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in 1874. The work was received very favourably: the selection committee applauded when it was unveiled and Butler received a standing ovation from fellow artists on varnishing day. The painting became very popular when it went on show at eye level in the prestigious
Gallery Two; Butler wrote that
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The painting has a highly finished surface, reflecting
Thompson's academic training, but she eschewed the traditional pyramidal composition of history paintings focusing on one prominent individual, such as
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she awoke and "found myself famous". A policeman was detailed to stand by a railing to keep the crowds back (only the third time this step had been necessary, after
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Lady Butler developed a reputation for her military pictures after the favourable reception of this painting. It was followed by a series of military paintings,
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In 1879, Butler came within two votes of becoming the first woman to be elected as an
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The work had been commissioned for ÂŁ100 by
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and flags. It measures 93.3 Ă— 183.5 centimetres (36.7 Ă— 72.2 in).
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in 1854, but was intended to show a more generic scene from the war. An irregular line of
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In the late 19th century, a painting by a virtually unknown artist took
England by storm:
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417:"Realism and Anti-Aristocratic Sentiment in Victorian Depictions of the Crimean War"
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that "it touched the nation's heart as few pictures have ever done".
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The painting toured the country, attracting large crowds. Artist
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Ultimate spectacle : a visual history of the
Crimean War
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insisted that she should buy it, and the work remains in the
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The Great
Spectactle: 250 Years of the Summer Exhibition
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Paintings in the Royal
Collection of the United Kingdom
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The painting is the subject of the first episode of
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in 1858). Butler's painting was also singled out by
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The
Chelsea Pensioners reading the Waterloo Dispatch
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266:in 1876 and 1877. These were followed in 1879 by
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16:1874 painting by Elizabeth Thompson, Lady Butler
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254:in 1875, and then two more Crimean paintings,
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340:. Royal Academy of Arts. 2018. p. 105.
104:Calling the Roll After An Engagement, Crimea
92:Calling the Roll After An Engagement, Crimea
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406:: CS1 maint: location missing publisher (
71:Learn how and when to remove this message
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34:This article includes a list of general
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113:, is an 1874 oil-on-canvas painting by
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225:in his speech at the Academy Banquet.
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272:and in 1881 her most famous work,
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140:stand in the snow wearing their
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607:Paintings by Elizabeth Thompson
463:podcast: Revisionist History –
198:Royal Academy summer exhibition
115:Elizabeth Thompson, Lady Butler
88:Elizabeth Thompson, Lady Butler
378:. New York. pp. 247–249.
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540:The Defence of Rorke's Drift
524:28th Regiment at Quatre Bras
617:Works about the Crimean War
465:The Lady Vanishes – Pushkin
184:After having read parts of
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186:Alexander William Kinglake
169:The Death of Major Pierson
159:The Death of General Wolfe
415:Lalumia, Matthew (1983).
374:Keller, Ulrich (2013).
369:. Inventory no. 405915.
120:The painting depicts a
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366:Royal Collection Trust
196:for exhibition at the
190:Invasion of the Crimea
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164:John Singleton Copley
124:of soldiers from the
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213:William Powell Frith
532:Remnants of an Army
312:Revisionist History
269:Remnants of an Army
262:, exhibited at the
230:William Holman Hunt
501:Elizabeth Thompson
301:In popular culture
232:noted in his book
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548:Scotland Forever!
421:Victorian Studies
385:978-1-306-04737-1
347:978-1-910350-70-6
309:'s 2016 podcast,
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275:Scotland Forever!
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319:References
297:in 1936).
283:Mary Moser
142:greatcoats
61:March 2014
36:references
576:(husband)
508:Paintings
441:0042-5222
433:1527-2052
402:cite book
394:862376169
260:Inkermann
256:Balaclava
146:bearskins
122:roll call
582:(sister)
567:Related
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180:History
174:coatees
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