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Filmtracks.com wrote "When taken as a whole, however, the score seems like an exercise in checking certain boxes of needs rather than really collecting all of these disparate parts into a fully functional score. The references to the franchise's main theme remain unsatisfactory despite any joy one might have in their mere existence. The percussion isn't quite as impressive as in
Silvestri's two scores (the best main theme performance remains in
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for the
Predators and particularly the humans is actually quite good and so could have used a little more time on this album. We think, they probably could have carried a little more of the music on their own if Jackman had perhaps toned down the Silvestri just a little. Still, what we do have here is a pretty fantastic soundtrack, and a welcome return to that 1987 score we all know and love."
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is a wonderful throwback to Alan
Silvestri’s original themes and style, with some very faithful adaptations of said themes as well as some very nice imitations of his classic action brass. The only negative thing is we feel Jackman uses Silvestri’s themes a little too much, especially since his music
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score, nothing can be further from the truth. There's quite a lot of marimba and harp used in scary ways, but that’s due to how the harmony works. It’s used to create tension to great effect." The use of electronic production and samplers, were not invasive as
Jackman did not want to lose the primary
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Jackman wanted to deviate from the color and instrumentation to look at the fabric of the music, helping to be serious on the narrative and not rely on the texture. He also included the "Half Dirty Dozen Theme" which was different from the
Predator theme, and woven into the score, to "distinguish
275:, on how critical to capture the spirit of the first film, and weave Silvestri's themes with his original cues, while also coming with fresh cues for the score; he called it as "a personal mission" to bring Silvestri's themes together as he wanted to "celebrate the score rather than avoiding it".
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was announced to compose the musical score for the film. In an interview, Jackman recalled the connection with the 1987 film, after watching the bootleg version of the film in school and listened to the original score by Alan
Silvestri, which was a combination of sophisticated harmony and "a very
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Violin – Alyssa Park, Amy
Hershberger, Ana Landauer, Andrew Bulbrook, Benjamin Powell, Benjamin Jacobson, Charlie Bisharat, Eun-Mee Ahn, Grace Oh, Helen Nightengale, Irina Voloshina, Jacqueline Brand, Jessica Guideri, Joel Pargman, Josefina Vergara, Kevin Connolly, Kevin Kumar, Lisa Liu, Luanne
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at times too) and even when he doesn’t, he is imitating the other composer (which makes me wonder why they didn’t just ask him to score it himself – well, maybe they did) but in any case, it’s entertaining throughout and probably the best thing I’ve heard from him for a big blockbuster."
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James
Southall of Movie Wave wrote "The bulk of the score is either action or suspense-bordering-on-action and Jackman keeps things going on at a fast and furious pace most of the time. He does quote liberally from the Silvestri score (and from
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The symphony orchestra was the primary part of the film's score, which consisted variety of instruments: violins, violas, double bass, woodwinds, trombones, brass, cimbasso, temp and bass drums, and huge orchestral choir. On referencing
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Viola – Alma
Fernandez, Andrew Duckles, Carolyn Riley, David Walther, Zach Dellinger*, Jonathan Moerschel, Laura Pearson, Luke Maurer, Matthew Funes, Meredith Crawford, Michael Larco, Shawn Mann, Victor De Almeida, Robert
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from the constant scariness". He further added "It was for a moment in the film that had to do with all the crazies trying to come to the rescue, that thematic layer created contrast with the predator focused stuff."
628:), and the mixing is not quite as expansive as needed for the topic, a problem that plagued Debney's music for the prior film. This one will entertain in parts but won't leave a truly lasting, positive impression."
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The
Predator's score received critical acclaim, praising Jackman's composition and integration of Silvestri's themes into the score. Zanobard Reviews gave 8/10 to the album, saying "Henry Jackman’s score to
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Alto Vocals – Adriana Manfredi, Aleta Braxton, Callista Hoffman-Campbell, Eleni Pantages, Jessica Rotter, Jessie Shulman, Laura Smith Roethe, Lesley Leighton, Marijke van Niekerk, Michele Hemmings, Sara
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Homzy, Marc Sazer, Natalie Leggett, Nathan Cole, Phillip Levy, Rafael Rishik, Roberto Cani, Roger Wilkie, Sarah Thornblade, Shalini Vijayan, Songa Lee, Tammy Hatwan, Yelena Yegoryan, Julie Gigante
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Cello – Armen Ksajikian, Cecilia Tsan, Dennis Karmazyn, Eric Byers, Evgeny Tonkha, Jacob Braun, Michael Kaufman, Paula Hochhalter, Simone Vitucci, Timothy Loo, Xiaodan Altenbach, Steve Erdody
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force of the orchestra, but used in the crucial moments of the film. He further opined on using acoustic instruments and symphony, which would be tough and tricky to balance both the sounds.
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Bass Vocals – Abdiel Gonzalez, Ben Han-Wei Lin, Chung Uk Lee, Dylan Gentile, James Hayden (2), Mark Beasom, Mark Edward Smith, Michael Bannett, Michael Miersma, Scott Graff
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Tenor vocals – A.J. Teshin, Bradley Chapman, Charles Lane, Chris Mann, Gerald White, Jon Lee Keenan, JJ Lopez, Matt Brown, Matthew Tresler, Timothy Gonzales
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dangerous and scary sounding version of jazz". Compared to future instalments on not referencing the themes from the predecessor, Jackman asked director
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Soprano Vocals – Anna Schubert, Beth Peregrine, Claire Fedoruk, Elyse Willis, Holly Sedillos, Karen Hogle Brown, Kelci Hahn, Lika Miyake, Zanaida Robles
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a better film than it would have been without it. Of course good music can only take a film so far, but Jackman certain put in a very good effort."
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Bass – Christian Kollgaard, David Parmeter, Drew Dembowski, Geoffrey Osika, Michael Valerio, Nico Abondolo, Stephen Dress, Edward Meares
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Horns – Amy Rhine, Dylan Hart, Kaylet Torrez, Laura Brenes, Mark Adams, Mike McCoy, Steve Becknell, Teag Reaves, David Everson
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Trombone – Andrew Martin, William Reichenbach, Craig Gosnell, Phillip Keen, Steve Suminski, Steven Holtman, Alexander Iles
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Percussion – Brian Kilgore, Donald Williams, Ted Atkatz, Gregory Goodall, Ken McGrath, Pete Korpela, Wade Culbreath
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Flute – Donald Foster, Heather Clark, Jenni Olson, Juan Gallegos, Ralph Williams, Geri Rotella, Stuart Clark
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The Predator [Original Motion Picture Soundtrack] - Henry Jackman | Releases | AllMusic
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The Predator [Original Motion Picture Soundtrack] - Henry Jackman | Credits | AllMusic
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digitally on September 28, 2018 and through physical formats on October 5, 2018.
1008:"Henry Jackman Interview: Composer of The Predator, Wreck-It Ralph, and Jumanji"
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Trumpet – Barry Perkins, Robert Schaer, Thomas Hooten, Wayne Bergeron, Jon Lewis
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Technical engineer – Fabio Marks, Felipe Pacheco, Gage Boozan, Maverick Dugger
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Additional music – Alex Belcher, Evan Goldman, Halli Cauthery, Matt Margeson
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The Predator (Original Motion Picture Soundtrack) by Henry Jackman
1086:"The Predator soundtrack review | Henry Jackman | movie-wave.net"
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Orchestra conductor – Ed Trybek, Gavin Greenaway, Stephen Coleman
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Orchestration – Andrew Kinney, Henri Wilkinson, Stephen Coleman
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Stage manager – Christine Sirois, Damon Tedesco, Peter Nelson
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Score editor – Peter 'Oso' Snell, Will Kaplan, Devaughn Watts
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Music production supervisor – Rebecca Morellato, Johnny Choi
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Bassoon – Kenneth Munday, Patricia Kindel, Rose Corrigan
979:"Henry Jackman to Score Shane Black's 'The Predator'"
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Executive producer – Brian McNelis, Skip Williamson
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714:Oboe – Chris Bleth, Jessica Pearlman, Lara Wickes
668:Score engineer – Tim Lauber, Erin Michael Rettig
212:The Predator: Original Motion Picture Soundtrack
22:The Predator: Original Motion Picture Soundtrack
807:Music production services – Matthew K. Justmann
773:Choir conductor and contractor – Jasper Randall
644:Music composed and produced by – Henry Jackman
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795:Executive in-charge of music – Danielle Diego
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680:Copyist – BTW Productions Inc., Booker White
674:Music supervisor – Dave Jordan, Trygge Toven
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1108:"Filmtracks: The Predator (Henry Jackman)"
1059:Central, Film Music (September 29, 2018).
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1367:Tarzan vs. Predator: At the Earth's Core
1061:"Soundtrack Review: The Predator (2018)"
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656:Mixing – Alfredo Pasquel, Alan Meyerson
650:Musical assistance – John Paul Lefebvre
231:, and is the fourth installment in the
792:Music business affairs – Tom Cavanaugh
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16:2018 film score by Henry Jackman
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770:Orchestra contractor – Peter Rotter
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1035:"The Predator – Soundtrack Review"
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804:A&R – Eric Craig, John Bergin
683:Score recordist – Kevin Globerman
1627:Predator (franchise) soundtracks
1617:Science fiction film soundtracks
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789:Music clearance – Ellen Ginsburg
677:Music co-ordinator – Joann Orgel
1033:Zanobard (September 30, 2018).
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1607:Lakeshore Records soundtracks
1553:Accolades for the film series
662:Lacquer cut – Daniel Krieger
250:. The album was released by
227:, who wrote the script with
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810:Art direction – John Bergin
776:Concertmaster – Bruce Dukov
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221:2018 film of the same name
1622:Henry Jackman soundtracks
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1456:Predator: Hunting Grounds
1442:Predator: Concrete Jungle
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659:Mastering – DNA Mastering
653:Recording – Alan Meyerson
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258:Background and production
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192:Ralph Breaks the Internet
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1374:Predator vs. Judge Dredd
711:Keyboards – Randy Kerber
238:. The film is scored by
1612:Action film soundtracks
983:Film Music Reporter.com
1602:2018 soundtrack albums
1395:Archie vs. Predator II
1342:Batman Versus Predator
705:Harp – Jo Ann Turovsky
1349:Superman vs. Predator
726:Tuba – Doug Tornquist
636:Credits adapted from
584:"The Predator's Gift"
118:soundtrack chronology
1014:. September 28, 2018
960:, September 12, 2018
924:(1990), followed by
364:"Beautiful Specimen"
1388:Archie vs. Predator
847:September 28, 2018
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375:"Playing with Fire"
353:"Project Stargazer"
1559:Alien vs. Predator
1261:Predator: Badlands
1112:www.filmtracks.com
1088:. October 19, 2018
1065:Film Music Central
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620:Back to the Future
607:Film Music Central
562:"Man vs. Predator"
463:"The Good Soldier"
52:September 28, 2018
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540:"Alien Abduction"
386:"Out of the Cage"
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252:Lakeshore Records
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551:"The Last Stand"
452:"Damage Control"
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491:
487:
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476:
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469:
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458:
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451:
447:
443:
440:
436:
432:
429:
425:
421:
418:
414:
410:
407:
403:
399:
397:"The Loonies"
396:
392:
388:
385:
381:
377:
374:
370:
366:
363:
359:
355:
352:
348:
344:
341:
337:
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326:
322:
319:
315:
302:
296:Track listing
295:
293:
289:
286:
282:
276:
274:
270:
265:
264:Henry Jackman
257:
255:
253:
249:
245:
241:
240:Henry Jackman
237:
235:
230:
226:
222:
218:
214:
213:
203:
194:
193:
189:
185:
184:
180:
176:
175:
174:Trial by Fire
171:
170:
166:
162:
161:Henry Jackman
158:
149:
148:
144:
140:
139:
135:
131:
130:
126:
125:
121:
117:
116:
111:
107:
104:
103:Henry Jackman
101:
99:
95:
92:
89:
87:
83:
71:
67:
64:
61:
59:
55:
51:
47:
43:
42:Henry Jackman
38:
34:
30:
25:
20:
1579:
1558:
1545:
1515:
1454:
1447:
1440:
1432:
1424:
1417:
1393:
1386:
1379:
1372:
1365:
1347:
1340:
1313:
1308:The Predator
1307:
1306:
1299:
1292:
1285:
1259:
1251:
1245:The Predator
1243:
1235:
1227:
1219:
1203:
1160:, retrieved
1155:
1149:
1138:, retrieved
1133:
1127:
1115:. Retrieved
1111:
1102:
1090:. Retrieved
1080:
1068:. Retrieved
1064:
1054:
1042:. Retrieved
1038:
1028:
1016:. Retrieved
1012:Pop Disciple
1011:
982:
973:
962:, retrieved
956:
950:
929:
928:scoring for
919:
913:
905:
635:
625:
618:
615:
611:The Predator
610:
606:
602:The Predator
601:
598:
290:
284:
280:
277:
261:
233:
223:directed by
211:
210:
209:
190:
183:The Predator
182:
181:
172:
145:
138:The Predator
137:
136:
127:
113:
1504:Other media
1279:Soundtracks
1162:October 19,
1140:October 19,
1117:October 19,
1092:October 19,
1070:October 19,
1044:October 19,
1018:October 19,
964:October 19,
926:John Debney
918:(1987) and
688:Instruments
496:"Onslaught"
331:"Discovery"
269:Shane Black
229:Fred Dekker
225:Shane Black
217:score album
1596:Categories
1478:Characters
1434:Predator 2
1426:Predator 2
1359:Dark Horse
1294:Predator 2
1229:Predator 2
942:References
921:Predator 2
831:Format(s)
784:Management
626:Predator 2
518:"The Hunt"
273:John Davis
163:chronology
63:Film score
37:Film score
1561:franchise
1449:Predators
1334:DC Comics
1301:Predators
1237:Predators
931:Predators
867:Lakeshore
859:streaming
759:Orchestra
632:Personnel
595:Reception
507:"Contact"
320:"Arrival"
248:1987 film
246:from the
236:franchise
129:Predators
91:Lakeshore
1580:Category
1521:season 7
1486:Predator
1470:Universe
1419:Predator
1287:Predator
1221:Predator
1205:Predator
915:Predator
844:Various
638:AllMusic
430:"Rescue"
285:Predator
281:Predator
234:Predator
115:Predator
98:Producer
49:Released
39: by
1539:Related
934:(2010).
825:Region
219:to the
215:is the
196:(2018)
187:(2018)
178:(2018)
151:(2022)
142:(2018)
133:(2010)
1511:Novels
1437:(1992)
1429:(1990)
1326:Comics
1256:(2022)
1248:(2018)
1240:(2010)
1232:(1990)
1224:(1987)
834:Label
739:Vocals
730:Brophy
342:"Rory"
312:Length
69:Length
1410:Games
1272:Media
1264:(TBA)
1213:Films
897:Notes
889:Vinyl
828:Date
309:Title
86:Label
58:Genre
1315:Prey
1253:Prey
1164:2022
1142:2022
1119:2022
1094:2022
1072:2022
1046:2022
1020:2022
966:2022
838:Ref.
745:Mann
587:3:02
576:1:36
565:2:19
554:3:27
543:1:27
532:1:35
521:3:36
510:2:07
499:1:22
488:2:18
477:1:31
466:2:52
455:1:01
444:3:15
433:1:55
422:2:25
411:2:58
400:0:53
389:2:40
378:1:11
367:1:37
356:2:01
345:1:32
334:3:05
323:2:59
147:Prey
581:25.
570:24.
559:23.
548:22.
537:21.
526:20.
515:19.
504:18.
493:17.
482:16.
471:15.
460:14.
449:13.
438:12.
427:11.
416:10.
305:No.
1598::
1110:.
1063:.
1037:.
1010:.
991:^
981:.
879:CD
405:9.
394:8.
383:7.
372:6.
361:5.
350:4.
339:3.
328:2.
317:1.
78:55
74:54
1529:"
1525:"
1196:e
1189:t
1182:v
1121:.
1096:.
1074:.
1048:.
1022:.
76::
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