpah opened with a distorted image of
Fassett and his wife making love, and the way he had edited the scene made it difficult for the audience to
371:
The CIA contacts Tanner and Fassett tells him that his closest friends are Omega agents. Although initially highly skeptical, Tanner becomes more convinced as Fassett shows him videotaped evidence of his friends talking with a Russian man, whom Fassett identifies as a KGB agent. In three different
618:
Peckinpah managed to keep up with the 54-day shooting schedule and within a budget of just under $ 7 million, but his relationship with the producers soon soured and he became combative. The cast greatly respected him and said that Peckinpah put everything he could into directing the picture in
576:
According to the commentators on the film's special edition DVD, Peckinpah hated Ludlum's novel and he did not like the screenplay either. Peckinpah requested and was given permission to work on the script himself, but after submitting his first few pages the producers forbade him from any more
386:
Osterman, Tremayne and Cardone arrive for the weekend, each having recently encountered difficulties engineered by the CIA in order to unsettle them. Consequently, the mood is tense. On the second night, Fassett sends a video feed to Tanner's dining room television, showing a clip about
29:
360:). Rather than arrest the three members, which would alarm the KGB, Fassett proposes to the CIA director that they turn one of them to the side of the West in order to unravel the entire network more efficiently. Fassett sees an opportunity in John Tanner (
344:
assassins enter the bedroom and kill his wife. The CIA had in fact sanctioned her killing. Fassett, unaware of his employer's involvement, is consumed by grief and rage. He hunts the assassins, eventually uncovering a Soviet spy network known as Omega.
516:, but was giving up on turning it into a feature film since he had not been able to develop a satisfactory screenplay. Davis and Panzer immediately offered to purchase the rights, as they felt this could be the project that elevated them out of the
588:
that he would provide a free rewrite; if this is true the producers never accepted his offer. In spite of his distaste for the project, Peckinpah immediately accepted the job as he was desperate to re-establish himself within the film community.
584:, screenwriter Sharp said that he himself did not like the screenplay he had written, and that he found it incredible that Davis and Panzer used his draft as the shooting script. Fine also wrote that Ludlum had stated to his friend
693:
has stated, "The structure is a mess...which ultimately makes it too difficult to tell whether its oddly compelling qualities are the result of a coherent artistic strategy or the cynical carelessness of a director sidelined."
494:
initially purchased the film rights and asked author Ludlum to write the script. Ludlum was reluctant. Despite his extensive film and theatre experience, he said "I didn't leave that crowd of ocelots to go back into it."
622:
By the time shooting wrapped in January 1983, Peckinpah and the producers were hardly speaking. Peckinpah delivered the film on time and on budget, submitting his director's cut to the producers.
633:
The producers changed the opening sequence and deleted other scenes they deemed unnecessary. Peckinpah proclaimed that producers had sabotaged his film, a complaint he also made after filming
523:
The first order of business was to adapt Ludlum's complex story, and for this they hired Ian Masters. Davis claims that Masters followed conspiracy theories and closely paid attention to the
1379:
702:
wrote that it was "incomprehensible" and "full of gratuitous sex and violence", but "has a kind of hallucinatory craziness to it". It currently holds a 45% approval rating on
364:), a controversial television journalist who is highly critical of government abuses of power. Tanner has been close friends with the three men since all four were at
400:
attack on the house, revealing that Danforth authorized his wife's murder. Fassett offers to release Tanner's family if Tanner will expose Danforth on television.
1389:
1404:
1374:
682:
that make no sense whatsoever, if that's their intention. But a thriller is supposed to hold together in some sort of logical way, isn't it?'" The
1384:
1205:
1424:
1399:
1023:
1414:
855:
506:
were celebrating the wrapping of a film when they ran into Larry Jones. Jones, also a producer, revealed that he owned the film rights to
1299:
365:
1119:
1077:
979:
1394:
725:, which has included the director's cut of the film on its DVD release, but sourced from a low-quality, full-screen videotape.
550:(1971). Suffering from a damaged reputation due to alcohol and drug addiction (noted most recently on the set of his 1978 film
520:
features that they had been financing up to that point. Jones and a partner agreed, and Davis and Panzer began pre-production.
677:
Critics reacted unfavorably towards the film, with one of the common complaints being that the story was full of plot holes.
933:
600:
599:, was chosen by the producers for the lead role. For the film's primary location, the Tanner household, the filmmakers chose
1419:
1291:
641:
969:
1142:
886:
1409:
1369:
1198:
654:
1359:
565:
in 1981. The competence and professionalism he displayed made it possible for him to be considered as director of
1259:
1364:
722:
396:
been illegally sheltering money in Swiss bank accounts to avoid taxation, but insists they are not traitors.
1283:
1267:
1191:
546:
388:
373:
573:
the director's damaged reputation, the producers were forced to seek financing from independent sources.
1235:
1227:
846:
In February 2012, it was reported that talks were under way to film a new adaptation of Ludlum's book.
512:
282:
81:
1354:
718:
612:
534:
With the screenplay completed they went looking for a director, and an offhand comment led them to
1323:
1028:
552:
1159:
992:
1154:
1115:
997:
975:
929:
901:
767:
604:
503:
234:
99:
1307:
666:
193:
155:
28:
348:
Fassett points to three men as the top Omega agents: television producer Bernard Osterman (
1170:
1165:
790:
703:
480:
426:
349:
318:
122:
728:
In 2022, the Australian distributor Imprint released a 2-disc limited edition Blu-ray of
1251:
1175:
785:
699:
684:
540:
491:
471:
438:
357:
333:
314:
298:
145:
132:
1348:
1315:
1275:
1215:
1135:
1050:
1019:
879:
827:
822:
695:
585:
535:
507:
432:
353:
302:
286:
278:
274:
167:
127:
87:
42:
1243:
1107:
817:
795:
775:
635:
595:
462:
456:
450:
414:
361:
310:
290:
112:
1183:
527:
activities throughout the world. After Masters developed the script's groundwork,
483:
makes a brief appearance as Fassett's wife, whose murder sets the plot in motion.
812:
678:
608:
807:
662:
557:
528:
444:
380:
306:
52:
630:
no choice and effectively fired Peckinpah and re-edited the film themselves.
780:
714:
690:
420:
337:
294:
117:
717:
picked up the initial video rights; a laserdisc edition was published by
368:
together, and Fassett believes Tanner can successfully turn one of them.
1148:
657:, though it grossed $ 6 million domestically and did extremely well in
561:
517:
379:
Tanner's troubled marriage is not improved when he asks his wife, Ali (
556:), Peckinpah had been given the opportunity to do second unit work on
658:
1078:"Brian Kirk In Talks To Helm Robert Ludlum's 'The Osterman Weekend'"
340:) and his wife having sex. When Fassett goes to the shower, two
1187:
524:
341:
329:
761:
321:. It was Peckinpah's final film before his death in 1984.
619:
spite of his physical exhaustion and health problems.
721:. It is currently available on DVD and Blu-ray from
538:, the controversial and troubled man who had helmed
258:
250:
242:
223:
199:
189:
173:
163:
151:
141:
105:
93:
76:
58:
48:
38:
21:
336:) watches a recording of agent Laurence Fassett (
665:market. Theatrical distribution was handled by
734:Alpha to Omega: Exposing “The Osterman Weekend”
926:Bloody Sam:The Life and Films of Sam Peckinpah
531:was hired to work on characters and dialogue.
1199:
747:Alpha to Omega: Exposing The Osterman Weekend
741:Alpha to Omega: Exposing The Osterman Weekend
500:Alpha to Omega: Exposing The Osterman Weekend
8:
1380:Films about the Central Intelligence Agency
1206:
1192:
1184:
749:is a 2004 documentary about the making of
27:
18:
872:
1076:Fleming, Mike Jr. (28 February 2012).
955:
953:
943:
941:
1390:Films based on works by Robert Ludlum
352:), plastic surgeon Richard Tremayne (
7:
856:List of films featuring surveillance
1405:Films produced by William N. Panzer
1300:Bring Me the Head of Alfredo Garcia
356:) and stock trader Joseph Cardone (
974:University of Illinois Press. p.7
905:. Vol. 201. 1972. p. 90.
14:
1375:American political thriller films
991:Ebert, Roger (November 3, 1983).
468:Christopher Starr as Steve Tanner
1024:"Screen: 'The Osterman Weekend'"
1385:Films directed by Sam Peckinpah
502:, producers Peter S. Davis and
498:As related in the documentary
1:
1425:English-language action films
1400:Films scored by Lalo Schifrin
1292:Pat Garrett and Billy the Kid
971:Sam Peckinpah's Feature Films
968:Dukore, Bernard Frank (1999)
642:Pat Garrett and Billy the Kid
1415:1980s English-language films
1143:AFI Catalog of Feature Films
887:AFI Catalog of Feature Films
899:"Farewell to the Theatre".
626:discern what was going on.
332:director Maxwell Danforth (
184:Osterman Weekend Associates
1441:
993:"The Osterman Weekend (R)"
593:fresh from the success of
208:November 4, 1983
16:1983 film by Sam Peckinpah
1260:The Ballad of Cable Hogue
1222:
72:
33:Theatrical release poster
26:
1171:Review by Leonard Pierce
1112:If They Move...Kill 'Em!
723:Anchor Bay Entertainment
603:former residence in the
580:In Marshall Fine's book
182:Davis-Panzer Productions
1395:20th Century Fox films
1051:"The Osterman Weekend"
924:Fine, Marshall (1991)
283:novel of the same name
275:suspense thriller film
1236:Ride the High Country
1228:The Deadly Companions
649:Release and reception
1420:1980s American films
1332:The Osterman Weekend
1177:The Osterman Weekend
1161:The Osterman Weekend
1150:The Osterman Weekend
1137:The Osterman Weekend
881:The Osterman Weekend
751:The Osterman Weekend
730:The Osterman Weekend
567:The Osterman Weekend
513:The Osterman Weekend
453:as Virginia Tremayne
281:, based on the 1972
270:The Osterman Weekend
82:The Osterman Weekend
22:The Osterman Weekend
1022:(4 November 1983).
719:Image Entertainment
653:The film was not a
613:Robert Taylor Ranch
474:as Maxwell Danforth
465:as Walter Stennings
435:as Richard Tremayne
429:as Bernard Osterman
423:as Lawrence Fassett
273:is a 1983 American
1410:Cold War spy films
1370:American spy films
1214:Films directed by
1029:The New York Times
374:Swiss bank account
1360:1983 action films
1342:
1341:
1082:Deadline New York
998:Chicago Sun-Times
915:Weddle, pp.534-45
902:Publishers Weekly
838:
837:
768:William N. Panzer
706:from 20 reviews.
673:Critical response
605:Mandeville Canyon
504:William N. Panzer
441:as Joseph Cardone
289:. The film stars
266:
265:
100:William N. Panzer
1432:
1308:The Killer Elite
1208:
1201:
1194:
1185:
1125:
1094:
1093:
1091:
1089:
1073:
1067:
1066:
1064:
1062:
1047:
1041:
1040:
1038:
1036:
1016:
1010:
1009:
1007:
1005:
988:
982:
966:
960:
957:
948:
945:
936:
928:Donald I. Fine.
922:
916:
913:
907:
906:
896:
890:
877:
762:
667:20th Century Fox
459:as Betty Cardone
238:
215:
213:
194:20th Century Fox
156:Edward M. Abroms
31:
19:
1440:
1439:
1435:
1434:
1433:
1431:
1430:
1429:
1365:1980s spy films
1345:
1344:
1343:
1338:
1218:
1212:
1166:Box Office Mojo
1132:
1122:
1114:. Grove Press.
1106:
1098:
1097:
1087:
1085:
1075:
1074:
1070:
1060:
1058:
1057:. Flixster, Inc
1055:Rotten Tomatoes
1049:
1048:
1044:
1034:
1032:
1018:
1017:
1013:
1003:
1001:
990:
989:
985:
967:
963:
958:
951:
946:
939:
923:
919:
914:
910:
898:
897:
893:
878:
874:
864:
852:
844:
839:
791:Craig T. Nelson
744:
712:
704:Rotten Tomatoes
675:
661:and on the new
651:
601:Robert Taylor's
508:Robert Ludlum's
489:
481:Merete Van Kamp
477:
427:Craig T. Nelson
410:
350:Craig T. Nelson
327:
319:Craig T. Nelson
232:
230:
226:
219:
211:
209:
202:
185:
183:
178:
176:
158:
137:
123:Craig T. Nelson
98:
85:
68:
34:
17:
12:
11:
5:
1438:
1436:
1428:
1427:
1422:
1417:
1412:
1407:
1402:
1397:
1392:
1387:
1382:
1377:
1372:
1367:
1362:
1357:
1347:
1346:
1340:
1339:
1337:
1336:
1328:
1320:
1312:
1304:
1296:
1288:
1280:
1272:
1264:
1256:
1252:The Wild Bunch
1248:
1240:
1232:
1223:
1220:
1219:
1213:
1211:
1210:
1203:
1196:
1188:
1182:
1181:
1173:
1168:
1157:
1146:
1145:
1131:
1130:External links
1128:
1127:
1126:
1120:
1096:
1095:
1068:
1042:
1020:Canby, Vincent
1011:
983:
961:
949:
937:
917:
908:
891:
889:
871:
870:
863:
860:
859:
858:
851:
848:
843:
840:
836:
835:
831:
830:
825:
820:
815:
810:
805:
800:
799:
798:
793:
788:
786:Chris Sarandon
783:
778:
773:
772:Peter S. Davis
770:
760:
743:
738:
711:
708:
700:New York Times
685:Chicago Reader
674:
671:
650:
647:
541:The Wild Bunch
492:William Castle
488:
485:
476:
475:
472:Burt Lancaster
469:
466:
460:
454:
448:
442:
439:Chris Sarandon
436:
430:
424:
418:
417:as John Tanner
411:
409:
406:
358:Chris Sarandon
334:Burt Lancaster
326:
323:
315:Chris Sarandon
299:Burt Lancaster
264:
263:
260:
256:
255:
252:
248:
247:
244:
240:
239:
235:Director's Cut
227:
224:
221:
220:
218:
217:
205:
203:
200:
197:
196:
191:
190:Distributed by
187:
186:
181:
179:
174:
171:
170:
165:
161:
160:
153:
149:
148:
146:John Coquillon
143:
142:Cinematography
139:
138:
136:
135:
133:Burt Lancaster
130:
125:
120:
115:
109:
107:
103:
102:
97:Peter S. Davis
95:
91:
90:
78:
74:
73:
70:
69:
67:
66:
62:
60:
56:
55:
50:
46:
45:
40:
36:
35:
32:
24:
23:
15:
13:
10:
9:
6:
4:
3:
2:
1437:
1426:
1423:
1421:
1418:
1416:
1413:
1411:
1408:
1406:
1403:
1401:
1398:
1396:
1393:
1391:
1388:
1386:
1383:
1381:
1378:
1376:
1373:
1371:
1368:
1366:
1363:
1361:
1358:
1356:
1353:
1352:
1350:
1334:
1333:
1329:
1326:
1325:
1321:
1318:
1317:
1316:Cross of Iron
1313:
1310:
1309:
1305:
1302:
1301:
1297:
1294:
1293:
1289:
1286:
1285:
1281:
1278:
1277:
1276:Junior Bonner
1273:
1270:
1269:
1265:
1262:
1261:
1257:
1254:
1253:
1249:
1246:
1245:
1241:
1238:
1237:
1233:
1230:
1229:
1225:
1224:
1221:
1217:
1216:Sam Peckinpah
1209:
1204:
1202:
1197:
1195:
1190:
1189:
1186:
1180:
1178:
1174:
1172:
1169:
1167:
1163:
1162:
1158:
1156:
1152:
1151:
1147:
1144:
1141:
1139:
1138:
1134:
1133:
1129:
1123:
1121:0-8021-3776-8
1117:
1113:
1109:
1108:Weddle, David
1105:
1104:
1103:
1102:
1084:. PMC Network
1083:
1079:
1072:
1069:
1056:
1052:
1046:
1043:
1031:
1030:
1025:
1021:
1015:
1012:
1000:
999:
994:
987:
984:
981:
980:9780252068027
977:
973:
972:
965:
962:
959:Weddle, p.537
956:
954:
950:
947:Weddle, p.536
944:
942:
938:
935:
931:
927:
921:
918:
912:
909:
904:
903:
895:
892:
888:
885:
883:
882:
876:
873:
869:
868:
861:
857:
854:
853:
849:
847:
841:
834:
829:
828:Lalo Schifrin
826:
824:
823:Edward Abroms
821:
819:
816:
814:
811:
809:
806:
803:
802:
801:
797:
794:
792:
789:
787:
784:
782:
779:
777:
774:
771:
769:
766:
765:
764:
763:
759:
758:
754:
752:
748:
742:
739:
737:
735:
731:
726:
724:
720:
716:
709:
707:
705:
701:
697:
696:Vincent Canby
692:
688:
686:
680:
672:
670:
668:
664:
660:
656:
648:
646:
644:
643:
638:
637:
631:
627:
623:
620:
616:
614:
610:
606:
602:
598:
597:
590:
587:
586:Jason Robards
583:
578:
574:
570:
568:
564:
563:
559:
555:
554:
549:
548:
543:
542:
537:
536:Sam Peckinpah
532:
530:
526:
521:
519:
515:
514:
509:
505:
501:
496:
493:
486:
484:
482:
479:In addition,
473:
470:
467:
464:
461:
458:
455:
452:
449:
447:as Ali Tanner
446:
443:
440:
437:
434:
433:Dennis Hopper
431:
428:
425:
422:
419:
416:
413:
412:
407:
405:
401:
397:
393:
390:
384:
382:
377:
375:
369:
367:
363:
359:
355:
354:Dennis Hopper
351:
346:
343:
339:
335:
331:
324:
322:
320:
316:
312:
308:
304:
303:Dennis Hopper
300:
296:
292:
288:
287:Robert Ludlum
284:
280:
279:Sam Peckinpah
276:
272:
271:
261:
257:
253:
249:
246:United States
245:
241:
236:
228:
222:
207:
206:
204:
198:
195:
192:
188:
180:
172:
169:
168:Lalo Schifrin
166:
162:
159:David Rawlins
157:
154:
150:
147:
144:
140:
134:
131:
129:
128:Dennis Hopper
126:
124:
121:
119:
116:
114:
111:
110:
108:
104:
101:
96:
92:
89:
88:Robert Ludlum
84:
83:
79:
75:
71:
64:
63:
61:
59:Adaptation by
57:
54:
51:
49:Screenplay by
47:
44:
43:Sam Peckinpah
41:
37:
30:
25:
20:
1331:
1330:
1322:
1314:
1306:
1298:
1290:
1282:
1274:
1266:
1258:
1250:
1244:Major Dundee
1242:
1234:
1226:
1179:movie stills
1176:
1160:
1149:
1136:
1111:
1101:Bibliography
1100:
1099:
1086:. Retrieved
1081:
1071:
1059:. Retrieved
1054:
1045:
1033:. Retrieved
1027:
1014:
1002:. Retrieved
996:
986:
970:
964:
925:
920:
911:
900:
894:
880:
875:
866:
865:
845:
832:
818:Helen Shaver
796:Cassie Yates
776:Rutger Hauer
756:
755:
750:
746:
745:
740:
733:
729:
727:
713:
683:
676:
652:
640:
636:Major Dundee
634:
632:
628:
624:
621:
617:
596:Blade Runner
594:
591:
581:
579:
575:
571:
566:
560:
558:Don Siegel's
551:
545:
539:
533:
522:
511:
499:
497:
490:
478:
463:Sandy McPeak
457:Cassie Yates
451:Helen Shaver
415:Rutger Hauer
402:
398:
394:
385:
378:
370:
362:Rutger Hauer
347:
328:
311:Helen Shaver
291:Rutger Hauer
277:directed by
269:
268:
267:
231:105 minutes
225:Running time
201:Release date
113:Rutger Hauer
80:
1284:The Getaway
813:Martin Baum
804:Nick Redman
757:Interviews:
679:Roger Ebert
655:blockbuster
639:(1965) and
609:Los Angeles
607:section of
544:(1969) and
510:1972 novel
389:Switzerland
262:$ 6,486,797
229:103 minutes
94:Produced by
65:Ian Masters
39:Directed by
1355:1983 films
1349:Categories
1268:Straw Dogs
1061:11 January
934:155611236X
862:References
808:Meg Foster
710:Home media
663:home-video
582:Bloody Sam
577:rewrites.
547:Straw Dogs
529:Alan Sharp
487:Production
445:Meg Foster
381:Meg Foster
307:Meg Foster
259:Box office
212:1983-11-04
175:Production
53:Alan Sharp
1088:3 January
1004:August 1,
781:John Hurt
715:Thorn EMI
691:Dave Kehr
421:John Hurt
338:John Hurt
295:John Hurt
216: (US)
177:companies
152:Edited by
118:John Hurt
1110:(1994).
1035:21 April
850:See also
645:(1973).
366:Berkeley
251:Language
164:Music by
106:Starring
77:Based on
1140:at the
884:at the
698:of the
611:, the "
562:Jinxed!
518:B-movie
254:English
243:Country
210: (
1335:(1983)
1327:(1978)
1324:Convoy
1319:(1977)
1311:(1975)
1303:(1974)
1295:(1973)
1287:(1972)
1279:(1972)
1271:(1971)
1263:(1970)
1255:(1969)
1247:(1965)
1239:(1962)
1231:(1961)
1118:
978:
932:
842:Remake
833:
659:Europe
553:Convoy
867:Notes
525:CIA's
1155:IMDb
1116:ISBN
1090:2013
1063:2024
1037:2012
1006:2021
976:ISBN
930:ISBN
408:Cast
325:Plot
317:and
1164:at
1153:at
615:".
342:KGB
330:CIA
285:by
86:by
1351::
1080:.
1053:.
1026:.
995:.
952:^
940:^
736:.
689:s
669:.
569:.
313:,
309:,
305:,
301:,
297:,
293:,
1207:e
1200:t
1193:v
1124:.
1092:.
1065:.
1039:.
1008:.
687:'
237:)
233:(
214:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
