The Thief and the Cobbler

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September 2013 and edited in HD. "Mark 4" features about 30 minutes of the film in full HD quality, restored from raw 35 mm footage which Gilchrist edited frame by frame to remove dirt and damage. Artists were also commissioned to contribute new artwork and material. In February 2023, Gilchrist invited professional animators to come on board for another revision for the 10th anniversary of "Mark 4" (as well as roughly the 60th anniversary of the film beginning production, and the 30th anniversary of the film ending production). New animation was created for this version, and many scenes were partly redrawn or recolored by Gilchrist. An early version of the "Recobbled Cut Mark 5" premiered on YouTube on June 21 the same year. Gilchrist's YouTube account, "TheThiefArchive", serves as a public video archive of Richard Williams's films, titles, commercials, and interviews, including footage from the

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Williams had a script, but "he wasn't following it faithfully". (According to Garrett Gilchrist, however, this anecdote is false.) Calvert and people from the Completion Bond Company were visiting the studio more often towards the end of production. Williams was giving dailies of sequences that were finished or scrapped since the 1980s, hoping to give an indication of progress to Warner Bros. He was asked to show the investors a rough copy of the film with the remaining scenes filled in with storyboards to demonstrate its narrative. He made a

2758:, which the film calls "the greatest animated film never made". Because Williams did not participate in the documentary, it is instead a documentary from the perspective of animators and artists who had worked with Richard Williams and his studio during the film's lengthy production. Williams is featured in the documentary, through archival interviews. Garrett Gilchrist and Helge Bernhardt of the Recobbled Cut and Richard Williams Archive provided rare materials to Schreck for his production, which was funded via 4223: 1735:, and agreed to fund a ten-minute test sequence with a budget of $ 100,000. Williams chose the complex, penultimate sequence of the Thief in the War Machine for the test. The studio missed two deadlines, and the scene was completed in late 1979 for $ 250,000. Despite his positive impression of the finished scene, Faisal backed out of the production because of missed deadlines and budgetary overruns. Williams tried to use the War Machine sequence to attract more investors but they too backed out. 609:

kingdom's security, the Thief steals the balls after several attempts, only to lose them to Zigzag's minions. Tack escapes from his cell using his cobbling tools during the ensuing panic. King Nod notices the balls' disappearance when the soldier warns them of the invading One-Eyes. Zigzag attempts to use the stolen balls to negotiate Yum-Yum's hand in marriage in exchange for returning the Balls, but when King Nod dismisses him, Zigzag defects to the One-Eyes and gives them the balls instead.

2501:, the son of the original director who also worked on the film before it was re-edited, criticised changes made by Calvert and Miramax, called the finished film "more or less unwatchable" and found it "hard to find the spirit of the film as it was originally conceived". For years, Richard Williams was devastated by the film's production and had never publicly discussed it since then. In 2010, however, he discussed the film during an interview about his silent animated short 1428:. Matthews had not done any acting before, and so Williams had promptly cast him as the Mighty One-Eye. Not long afterward, however, Williams, wanting to go in a different direction, replaced Matthews' voice with "England's tallest man" Christopher Greener (mistakenly credited as Christopher Greenham or Chris Greenham in several pamphlets promoting the film) as the Mighty One-Eye. Matthews is still credited as the Mighty One-Eye in the "Recobbled Cut" version. 573:, steps on one of the tacks and orders Tack to be arrested while the Thief escapes. Tack is brought before King Nod and his daughter, Princess Yum-Yum. Before Zigzag can convince King Nod to have Tack executed, Yum-Yum saves Tack by ordering him to fix a shoe she intentionally breaks. During repairs, Tack and Yum-Yum become increasingly attracted to each other, much to the jealousy of Zigzag, who plans to take over the kingdom and marry the princess. 2617:. This edit was much supported by numerous people who had worked on the film (except Richard Williams himself), including Roy Naisbitt, Alex Williams, Andreas Wessel-Therhorn, Tony White, Holger Leihe, Simon Maddocks, Neil Boyle, and Steve Evangelatos, many of whom lent rare material for the project. Some minor changes were made to "make it feel more like a finished film", like adding more music and using scenes from the 1656:, and Williams would assign him sequences while he was supervising production on commercials. To save money, scenes were kept in pencil stage without colour, as advised by Richard Purdum: "Work on paper! Don't put it in colour. Don't spend on special effects. Don't do camera-work, tracing or painting... just do the rough drawings!" Williams was planning to later finish these sequences when the financing would come in. 1669:"I was a graphic artist in animation … thought I was ever so clever, until one day I realized I didn’t know a damned thing. I couldn’t suspend disbelief for more than 15 to 20 minutes. I thought I had better go and study ‘how you do it’. So we did … and it was a nasty shock to realize when you thought you were wonderful and were covered with awards, that you didn’t know how to do it, at all." 1239: 2210:, as well as added musical cues by Jack Maeby. Jake Eberts found that "It was significantly enhanced and changed by Miramax after Miramax stepped in and acquired the domestic rights." His comments on record, claiming that these altered versions were superior to Williams's version, indicated that Eberts had also lost confidence in Williams when the Completion Bond Company seized the film. 5828: 626:

After a brief scuffle, the Thief, realizing the balls are not worth the trouble, reluctantly gives up and leaves them with Tack. With peace restored, and the prophecy fulfilled, the city celebrates as Tack and Yum-Yum get married; Tack finally says, "I love you" in a baritone voice. The film ends with the Thief stealing the reel of the film and running away.

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Richard Williams's workprint was bootlegged after Calvert's versions were released, and copies have been shared among animation fans and professionals for years. The problem in creating a high-quality restoration is that after the Completion Bond Company had finished the film, many scenes by Williams

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on 21 November 2006. Although the information supplied to online retailers said that it would be a new special edition, it was in fact only a reissue of Miramax's earlier DVD with revised packaging and a new set of trailers. The 2006 DVD was found by most reviewers to be unsatisfactory, with the only

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On 13 May 1992, this rough version of the film was shown to Warner Bros., and was not well-received. During the screening, the penultimate reel of the film was missing, which did not help matters. The studio lost confidence and backed out of production entirely, and the Completion Bond Company seized

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Many of the minor characters, such as Goblet, Gofer, Tickle, Slap, the Dying Soldier, and the alligators all have additional dialogue provided by currently unknown voice actors in the Miramax version. Additional characters exclusive to the Miramax version, including Zigzag's announcer is voiced by an

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Although Quayle's voice was mostly re-dubbed by Clive Revill in the re-edited versions of the film by Allied Filmmakers and Miramax, Quayle's uncredited voice can still be heard for an entire scene when King Nod gives a speech to his subjects. Revill also re-recorded some of his lines for the Miramax

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chain reaction that destroys the entire One-Eye army. Zigzag tries to escape but falls into a pit, where he is eaten alive by alligators and his vulture, Phido. The Thief, avoiding death with almost every step, steals the golden balls from the collapsing machine, only to run into Tack while escaping.

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has been revised four times in 2006, 2008, 2013 and 2023. Each version incorporated further, higher-quality materials donated by animators from the films. The "Mark 3" version released in 2008 incorporated 21 minutes from a 49-minute reel of rare 35 mm film. Gilchrist's "Mark 4" was released in

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to consult, and proposed to allow Williams to finish the film under her supervision. Williams reportedly agreed to Shakespeare's proposal, but her bid was ultimately rejected by the Completion Bond Company in favor of a cheaper one by Fred Calvert, whom the company had assigned to finish the film as

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With the new funding, the film finally went into full production in 1989. Williams scoured for talented artists around the world. At this point, with almost all the original animators either deceased or having long since moved on to other projects, production began mostly with a new, younger team of

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It took Calvert 18 months to finish the film, which was turned into a Disney-type musical. The new scenes were photographed "on twos" rather than "on ones", with the animation being produced by freelance animators in Los Angeles and former Williams animators working with Neil Boyle at Premier Films

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The film was not finished by a 1991 deadline that Warner Bros. originally imposed upon Williams, and had approximately 10 to 15 minutes of screen time to complete, which, at Williams's rate, was estimated to take "a tight six months" or longer. The animation department at Warner Bros. had put their

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was initially cast as Yum-Yum and is listed in some of the original drafts of the script and a 1989 Cannes brochure. By the time of the 1992 workprints, she had been replaced by Sara Crowe. Pritchard's name was still retained in the credits of the "Recobbled Cut" version, until Mark 5 when Sara was

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The Completion Bond Company asked television animation producer Fred Calvert to report on the state of production in detail. Calvert had made multiple trips to Williams's London studio to see how the film was progressing, and judged that Williams was "woefully behind schedule and way over budget".

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The One-Eyes, a race of warlike, cycloptic monsters, plan to destroy the city and have already slaughtered much of its frontier guard, all except for one mortally wounded soldier who escapes to warn the city; King Nod has a vision of them the next morning. While Zigzag tries to convince Nod of the

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In late 1973, financial difficulties forced the studio to focus primarily on various TV commercial, special and feature film title assignments, leaving Williams's film to be worked on as a side project. Since Williams had no money to have a full team working on the film, which was a "giant epic",

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The characters were renamed at this point. Zigzag speaks mostly in rhyme throughout the entire film, while the other characters—with the exceptions of the Thief and Tack, who are mute—speak normally. Williams stated that he did not intend to follow "the Disney route" with his film, saying that it

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led by Chief Roofless, whom Yum-Yum recruits as her bodyguards. They reach the hand-shaped tower where the Witch lives and learn that Tack is prophesied to save the Golden City. The Witch also presents a riddle—"Attack, attack, Tack! A tack, see? But it's what you do with what you've got!"—before

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Meanwhile, the Thief, having noticed the golden balls atop the minaret in the courtyard, breaks into the palace through a gutter. He steals the repaired shoe from Tack, prompting the cobbler to chase him through the palace. Upon retrieving the shoe, Tack bumps into Zigzag, who notices the shoe is

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his way through. I don't think he was able to step back and look at the whole thing as a story. He's an incredible animator, though. Incredible. One of the biggest problems we had was trying our desperate best, where we had brand new footage, to come up to the level of quality that he had set".

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As years passed, the project became more ambitious. Williams said that his idea was "to make the best animated film that has ever been made—there really is no reason why not". He also envisioned the film to feature very detailed and complex animation, the likes he thought no other studio would

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and Thick Wilson (who was also the voice of Hook in this film) were proposed as the voices for Princess Mee-Mee, the sister of Princess Yum-Yum, and the enchanted ogre Prince Bubba, respectively, in an early draft of the film. Both characters were dropped in 1989 at the request of Warner Bros.

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Sims' voice for the Witch was mostly re-dubbed by Marshall, but a few lines spoken by Sims were retained after she first fully materializes and when she receives her chest of money all the way up to the part when she's in a basket lighting a match to the fumes. Unlike the nanny, Sims was still

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under their management. Dedicated but pressured, Williams was taking his time to ensure sequences would look perfect. Animators were working overtime, sometimes with sixty hours a week required, to get the film done. While Williams encouraged the best out of people, discipline was harsh and

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became the earliest mentioned distributor candidate for the independent film. The International Film Guide noted that the Williams Studio's staff had increased to forty people for production of the feature. Williams gained further attention when he and the studio produced a TV adaptation of

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was found to be too verbal and not suitable for animation, therefore Nasrudin as a character and the Nasrudin stories were dropped as a project. However, the many years work spent on painstaking research into the beauty of Oriental art has been retained. Loosely based on elements in the

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version of the film. Some scenes (like the wedding ending) had to be retouched frame by frame by Gilchrist due to flaws in the footage. Gilchrist described this as the most complex independent restoration of a film ever undertaken. This edit gained positive reviews on the Internet.

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animators were frequently fired. Funders pressured Williams to make finished scenes of the main characters for a marketing trailer. The final designs were made for the characters at this time. Test animation of Princess Yum-Yum, as featured in the released versions, was

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Approximately 18 minutes of completed animation were cut by Calvert due to the scenes' repetitiveness. Calvert said: "We hated to see all this beautiful animation hit the cutting room floor, but that was the only way we could make a story out of it. He was kind of

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cheaply and quickly as possible. Calvert said: "I really didn't want to do it, but if I didn't do it, it would have been given off to the lowest bidder. I took it as a way to try and preserve something and at least get the thing on the screen and let it be seen".

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felt that the added voiceovers of Jonathan Winters and Matthew Broderick were unnecessary and unfunny, and that Fred Calvert's new footage didn't meet the standards of Williams's original scenes. The Miramax version of the film was often unfavorably compared to

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King Nod sends Yum-Yum, her nurse, and Tack to ask for help from a "mad and holy old Witch" in the desert. They are secretly followed by the Thief, who hears of a golden idol on the journey but fails to steal it. In the desert, they discover a band of dimwitted

2653:: "The Academy has it, it's in a 'golden box' now and it's safe". The unfinished version, along with a selection of Art Babbitt's animation from the film, has been placed in an archive collection named "The Art Babbitt Collection". A collection of artwork from 1876:

in late 1988, and Williams also received financial aid from Japanese investors. He later said: "In hindsight we should have just gone to Europe, take another five years, made it on our own, and then go to a distributor and get people who find it as a novelty".

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ran over budget before animation production began, the success of the film demonstrated Williams's capability to work within a studio system and deliver high-quality animation within time and budget. Disney and Spielberg told Williams that in return for doing

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first), after it had already been rejected by several other American distributors. Calvert recalls: "It was a very difficult film to market, it had such a reputation, that I don't think they were looking at it objectively". Originally planning to release the

1606:, including a sleepy king, a thief and an evil vizier originally named Anwar. Many scenes that did not include Nasrudin himself were also retained. Throughout the 1970s, Williams would further rewrite the script with Margaret French, his wife at the time. 2732:

were still available in order to release it, but the North American rights he felt were currently too complicated to also release the Blu-ray there. Williams died shortly after on 17 August 2019 at the age of 86, without ever seeing a finished version of

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and a milestone in the animated medium. Originally devised in the 1960s, the film was in and out of production for nearly three decades due to independent funding and ambitiously complex animation. It was finally placed into full production in 1989 when

2720:, Yvette Kaplan, Carl Bell, Andreas Wessel-Therhorn, Kevin Schreck, and Garrett Gilchrist. After the screening Williams discussed the origins of the film and its production history. On 1 June 2014, "A Moment in Time" was screened in London under the 1623:

would be "the first animated film with a real plot that locks together like a detective story at the end". He also said that with its two mute main characters, it was essentially "a silent movie with a lot of sound". Silent comedies, like films from

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unknown actor and the Thief's mother is voiced by Mickie McGowan, who is credited under "Loop Group" in the credits. Also, in the Miramax version, some lines from the brigands and the camel's laughter appear to be re-dubbed, again by unknown actors.

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that were removed disappeared—many of these had fallen into the hands of private parties. Before losing control of the film, Williams had originally kept all artwork safe in a fireproof basement. Additionally, there are legal problems with Miramax.

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in London on 1 June 2014. Williams also said he had never seen the Calvert or Miramax versions of the film: "I'm not interested, but my son, who is also an animator, did tell me that if I ever want to jump off a bridge, then I should take a look".

2256:, which, at the time, distributed many of Miramax's films in Canada. It came in a paper sleeve and had no special features, other than the choice of English or French-language tracks. The Miramax version was first released on DVD in Japan by the 4710: 1571: 1918:

the film since he found such a method to be too controlling. Williams also recorded further dialogue with Vincent Price for Zigzag for the 1990 production, but Price's old age and illness meant that some lines remained unfinished.

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at Disney, to whom he made yearly visits and would later pass their knowledge to the new generation of animators. Williams also allowed animators like Natwick and Babbitt to work on the studio assignments, such as the 1977 feature

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was set to record Tack's one line, but never showed up at the studio, so the line was instead performed by a friend of his wife's. However, Connery's name remains credited as Tack in the end credits of the "Recobbled Cut" version.

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Williams took on television and feature film projects in order to fund his project, and work on his film progressed slowly. Williams hired veteran Warner Bros. animator Ken Harris as a chief animator on the project, then titled

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In 1964, Richard Williams, a Canadian animator living in the United Kingdom, was running an animation studio assigned to animate commercials and special sequences for live-action films. Williams illustrated a series of books by

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After the film was completed, Allied Filmmakers, along with Majestic Films, reacquired the distribution rights from the Completion Bond Company. Calvert's version of the film was distributed in South Africa and in Australia as

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In both of the 1992 workprints, the Thief is heard making short grunts/wheezes in a few scenes—though not as many as in the Allied Filmmakers version. Actor Ed E. Carroll did additional ones for the Allied Filmmakers version.

1619:. Price was hired to make the villain more enjoyable for Williams, as he was a great fan of Price's work and Zigzag was based on two people whom Williams hated. In addition to Price, Sir Anthony Quayle was cast as King Nod. 2481:

criticised the songs sung by the princess, calling the lyrics "horrible" and the melodies "forgettable", although he did praise Williams's animation as "among the most glorious and lively ever created". Animation historian

1886: 1469:" of Near Eastern folklore from the 13th century. Williams began development work on a film based on the stories, with Shah and his family championing production. Production took place at Richard Williams Productions in 2053:

to cover the 10–15 minutes left to finish. Animators found out that they had completed more than enough footage for an 87-minute feature, but they had yet to finish certain vital sequences involving the central story.

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The Miramax version was set to be released by Miramax Home Entertainment on VHS in December 1995, five months after its theatrical release, but was eventually released on 18 February 1997, under its original title

554:. According to a prophecy, the city would fall to "destruction and death" if the balls were removed, and could only be saved by "the simplest soul with the smallest and simplest of things." Living in the city is a 1538:

had been embezzling financing from the studio for his own purposes. Further friction came because the Shah family had been asking for 50% of the profits from the film, and Idrias's sister, author and folklorist

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While Yum-Yum's dialogue was mostly re-voiced by Bobbi Page for the Allied Filmmakers version, one vocal effect from Crowe is retained when Yum-Yum throws her pear at Zigzag in disgust during the polo game.

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extra features being trailers for other Weinstein Company family films. The Digital Bits listed it as the worst standard-edition DVD of 2006. The Miramax/Weinstein DVD was re-issued again on 3 May 2011 by

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company and eventually provided US$ 10 million of the film's $ 28 million budget. Allied's distribution and sales partner Majestic Films began promoting the film in industry trades under the working title

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created inspirational paintings and backgrounds, setting the style for the film. During the decades that the film was being made, the characters were redesigned several times and scenes were reanimated.

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released the Miramax version on DVD in the United Kingdom on 13 February 2012. The film had previously never been released in any form there, ironically where the majority of the production took place.

6497: 4471: 6512: 2769:, it has received many awards at festivals and received very positive critical reception. Williams was given a copy of the film before he passed away, but said he "doesn't plan on watching it". 1477:. In an early mention of the project, the 1968 International Film Guide told that Williams would soon begin work on "the first of several films based on the stories featuring Mulla Nasruddin". 6602: 2594:

and completed footage. However, due to the lackluster reception of most hand-drawn animated films released during the early 2000s, as well as his tough relationship with then-Disney CEO

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and was voiced by Thick Wilson, was deleted, and some animation of the Witch had to be discarded. Also deleted was Ken Harris's sequence of a Brigand dreaming of a Biblical temptress.

5648: 1485:. Roy Naisbitt was hired as layout artist / art director for the film, and promotional art showed intricate Indian and Persian designs. In 1970, the production's name was changed to 6547: 6542: 6502: 2058:

control of the film, ousting Williams from the project. Additionally, Williams said that the production had lost a source of funding when Japanese investors pulled out due to the

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stories, an entirely new and original film is now the main project of the Williams Studio. Therefore any publicity references to the old character of Nasrudin are now obsolete.

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as the Shah family took the rights of the source material. However, Williams was able to keep characters he designed for the books and the film, including a thief character.

5643: 4999: 2668:, on 10 December 2013, with Williams in attendance. Also attending the screening were other notable filmmakers, animators, composers, critics, actors, and directors like 2641:

production. Williams said that while he never saw Gilchrist's Recobbled Cut, he acknowledged the role that the edits had played in rehabilitating the film's reputation.

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was quietly released by Miramax on 25 August 1995. It opened on 510 screens, and grossed US$ 319,723 (on an estimated budget of $ 24 million) during its theatrical run.

1987:, Warner Bros.' then-head of animation, did not know anything about animation, as she admitted to an artist who had worked for Williams while she was seeing footage of 2613:. It was done in as high quality as possible by combining available sources at the time, including a video copy of Williams's workprint and a Japanese DVD release of 1422:, Paul Matthews was an African-American delivery person with a deep, dark voice whom Williams met in an elevator on the way to a rehearsal space during production on 415:

loomed as imminent competition, Williams was forced out and the film was heavily re-edited and cheaply finished by producer Fred Calvert as a mainstream Disney-style

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with European backers, citing his appreciation of foreign films. Richard insisted he could produce the film with a major studio. Williams and Warner Bros. signed a

1602:. The script would later be scrapped, but the character of Tack would be incorporated in another script written by Margaret French, which would use characters from 6422: 4405: 6577: 5625: 5067: 2562:, which took indigenous traditional art as the starting point for a beautiful style of 2D animation. I felt that something similar could be done with Irish art". 621:

Tack and the others return to the Golden City to find the One-Eyes' massive war machine approaching. Tack shoots a single tack into the enemy's midst, sparking a

6522: 2323:, four musical numbers were added: "She Is More", "Am I Feeling Love?", "Bom Bom Bom Beem Bom", and "It's So Amazing". These songs are only present in both the 1934:, Williams began planning several sequences to feature a greater use of this technique, including Tack and the Thief's palace chase, which was achieved without 5900: 5742: 4582: 4154: 5570: 1543:, who had done some of the translations for the Nasrudin books, stated ownership of the stories. With her threatening with a copyright infringement lawsuit, 6477: 6682: 6427: 4979: 4962: 2813:, a French animated film, produced in two parts (1948–1952, 1967–1980), initially released in recut form, but eventually finished as per director's wishes. 2650: 451: 1665:, Williams realised that he was not very skilled in animating and that he needed to actually learn the art, if he wanted to hold the audience's interest: 6382: 4824: 3900: 2788: 1505: 1256: 480: 5924: 5875: 4862: 1708: 4076: 2300:, an independent DVD distributor who made a deal to release 251 titles from the Miramax library until the deal expired in 2014. These releases are now 6607: 4936: 1424: 1724:", meaning that the animation would run at full 24 frames per second as opposed to the more common animation "on twos", in twelve frames per second. 1522:. Blake insisted to Williams that while he thought the footage was excellent, he needed to structure the film and his footage into a three-act plot. 6687: 6572: 6562: 6557: 6507: 6417: 6407: 6397: 1788:

At this time, Eberts encouraged Williams to make changes to the script. A subplot involving the characters of Princess Mee-Mee, Yum-Yum's identical

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enthusiasm towards high-quality television animation, but had little confidence towards backing feature animation. The studio had already released

6692: 6552: 6392: 5384: 5007: 3530: 4235: 6657: 6652: 6647: 6642: 6582: 6487: 6387: 6377: 6313: 6196: 6015: 5617: 6412: 6622: 6617: 6612: 6432: 6347: 5916: 5908: 5324: 3848: 2766: 6517: 6482: 6402: 5042: 4987: 4929: 2724:, with many of the original crew present. On 25 November 2018, during another screening in London, Williams suggested the possibility of a 2279:

on 8 March 2005. This was basically the same as the Froot Loops cereal DVD, albeit with a new menu design and the addition of trailers for

4117: 1946:. He was creating extra footage and extending sequences to trim down later, and would have edited down the workprint he later assembled. 6567: 6178: 5563: 5374: 4299: 1825: 1303: 6442: 5994: 2509:. He later participated in Q&As for screenings of his 1992 workprint at the Samuel Goldwyn Theater on 10 December 2013 and at the 2281: 1275: 5957: 4546:"FLIP: Pete Western reports on "A Moment in Time" at BFI – the first ever public screening of "The Thief and the Cobbler" in the UK" 4265: 4008: 3691: 3324: 3003: 2970: 2107:

in Hungary. Robert Folk was brought on to compose a new score replacing the score from the workprint, with the lone exception being

1897:. The scene exists only in Williams's original, unfinished version, and was cut along with many others in the two released versions. 1322: 5735: 5133: 2552:, the director of all three films, said: "Some friends in college and I were inspired by Richard Williams's unfinished masterpiece 5340: 5308: 1674: 1282: 35: 2837:, an American stop-motion animated film, initially produced circa 1990–1992, continued production in 2012 and premiered in 2021. 2602:

was later made the project supervisor of the restoration, but after Roy's death in 2009, the project was officially called off.

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named the film the 81st greatest animated film of all time. In addition, the film won the 1995 Academy of Family Films Award.

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desert, the prosperous Golden City is ruled by the narcoleptic King Nod and protected by three golden balls atop its tallest

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was hired to voice Anwar, later renamed "Zigzag". His dialogue was recorded in the summer of 1973, while he was filming

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Williams, Richard (2 November 2008). ASIFA-San Francisco benefit appearance, Balboa Theater, San Francisco, California.

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was initially billed as the Maiden from Mombasa, but the workprint features co-writer Margaret French as the Maiden.

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In 1973, a promotional booklet was released with a public announcement by Williams about the status of his project:

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in Taiwan and its division Thai Wang Film Productions in Thailand, as well as Pacific Rim Animation in China and

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Williams stated that his unfinished version, from 13 May 1992, is now archived and digitally duplicated by the

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that incorporated a character who is a clumsy cobbler named Tack, and retained Williams's thief character from

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version, mostly discussing the Witch being related to the Mighty One-Eye and "the bearer of his other eye".

1249: 597: 434: 405: 4563: 4446: 2598:, Roy left the Walt Disney Company in November 2003, and the project was put on hold. Disney film producer 1849:, they would help distribute his film. This plan did not come to pass. Disney began to put their attention 565:

When the Thief sneaks into Tack's house, the two get stitched together and stumble outside, causing Tack's

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briefly worked with Williams to attempt to get financing in the mid-1980s. In 1986, Williams met producer

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production dragged for decades. Ken Harris was still chief animator on the film, as he had been since

1530:

The Nasruddin premise did not last as Williams and the Shahs had a falling out. The Shah family had a

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version with English and Japanese-language tracks. The Allied Filmmakers version was released on a

2059: 2047:

which combined finished footage, pencil tests, storyboards, and movements from the symphonic suite

1829: 1515:, Williams and the studio had animated around three hours of footage for what was now being called 893: 584:

From left to right: Tack the Cobbler, Zigzag the Grand Vizier, King Nod, and Princess Yum-Yum. The

57:

An unreleased poster made near the end of the film's production, before it was taken from Williams.

4368:"The First Public Screening of Richard Williams's original version of "The Thief and the Cobbler"" 3852: 3777: 6527: 6240: 6043: 5577: 5316: 5194: 5138: 5097: 3203: 2627: 2477: 1850: 1544: 4199: 3643: 4705: 4000: 3139: 3097: 1689:, to work at his studio in London and help teach him and his staff. Williams learned also from 6253: 6209: 6142: 6135: 6128: 6057: 5964: 5540: 5503: 5284: 5107: 5037: 4733: 4004: 3687: 3531:"The Animator's Survival Kit: The Most Valuable How To Animate Book You Will Ever Want To Own" 3438: 3349: 3320: 2966: 2558: 2320: 2253: 2183: 2175: 1777: 1086: 714: 420: 198: 109: 4749: 4048: 3462: 2941: 5300: 5199: 5047: 4797: 4786: 4777:– a blog where people who worked on the film recount their memories of the film's production 3922: 3669: 2872:'The Thief and the Cobbler: A Moment in Time' is not rated. Running time: 1 hour 31 minutes. 2415: 2207: 2199: 2160: 2078:

had previously offered to solve story problems with Richard Williams, suggested bringing in

1992: 1799: 1764: 1594:

In 1973, Williams commissioned a new script from Howard Blake, who wrote a treatment called

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is also stored in Disney's "Animation Research Library" in the Feature Animation building.

6268: 6219: 6022: 6008: 5689: 5585: 5276: 5189: 5032: 5022: 4755: 4744: 4204: 4121: 4053: 3078: 3032: 2947: 2468: 2450: 2346: 2024: 1807: 1755: 1716:, by whom she was animated. After Natwick died, Williams would animate the Witch himself. 1624: 1462: 1188: 566: 4869: 4645: 4273: 4222: 2206:, such as the Thief and Phido, save for some squawks for the latter originally voiced by 4583:"Richard Williams to Screen his Director's Cut of "The Thief and the Cobbler" Dec. 10th" 3683: 6224: 6214: 6121: 5941: 5882: 4502:"Call For Artists- The Thief and the Cobbler Recobbled Cut Mark 4-2 (10th Anniversary)" 4209: 3162: 2595: 2276: 2187: 2171: 2028: 1698: 961: 881: 811: 768: 528: 520: 403:

agreed to finance and distribute the film after his successful animation direction for

4672:"Kevin Schreck, Director of "Persistence of Vision" about "The Thief and The Cobbler"" 3736:"Richard Williams BFI The Thief and the Cobbler: A Moment in Time Part Two" Dec. 10th" 3711:"Richard Williams BFI The Thief and the Cobbler: A Moment in Time Part One" Dec. 10th" 3556: 3190:"THE THIEF: Roy Naisbitt, John Leatherbarrow and Paul Dilworth (new update from Paul)" 2829:, a Russian stop-motion animated film, began production in 1991 and premiered in 2018. 1953:

to ensure that the studio would be given a finished film, otherwise they would finish

1720:

attempt to achieve. Additionally, much of the film's animation would be photographed "

409:. When production went over budget and behind schedule, and Disney's similarly-themed 6336: 5092: 3069: 2713: 2579: 2510: 2471:

gives the film a score of 60% based on 10 reviews, with an average rating of 6.6/10.

2467:

The Miramax version of the film was a commercial failure and received mixed reviews.

2335: 2202:

and added dialogue to various characters who didn't speak in either the workprint or

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who was not keeping track of the studio's accounting, so Williams felt that producer

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produced the second number "Am I Feeling Love?". The animation was subcontracted to

5679: 5123: 5102: 4423: 4033: 2701: 2544:, three Irish animated films that based their style on traditional native art, had 2411: 2301: 2265: 2249: 2104: 2096: 2032: 1861: 1713: 1686: 1512: 1343: 1153: 1099: 1092: 1078: 980: 816: 734: 570: 504: 496: 416: 387: 52: 5179: 4472:"Thieves, Cobblers, and Fan Edits: The 50-Year Odyssey of an Animated Masterpiece" 3901:"Thieves, Cobblers, and Fan Edits: The 50-Year Odyssey of an Animated Masterpiece" 2586:, which Roy liked. With Williams's support, Roy Disney began a project to restore 2275:

A commercially released North American DVD of the Miramax version was released by

5860: 5684: 3073: 2825: 2759: 2754:

is a documentary by Kevin Schreck, about Richard Williams and the production of

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gave the film full five stars, saying that it was "a must for family viewing."

2272:, but it is severely cropped, and there are no additional features on the DVD. 1635:

and continued for the new film. Tack was modeled after said silent film stars.

443:. Both versions performed poorly at the box office and received mixed reviews. 5471: 5405: 5209: 4921: 4771:

with articles, clips from the workprint, pictures, and the history of the film

4671: 4501: 4321: 3986: 3735: 3710: 3582: 3413: 2717: 2689: 2677: 2549: 2483: 2304:

as further scheduling of the Region 1 release has yet to commence as of 2024.

2224:

The Allied Filmmakers version of the film was released on VHS in Australia by

1915: 1907: 1792:

voiced by Catherine Schell, and the Prince Bubba, who had been turned into an

1769: 1754:, which he showed to Milt Kahl, a friend and one of his animation mentors, at 1586:. Older character designs, and characters that were later removed, are in the 1547:

withdrew a deal they had been negotiating, and Williams was forced to abandon

1540: 1531: 1136: 1124: 1072: 1054: 755: 699: 555: 547: 484: 4028: 3809: 527:(died 1993, one month after the film's initial release). It has maintained a 5827: 5720: 5496: 5164: 3673: 2821:, a Hungarian animated film, began production in 1988 and premiered in 2011. 2626:

called it "the best and most important 'fan edit' ever made". Nell Minow of

2418:, Michael Lanning, Raymond McLeod, Rick Charles Nelson, & Scott Rummell) 2307: 2237: 2092: 2044: 1690: 1570: 1466: 833: 540: 461:. He acknowledged the film's rehabilitated reputation, due to projects like 458: 2163:

decided to recut the film even further and released their version entitled

483:. It is the final film for several actors and artists, including animators 4099: 2008:, a film that bore striking resemblances in story, style and character to 450:, have discussed restoring the film to its original version. In 2013, the 5087: 4239: 4100:"Moriarty's DVD Blog! A Word About That New THIEF & THE COBBLER Disc" 2927: 2693: 2606: 2599: 2491:, with some even calling it a rip-off of the film. However, in 2003, the 614: 559: 4727: 2407:"Bom Bom Bom Beem Bom (That's What Happens When You Don't Go to School)" 2135:

on 23 September 1993. The film was later released in the Philippines as

1983:, a Canadian-produced animated feature, in 1990 to almost no promotion. 558:, Tack, and a nameless, unsuccessful yet persistent Thief, who are both 5184: 5148: 5143: 5082: 5012: 3418: 2833: 2725: 2142:

In December 1994, the North American rights to the film were bought by

1995: 1910:, Williams stated that he had two and a half hours of pencil tests for 1263: in this section. Unsourced material may be challenged and removed. 1031: 580: 551: 113: 4300:"Richard Williams' Lost Life's Work Restored By One Obsessive Fan ..." 2170:

This version was cut by 8 minutes, featured newly written dialogue by

1885: 5348: 5214: 4760: 2857:"Review: A Rough Cut of 'The Thief and the Cobbler' Makes It to MoMA" 2605:

In 2006, filmmaker and artist Garrett Gilchrist created a non-profit

1837: 1474: 677: 3319:. AAPPL Artists & Photographers Press, Limited. pp. 47–49. 1840:

for his animation and contributions to the visual effects. Although

4802: 30:"Arabian Knight" redirects here. For the comic book character, see 5669: 5664: 5128: 1884: 1712:. The Mad Holy Old Witch was designed as a caricature of animator 1569: 579: 4774: 4402:"The Secret of Kells – What is this Remarkable Animated Feature?" 3949:"Disney To Restore The Thief And The Cobbler To Original Version" 3763:"UK screening of 'The Thief & the Cobbler: A Moment In Time'" 2240:

was also released. The Miramax version of the film appeared on a

5674: 3831:"FLIP: The Thief & The Cobbler – The Recobbled Cut – Part 2" 3074:"The Animator Who Never Gave Up – The Unmaking of a Masterpiece" 2805:, an unfinished Russian animated film, in production since 1981. 1793: 1789: 473:, a 2012 documentary by Kevin Schreck detailing the production. 5724: 4925: 4806: 1750:

In the 1980s, Williams put together a 20-minute sample reel of

2505:, a project he shelved in the 1960s before he started work on 2241: 1232: 4057:. Kamahalan Publishing Corporation. 23 April 1994. p. 20 3004:"The Thief and the Cobbler: How the Best Was Lost, 1968–1995" 4711:

Creative Commons Attribution-ShareAlike 3.0 Unported License

2410:

The Brigands (Randy Crenshaw, Kevin Dorsey, Roger Freeland,

4793:

The Thief and the Cobbler Recobbled Cut Mark 5 WIP 06/20/23

4624:"The Thief and the Cobbler – the greatest film never made?" 2728:

release with the BFI. Williams said the European rights to

2091:, the Dublin-based studio headed by former Disney animator 1968:, with her design slightly changed later on in production. 1930:

where the live action camera was moving all the time. With

4709:, which is licensed in a way that permits reuse under the 4137:"Echo Bridge to Distribute Miramax Titles on DVD, Blu-Ray" 3463:"Animated Comment – Ken Clark chats with Richard Williams" 3414:"AniMat Interviews Garrett Gilchrist (Completed Edition)" 2345:

The pop version of "Am I Feeling Love?" was performed by

1810:

asked Williams to direct the animation of Zemeckis' film

4609:

Oscars.org – Academy of Motion Picture Arts and Sciences

4568:

Oscars.org – Academy of Motion Picture Arts and Sciences

3386:"Howard Blake *TINTACK THE COBBLER in Verse & Prose" 446:

Over the years, various people and companies, including

4700: 3033:

22 Animated Cult Classics Worth Checking Out - MovieWeb

2095:, animated the first song sequence "She Is More", and 6498:

Films with screenplays by Richard Williams (animator)

4524:"Re: The Thief and the Cobbler: Recobbled Cut Mark 4" 2660:

The unfinished version was screened at the Academy's

2126:

Release and further changes under Miramax (1993-1995)

1922:

Williams had experimented with shots with characters

27:

Film by Richard Williams finished without him in 1993

4344:"Richard Williams' Circus Drawings' Silent Premiere" 3284:(film documentary (and DVD bonus features)). USA/UK. 2113:

when the Thief prepares to try and fly to the ruby.

1401:

Fred Calvert is credited on both of these versions.

6513:

Animated films based on One Thousand and One Nights

6233: 6195: 6156: 6099: 6078: 6071: 5934: 5892: 5835: 5803: 5768: 5761: 5657: 5636: 5555: 5524: 5455: 5448: 5397: 5367: 5232: 5157: 5116: 5075: 5066: 4998: 4961: 4901: 4840: 4646:"Roger Rabbit animator Richard Williams dies at 86" 3437:(Second ed.). BCW Publishing. pp. 32–33. 2795:

Other animated films with long production histories

2370: 2359: 368: 360: 352: 332: 293: 239: 211: 181: 156: 148: 140: 130: 89: 72: 62: 45: 4077:"Coming Soon To DVD – Find Out DVD Release Dates!" 3990: 3312: 1971: 1991:. Another animator salvaged almost 40 minutes of 1889:This uncolourised scene is one of many that were 1864:negotiated a funding and a distribution deal for 3346:Richard Williams and The Thief Who Never Gave Up 1816:. Williams agreed in order to get financing for 618:destroying the entire tower with a storm cloud. 4236:"The Best Animated Movie You've Never Heard Of" 3757: 3755: 3753: 3485:"Getting Animated About Williams's Masterclass" 2016:shares many physical characteristics with both 1776:, who began funding the production through his 1667: 1574:The film had many name changes before becoming 1556: 5626:Two Years Eight Months and Twenty-Eight Nights 2260:in 2002, using a widescreen copy of Miramax's 2182:, along with the addition of celebrity actors 6503:Films produced by Richard Williams (animator) 5736: 4937: 4818: 4782:The Thief and the Cobbler: Recobbled Cut Mk.4 4362: 4360: 2574:At the 2000 Annecy Festival, Williams showed 2248:cereal, its first DVD release. In 2001, this 1972:Williams's loss of control of the film (1992) 1942:with a live-action point of view, coming off 437:at the time, released another re-edit titled 8: 6603:American children's animated adventure films 5571:The Thousand-and-Second Tale of Scheherazade 2611:The Thief and the Cobbler: The Recobbled Cut 1938:. According to rumours, Williams approached 569:to fall onto the street. Zigzag, King Nod's 4980:The Book of the Thousand Nights and a Night 4863:Raggedy Ann & Andy: A Musical Adventure 2666:The Thief and the Cobbler: A Moment in Time 2651:Academy of Motion Picture Arts and Sciences 1709:Raggedy Ann & Andy: A Musical Adventure 452:Academy of Motion Picture Arts and Sciences 6548:American children's animated musical films 6543:American children's animated fantasy films 6075: 5931: 5765: 5743: 5729: 5721: 5452: 5236: 5072: 4944: 4930: 4922: 4825: 4811: 4803: 4420:"Thief and the Cobbler: The Recobbled Cut" 4221: 4022: 4020: 3942: 3940: 3938: 3936: 3866: 3864: 3862: 3606: 3604: 3602: 3600: 3271: 3269: 3267: 3265: 3263: 3261: 3259: 3257: 3255: 3253: 3251: 3249: 3247: 3245: 3243: 3241: 3239: 3237: 2943:Arabian Knight (The Thief and the Cobbler) 2789:List of films with longest production time 1998:footage from MacCurdy's trash. Meanwhile, 1926:to move in three dimensions, including in 1673:Williams hired veteran animators from the 1506:Academy Award for Best Animated Short Film 467:, a restoration by Garrett Gilchrist, and 51: 42: 4293: 4291: 3408: 3406: 3235: 3233: 3231: 3229: 3227: 3225: 3223: 3221: 3219: 3217: 3133: 3131: 3129: 3127: 3125: 3123: 3121: 3119: 3064: 3062: 3060: 2548:cited as one of their main inspirations. 2252:DVD was released through Canadian studio 2070:Production under Fred Calvert (1992–1993) 2031:, as animated by Williams Studio alumnus 2012:; for example, the character Zigzag from 1881:Production under Warner Bros. (1989–1992) 1425:Raggedy Ann and Andy: A Musical Adventure 1323:Learn how and when to remove this message 4447:"The Thief and the Cobbler Movie Review" 3803: 3801: 3799: 3637: 3635: 3478: 3476: 3456: 3454: 3315:Animated Movies Facts, Figures & Fun 3303: 3301: 3299: 3297: 3295: 3293: 3291: 3058: 3056: 3054: 3052: 3050: 3048: 3046: 3044: 3042: 3040: 2997: 2995: 2993: 2991: 2989: 2916: 2914: 2912: 2910: 2908: 2906: 2904: 2902: 2900: 2356: 2293:The Weinstein Company Home Entertainment 1855:rival feature animation studio in London 633: 5876:Disney's Aladdin: A Musical Spectacular 5008:Abu al-Husn and His Slave-Girl Tawaddud 4383:"Richard Williams: the master animator" 4266:"Top 100 Animated Features of All Time" 4118:"King Bitsy: Other DVD Awards for 2006" 3981: 3979: 3977: 3975: 3973: 3971: 3969: 3730: 3728: 3705: 3703: 3365: 3363: 3361: 3359: 3340: 3338: 3336: 3091: 3089: 2931:. No. 35. pp. 42–45 & 63. 2898: 2896: 2894: 2892: 2890: 2888: 2886: 2884: 2882: 2880: 2847: 2244:as a giveaway promotion in packages of 1902:animators, including Richard's own son 596:styles, and the overall style and flat 481:films with the longest production times 6314:Lego Disney Princess: The Castle Quest 6016:Disney Princess: Enchanting Storybooks 5618:The Last Voyage of Somebody the Sailor 4717:. All relevant terms must be followed. 3583:"Richard Williams discusses Milt Kahl" 6578:Animated films set in the Middle East 4767:– a website about Richard Williams's 4408:from the original on 16 October 2012. 3483:Wolters, Johannes (13 January 2009). 2962:The Encyclopedia of Animated Cartoons 2767:Vancouver International Film Festival 1806:and was impressed enough that he and 960: 941: 7: 6523:The Weinstein Company animated films 5925:Disney's Aladdin in Nasira's Revenge 5043:The Sisters Envious of Their Cadette 4988:Le livre des mille nuits et une nuit 4504:. Garrett Gilchrist. 3 February 2023 4342:Deneroff, Harvey (20 October 2010). 4322:"onehugeeye » Richard Williams" 3613:"How This 'Thief' Became a 'Knight'" 3611:Welkos, Robert W. (30 August 1995). 3161:Maddocks, Simon (20 November 2011). 2414:, Bob Joyce, Jon Joyce, Kerry Katz, 1949:Warner Bros. had signed a deal with 1893:to move in three dimensions without 1860:Following his success, Williams and 1448:Development and early production as 1261:adding citations to reliable sources 577:fixed and imprisons Tack in a cell. 5564:Recollections of the Arabian Nights 4135:Alex Ben Block (17 February 2011). 1853:, while Spielberg instead opened a 1851:more in their own feature animation 6683:Films produced by Harvey Weinstein 6428:Films directed by Richard Williams 6423:Canadian children's animated films 5995:Disney Princess: Enchanted Journey 4242:. 28 November 2006. Archived from 3849:"The Thief and the Cobbler review" 3776:Leihe, Holger (14 February 2008). 3642:Leihe, Holger (14 February 2008). 3370:Tom Gutteridge (director) (1988). 3348:(TV documentary). United Kingdom: 3276:Schreck, Kevin (Director) (2012). 3096:Leihe, Holger (12 December 2007). 2855:Kenny, Glenn (21 September 2016). 2443:"Am I Feeling Love? (Pop Version)" 2282:My Scene Goes Hollywood: The Movie 2139:by Jemah Films on April 23, 1994. 25: 5883:A Whole New World: A Twisted Tale 4703:, this article uses content from 4176:Anthony Nield (7 February 2012). 3999:. Chicago Review Press. pp. 3873:"A Late Finisher About Old Araby" 3555:Leihe, Holger (18 January 2008). 3002:Briney, Daniel (21 August 2001). 2737:as he had originally envisioned. 2716:, Kevin Kurytnik, Carol Beecher, 2338:, while the music is composed by 1631:, were already an inspiration on 691:(additional dialogue, uncredited) 6608:American fantasy adventure films 5826: 4581:Beck, Jerry (19 November 2013). 4526:. Garrett Gilchrist. 15 May 2023 3529:Cohen, Karl (15 February 2002). 3510:"Bond Firm Takes Over 'Cobbler'" 2965:. Checkmark Books. p. 165. 2609:of Williams's workprint, titled 2159:version, then-Miramax president 1647:Prolonged production (1973–1986) 1396: 1352: 1237: 1179:"Am I Feeling Love?" pop singers 844:(some vocalisations, uncredited) 419:. It was eventually released by 36:Arabian Knight (record producer) 34:. For the hip hop producer, see 6688:English-language Canadian films 6573:Animated films about princesses 6563:American romantic musical films 6558:American romantic fantasy films 6508:Films produced by Imogen Sutton 6478:1990s children's animated films 6418:Canadian animated fantasy films 6408:American animated fantasy films 6398:British fantasy adventure films 6002:Disney Princess: Magical Jewels 5793:Aladdin and the King of Thieves 5253:The Adventures of Prince Achmed 4381:Nicholas Wroe (19 April 2013). 3947:DeMott, Rick (18 August 2000). 3871:James, Caryn (26 August 1995). 2779:Lists of animated feature films 2765:First premiered in 2012 at the 1526:Replacing the Nasruddin concept 1461:, which collected the tales of 1374: 1342:According to Richard Williams, 1248:needs additional citations for 96:Richard Williams (all versions) 6693:English-language musical films 6553:American musical fantasy films 6393:British animated fantasy films 6383:1990s children's fantasy films 6276:Once Upon a Time in Wonderland 5018:Ali Baba and the Forty Thieves 4622:Lee, Lucy (20 December 2018). 4478:. 29 June 2012. Archived from 3851:. DVD snapshot. Archived from 2360: 2298:Echo Bridge Home Entertainment 2291:. This DVD was re-released by 1832:banner) in 1988, and became a 1739:Financial backing inspired by 1727:In 1978, Saudi Arabian prince 1385: 1363: 764:(one vocalisation, uncredited) 1: 6658:1960s Canadian animated films 6653:1970s Canadian animated films 6648:1980s Canadian animated films 6643:1990s Canadian animated films 6583:Animated films set in palaces 6488:Alternative versions of films 6388:1990s fantasy adventure films 6378:1990s American animated films 6179:Le Passage Enchanté d'Aladdin 5414:Scooby-Doo! in Arabian Nights 4400:Cohen, Karl (16 March 2010). 4098:Moriarty (11 November 2006). 3738:. BFI Southbank. 12 June 2014 3713:. BFI Southbank. 12 June 2014 3138:Williams, Alex (March 1997). 2576:Walt Disney Feature Animation 2432:Steve Lively & Bobbi Page 2396:Bobbi Page & Steve Lively 2076:Creative Capers Entertainment 2000:Walt Disney Feature Animation 1820:and get it finally finished. 1491:British Lion Film Corporation 1391:credited in the Calvert cut. 1337: 6623:1960s English-language films 6618:1970s English-language films 6613:1980s English-language films 6433:Films produced by Gary Kurtz 6348:1990s English-language films 6165:The Magic Carpets of Aladdin 5854:More Than a Peacock Princess 5644:Stories (Burton translation) 5594:The Eighth Voyage of Sindbad 4550:flipanimation.blogspot.co.uk 3433:McAsh, Iain F (April 1977). 2810:The King and the Mockingbird 2784:History of British animation 2747:Persistence of Vision (film) 2268:DVD in Australia in 2003 by 2204:The Princess and the Cobbler 2150:(which had already released 2133:The Princess and the Cobbler 656:The Princess and the Cobbler 426:The Princess and the Cobbler 394:, who intended it to be his 307:The Princess and the Cobbler 269:The Princess and the Cobbler 220:The Princess and the Cobbler 194:Richard Williams Productions 18:The Princess and the Cobbler 6518:The Weinstein Company films 6483:Films scored by Robert Folk 5134:Ma'n ibn Za'ida al-Shaybani 5028:The Fisherman and the Jinni 4954:One Thousand and One Nights 4910:The Animator's Survival Kit 4706:"The Thief and the Cobbler" 4605:"The Thief and the Cobbler" 4404:. Animation World Network. 4298:Brown, Todd (4 June 2006). 4270:Online Film Critics Society 4200:"The Thief and the Cobbler" 4178:"The Thief and the Cobbler" 4155:"The Thief And The Cobbler" 3585:. AMPASAcademy. 9 June 2010 3188:Holger (13 December 2007). 3140:"The Thief And The Cobbler" 2493:Online Film Critics Society 2226:Columbia TriStar Home Video 2064:Japanese asset price bubble 1951:the Completion Bond Company 1906:. In a 1988 interview with 1729:Mohammed bin Faisal Al Saud 1580:The Thief Who Never Gave Up 1272:"The Thief and the Cobbler" 602:Persian miniature paintings 390:co-written and directed by 259:23 September 1993 203:The Completion Bond Company 6709: 6568:Animated films about magic 6262:The Music Behind the Magic 3435:The Films Of Vincent Price 3142:. Animation World Magazine 2744: 2334:All lyrics are written by 1962:from the live-action film 1936:computer-generated imagery 1504:, which won the studio an 538: 32:Arabian Knight (character) 29: 6443:Unfinished animated films 6413:American children's films 6307:Ralph Breaks the Internet 6299:The Thief and the Cobbler 5824: 5709:The Thief and the Cobbler 5514:Mârouf, savetier du Caire 5325:A Thousand and One Nights 5239: 4885:The Thief and the Cobbler 4769:The Thief and the Cobbler 4763:The Thief and the Cobbler 4751:The Thief and the Cobbler 4740:The Thief and the Cobbler 4729:The Thief and the Cobbler 4027:McCracken, Harry (1995). 3835:flipanimation.blogspot.ca 2756:The Thief and the Cobbler 2735:The Thief and the Cobbler 2588:The Thief and the Cobbler 2554:The Thief and the Cobbler 2546:The Thief and the Cobbler 2439: 2425: 2403: 2389: 2375: 2367: 2364: 2234:The Thief and the Cobbler 2137:The Thief and the Cobbler 2010:The Thief and the Cobbler 1866:The Thief and the Cobbler 1818:The Thief and the Cobbler 1576:The Thief and the Cobbler 1213: 1187: 1146: 1098: 1059: 1023: 1013: 1001: 929: 919:(few squawks, uncredited) 907: 897: 880: 815: 682: 645:The Thief and the Cobbler 477:The Thief and the Cobbler 380:The Thief and the Cobbler 50: 46:The Thief and the Cobbler 6403:British children's films 6051:Disney Dreamlight Valley 4564:"Art Babbitt Collection" 4029:"The Theft of the Thief" 3997:The Animated Movie Guide 3927:ANimation World Magazine 3208:thethief1.blogspot.co.uk 2923:"An Arabian Knight-mare" 2619:Princess and the Cobbler 2325:Princess and the Cobbler 2319:During production under 2157:Princess and the Cobbler 829:Princess Yum-Yum's Nurse 539:This describes the 1992 503:(died 1992), and actors 454:archived Williams's own 274:25 August 1995 5610:Arabian Nights and Days 5170:Abd al-Malik ibn Marwan 4877:Who Framed Roger Rabbit 3953:Animation World Network 3923:"Letters to the Editor" 3535:Animation World Network 3489:Animation World Network 3204:"The high-gloss folder" 2288:Pokémon: Destiny Deoxys 2146:, then a subsidiary of 1813:Who Framed Roger Rabbit 1738: 1675:golden age of animation 1578:; other names included 1465:, a philosophical yet " 822:(one scene, uncredited) 423:in 1993 with the title 406:Who Framed Roger Rabbit 6588:Animated romance films 6473:1990s unfinished films 6468:1980s unfinished films 6463:1970s unfinished films 6458:1960s unfinished films 6453:Miramax animated films 6247:Waking Sleeping Beauty 5489:Der Barbier von Bagdad 4972:Les mille et une nuits 4677:. YouTube. 23 May 2014 4141:The Hollywood Reporter 3778:"Muqaddar Ka Sikander" 2959:Lenburg, Jeff (1999). 2722:British Film Institute 2662:Samuel Goldwyn Theater 2331:versions of the film. 2110:Night on Bald Mountain 2089:Sullivan Bluth Studios 1898: 1836:hit. Williams won two 1671: 1591: 1568: 1511:According to composer 1418:According to animator 856:Mad and Holy Old Witch 605: 302:91 minutes (Workprint) 6257:(2013 musical parody) 6037:Disney Magic Kingdoms 4626:. Just Make Animation 3644:"Throne Room, Part 1" 3618:The Los Angeles Times 3515:The Los Angeles Times 3280:Persistence of Vision 2752:Persistence of Vision 2556:and the Disney movie 2258:Daiichi Kosho Company 2101:Wang Film Productions 1980:The Nutcracker Prince 1888: 1731:became interested in 1659:Upon seeing Disney's 1573: 790:(only grunts/wheezes) 588:are a combination of 583: 470:Persistence of Vision 433:, which was owned by 248:13 May 1992 6638:1980s American films 6633:1970s American films 6628:1960s American films 6438:Films set in Baghdad 6291:The Thief of Baghdad 6186:Adventureland Bazaar 5341:The Thief of Baghdad 5309:The Thief of Baghdad 5220:Zubaidah bint Ja'far 4713:, but not under the 3810:"Arabian Knightmare" 3680:Simon & Schuster 3072:(12 November 1995). 2921:Dobbs, Mike (1996). 2645:Academy preservation 2566:Restoration attempts 2393:"Am I Feeling Love?" 1965:Muqaddar Ka Sikandar 1874:negative pickup deal 1638:British illustrator 1483:The Amazing Nasrudin 1257:improve this article 651:Fred Calvert version 546:In a kingdom at the 321:Recobbled Cut Mark 4 6678:1990s British films 6673:1980s British films 6668:1970s British films 6663:1960s British films 6593:Films about outlaws 6538:1990s musical films 6493:Lost animated films 6373:1995 animated films 6368:1993 animated films 6363:1992 animated films 5785:The Return of Jafar 5649:Works influenced by 5464:Le calife de Bagdad 5293:The Thief of Bagdad 5261:The Thief of Bagdad 5245:The Thief of Bagdad 5175:Al-Hajjaj ibn Yusuf 5058:Ahmed and Paribanou 4611:. 3 September 2014. 4570:. 20 December 2014. 4276:on 11 February 2010 3461:Clark, Ken (1984). 3390:www.howardblake.com 3372:I Drew Roger Rabbit 3098:"Cobbler and Errol" 2708:, Charles Solomon, 2590:, seeking original 2529:The Secret of Kells 2074:Sue Shakespeare of 1830:Touchstone Pictures 1802:saw the footage of 1171:Rick Charles Nelson 894:Christopher Greener 531:since its release. 429:. Two years later, 6533:1995 fantasy films 6241:Disney Renaissance 6044:Disney Mirrorverse 5578:New Arabian Nights 5317:Baghdad Gaja Donga 5195:Ibrahim al-Mawsili 5139:Sayf ibn Dhi Yazan 5098:Old Man of the Sea 4451:Common Sense Media 3877:The New York Times 3837:. 5 December 2012. 2861:The New York Times 2818:The Tragedy of Man 2628:Common Sense Media 2478:The New York Times 2002:had begun work on 1904:Alexander Williams 1899: 1592: 1545:Paramount Pictures 1408:finally credited. 745:Matthew Broderick 606: 144:John Leatherbarrow 6598:Films about theft 6330: 6329: 6152: 6151: 6143:Proud of Your Boy 6136:A Whole New World 6067: 6066: 6058:Disney Speedstorm 5958:Chain of Memories 5822: 5821: 5718: 5717: 5551: 5550: 5393: 5392: 5285:La Rosa di Bagdad 5228: 5227: 5108:Sinbad the Sailor 5038:Sinbad the Sailor 4919: 4918: 4856:A Christmas Carol 4849:The Little Island 4585:. Animation Scoop 4180:. The Digital Fix 4124:on 11 March 2009. 4104:Aint It Cool News 3678:. New York City: 3467:Animator Magazine 3350:Thames Television 2634:The Recobbled Cut 2582:his workprint of 2459: 2458: 2429:"It's So Amazing" 2321:Allied Filmmakers 2254:Alliance Atlantis 2184:Matthew Broderick 2176:Michael Hitchcock 2119:Rube Goldberg-ing 1778:Allied Filmmakers 1497:A Christmas Carol 1487:The Majestic Fool 1333: 1332: 1325: 1307: 1226: 1225: 1222:Donald Pleasence 1200:Additional Voices 1112:Declan Mulholland 1087:Declan Mulholland 917:Donald Pleasence 715:Matthew Broderick 676:Zigzag the Grand 670: 659: 648: 586:character designs 523:(died 1989), and 519:(died 1988), Sir 499:(died 1990), and 464:The Recobbled Cut 421:Allied Filmmakers 376: 375: 199:Allied Filmmakers 123:(Miramax version) 110:Allied Filmmakers 16:(Redirected from 6700: 6283:Once Upon a Time 6076: 5932: 5917:Disney's Aladdin 5909:Disney's Aladdin 5901:Disney's Aladdin 5830: 5766: 5745: 5738: 5731: 5722: 5453: 5430:Thief of Baghdad 5301:Baghdad Thirudan 5237: 5205:Ja'far ibn Yahya 5200:Ishaq al-Mawsili 5073: 5048:The Three Apples 4946: 4939: 4932: 4923: 4834:Richard Williams 4827: 4820: 4813: 4804: 4798:Internet Archive 4787:Internet Archive 4687: 4686: 4684: 4682: 4676: 4668: 4662: 4661: 4659: 4657: 4652:. 17 August 2019 4642: 4636: 4635: 4633: 4631: 4619: 4613: 4612: 4601: 4595: 4594: 4592: 4590: 4578: 4572: 4571: 4560: 4554: 4553: 4542: 4536: 4535: 4533: 4531: 4520: 4514: 4513: 4511: 4509: 4498: 4492: 4491: 4489: 4487: 4468: 4462: 4461: 4459: 4457: 4442: 4436: 4435: 4433: 4431: 4416: 4410: 4409: 4397: 4391: 4390: 4378: 4372: 4371: 4364: 4355: 4354: 4352: 4350: 4339: 4333: 4332: 4330: 4328: 4318: 4312: 4311: 4309: 4307: 4295: 4286: 4285: 4283: 4281: 4272:. Archived from 4262: 4256: 4255: 4253: 4251: 4232: 4226: 4225: 4220: 4218: 4216: 4196: 4190: 4189: 4187: 4185: 4173: 4167: 4166: 4164: 4162: 4151: 4145: 4144: 4132: 4126: 4125: 4120:. Archived from 4114: 4108: 4107: 4095: 4089: 4088: 4087:on 10 July 2011. 4083:. Archived from 4073: 4067: 4066: 4064: 4062: 4045: 4039: 4038: 4024: 4015: 4014: 3994: 3992:"Arabian Knight" 3983: 3964: 3963: 3961: 3959: 3944: 3931: 3930: 3919: 3913: 3912: 3910: 3908: 3899:Fenlon, Wesley. 3896: 3890: 3887: 3881: 3880: 3868: 3857: 3856: 3845: 3839: 3838: 3827: 3821: 3820: 3818: 3816: 3805: 3794: 3793: 3791: 3789: 3784:. self-published 3773: 3767: 3766: 3759: 3748: 3747: 3745: 3743: 3732: 3723: 3722: 3720: 3718: 3707: 3698: 3697: 3670:James B. Stewart 3666: 3660: 3659: 3657: 3655: 3650:. self-published 3639: 3630: 3629: 3627: 3625: 3608: 3595: 3594: 3592: 3590: 3579: 3573: 3572: 3570: 3568: 3563:. self-published 3552: 3546: 3545: 3543: 3541: 3526: 3520: 3519: 3506: 3500: 3499: 3497: 3495: 3480: 3471: 3470: 3458: 3449: 3448: 3430: 3424: 3423: 3410: 3401: 3400: 3398: 3396: 3382: 3376: 3375: 3374:(TV featurette). 3367: 3354: 3353: 3342: 3331: 3330: 3318: 3305: 3286: 3285: 3273: 3212: 3211: 3200: 3194: 3193: 3185: 3179: 3178: 3176: 3174: 3169:. self-published 3158: 3152: 3151: 3149: 3147: 3135: 3114: 3113: 3111: 3109: 3104:. self-published 3093: 3084: 3083: 3066: 3035: 3030: 3024: 3023: 3021: 3019: 3010:. Archived from 2999: 2984: 2983: 2981: 2979: 2956: 2950: 2939: 2933: 2932: 2918: 2875: 2874: 2869: 2867: 2852: 2696:, Mark Kausler, 2692:, Art Leonardi, 2664:under the title 2362: 2357: 2208:Donald Pleasence 2200:Jonathan Winters 2161:Harvey Weinstein 2022: 1924:animated by hand 1891:animated by hand 1824:was released by 1800:Steven Spielberg 1745: 1521: 1432:Catherine Schell 1413:Miriam Margolyes 1405:Hilary Pritchard 1400: 1389: 1378: 1367: 1356: 1341: 1328: 1321: 1317: 1314: 1308: 1306: 1265: 1241: 1233: 1211: 1206: 1185: 1144: 1135:Singers for the 1129: 1104: 1065: 1061:Richard Williams 1047: 1042: 992: 987: 943:Kenneth Williams 931:Clinton Sundberg 920: 909:Donald Pleasence 868: 845: 823: 800:Jonathan Winters 791: 778: 773: 765: 751:Princess Yum-Yum 742: 724: 719: 708: 692: 688:Richard Williams 664: 653: 642: 640:Original version 634: 600:are inspired by 517:Kenneth Williams 513:Clinton Sundberg 392:Richard Williams 281: 279: 266: 264: 256: (Workprint) 255: 253: 218:Majestic Films ( 120:Harvey Weinstein 79:Richard Williams 67:Richard Williams 55: 43: 21: 6708: 6707: 6703: 6702: 6701: 6699: 6698: 6697: 6333: 6332: 6331: 6326: 6269:Disney Princess 6229: 6191: 6148: 6095: 6063: 6023:Disney Infinity 6009:Disney Universe 5930: 5888: 5871:(stage musical) 5831: 5818: 5799: 5757: 5749: 5719: 5714: 5653: 5632: 5586:Slaves of Sleep 5547: 5520: 5444: 5389: 5363: 5277:Baghdad Ka Chor 5224: 5190:Harun al-Rashid 5153: 5144:Shaddad ibn 'Ad 5112: 5062: 5033:Hassan of Basra 5023:The Ebony Horse 4994: 4957: 4950: 4920: 4915: 4897: 4836: 4831: 4756:Rotten Tomatoes 4745:Box Office Mojo 4724: 4696: 4691: 4690: 4680: 4678: 4674: 4670: 4669: 4665: 4655: 4653: 4644: 4643: 4639: 4629: 4627: 4621: 4620: 4616: 4603: 4602: 4598: 4588: 4586: 4580: 4579: 4575: 4562: 4561: 4557: 4544: 4543: 4539: 4529: 4527: 4522: 4521: 4517: 4507: 4505: 4500: 4499: 4495: 4485: 4483: 4482:on 17 July 2020 4470: 4469: 4465: 4455: 4453: 4444: 4443: 4439: 4429: 4427: 4418: 4417: 4413: 4399: 4398: 4394: 4380: 4379: 4375: 4366: 4365: 4358: 4348: 4346: 4341: 4340: 4336: 4326: 4324: 4320: 4319: 4315: 4305: 4303: 4297: 4296: 4289: 4279: 4277: 4264: 4263: 4259: 4249: 4247: 4246:on 1 March 2014 4234: 4233: 4229: 4214: 4212: 4205:Rotten Tomatoes 4198: 4197: 4193: 4183: 4181: 4175: 4174: 4170: 4160: 4158: 4153: 4152: 4148: 4134: 4133: 4129: 4116: 4115: 4111: 4097: 4096: 4092: 4075: 4074: 4070: 4060: 4058: 4054:Manila Standard 4047: 4046: 4042: 4026: 4025: 4018: 4011: 3985: 3984: 3967: 3957: 3955: 3946: 3945: 3934: 3921: 3920: 3916: 3906: 3904: 3898: 3897: 3893: 3888: 3884: 3870: 3869: 3860: 3855:on 5 July 2009. 3847: 3846: 3842: 3829: 3828: 3824: 3814: 3812: 3807: 3806: 3797: 3787: 3785: 3775: 3774: 3770: 3761: 3760: 3751: 3741: 3739: 3734: 3733: 3726: 3716: 3714: 3709: 3708: 3701: 3694: 3668: 3667: 3663: 3653: 3651: 3641: 3640: 3633: 3623: 3621: 3610: 3609: 3598: 3588: 3586: 3581: 3580: 3576: 3566: 3564: 3554: 3553: 3549: 3539: 3537: 3528: 3527: 3523: 3508: 3507: 3503: 3493: 3491: 3482: 3481: 3474: 3460: 3459: 3452: 3445: 3432: 3431: 3427: 3422:. 19 July 2019. 3412: 3411: 3404: 3394: 3392: 3384: 3383: 3379: 3369: 3368: 3357: 3344: 3343: 3334: 3327: 3307: 3306: 3289: 3275: 3274: 3215: 3202: 3201: 3197: 3187: 3186: 3182: 3172: 3170: 3163:"Into the City" 3160: 3159: 3155: 3145: 3143: 3137: 3136: 3117: 3107: 3105: 3095: 3094: 3087: 3079:Films in Review 3068: 3067: 3038: 3031: 3027: 3017: 3015: 3014:on 3 April 2012 3001: 3000: 2987: 2977: 2975: 2973: 2958: 2957: 2953: 2948:Box Office Mojo 2940: 2936: 2920: 2919: 2878: 2865: 2863: 2854: 2853: 2849: 2844: 2797: 2775: 2749: 2743: 2706:Theodore Thomas 2686:David Silverman 2647: 2607:fan restoration 2568: 2535:Song of the Sea 2525: 2520: 2503:Circus Drawings 2469:Rotten Tomatoes 2465: 2460: 2451:Arnold McCuller 2447:Andrea Robinson 2351:Andrea Robinson 2347:Arnold McCuller 2317: 2236:. A widescreen 2222: 2128: 2072: 2020: 1974: 1883: 1808:Robert Zemeckis 1756:Skywalker Ranch 1748: 1743: 1662:The Jungle Book 1649: 1625:Charlie Chaplin 1528: 1519: 1463:Mulla Nasruddin 1454: 1445: 1394: 1383: 1372: 1361: 1350: 1335: 1329: 1318: 1312: 1309: 1266: 1264: 1254: 1242: 1231: 1221: 1219: 1217: 1215: 1209: 1204: 1193:Andrea Robinson 1191: 1189:Arnold McCuller 1183: 1172: 1170: 1168: 1167:Michael Lanning 1166: 1162: 1160: 1158: 1156: 1152: 1150: 1148: 1142: 1127: 1123: 1122:Ramsay Williams 1121: 1119: 1115: 1113: 1111: 1109: 1107: 1105: 1102: 1096:Ramsay Williams 1095: 1091: 1089: 1085: 1083: 1081: 1063: 1045: 1040: 1037:Margaret French 1024:Frederick Shaw 990: 985: 918: 916: 866: 864: 843: 841: 821: 820:Anthony Quayle 819: 789: 776: 774: 771: 763: 761: 740: 722: 720: 717: 707:(only one line) 706: 690: 686: 663: 662:Miramax version 652: 641: 632: 544: 537: 348: 328: 296: 289: 277: 275: 262: 260: 251: 249: 242: 235: 207: 206: 186: 184: 177: 126: 122: 107: 102: 85: 82:Margaret French 58: 39: 28: 23: 22: 15: 12: 11: 5: 6706: 6704: 6696: 6695: 6690: 6685: 6680: 6675: 6670: 6665: 6660: 6655: 6650: 6645: 6640: 6635: 6630: 6625: 6620: 6615: 6610: 6605: 6600: 6595: 6590: 6585: 6580: 6575: 6570: 6565: 6560: 6555: 6550: 6545: 6540: 6535: 6530: 6525: 6520: 6515: 6510: 6505: 6500: 6495: 6490: 6485: 6480: 6475: 6470: 6465: 6460: 6455: 6450: 6445: 6440: 6435: 6430: 6425: 6420: 6415: 6410: 6405: 6400: 6395: 6390: 6385: 6380: 6375: 6370: 6365: 6360: 6355: 6350: 6345: 6335: 6334: 6328: 6327: 6325: 6324: 6317: 6310: 6303: 6295: 6287: 6279: 6272: 6265: 6258: 6250: 6243: 6237: 6235: 6231: 6230: 6228: 6227: 6222: 6217: 6212: 6207: 6201: 6199: 6193: 6192: 6190: 6189: 6182: 6175: 6168: 6160: 6158: 6154: 6153: 6150: 6149: 6147: 6146: 6139: 6132: 6125: 6122:Friend Like Me 6118: 6115:One Jump Ahead 6111: 6108:Arabian Nights 6103: 6101: 6097: 6096: 6094: 6093: 6088: 6082: 6080: 6073: 6069: 6068: 6065: 6064: 6062: 6061: 6054: 6047: 6040: 6033: 6019: 6012: 6005: 5998: 5991: 5990: 5989: 5982: 5975: 5968: 5961: 5954: 5951:Kingdom Hearts 5943:Kingdom Hearts 5938: 5936: 5929: 5928: 5921: 5913: 5905: 5904:(Sega Genesis) 5896: 5894: 5890: 5889: 5887: 5886: 5879: 5872: 5864: 5857: 5850: 5839: 5837: 5833: 5832: 5825: 5823: 5820: 5819: 5817: 5816: 5807: 5805: 5801: 5800: 5798: 5797: 5789: 5781: 5772: 5770: 5763: 5759: 5758: 5750: 5748: 5747: 5740: 5733: 5725: 5716: 5715: 5713: 5712: 5705: 5697: 5692: 5687: 5682: 5677: 5672: 5667: 5661: 5659: 5655: 5654: 5652: 5651: 5646: 5640: 5638: 5634: 5633: 5631: 5630: 5622: 5614: 5606: 5598: 5590: 5582: 5574: 5567: 5559: 5557: 5553: 5552: 5549: 5548: 5546: 5545: 5537: 5528: 5526: 5522: 5521: 5519: 5518: 5510: 5501: 5493: 5485: 5476: 5468: 5459: 5457: 5450: 5446: 5445: 5443: 5442: 5434: 5426: 5422:Arabian Nights 5418: 5410: 5401: 5399: 5395: 5394: 5391: 5390: 5388: 5387: 5382: 5377: 5371: 5369: 5365: 5364: 5362: 5361: 5357:Arabian Nights 5353: 5345: 5337: 5333:Arabian Nights 5329: 5321: 5313: 5305: 5297: 5289: 5281: 5273: 5269:Arabian Nights 5265: 5257: 5249: 5240: 5234: 5230: 5229: 5226: 5225: 5223: 5222: 5217: 5212: 5207: 5202: 5197: 5192: 5187: 5182: 5177: 5172: 5167: 5161: 5159: 5155: 5154: 5152: 5151: 5146: 5141: 5136: 5131: 5126: 5120: 5118: 5114: 5113: 5111: 5110: 5105: 5100: 5095: 5090: 5085: 5079: 5077: 5070: 5064: 5063: 5061: 5060: 5055: 5050: 5045: 5040: 5035: 5030: 5025: 5020: 5015: 5010: 5004: 5002: 4996: 4995: 4993: 4992: 4984: 4976: 4967: 4965: 4959: 4958: 4951: 4949: 4948: 4941: 4934: 4926: 4917: 4916: 4914: 4913: 4905: 4903: 4899: 4898: 4896: 4895: 4888: 4881: 4873: 4866: 4859: 4852: 4844: 4842: 4841:Films directed 4838: 4837: 4832: 4830: 4829: 4822: 4815: 4807: 4801: 4800: 4789: 4785:(2013) at the 4778: 4775:The Thief Blog 4772: 4761:Eddie Bowers' 4758: 4747: 4736: 4723: 4722:External links 4720: 4695: 4692: 4689: 4688: 4663: 4637: 4614: 4596: 4573: 4555: 4552:. 9 June 2014. 4537: 4515: 4493: 4463: 4437: 4426:. 24 June 2006 4411: 4392: 4373: 4356: 4334: 4313: 4287: 4257: 4227: 4191: 4168: 4157:. Amazon.co.uk 4146: 4127: 4109: 4090: 4081:ComingSoon.net 4068: 4040: 4016: 4009: 3965: 3932: 3914: 3891: 3882: 3858: 3840: 3822: 3795: 3768: 3765:. 1 June 2014. 3749: 3724: 3699: 3692: 3661: 3631: 3596: 3574: 3547: 3521: 3518:. 20 May 1992. 3501: 3472: 3450: 3443: 3425: 3402: 3377: 3355: 3332: 3325: 3287: 3213: 3210:. 6 July 2008. 3195: 3180: 3153: 3115: 3085: 3070:Summer, Edward 3036: 3025: 2985: 2971: 2951: 2934: 2876: 2846: 2845: 2843: 2840: 2839: 2838: 2830: 2822: 2814: 2806: 2796: 2793: 2792: 2791: 2786: 2781: 2774: 2771: 2745:Main article: 2742: 2739: 2646: 2643: 2615:Arabian Knight 2596:Michael Eisner 2567: 2564: 2524: 2521: 2519: 2516: 2464: 2461: 2457: 2456: 2453: 2444: 2441: 2437: 2436: 2433: 2430: 2427: 2423: 2422: 2419: 2408: 2405: 2401: 2400: 2397: 2394: 2391: 2387: 2386: 2383: 2380: 2377: 2373: 2372: 2369: 2366: 2363: 2355: 2329:Arabian Knight 2316: 2313: 2277:Miramax Family 2262:Arabian Knight 2221: 2218: 2214:Arabian Knight 2188:Jennifer Beals 2172:Eric Gilliland 2165:Arabian Knight 2127: 2124: 2071: 2068: 2062:following the 1973: 1970: 1914:, and had not 1882: 1879: 1747: 1737: 1699:Ollie Johnston 1648: 1645: 1564:Arabian Nights 1527: 1524: 1453: 1446: 1444: 1441: 1331: 1330: 1313:September 2024 1245: 1243: 1236: 1230: 1227: 1224: 1223: 1212: 1207: 1202: 1196: 1195: 1186: 1181: 1175: 1174: 1173:Scott Rummell 1169:Raymond McLeod 1151:Roger Freeland 1147:Randy Crenshaw 1145: 1140: 1131: 1130: 1097: 1076: 1067: 1066: 1058: 1049: 1048: 1043: 1038: 1035: 1026: 1025: 1022: 1016: 1015: 1012: 1006: 1005: 1000: 994: 993: 988: 983: 978: 972: 971: 965: 964: 962:Stanley Baxter 959: 953: 952: 946: 945: 940: 934: 933: 928: 922: 921: 911: 906: 900: 899: 896: 891: 889:Mighty One-Eye 885: 884: 882:Windsor Davies 879: 877:Chief Roofless 873: 872: 871:Toni Collette 869: 861: 858: 852: 851: 846: 836: 831: 825: 824: 814: 812:Anthony Quayle 809: 803: 802: 797: 792: 786: 780: 779: 769:Jennifer Beals 766: 758: 753: 747: 746: 743: 737: 732: 726: 725: 712: 709: 703: 694: 693: 681: 672: 671: 667:Arabian Knight 660: 649: 638: 631: 628: 623:Goldberg-esque 536: 533: 529:cult following 521:Anthony Quayle 479:is one of the 440:Arabian Knight 374: 373: 370: 366: 365: 362: 358: 357: 354: 350: 349: 347: 346: 343: 340: 339:United Kingdom 336: 334: 330: 329: 327: 326: 324: 317: 314:Arabian Knight 310: 303: 299: 297: 294: 291: 290: 288: 287: 284:Arabian Knight 272: 257: 245: 243: 240: 237: 236: 234: 233: 230:Arabian Knight 223: 215: 213: 212:Distributed by 209: 208: 205: 204: 201: 196: 190: 189: 187: 182: 179: 178: 176: 175: 170: 167: 164: 160: 158: 154: 153: 150: 146: 145: 142: 141:Cinematography 138: 137: 132: 128: 127: 125: 124: 117: 104: 103:(all versions) 97: 93: 91: 87: 86: 84: 83: 80: 76: 74: 70: 69: 64: 60: 59: 56: 48: 47: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 6705: 6694: 6691: 6689: 6686: 6684: 6681: 6679: 6676: 6674: 6671: 6669: 6666: 6664: 6661: 6659: 6656: 6654: 6651: 6649: 6646: 6644: 6641: 6639: 6636: 6634: 6631: 6629: 6626: 6624: 6621: 6619: 6616: 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6194: 6188: 6187: 6183: 6181: 6180: 6176: 6174: 6173: 6172:Arabian Coast 6169: 6167: 6166: 6162: 6161: 6159: 6155: 6144: 6140: 6137: 6133: 6130: 6126: 6123: 6119: 6116: 6112: 6109: 6105: 6104: 6102: 6098: 6092: 6089: 6087: 6084: 6083: 6081: 6077: 6074: 6070: 6060: 6059: 6055: 6053: 6052: 6048: 6046: 6045: 6041: 6039: 6038: 6034: 6031: 6030: 6025: 6024: 6020: 6018: 6017: 6013: 6011: 6010: 6006: 6004: 6003: 5999: 5997: 5996: 5992: 5988: 5987: 5983: 5981: 5980: 5976: 5974: 5973: 5969: 5967: 5966: 5962: 5960: 5959: 5955: 5953: 5952: 5948: 5947: 5946: 5944: 5940: 5939: 5937: 5933: 5927: 5926: 5922: 5919: 5918: 5914: 5911: 5910: 5906: 5903: 5902: 5898: 5897: 5895: 5891: 5885: 5884: 5880: 5878: 5877: 5873: 5870: 5869: 5865: 5863: 5862: 5858: 5856: 5855: 5851: 5848: 5844: 5841: 5840: 5838: 5834: 5829: 5814: 5813: 5809: 5808: 5806: 5802: 5795: 5794: 5790: 5787: 5786: 5782: 5779: 5778: 5774: 5773: 5771: 5767: 5764: 5760: 5756: 5755: 5746: 5741: 5739: 5734: 5732: 5727: 5726: 5723: 5711: 5710: 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5241: 5238: 5235: 5231: 5221: 5218: 5216: 5213: 5211: 5208: 5206: 5203: 5201: 5198: 5196: 5193: 5191: 5188: 5186: 5183: 5181: 5178: 5176: 5173: 5171: 5168: 5166: 5163: 5162: 5160: 5156: 5150: 5147: 5145: 5142: 5140: 5137: 5135: 5132: 5130: 5127: 5125: 5122: 5121: 5119: 5115: 5109: 5106: 5104: 5101: 5099: 5096: 5094: 5093:Badroulbadour 5091: 5089: 5086: 5084: 5081: 5080: 5078: 5074: 5071: 5069: 5065: 5059: 5056: 5054: 5051: 5049: 5046: 5044: 5041: 5039: 5036: 5034: 5031: 5029: 5026: 5024: 5021: 5019: 5016: 5014: 5011: 5009: 5006: 5005: 5003: 5001: 4997: 4990: 4989: 4985: 4982: 4981: 4977: 4974: 4973: 4969: 4968: 4966: 4964: 4960: 4956: 4955: 4947: 4942: 4940: 4935: 4933: 4928: 4927: 4924: 4912: 4911: 4907: 4906: 4904: 4902:Books written 4900: 4894: 4893: 4889: 4887: 4886: 4882: 4879: 4878: 4874: 4872: 4871: 4867: 4865: 4864: 4860: 4858: 4857: 4853: 4851: 4850: 4846: 4845: 4843: 4839: 4835: 4828: 4823: 4821: 4816: 4814: 4809: 4808: 4805: 4799: 4795: 4794: 4790: 4788: 4784: 4783: 4779: 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April 1997. 3928: 3924: 3918: 3915: 3902: 3895: 3892: 3886: 3883: 3878: 3874: 3867: 3865: 3863: 3859: 3854: 3850: 3844: 3841: 3836: 3832: 3826: 3823: 3811: 3808:Lurio, Eric. 3804: 3802: 3800: 3796: 3783: 3779: 3772: 3769: 3764: 3758: 3756: 3754: 3750: 3737: 3731: 3729: 3725: 3712: 3706: 3704: 3700: 3695: 3693:0-684-80993-1 3689: 3685: 3681: 3677: 3676: 3671: 3665: 3662: 3649: 3645: 3638: 3636: 3632: 3620: 3619: 3614: 3607: 3605: 3603: 3601: 3597: 3584: 3578: 3575: 3562: 3558: 3551: 3548: 3536: 3532: 3525: 3522: 3517: 3516: 3511: 3505: 3502: 3490: 3486: 3479: 3477: 3473: 3468: 3464: 3457: 3455: 3451: 3446: 3440: 3436: 3429: 3426: 3421: 3420: 3415: 3409: 3407: 3403: 3391: 3387: 3381: 3378: 3373: 3366: 3364: 3362: 3360: 3356: 3351: 3347: 3341: 3339: 3337: 3333: 3328: 3326:1-904332-52-8 3322: 3317: 3316: 3310: 3304: 3302: 3300: 3298: 3296: 3294: 3292: 3288: 3283: 3281: 3278: 3272: 3270: 3268: 3266: 3264: 3262: 3260: 3258: 3256: 3254: 3252: 3250: 3248: 3246: 3244: 3242: 3240: 3238: 3236: 3234: 3232: 3230: 3228: 3226: 3224: 3222: 3220: 3218: 3214: 3209: 3205: 3199: 3196: 3191: 3184: 3181: 3168: 3164: 3157: 3154: 3141: 3134: 3132: 3130: 3128: 3126: 3124: 3122: 3120: 3116: 3103: 3099: 3092: 3090: 3086: 3081: 3080: 3075: 3071: 3065: 3063: 3061: 3059: 3057: 3055: 3053: 3051: 3049: 3047: 3045: 3043: 3041: 3037: 3034: 3029: 3026: 3013: 3009: 3008:CultureCartel 3005: 2998: 2996: 2994: 2992: 2990: 2986: 2974: 2972:0-8160-3831-7 2968: 2964: 2963: 2955: 2952: 2949: 2945: 2944: 2938: 2935: 2930: 2929: 2924: 2917: 2915: 2913: 2911: 2909: 2907: 2905: 2903: 2901: 2899: 2897: 2895: 2893: 2891: 2889: 2887: 2885: 2883: 2881: 2877: 2873: 2862: 2858: 2851: 2848: 2841: 2836: 2835: 2831: 2828: 2827: 2823: 2820: 2819: 2815: 2812: 2811: 2807: 2804: 2803: 2799: 2798: 2794: 2790: 2787: 2785: 2782: 2780: 2777: 2776: 2772: 2770: 2768: 2763: 2761: 2757: 2753: 2748: 2740: 2738: 2736: 2731: 2727: 2723: 2719: 2715: 2714:Martha Sigall 2711: 2707: 2703: 2699: 2695: 2691: 2687: 2683: 2679: 2675: 2671: 2670:Eric Goldberg 2667: 2663: 2658: 2656: 2652: 2644: 2642: 2640: 2635: 2631: 2629: 2625: 2620: 2616: 2612: 2608: 2603: 2601: 2597: 2593: 2589: 2585: 2581: 2580:Roy E. Disney 2577: 2572: 2565: 2563: 2561: 2560: 2555: 2551: 2547: 2543: 2542: 2537: 2536: 2531: 2530: 2522: 2517: 2515: 2512: 2511:BFI Southbank 2508: 2504: 2500: 2499:Alex Williams 2496: 2494: 2490: 2485: 2480: 2479: 2474: 2470: 2462: 2454: 2452: 2448: 2445: 2442: 2438: 2434: 2431: 2428: 2424: 2420: 2417: 2413: 2409: 2406: 2402: 2398: 2395: 2392: 2388: 2384: 2381: 2379:"She Is More" 2378: 2374: 2358: 2354: 2352: 2348: 2343: 2341: 2337: 2336:Norman Gimbel 2332: 2330: 2326: 2322: 2314: 2312: 2309: 2305: 2303: 2299: 2294: 2290: 2289: 2284: 2283: 2278: 2273: 2271: 2270:Magna Pacific 2267: 2263: 2259: 2255: 2251: 2247: 2243: 2239: 2235: 2229: 2227: 2219: 2217: 2215: 2211: 2209: 2205: 2201: 2197: 2196:Eric Bogosian 2193: 2192:Toni Collette 2189: 2185: 2181: 2180:Gary Glasberg 2177: 2173: 2168: 2166: 2162: 2158: 2153: 2149: 2145: 2144:Miramax Films 2140: 2138: 2134: 2125: 2123: 2120: 2114: 2112: 2111: 2106: 2102: 2098: 2094: 2090: 2084: 2081: 2080:Terry Gilliam 2077: 2069: 2067: 2065: 2061: 2055: 2052: 2051: 2046: 2040: 2038: 2037:Eric Goldberg 2034: 2030: 2026: 2019: 2015: 2011: 2007: 2006: 2001: 1997: 1994: 1990: 1986: 1985:Jean MacCurdy 1982: 1981: 1969: 1967: 1966: 1961: 1956: 1952: 1947: 1945: 1941: 1937: 1933: 1929: 1925: 1920: 1917: 1913: 1909: 1905: 1896: 1892: 1887: 1880: 1878: 1875: 1871: 1867: 1863: 1858: 1856: 1852: 1848: 1843: 1839: 1835: 1831: 1828:(under their 1827: 1823: 1819: 1815: 1814: 1809: 1805: 1801: 1797: 1795: 1791: 1786: 1784: 1779: 1775: 1771: 1767: 1766: 1761: 1757: 1753: 1742: 1736: 1734: 1730: 1725: 1723: 1717: 1715: 1711: 1710: 1704: 1700: 1696: 1692: 1688: 1684: 1683:Emery Hawkins 1680: 1676: 1670: 1666: 1664: 1663: 1657: 1655: 1646: 1644: 1641: 1640:Errol Le Cain 1636: 1634: 1630: 1629:Harry Langdon 1626: 1620: 1618: 1617: 1612: 1611:Vincent Price 1607: 1605: 1601: 1597: 1589: 1585: 1581: 1577: 1572: 1567: 1565: 1560: 1555: 1552: 1550: 1546: 1542: 1537: 1536:Omar Ali-Shah 1533: 1525: 1523: 1518: 1514: 1509: 1507: 1503: 1499: 1498: 1492: 1488: 1484: 1478: 1476: 1472: 1468: 1464: 1460: 1451: 1447: 1442: 1440: 1436: 1433: 1429: 1427: 1426: 1421: 1420:Michael Sporn 1416: 1414: 1409: 1406: 1402: 1399: 1398: 1392: 1388: 1387: 1381: 1377: 1376: 1370: 1366: 1365: 1359: 1355: 1354: 1348: 1345: 1340: 1339: 1327: 1324: 1316: 1305: 1302: 1298: 1295: 1291: 1288: 1284: 1281: 1277: 1274: – 1273: 1269: 1268:Find sources: 1262: 1258: 1252: 1251: 1246:This section 1244: 1240: 1235: 1234: 1228: 1218:Mona Marshall 1214:Ed E. Carroll 1208: 1203: 1201: 1198: 1197: 1194: 1190: 1182: 1180: 1177: 1176: 1165: 1155: 1141: 1139: 1138: 1133: 1132: 1126: 1118: 1117:Tony Scannell 1106:Peter Clayton 1101: 1094: 1088: 1082:Peter Clayton 1080: 1077: 1075: 1074: 1069: 1068: 1062: 1057: 1056: 1051: 1050: 1044: 1039: 1036: 1034: 1033: 1028: 1027: 1021: 1018: 1017: 1014:Thick Wilson 1011: 1008: 1007: 1004: 999: 996: 995: 989: 984: 982: 979: 977: 974: 973: 970: 967: 966: 963: 958: 955: 954: 951: 948: 947: 944: 939: 936: 935: 932: 927: 926:Dying Soldier 924: 923: 915: 914:Eric Bogosian 912: 910: 905: 902: 901: 898:Kevin Dorsey 895: 892: 890: 887: 886: 883: 878: 875: 874: 870: 863:Mona Marshall 862: 859: 857: 854: 853: 850: 849:Toni Collette 847: 840: 839:Mona Marshall 837: 835: 832: 830: 827: 826: 818: 813: 810: 808: 805: 804: 801: 798: 796: 795:Ed E. Carroll 793: 787: 785: 782: 781: 770: 767: 759: 757: 754: 752: 749: 748: 744: 738: 736: 733: 731: 728: 727: 721:Steve Lively 716: 713: 710: 704: 702: 701: 696: 695: 689: 685: 684:Vincent Price 680: 679: 674: 673: 668: 661: 657: 650: 646: 639: 636: 635: 629: 627: 624: 619: 616: 610: 603: 599: 595: 591: 587: 582: 578: 574: 572: 568: 563: 561: 557: 553: 549: 542: 534: 532: 530: 526: 525:Vincent Price 522: 518: 515:(died 1987), 514: 511:(died 1981), 510: 507:(died 1979), 506: 502: 498: 495:(died 1989), 494: 493:Emery Hawkins 491:(died 1989), 490: 489:Errol Le Cain 487:(died 1982), 486: 482: 478: 474: 472: 471: 466: 465: 460: 457: 453: 449: 448:Roy E. Disney 444: 442: 441: 436: 432: 431:Miramax Films 428: 427: 422: 418: 414: 413: 408: 407: 402: 397: 393: 389: 386: 382: 381: 371: 367: 363: 359: 355: 351: 344: 342:United States 341: 338: 337: 335: 331: 325: 322: 319:100 minutes ( 318: 315: 311: 308: 304: 301: 300: 298: 292: 285: 273: 270: 258: 247: 246: 244: 241:Release dates 238: 231: 227: 226:Miramax Films 224: 221: 217: 216: 214: 210: 202: 200: 197: 195: 192: 191: 188: 180: 174: 171: 168: 165: 162: 161: 159: 155: 151: 147: 143: 139: 136: 135:Vincent Price 133: 129: 121: 118: 115: 111: 105: 101: 100:Imogen Sutton 98: 95: 94: 92: 88: 81: 78: 77: 75: 71: 68: 65: 61: 54: 49: 44: 41: 37: 33: 19: 6319: 6312: 6305: 6298: 6297: 6289: 6282: 6274: 6267: 6260: 6252: 6245: 6184: 6177: 6170: 6163: 6056: 6049: 6042: 6035: 6027: 6021: 6014: 6007: 6000: 5993: 5984: 5977: 5970: 5963: 5956: 5949: 5942: 5923: 5915: 5907: 5899: 5881: 5874: 5866: 5859: 5852: 5810: 5791: 5783: 5775: 5753: 5708: 5707: 5700: 5680:Magic carpet 5624: 5616: 5608: 5600: 5592: 5584: 5576: 5539: 5533:Scheherazade 5531: 5512: 5504: 5495: 5487: 5479: 5470: 5462: 5436: 5428: 5420: 5412: 5404: 5355: 5347: 5339: 5331: 5323: 5315: 5307: 5299: 5291: 5283: 5275: 5267: 5259: 5251: 5243: 5124:Hatim al-Tai 5103:Scheherazade 4986: 4978: 4970: 4963:Translations 4952: 4908: 4890: 4884: 4883: 4875: 4870:Ziggy's Gift 4868: 4861: 4854: 4847: 4791: 4780: 4768: 4762: 4750: 4739: 4728: 4708: 4698: 4697: 4679:. Retrieved 4666: 4654:. Retrieved 4649: 4640: 4628:. Retrieved 4617: 4608: 4599: 4587:. Retrieved 4576: 4567: 4558: 4549: 4540: 4528:. Retrieved 4518: 4506:. Retrieved 4496: 4486:29 September 4484:. Retrieved 4480:the original 4475: 4466: 4454:. Retrieved 4450: 4440: 4428:. Retrieved 4424:Cartoon Brew 4414: 4395: 4387:the Guardian 4386: 4376: 4347:. Retrieved 4337: 4325:. Retrieved 4316: 4304:. Retrieved 4278:. Retrieved 4274:the original 4260: 4248:. Retrieved 4244:the original 4230: 4213:. Retrieved 4203: 4194: 4182:. Retrieved 4171: 4159:. Retrieved 4149: 4140: 4130: 4122:the original 4112: 4103: 4093: 4085:the original 4080: 4071: 4059:. Retrieved 4052: 4043: 4034:FPS Magazine 4032: 3996: 3956:. Retrieved 3952: 3926: 3917: 3905:. Retrieved 3894: 3885: 3876: 3853:the original 3843: 3834: 3825: 3813:. Retrieved 3786:. Retrieved 3781: 3771: 3740:. Retrieved 3715:. Retrieved 3674: 3664: 3652:. Retrieved 3647: 3622:. Retrieved 3616: 3587:. Retrieved 3577: 3565:. 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The Thief and the Cobbler

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