375:. Imoguiri only eats every other day, letting her dog eat on the days that she does not. She tries to convince the pair below them to also ration their food. One day, Miharu arrives injured, and Goreng and Imoguiri nurse her back to health. Goreng breaks up a fight between Miharu and Imoguiri. After Miharu leaves, Goreng mentions her child to Imoguiri, who says there are no children in the pit and Miharu came alone. She reveals that there are 200 levels in total. Goreng is re-shuffled to level 202 to find that Imoguiri has hanged herself. Goreng eats her flesh, plagued with hallucinations of his former cellmates.
314:. The film is set in a large, tower-style "Vertical Self-Management Center." Its residents, who are transferred in through for various crimes or wants must every month switch between its many floors, are fed via a platform which, initially filled with food at the top floor, gradually descends through the tower's levels, stopping for a fixed amount of time on each. The system inevitably leads to conflict, as the residents at the top levels get to eat as much as they can, with each level only getting the leftovers from the previous ones.
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where Goreng notices a child—Miharu's daughter—. He gets off the platform with
Baharat, only to have it continue downward, leaving them behind and in distress. Goreng tries to convince Baharat to feed the girl the panna cotta, saying the girl should be the message instead. Baharat repeats the panna cotta is the message over and over, but eventually changes his mind and gives the girl the dessert, repeating the girl is the message.
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food. Going down the first 50 levels they do not let anyone get food, arguing that they will get food the next day. They attack and seemingly kill a couple of protesters. Fellow prisoner Sr. Brambang recognizes
Baharat, and berates him for being too aggressive. He gives them tips on how to conduct themselves on the rest of the way down, and convinces them to send a symbolic message to the administration by leaving a single
490:. The film script is based on a theatre script by David Desola and Pedro Rivero, to which more action and physical elements were added to make it more suitable for a film. "Extensive" rewriting was required to convert the unproduced theater script into a film script. The director said it was a "torturous ordeal", as the writers defended their artistic vision and did not want some of the changes to be made.
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The director acknowledges the film can be difficult to watch, but he says the purpose of this approach is to generate discussion and debate by viewers about the political messages. When asked about the film's brutal violence and cannibalism, the director said the prison's "hole is a reflection of our
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As they descend further, they hand out portions to the prisoners, attacking those who refuse to cooperate. They eventually encounter Miharu being attacked and try to save her, but she is killed and they are left severely injured. Goreng and
Baharat continue to descend, eventually reaching level 333,
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In the fifth month, Goreng is assigned to level 6. His new cellmate, Baharat, attempts to climb to the levels above. The pair above deceives him, making him lose his rope, and almost die. Estimating that there are 250 levels, Goreng convinces
Baharat to ride the platform down with him and ration the
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Goreng wakes in a cell on level 48. His cellmate
Trimagasi explains that they are in a tower-style holding facility. Once per day, food arrives on "the platform" that lowers from level 0, stopping for two minutes on each level. Prisoners can only eat while the platform is stopped on their level, and
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After becoming friends, they are re-shuffled to level 171. Expecting no food, Trimagasi ties up Goreng while the latter sleeps. Trimagasi explains his plans to use Goreng's flesh. Trimagasi eventually begins cutting into Goreng's flesh. Miharu arrives, attacks
Trimagasi, and frees Goreng, who kills
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prison cells were built for the production in a Red Cross facility in a port in Bilbao. The director asked for cells that looked "economical, robust, impregnable", which emphasized a sense of architectural and engineering proportion. Only two tiers of concrete cells were built; the appearance of
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Goreng dreams of
Baharat telling him "the girl is the message". He awakens to find that Baharat has bled to death. The child and an injured Goreng descend on the platform to the bottom of a dark pit, where he once again hallucinates Trimagasi. Trimagasi tells Goreng that his journey is over, but
579:
correctly predicted that the film would win the People's Choice Award, giving it a five-N rating and writing that the film "has everything: low comedy, political allegory, left-field twists, crowd-pleasing surprises, spectacular violence, sadism, altruism, and yet more spectacular violence, all
529:, who are known for their comedic roles, were chosen to lighten the film's weighty subject by adding "humour, irony, and surrealism". The film was shot chronologically, as the main actor Iván had to lose 12 kg (26 lbs) over the six-week shoot to show his physical deterioration.
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In the third month, Goreng awakes on level 33 with a woman named
Imoguiri and her dog. Imoguiri appears to know Goreng. It is revealed that Imoguiri was the administration official who had interviewed Goreng before sending him to the pit, and volunteered after she was diagnosed with
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someone. One day, a woman named Miharu rides down the platform. Trimagasi explains she regularly descends the pit to search for her child. Goreng volunteered to spend six months in the facility in exchange for a diploma, while
Trimagasi transferred in serving a year-long sentence.
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many tiers of cells extending above and below each cell (visible from the hole in the center of each cell) was added in post-production using visual effects. The director says the vertical tower of cells "represents the dehumanized coldness of the
Vertical Self-Management Center".
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was released onto Netflix internationally (including Spain) on 20 March 2020. In July 2020, Netflix revealed the film had in-fact been watched by 56 million households over its first four weeks of release, among the most-ever for one of their original films.
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are subjected to fatal temperatures if they keep any food. The lower the level, the less food left on the platform. Prisoners are randomly reassigned to a new level each month. Trimagasi reveals that when assigned to level 132, he and his former cellmate
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suggested it was "the perfect parable for life in the time of the coronavirus and a visceral investigation of how a crisis can expose not only the stratification of human society but also the immutable strands of selfishness coded into our DNA."
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The director states that the film's lavish "food was treated as another character in the story, one that is aesthetically antagonistic to the architecture of the prison." The luxurious displays of gourmet food were presented on
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Goreng explains that he must bear the message. Trimagasi replies that "the message requires no bearer". Goreng gets off the platform and the two walk away, watching as the child ascends.
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562:, the film holds an approval rating of 80% based on 97 reviews, with an average rating of 7.2/10. The site's critical consensus reads: "While it may feel muddled at times,
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Discussions around a potential sequel took place after the film's streaming success in 2020. In May 2023, Netflix reported the beginning of filming of the sequel
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worthy tableware" to depict "excessive, almost erotic, opulent desire" that is eventually "desecrated" once the near-empty platform reaches the
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349:. It was released theatrically in Spain on November 8, 2019 by Festival Films. It generally received positive reviews from critics.
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1203:""It Had to Show How We Rip Each Other Apart": Galder Gaztelu-Urrutia on His Vertical Class-Warfare Netflix Dystopia The Platform"
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Trimagasi. Encouraged by Miharu, Goreng eats Trimagasi's flesh and subsequently becomes haunted by hallucinations of Trimagasi.
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The film was produced by Basque Films alongside Mr. Miyagi Films and Plataforma la pelĂcula AIE, with the participation of
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1442:"'Dolor y gloria' encabeza las nominaciones en la 75ÂŞ ediciĂłn de las Medallas del CĂrculo de Escritores Cinematográficos"
570:, the film has a weighted average score of 73 out of 100, based on 15 critics, indicating "generally favorable reviews".
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1607:"Netflix Sci-Fi Horror 'The Platform 2' Unveils 2024 Release Date and New Images of Mysterious Newcomer Milena Smit"
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482:", with an exploration of the importance of individual initiative in driving political change that critiques both
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1543:"Los repartos de 'Dolor y gloria' y 'Estoy vivo' triunfan en los 29Âş Premios de la UniĂłn de Actores y Actrices"
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912:. In July 2024, Netflix released the first trailer for the film and announced an October 4, 2024 release date.
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Galder Gaztelu-Urrutia says the film's key message is that "humanity will have to move towards the fair
1111:"RTVE Somos Cine 'El Hoyo', pelĂcula participada por RTVE, premio del PĂşblico del Festival de Toronto"
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society, it couldn’t hide the violence. It had to show how we rip each other apart".
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Toronto International Film Festival People's Choice Award: Midnight Madness
310:'The Hole') is a 2019 Spanish dystopian thriller film directed by
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into a merciless vertical structure. It’s grotesque and compelling, like
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The film garnered new reviews after a surge in popularity during the
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The film was released in Spain on 8 November 2019 by Festival Films.
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wrapped up in a high-concept horror film that moves the premise of
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1085:"Netflix takes world on TIFF Midnight Madness hit 'The Platform'"
1008:"Foreign Films, English Titles and the Dilemma Distributors Face"
345:. At TIFF, the film also secured a worldwide streaming deal with
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with Galder Gaztelu-Urrutia returning as director and starring
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wrote that "the film’s minimalist fury feels like the plays of
1061:"TIFF 2019: Jojo Rabbit captures TIFF People's Choice Award"
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Cast and crew members at a press conference in October 2019.
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is an inventive and captivating dystopian thriller." On
1399:"Lista completa de ganadores de los Premios Feroz 2020"
1234:"These Are Netflix's 10 Most Popular Original Movies"
1161:"Galder Gaztelu-Urrutia • Director of The Platform"
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606:. Massagué and Eguileor are up to being in a zesty
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510:, starving inmates on the lower levels.
339:2019 Toronto International Film Festival
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1560:Roxborough, Scott (12 December 2020).
981:"El Hoyo - El 8 de noviembre en cines"
851:29th Actors and Actresses Union Awards
517:The film uses two actors who are cast
1334:"TIFF review: The Platform (El Hoyo)"
1035:"Toronto Film Review: 'The Platform'"
855:Best Film Actress in a Secondary Role
7:
1912:Spanish science fiction horror films
1521:Silvestre, Juan (11 February 2020).
1498:Hernández, Clara (26 January 2020).
987:from the original on 3 December 2020
1477:Silvestre, Juan (5 December 2019).
1420:Silvestre, Juan (20 January 2020).
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16:2019 film by Galder Gaztelu-Urrutia
1887:2010s science fiction horror films
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1171:from the original on 10 April 2020
1006:Rapold, Nicolas (26 August 2022).
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1314:from the original on 16 July 2020
1246:from the original on 15 July 2020
1213:from the original on 7 April 2020
983:(in Spanish). 10 September 2019.
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475:. Shooting lasted for six weeks.
1201:Aguilar, Carlos (3 April 2020).
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471:, the Basque administration and
447:Txubio Fernández de Jáuregui as
1957:Spanish-language thriller films
1405:. 17 January 2020 – via
753:Best Non-Catalan Language Film
1:
1605:K.J. Yossman (11 July 2024).
938:List of Spanish films of 2019
842:Mario Campoy, Iñaki Madariaga
438:Eric L. Goode as Sr. Brambang
21:The Platform (disambiguation)
1942:2010s Spanish-language films
1927:Social science fiction films
1828:Weird: The Al Yankovic Story
1359:Jones, Sam (16 April 2020).
1232:Shaw, Lucas (15 July 2020).
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1738:Why Don't You Play in Hell?
948:Allegory of the long spoons
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1877:2019 science fiction films
1590:. 11 May 2023 – via
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814:David Desola, Pedro Rivero
766:David Desola, Pedro Rivero
707:David Desola, Pedro Rivero
233:6 September 2019
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1788:The Man Who Feels No Pain
1748:What We Do in the Shadows
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341:(TIFF), where it won the
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1902:Films about social class
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958:The Pit and the Pendulum
810:Best Original Screenplay
593:. And it never blinks."
1952:Spanish dystopian films
1892:Films about cannibalism
1040:4 December 2019 at the
716:Best Supporting Actress
1962:Spanish thriller films
1937:Spanish survival films
1567:The Hollywood Reporter
1302:"The Platform Reviews"
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794:Galder Gaztelu-Urrutia
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337:. It premiered at the
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1917:2010s dystopian films
1266:"The Platform (2019)"
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1932:Films shot in Bilbao
1907:Spanish prison films
1119:. 16 September 2019.
1100:, 10 September 2019.
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838:Best Special Effects
19:For other uses, see
1947:2010s Spanish films
1922:Magic realism films
1808:Shadow in the Cloud
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874:Best Visual Effects
774:Best Visual Effects
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444:as Baharat's friend
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335:Alexandra Masangkay
148:Alexandra Masangkay
1838:Dicks: The Musical
1466:. 21 January 2020.
1137:. 14 October 2019.
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1448:. 3 January 2020.
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791:Best New Director
749:12th GaudĂ Awards
625:COVID-19 pandemic
609:Waiting for Godot
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573:Norman Wilner of
557:review aggregator
551:Critical response
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423:as Imoguiri
383:untouched.
381:panna cotta
113:Produced by
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1872:2019 films
1866:Categories
1708:Stake Land
1528:Fotogramas
1484:Fotogramas
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1307:Metacritic
991:13 January
964:References
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568:Metacritic
504:Versailles
484:capitalism
455:Production
429:as Baharat
297:(Spanish:
270:94 minutes
252:2019-11-08
237:2019-09-06
191:Production
174:Elena Ruiz
1768:Free Fire
1587:CinemanĂa
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64:Literally
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105:Story by
67:The Hole
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1047:Variety
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52:Spanish
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1818:Titane
1811:(2020)
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1778:Bodied
1771:(2016)
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890:Sequel
659:Result
650:Award
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508:abject
241: (
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785:75th
647:Year
278:Spain
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