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Neisse had two portraits executed by Grosz, the first in 1925, with this being the second. He spent many hours at the artist's studio, and more than thirty preparatory drawings were made for both portraits. Neisse is depicted seated in the left direction, in a flowery decorated chair, with his hands
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There was a property dispute between the Museum of Modern Art, New York, which bought the painting in 1952, and the Estate of George Grosz, which claimed its ownership, because it had been allegedly illegally looted by the Nazi regime in 1933. In 2011, a federal judge dismissed a lawsuit by Grosz’s
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with a smoked cigarette. He wears glasses and a dark suit, is depicted sympathetically but rigorously, not hiding his not-very-flattering features, which included a frail body, a
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crossed. In the left background is shown a table with a kind of still-life, presenting a bottle, a glass and an
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Daum
Marries Her Pedantic Automaton "George" in May 1920. John Heartfield is very glad of it.
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George Grosz was a friend of Max
Herrmann-Neisse, who was a leading cabaret critic in
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and a large and totally bald head. His physical features are presented in detail.
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59.4 cm × 74 cm (23.4 in × 29 in)
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94:. It depicts his personal friend, the writer and cabaret critic
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is an oil-on-canvas painting executed in 1927 by German artist
166:"George Grosz. The Poet Max Herrmann-Neisse. 1927 | MoMA"
185:, The Metropolitan Museum of Art, New York, 2006, p. 128
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Paintings in the Museum of Modern Art (New York City)
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183:Glitter and Doom: German Portraits from the 1920s
197:"Met Won't Show a Grosz at Center of a Dispute"
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195:Pogrebin, Robin (November 15, 2006).
102:artistic approach. It is held at the
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355:Jedermann sein eigner Fussball
214:"The Lost Maidens of Berlin".
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16:1927 painting by George Grosz
312:The Poet Max Herrmann-Neisse
87:The Poet Max Hermann-Neisse
22:The Poet Max Hermann-Neisse
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437:Paintings by George Grosz
393:George Grosz' Interregnum
374:A Little Yes and a Big No
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203:– via NYTimes.com.
170:The Museum of Modern Art
396:(1960 documentary film)
328:Cain, or Hitler in Hell
114:History and description
377:(1946 autobiography)
216:Smithsonian magazine
104:Museum of Modern Art
74:Museum of Modern Art
96:Max Herrmann-Neisse
304:Eclipse of the Sun
201:The New York Times
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257:George Grosz
218:. June 2018.
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92:George Grosz
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40:George Grosz
400:Marty Grosz
291:(1917–1918)
288:The Funeral
283:(1916–1917)
426:Categories
280:Metropolis
147:References
62:Dimensions
347:Magazines
264:Paintings
132:hunchback
336:Peace II
108:New York
78:New York
70:Location
385:Related
143:heirs.
128:ashtray
358:(1919)
339:(1946)
331:(1944)
323:(1943)
315:(1927)
307:(1926)
299:(1920)
275:(1916)
120:Berlin
54:Medium
36:Artist
402:(son)
366:Books
106:, in
406:Dada
49:1927
46:Year
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155:^
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249:e
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