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The Passion of Anna

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asks if she is planning to kill him like she killed her husband and son. She drives off the road but he manages to lean across and help stop the car safely. Anna remains silent and Andreas tells her she is out of her mind, that they don't love each other, and that they should part ways. At last, he asks her why she picked him up at the fire and Anna replies: "I came to ask for forgiveness." Andreas gets out of the car and she drives away. In a long shot we see him pace back and forth. As the long shot pulls in to an increasingly grainy close-up, we see Andreas fall to his knees, and, as the screen turns to white, a voice-over states: "This time he was named Andreas Winkelman." The End.
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Afterwards, as Anna lies in bed, two fire engines rush past the house, sirens wailing. Andreas follows them to the scene of the fire - a farm with livestock. When Andreas arrives he is told that the perpetrator has struck again, this time dousing a horse in petrol and locking it in and setting fire to the stable. The horse was burnt to death. It is now clear that Andreas' friend was innocent and unjustly persecuted.
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of her driving off the road.) While Anna uses Andreas' phone, he eaves-drops on her conversation, after which she departs in tears. Anna has left her handbag behind and Andreas looks through it, finding and reading a letter from her husband that reveals that he is unhappy in their marriage and fearful for possible "psychological and physical violence".
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hardly shown. Afterwards she explains that during her only pregnancy years ago, she went to the hospital to seek treatment for insomnia. There she was mistakenly injected with an excessive dose, which resulted in the death of the child in her womb. She mentions that she and Elis both wept after this, and it is the only time she has seen him weep.
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Anna shows up at the fire in her car. Andreas gets in. Anna drives but says nothing. Andreas insists they should speak the truth to each other. He reveals that he read the letter Anna's husband wrote, so he knows that she has lied about their being happy together. Anna appears to speed up the car. He
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Elis photos Andreas. Elis agrees to organise the validation of a bank-loan sought by Andreas and gives him a typing task in order to help Andreas have the funds to pay back the loan. Eva arrives and when left alone with Andreas for a moment, warns him to be "careful" as regards Anna. Elis comes back
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One night while Elis is away, Eva visits Andreas, as she is bored and lonely and finds it hard to sleep. They listen to music and drink wine, which makes her drowsy. Andreas tucks her up on the sofa and she sleeps for some hours. After she awakes they become intimate and go to bed, although this is
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The audience is introduced to Andreas Winkelman, a man living alone and emotionally desolate after the recent breakdown of his marriage. A neighbour, Anna, arrives and asks permission to use his phone. She walks with the aid of a cane. (It is later revealed that her husband and son died as a result
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argued that "it does seem designed more for the indefatigable Bergman cryptologists (of which I am not one) than for interested, but uncommitted filmgoers", but praised its lead actors' performances and wrote that "Bergman gives each of them extraordinary moments of cinematic truth, monologues of
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One day Anna picks an argument with Andreas as he is chopping wood, causing him to lose control and, raising the axe, plunges it into the wooden wall close to her head. We don't know whether he really intended to kill her, as she screams and dodges it. At any rate, he proceeds to slap her around.
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Throughout the film, an unknown person on the island is committing acts of animal cruelty, hanging a dog in a tree and violently killing sheep. A neighbour of Andreas (a loner who some regard as mentally disturbed) is suspected of these crimes. He commits suicide and the police bring a letter to
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Andreas takes the handbag to where Anna is living and is greeted at the door by the married couple, Eva and Elis, who are also in the midst of psychological turmoil. Elis is an internationally successful architect and amateur photographer who has an extensive archive of portraits categorised
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Andreas and Anna are now living together at his house. Anna appears zealous in her faith and steadfast in her search for truth but gradually her delusions come to the surface. She describes a dream of hers, which seems to follow the events of
465:, "While it lacks the lightness of touch and smooth flow that distinguishes Bergman at his finest, this is still a powerful, profound work of art." Roger Ebert gave it four out of four stars and included it in his Top 10 of 1970. 385:'s environmental regulations required the house built for the film be burned, but Bergman had developed an attachment to its appearance and saved it by claiming there were plans to use it in another film. He began writing 240:, where she emerges on an island helpless, witness to the horrors of war. For his part Andreas is unable to overcome his feelings of anxiety and disconnection, further dooming his relationship with Anna. 199: 749: 744: 446: 218:
The narrative of the film is periodically interrupted by brief footage of each of the four main actors being interviewed (by an unseen Bergman) about their role-characters.
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Andreas where the poor man describes how he was beaten and humiliated by a group of men, after which he did not wish to continue living.
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The film is not considered one of Bergman's greatest works, but retrospective evaluations are still positive. Sam Jordison wrote for
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represent a trilogy. Author Amir Cohen-Shalev concurred the films form a trilogy. Cohen-Shalev wrote that, like
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Author Jerry Vermilye wrote that in exploring "the thread of violence intruding on ordinary lives,"
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according to emotional states. Elis offers to take pictures of Andreas, to which he agrees.
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and Eva asks him why he has a nasty look. He says that he only gets upset by trivialities.
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follows an "artist as fugitive" theme touching on issues of guilt and self-hatred.
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sustained richness and drama". The film was included in "
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Channel Four Television Corporation 7: 540:Both Worlds at Once: Art in Old Age 524:Ingmar Bergman: His Life and Films 14: 1245:The Making of Fanny and Alexander 598:"The Best 1,000 Movies Ever Made" 190:– "A passion") is a 1969 Swedish 1452:Films directed by Ingmar Bergman 1071:From the Life of the Marionettes 487:National Society of Film Critics 355:as Narrator (voice) (uncredited) 1354:The Seduction of Ingmar Bergman 671:Swedish Film Institute Database 682:Four Stories by Ingmar Bergman 361:as Johan's sister (uncredited) 1: 511:The Passion of Ingmar Bergman 194:film written and directed by 1472:1960s Swedish-language films 1340:Ingmar Bergman Makes a Movie 1503: 1103:In the Presence of a Clown 133:10 November 1969 730: 393:as "virtually a sequel." 28: 887:Smiles of a Summer Night 1366:Ingmar Bergman's Cinema 1031:Scenes from a Marriage 943:Through a Glass Darkly 831:This Can't Happen Here 783:A Ship Bound for India 604:. 2002. Archived from 185: 35:Theatrical film poster 1292:Mr. Sleeman Is Coming 1154:While the City Sleeps 317:Barbro Hiort af Ornäs 1477:United Artists films 1462:Films shot in Sweden 1360:Ingmar Bergman Award 1138:Woman Without a Face 775:It Rains on Our Love 265:as Andreas Winkelman 1482:1960s Swedish films 1467:Swedish drama films 1210:Private Confessions 1194:The Best Intentions 1178:The Pleasure Garden 1087:After the Rehearsal 1079:Fanny and Alexander 1007:The Passion of Anna 687:The Passion of Anna 666:The Passion of Anna 655:The Passion of Anna 608:on 25 November 2010 538:Amir Cohen-Shalev, 443:The Passion of Anna 427:The Passion of Anna 413:The Passion of Anna 391:The Passion of Anna 387:The Passion of Anna 177:The Passion of Anna 24:The Passion of Anna 1284:Television theatre 1023:Cries and Whispers 863:Sawdust and Tinsel 855:Summer with Monika 602:The New York Times 456:The New York Times 449:among 15 critics. 289:as Johan Andersson 198:, who was awarded 1434: 1433: 1395:Margareta Bergman 1202:Sunday's Children 1055:The Serpent's Egg 927:The Virgin Spring 903:Wild Strawberries 791:Music in Darkness 745:Stage productions 359:Hjördis Petterson 349:as Police officer 343:as Woman in dream 331:as Woman in dream 329:Marianne Karlbeck 319:as Woman in dream 313:as Woman in dream 307:as Police officer 305:Lars-Owe Carlberg 301:as Woman in dream 173: 172: 63:Lars-Owe Carlberg 1494: 1487:1969 drama films 1316:The Image Makers 1095:The Blessed Ones 983:Hour of the Wolf 895:The Seventh Seal 871:A Lesson in Love 847:Secrets of Women 839:Summer Interlude 717: 710: 703: 694: 677: 641: 640: 638: 636: 624: 618: 617: 615: 613: 594: 588: 587: 580: 574: 573: 571: 569: 549: 543: 536: 527: 522:Jerry Vermilye, 520: 514: 507: 498: 497: 495: 493: 479: 404:Hour of the Wolf 325:as Verner's wife 283:as Elis Vergerus 281:Erland Josephson 140: 138: 33: 21: 1502: 1501: 1497: 1496: 1495: 1493: 1492: 1491: 1437: 1436: 1435: 1430: 1371: 1322: 1279: 1251: 1224: 1117: 1039:The Magic Flute 967:All 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483:"Past Awards" 478: 475: 468: 466: 464: 459: 457: 452: 451:Vincent Canby 448: 447:100% approval 444: 440: 432: 430: 428: 424: 420: 419: 414: 410: 406: 405: 396: 394: 392: 388: 384: 380: 376: 375: 366: 360: 357: 354: 351: 348: 345: 342: 339: 336: 333: 330: 327: 324: 321: 318: 315: 312: 309: 306: 303: 300: 297: 294: 291: 288: 285: 282: 279: 276: 273: 271:as Anna Fromm 270: 267: 264: 263:Max von Sydow 261: 260: 255: 253: 249: 245: 241: 239: 238: 231: 227: 223: 219: 216: 209: 207: 205: 201: 200:Best Director 197: 193: 189: 188: 183: 179: 178: 168: 164: 160: 156: 152: 146: 132: 131: 129: 123: 120: 117: 113: 110: 107: 103: 100: 97: 93: 87: 84: 82: 79: 77: 76:Max von Sydow 74: 73: 71: 67: 64: 61: 57: 53: 49: 46: 43: 39: 32: 27: 22: 19: 1425:Linn Ullmann 1413:Anna Bergman 1407:Mats Bergman 1383:Erik Bergman 1364: 1352: 1345: 1338: 1334:Bergman Week 1314: 1306: 1300:The Venetian 1298: 1290: 1273:Karin's Face 1271: 1264: 1243: 1235: 1216: 1208: 1200: 1192: 1184: 1176: 1168: 1160: 1152: 1144: 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Index


Ingmar Bergman
Lars-Owe Carlberg
Max von Sydow
Liv Ullmann
Bibi Andersson
Sven Nykvist
Siv Lundgren
United Artists
Swedish
drama
Ingmar Bergman
Best Director
1970 National Society of Film Critics Awards
Shame
Max von Sydow
Liv Ullmann
Bibi Andersson
Erland Josephson
Erik Hell
Sigge Fürst
Britta Brunius
Lars-Owe Carlberg
Malin Ek
Barbro Hiort af Ornäs
Svea Holst
Marianne Karlbeck
Annika Kronberg
Brita Öberg
Brian Wikström

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