422:—A resourceful man of twenty-four and a reddleman (a travelling seller of reddle, red chalk used for marking sheep). He selflessly protects Thomasin throughout the novel despite the fact that she refused to marry him two years before. He keeps a watchful eye on Eustacia to make sure Wildeve doesn't go back to her. At the end, he renounces his trade to become a dairy farmer like his father, and in doing so loses the red skin. He is then seen as a suitable husband for Thomasin. Venn's red coloration and frequent narrative references to his 'Mephistophelean' or diabolical character are symbolic and important. In one particularly significant chapter ("The Morning and Evening of an Eventful Day"), Venn displays an increasingly unlikely string of good luck, repeatedly rolling dice and defeating a rival. This event makes Venn something of a
173:) that farmers use to mark their sheep. Although his trade has stained him red from head to foot, underneath his devilish colouring he is a handsome, shrewd, well-meaning young man. His passenger is a young woman named Thomasin Yeobright, whom Venn is taking home. Earlier that day, Thomasin had planned to marry Damon Wildeve, a local innkeeper known for his fickleness; however, an inconsistency in the marriage licence delayed the marriage. Thomasin, in distress, ran after the reddleman's van and asked him to take her home. Venn himself is in love with Thomasin, and unsuccessfully wooed her two years before. Now, although he believes Wildeve is unworthy of her love, he is so devoted to her that he is willing to help her secure the man of her choice.
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session of furze-cutting. While
Eustacia and Wildeve are talking, Mrs. Yeobright knocks on the door; she has decided to pay a courtesy call in the hopes of healing the estrangement between herself and her son. Eustacia looks out at her and then, in some alarm, ushers her visitor out at the back door. She hears Clym calling to his mother and, thinking his mother's knocking has awakened him, remains in the garden for a few moments. When Eustacia goes back inside, she finds Clym still asleep and his mother gone. Clym, she now realises, merely cried out his mother's name in his sleep.
209:. Although he has no plans to return to Paris or the diamond trade and is, in fact, planning to become a schoolmaster for the rural poor, Eustacia sees him as a way to escape the hated heath and begin a grander, richer existence in a glamorous new location. With some difficulty, she arranges to meet Clym, and the two soon fall in love. When Mrs. Yeobright objects, Clym quarrels with her; later, she quarrels with Eustacia as well.
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197:. The previous year, she and Wildeve were lovers; however, even during the height of her passion for him, she knew she only loved him because there was no better object available. When Wildeve broke off the relationship to court Thomasin, Eustacia's interest in him briefly returned. The two meet on Guy Fawkes night, and Wildeve asks her to run off to America with him. She demurs.
276:. Clym and Wildeve hear the splash and hurry to investigate. Wildeve plunges recklessly after Eustacia without bothering to remove his coat, while Clym, proceeding more cautiously, nevertheless is also soon at the mercy of the raging waters. Venn arrives in time to save Clym, but is too late for the others. When Clym revives, he accuses himself of murdering his wife and mother.
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398:—A raven-haired young beauty who chafes against her life on the heath and longs to escape it to lead the more adventure-filled life of the world. Some of the heathfolk think she is a witch. Hardy describes her as "the raw material of a divinity" whose "celestial imperiousness, love, wrath, and fervour had proved to be somewhat thrown away on netherward Egdon."
255:, Clym's grief and remorse make him physically ill for several weeks. Eustacia, racked with guilt, dares not tell him of her role in the tragedy; when he eventually finds out from a neighbour's child about his mother's visit—and Wildeve's—he rushes home to accuse his wife of murder and adultery. Eustacia refuses to explain her actions; instead, she tells him
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sends
Eustacia a letter the next day offering reconciliation. The letter arrives a few minutes too late; by the time her grandfather tries to give it to her, she has already signalled to Wildeve and set off through wind and rain to meet him. She walks along weeping, however, knowing she is about to break her marriage vows for a man who is unworthy of her.
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181:; now, since Thomasin has compromised herself by leaving town with Wildeve and returning unmarried, the best outcome Mrs. Yeobright can envision is for the postponed marriage to be duly solemnised as soon as possible. She and Venn both begin working on Wildeve to make sure he keeps his promise to Thomasin.
416:—Eustacia's former lover and Thomasin's first husband. He is an ex-engineer who has failed in his profession and who now keeps an inn, "The Quiet Woman"—so-called because its sign depicts a decapitated woman carrying her own head. He has a wandering eye and an appetite for women. "A lady killing career."
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consisting of
Grandfer Cantle, Timothy Fairway, and the rest of the heathfolk. Eustacia, who manipulates fate in hopes of leaving Egdon Heath for a larger existence in Paris, instead becomes an eternal resident when she drowns in Shadwater Weir; Wildeve shares not only Eustacia's dream of escape, but
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Mrs
Yeobright, it turns out, saw Eustacia looking out the window at her; she also saw Clym's gear by the door, and so knew they were both at home. Now, thinking she has been deliberately barred from her son's home, she miserably begins the long, hot walk home. Later that evening, Clym, unaware of her
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studies night and day to prepare for his new career as a schoolmaster while
Eustacia clings to the hope that he'll give up the idea and take her abroad. Instead, he nearly blinds himself with too much reading, then further mortifies his wife by deciding to eke out a living, at least temporarily, as a
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Wildeve readies a horse and gig and waits for
Eustacia in the dark. Thomasin, guessing his plans, sends Clym to intercept him; she also, by chance, encounters Diggory Venn as she dashes across the heath herself in pursuit of her husband. Eustacia does not appear; instead, she falls or throws herself
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this novel is mentioned by Holden
Caulfield. Caulfield singles out the character, Eustacia Vye, a wild-spirited and confident woman, who is portrayed as an outsider in the community. Holden indicates that he likes a book that makes you feel as if the author is a friend that you could call. He adds
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At this point, Wildeve reappears; he has unexpectedly inherited a large sum of money, and is now in a better position to fulfill
Eustacia's hopes. He comes calling on the Yeobrights in the middle of one hot August day and, although Clym is at home, he is fast asleep on the hearth after a gruelling
189:, and who grew up in Budmouth, a fashionable seaside resort. She holds herself aloof from most of the heathfolk; they, in turn, consider her an oddity, and some even think she is a witch. She is nothing like Thomasin, who is sweet-natured. She loathes the heath, yet roams it constantly, carrying a
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The writer may state here that the original conception of the story did not design a marriage between
Thomasin and Venn. He was to have retained his isolated and weird character to the last … Thomasin remaining a widow ... But certain circumstances of serial publication led to a change of intent.
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Wildeve visits Vye again on Guy Fawkes night, and offers to help her get to Paris. Eustacia realises that if she lets
Wildeve help her, she'll be obliged to become his mistress. She tells him she will send him a signal by night if she decides to accept. Clym's anger, meanwhile, has cooled and he
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When he sees that Eustacia is lost to him, Wildeve marries Thomasin, who gives birth to a daughter the next summer. Clym and Eustacia also marry and move to a small cottage five miles away, where they enjoy a brief period of happiness. The seeds of rancour soon begin to germinate, however: Clym
468:—Eustacia's nearest neighbour and bitterest enemy who convinces herself that Eustacia's witchery has caused her son's sickliness. In a memorable scene, Susan tries to protect him by making a wax effigy of Eustacia, sticking it full of pins, and melting it in her fireplace while uttering the
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410:—Clym’s cousin and Mrs. Yeobright's niece, a young girl of gentle ways and conventional expectations. In Hardy's original manuscript, Wildeve tricks her with a false marriage to seduce her. "Mrs Yeobright saw a little figure...undefended except by the power of her own hope."
428:, as well as a quasi-magical figure. While Hardy abandons these aspects of Venn's character by the end of the novel, during his 'reddleman' phase, Venn lends elements of magical realism and what modern readers would understand to be superheroic elements to the novel.
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At length, Venn reaches Bloom's End, the home of Thomasin's aunt, Mrs. Yeobright. She is a good woman, if somewhat proud and inflexible, and she wants the best for Thomasin. In former months she opposed her niece's choice of husband, and publicly forbade the
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as Diggory Venn is slowly crossing the heath with his van, which is being drawn by ponies. In his van is a passenger. When darkness falls, the country folk light bonfires on the surrounding hills, emphasising the pagan spirit of the heath and its denizens.
368:, but later embraces the majority opinion when he rejects his wife as a murderer and adulteress. In this view, Eustacia dies because she has internalised the community's values to the extent that, unable to escape Egdon without confirming her status as a
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attest, it is also a graveyard that has swallowed countless generations of inhabitants without changing much itself. To Thomasin, Clym, and Diggory, it is a benign, natural place; in Eustacia's eyes, it becomes a malevolent presence intent on destroying
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of time, place, and action and suggests that the struggles of those trying to escape their destinies will only hasten their destruction. To emphasise this main part he uses as setting an ancient heath steeped in pre-Christian history and supplies a
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Hardy's choice of themes—sexual politics, thwarted desire, and the conflicting demands of nature and society—makes this a truly modern novel. Underlying these modern themes, however, is a classical sense of tragedy: Hardy scrupulously observes the
388:—A man of about thirty who gives up a business career in Paris to return to his native Egdon Heath to become a “schoolmaster to the poor and ignorant” (Hardy himself gave up a successful career as a London architect and returned to his native
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Wildeve, however, is still preoccupied with Eustacia Vye, an exotically beautiful young woman living with her grandfather in a lonely house on Egdon Heath. Eustacia is a black-haired, queenly woman, whose Italian father came from
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from 9 January to 19 December 1878. Because of the novel's controversial themes, Hardy had some difficulty finding a publisher; reviews, however, though somewhat mixed, were generally positive. In the twentieth century,
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In the epilogue, Venn gives up being a reddleman to become a dairy farmer. Two years later, Thomasin marries him and they settle down happily together. Clym, now a sad, solitary figure, eventually takes up preaching.
668:, includes a piece called "Novel Writing". In the sketch, a crowd gathers to watch Thomas Hardy begin his latest novel while enthusiastic sports announcers provide a running commentary. The novel is
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495:—The setting for all the novel's events; considered by some critics to be the leading character as well. It is profoundly ancient, the scene of intense but long-forgotten pagan lives. As its
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352:. In Egdon Heath, most people (particularly the women) look askance at the proud, unconventional Eustacia. Mrs. Yeobright considers her too odd and unreliable to be a suitable
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to become a writer). "The beauty here visible would in no time be ruthlessly overrun by its parasite, thought." Clym is the "native" to which the book's title refers.
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and reproaches him for his cruelty. She then moves back to her grandfather's house, where she struggles with her despair while she awaits some word from Clym.
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format, Hardy submitted to the tastes of the serial-reading public sufficiently to tack on a happy ending for Diggory Venn and Thomasin in a sixth book,
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Readers can therefore choose between the endings, and those with an austere artistic code can assume the more consistent conclusion to be the true one.
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229:-cutter. Eustacia, her dreams blasted, finds herself living in a hut on the heath, chained by marriage to a lowly labouring man.
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that he’d like to call Thomas Hardy, and also that he likes “that Eustacia Vye.” Later he wonders what a nun would think of her.
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also her fate; and Clym, the would-be educational reformer, survives the Weir but lives on as a lonely, remorseful man.
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Eustacia drops Wildeve when Mrs. Yeobright's son Clym, a successful diamond merchant, returns from Paris to his native
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With its deeply flawed heroine and its (for the time) open acknowledgement of illicit sexual relationships,
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in which an actor portraying Gustav Holst walks across the barren heath while the music from his tone poem
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like any woman instead of floating, witchlike—she proves her essential innocence to the community.
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is a musical stage adaptation by Kelly Hamilton. On June 15, 1948 a radio adaptation featuring
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Venn is a reddleman; he travels the country supplying farmers with a red mineral called
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In a footnote towards the end of the novel in some compendium editions, Hardy writes:
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is playing, and sees scenes and characters from the novel which inspired the music.
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Malton, Sara A. "The woman shall bear her iniquity: Death as social discipline in
315:. Although he intended to structure the novel into five books, thus mirroring the
251:'s bite. When she expires that night from the combined effects of snake venom and
783:(Norman Page, editor). Oxford, England: Oxford University Press, 2001, pp. 375–7.
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produced a half-hour documentary in its "Parade" art series entitled
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have a song called "The Return of the Native", based on the novel.
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for her son, and Susan Nunsuch, who frankly believes her to be a
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became one of Hardy's most popular and highly regarded novels.
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Asquith, Mark. "A drama of grandeur and unity: Egdon Heath in
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The novel has also been adapted for the stage several times.
452:—Grandfer Cantle's fearful and timid thirty-one-year-old son.
117:'s sixth published novel. It first appeared in the magazine
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raised some eyebrows when it first appeared as a serial in
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and broadcast on television in 1994. It was filmed in
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1535:Works originally published in Belgravia (magazine)
931:. Little Brown and Company. 1951 page 19 & 110
750:The novel is referenced in the 2014 dark thriller
149:The novel takes place entirely in the environs of
74:Belgravia, the Magazine of Fashion and Amusement
480:I am a broken-hearted woman cast off by my son.
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797:. Ware: Wordsworth Editions Ltd. p. 328.
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1555:British novels adapted into television shows
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1435:The Famous Tragedy of the Queen of Cornwall
545:In 2010 an Americanised film adaptation of
472:backward. Eustacia drowns later that night.
153:, and, with the exception of the epilogue,
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727:released a song called "Reddleman Coming".
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646:Learn how and when to remove this message
701:In 1993, the English traditional singer
983:by Jason Lockard, Rogue Cinema magazine
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720:released a single entitled "Reddleman".
740:contains a song called "Eustacia Vye".
127:, and was presented in twelve monthly
1530:Novels first published in serial form
747:'s song "House" references the novel.
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628:adding citations to reliable sources
992:by Betty Cortus, Thomas Hardy Forum
988:article on the 2010 adaptation of
818:Oxford Reader's Companion to Hardy
781:Oxford Reader's Companion to Hardy
557:Mountains in the 1930s during The
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1550:British novels adapted into films
1286:Poems of the Past and the Present
1001:A UCD Digital Library Collection.
564:In 1956, a Bengali film starring
999:: original holograph manuscript.
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691:In J. D. Salinger's 1951 novel
615:needs additional citations for
364:. Clym at first laughs at such
257:You are no blessing, my husband
1468:Florence Dugdale (second wife)
522:National Park. The film stars
123:, a publication known for its
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1278:Wessex Poems and Other Verses
1246:Barbara of the House of Grebe
1206:A Changed Man and Other Tales
665:Matching Tie and Handkerchief
220:edition (Plate 8, July 1878).
1402:The Convergence of the Twain
280:Book Sixth: The Aftercourses
970:public domain audiobook at
905:IMDb Movie database listing
891:IMDb Movie database listing
877:IMDb Movie database listing
707:Diggery Venn the Raddle Man
408:Thomasin (Tamsin) Yeobright
233:Book Third: The Fascination
145:Book First: The Three Women
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1260:A Tragedy of Two Ambitions
1083:Far from the Madding Crowd
716:In 1994, the Seattle band
242:Book Four: The Closed Door
16:1878 novel by Thomas Hardy
1463:Emma Gifford (first wife)
1147:Tess of the d'Urbervilles
1131:The Mayor of Casterbridge
1051:The Poor Man and the Lady
837:, 14.1 (Sept 2003): 21(3)
670:The Return of the Native.
263:Book Fifth: The Discovery
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22:The Return of the Native
1253:The Fiddler of the Reels
1099:The Return of the Native
1067:Under the Greenwood Tree
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889:The Return of the Native
875:The Return of the Native
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795:The return of the native
582:Dance on a Country Grave
547:The Return of the Native
510:The Return of the Native
386:Clement (Clym) Yeobright
309:The Return of the Native
201:Book Second: The Arrival
134:The Return of the Native
110:The Return of the Native
102:Hardback & Paperback
1381:The Respectable Burgher
1309:Satires of Circumstance
1174:Short story collections
759:English fast punk band
534:as Clym Yeobright, and
1525:Novels by Thomas Hardy
1453:Thomas Hardy's Cottage
1395:A Trampwoman's Tragedy
1190:A Group of Noble Dames
1091:The Hand of Ethelberta
929:The Catcher in the Rye
793:Hardy, Thomas (1995).
694:The Catcher in the Rye
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272:into nearby Shadwater
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169:(dialect term for red
1484:Thomas Hardy's Wessex
1294:Time's Laughingstocks
1198:Life's Little Ironies
515:Hallmark Hall of Fame
344:Some critics—notably
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1545:Novels set in Dorset
863:Asquith, Mark. ibid.
852:Studies in the Novel
674:In the early 1970s,
624:improve this article
524:Catherine Zeta Jones
1520:1878 British novels
1367:The Darkling Thrush
1225:The Three Strangers
1075:A Pair of Blue Eyes
709:(sic) on his album
553:. It is set in the
538:as Mrs. Yeobright.
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1270:Poetry collections
1059:Desperate Remedies
835:The English Review
753:Kill Your Darlings
676:Granada Television
596:In popular culture
530:as Damon Wildeve,
289:Alternative ending
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1388:The Man He Killed
1317:Moments of Vision
1107:The Trumpet-Major
954:Project Gutenberg
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1232:A Mere Interlude
1163:The Well-Beloved
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488:
482:
476:Johnny Nunsuch
473:
463:
453:
447:
441:
435:
429:
417:
411:
405:
402:Mrs. Yeobright
399:
393:
381:
380:Character list
378:
346:D. H. Lawrence
304:
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281:
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125:sensationalism
104:
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94:United Kingdom
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81:
78:
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32:
15:
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2:
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1399:
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1371:
1368:
1364:
1361:
1360:Neutral Tones
1357:
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1343:
1342:
1338:
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1334:
1330:
1327:
1326:
1322:
1319:
1318:
1314:
1311:
1310:
1306:
1304:
1303:
1302:Poems 1912–13
1299:
1296:
1295:
1291:
1288:
1287:
1283:
1280:
1279:
1275:
1274:
1272:
1268:
1261:
1257:
1254:
1250:
1247:
1243:
1240:
1236:
1233:
1229:
1226:
1222:
1221:
1219:
1217:Short stories
1215:
1208:
1207:
1203:
1200:
1199:
1195:
1192:
1191:
1187:
1184:
1183:
1179:
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1172:
1165:
1164:
1160:
1157:
1156:
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1132:
1128:
1125:
1124:
1120:
1117:
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1112:
1109:
1108:
1104:
1101:
1100:
1096:
1093:
1092:
1088:
1085:
1084:
1080:
1077:
1076:
1072:
1069:
1068:
1064:
1061:
1060:
1056:
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1052:
1048:
1047:
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1037:
1030:
1025:
1023:
1018:
1016:
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987:
985:
982:
980:
975:
973:
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968:
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951:
950:
945:
943:
942:
938:
930:
924:
921:
918:
915:
911:
908:
904:
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894:
890:
887:
883:
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873:
869:
866:
860:
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849:
843:
840:
836:
832:
826:
823:
819:
814:
811:
806:
800:
796:
789:
786:
782:
777:
774:
767:
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758:
755:
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733:
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712:
708:
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673:
671:
667:
666:
662:1973 record,
661:
658:
657:
650:
647:
639:
629:
625:
619:
618:
613:This section
611:
607:
602:
601:
595:
593:
591:
587:
583:
577:
575:
571:
567:
562:
560:
556:
552:
551:Ben Westbrook
548:
543:
541:
537:
533:
532:Ray Stevenson
529:
525:
521:
517:
516:
511:
504:
498:
494:
493:
489:
486:
483:
481:
477:
474:
471:
470:Lord's Prayer
467:
466:Susan Nunsuch
464:
461:
457:
454:
451:
448:
445:
442:
439:
436:
433:
430:
427:
426:
421:
418:
415:
414:Damon Wildeve
412:
409:
406:
403:
400:
397:
394:
391:
387:
384:
383:
379:
377:
375:
371:
367:
366:superstitions
363:
359:
355:
351:
347:
342:
339:
334:
333:three unities
328:
326:
322:
318:
314:
310:
302:
299:
294:
288:
286:
279:
277:
275:
269:
262:
260:
258:
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250:
241:
239:
232:
230:
228:
219:
214:
210:
208:
200:
198:
196:
192:
188:
182:
180:
174:
172:
168:
163:
160:
156:
152:
144:
139:
137:
135:
130:
126:
122:
121:
116:
112:
111:
101:
97:
93:
89:
85:
79:
76:
75:
71:
67:
63:
59:
55:
51:
48:
45:
41:
37:edition, 1929
36:
30:
25:
19:
1499:(song cycle)
1497:Winter Words
1496:
1433:
1425:
1341:Winter Words
1339:
1331:
1323:
1315:
1307:
1300:
1292:
1284:
1276:
1204:
1196:
1188:
1182:Wessex Tales
1180:
1161:
1153:
1145:
1137:
1129:
1121:
1113:
1105:
1098:
1097:
1089:
1081:
1073:
1065:
1057:
1049:
1036:Thomas Hardy
996:
989:
978:
966:
947:
928:
923:
916:
910:
902:
896:
888:
882:
874:
868:
859:
851:
847:
842:
834:
830:
825:
817:
813:
794:
788:
780:
776:
751:
745:Patrick Wolf
735:
723:Kansas band
710:
706:
692:
683:
679:
669:
663:
642:
636:January 2018
633:
622:Please help
617:verification
614:
589:
581:
578:
573:
563:
546:
544:
513:
509:
508:
490:
484:
479:
475:
465:
455:
449:
443:
437:
432:Captain Drew
431:
423:
420:Diggory Venn
419:
413:
407:
401:
396:Eustacia Vye
395:
385:
370:fallen woman
343:
329:
321:Aftercourses
320:
308:
306:
296:
292:
283:
270:
266:
256:
245:
236:
223:
217:
204:
183:
175:
164:
155:Aftercourses
154:
148:
140:Plot summary
133:
129:installments
118:
115:Thomas Hardy
109:
108:
107:
72:
47:Thomas Hardy
33:Title page,
18:
1489:Egdon Heath
1430:(1904–1908)
1427:The Dynasts
1333:Human Shows
1325:Late Lyrics
1115:A Laodicean
734:'s 2009 CD
685:Egdon Heath
680:Egdon Heath
566:Uttam Kumar
555:Appalachian
505:Adaptations
492:Egdon Heath
207:Egdon Heath
151:Egdon Heath
1514:Categories
977:Review of
768:References
737:Infomaniac
590:Studio One
574:Putrabadhu
570:Mala Sinha
542:directed.
528:Clive Owen
390:Dorchester
303:Discussion
1150:(1891/92)
743:Musician
705:recorded
540:Jack Gold
218:Belgravia
195:hourglass
120:Belgravia
69:Publisher
35:Macmillan
1458:Max Gate
1411:" (1916)
1404:" (1915)
1397:" (1903)
1390:" (1902)
1383:" (1901)
1376:" (1901)
1369:" (1900)
1362:" (1898)
1262:" (1894)
1255:" (1893)
1248:" (1891)
1241:" (1887)
1234:" (1885)
1227:" (1883)
972:LibriVox
456:Humphrey
191:spyglass
53:Language
1477:Related
820:, ibid.
718:Thrones
572:titled
485:Charley
350:misfits
193:and an
56:English
1438:(1923)
1344:(1928)
1336:(1925)
1328:(1922)
1320:(1917)
1312:(1914)
1297:(1909)
1289:(1901)
1281:(1898)
1209:(1913)
1201:(1894)
1193:(1891)
1185:(1888)
1166:(1897)
1158:(1895)
1142:(1887)
1134:(1886)
1126:(1882)
1118:(1881)
1110:(1880)
1102:(1878)
1094:(1876)
1086:(1874)
1078:(1873)
1070:(1872)
1062:(1871)
1054:(1867)
1043:Novels
957:(text)
801:
520:Exmoor
497:tumuli
362:effigy
338:Chorus
167:reddle
43:Author
1419:Plays
1352:Poems
460:gorse
358:witch
354:bride
325:widow
249:adder
227:furze
187:Corfu
179:banns
171:ochre
64:Novel
61:Genre
1446:Life
981:2010
799:ISBN
568:and
500:her.
374:weir
274:Weir
86:1878
952:at
850:".
833:".
626:by
592:.
113:is
1516::
561:.
462:).
327:.
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1230:"
1223:"
1028:e
1021:t
1014:v
807:.
756:.
713:.
649:)
643:(
638:)
634:(
620:.
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