Knowledge (XXG)

The School for Wives

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435: 80:. The play depicts a character who is so intimidated by femininity that he resolves to marry his young, naïve ward and proceeds to make clumsy advances to this purpose. It raised some outcry from the public and established Molière as a bold playwright who would not be afraid to write about controversial issues. In June 1663, the playwright cunningly responded to the uproar with another piece entitled 29: 130:
Agnès in such a manner that she will be too ignorant to be unfaithful to him and he becomes obsessed with avoiding this fate. To this end, he forbids the nuns who are instructing her from teaching her anything that might lead her astray. Right from the very first scene, a friend of his, Chrysalde, warns Arnolphe that such a scheme will likely fail, but Arnolphe takes no heed.
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While his characters may have the dramatic necessity of one overriding trait, the more important ones have added complexity and even ambiguity. Supreme perhaps is the tantalising opacity of Agnès, who herself says very little in the play but has left readers and viewers intrigued ever since over how
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In the small but culturally significant world of Parisian theatre, the play created a sensation. Comedy had been looked down on by the intellectual élite as a minor genre, lacking dignity and solidity, until Molière replaced its fantastical characters and plots with individuals and situations close
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After Agnès moves into Arnolphe's house, Arnolphe meets by chance Horace, the young son of Arnolphe's friend Oronte, whom Arnolphe had not seen in years. Not realizing that Arnolphe and Monsieur de la Souche are the same person, Horace unwittingly confides to Arnolphe he had been visiting Agnès for
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Arnolphe, the protagonist, is a mature man who has groomed the young Agnès since she was 4 years old. Arnolphe supports Agnès living in a nunnery until the age of 17, when he moves her to one of his abodes, which he keeps under the name of Monsieur de la Souche. Arnolphe's intention is to bring up
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Arnolphe becomes more and more frustrated as the play goes on. Agnès continues to meet with Horace despite Arnolphe's displeasure until, finally, a misunderstanding leads Arnolphe to believe that Agnès has agreed to marry him and Agnès to believe that Arnolphe has given her permission to marry
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Horace. When they realize the actual situation, Arnolphe forbids Agnès from seeing Horace. Horace, in his distress, comes to Arnolphe, asking for his help in rescuing Agnès from "Monsieur de la Souche".
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In the final act Oronte and Enrique arrive and announce that Horace is to marry Enrique's daughter. The daughter turns out to be Agnès, rendering all of Arnolphe's scheming useless.
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The play was adapted for audio in 1965 by Daniel Bernet, in a production directed by Bertrand Jérome, with music by
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and considered by some critics to be one of his finest achievements. It was first staged at the
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Arnolphe then schemes to outmaneuver Horace and to ensure that Agnès will marry him.
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Arnolphe, a bachelor who also uses the noble-sounding name of Monsieur de la Souche
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the past week while the master of the house, one Monsieur de la Souche, was away.
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You've achieved nothing if you don't get people of today to recognise themselves.
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recorded and released on LP (TRS 344) a production originally performed at the
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as Horace. This recording has not to date been re-released on CD.
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Oronte, another friend of Arnolphe's, and father of Horace
436:"Explore the British Library Search - L'ecole des femmes" 358:"Molière | Biography & Facts | Britannica" 117:
Enrique, Chrysalde's brother-in-law, and father of Agnès
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First produced on Broadway, performed in French, with
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written by the seventeenth century French playwright
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Georgette, a peasant who is another of his servants
267:directed a Hungarian Tv movie based on the play. 285:as Arnolfe, issued on the Sonores Bordas label. 380:Une autre histoire de la littérature française 528: 153:to real life. Talking of the stage, he said: 8: 121:The scene is a square in a provincial town. 33: 102:Alain, a peasant who is one of his servants 535: 521: 513: 335:) featuring William Brown as Arnolphe and 172:Twentieth-century theatrical productions 27: 349: 181:of Paris staged the play at the first 111:Horace, a young man in love with Agnès 422:"Hustruskolan (TV Movie 1983) - IMDb" 59: 7: 580:Sganarelle, or The Imaginary Cuckold 248:a TV version of the play, starring 382:. Paris: NiL editions. p. 80. 14: 643:George Dandin ou le Mari confondu 82:La Critique de L'École des femmes 16:1662 theatrical comedy by Molière 491: 471: 323:recorded a production using the 183:Edinburgh International Festival 99:Agnès, his innocent teenage ward 38:—engraving from the 1719 edition 221:translation was staged at the 214:from 18 March to 3 April 1951. 1: 199:, was first performed at the 108:Chrysalde, one of his friends 566:L'Étourdi ou les Contretemps 300:translation and directed by 76:on 26 December 1662 for the 501:public domain audiobook at 296:in New York City using the 785: 191:, a free translation into 148:Reception and significance 18: 664:Le Bourgeois gentilhomme 657:Monsieur de Pourceaugnac 573:Les Précieuses ridicules 168:innocent she really is. 587:The School for Husbands 424:– via m.imdb.com. 217:A production using the 21:School for Wives (film) 19:For the 1925 film, see 246:Ingmar Bergmandirected 52: 39: 34: 692:The Imaginary Invalid 629:Le Médecin malgré lui 304:. The cast included 31: 594:The School for Wives 498:The School for Wives 480:at Wikimedia Commons 229:, with cast members 203:in Edinburgh in 1948 92:The characters are: 88:Characters and scene 74:Palais Royal theatre 61:[lekɔldefam] 44:The School for Wives 685:Les Femmes Savantes 78:brother of the King 678:Scapin the Schemer 478:L'École des femmes 362:www.britannica.com 321:L.A. Theatre Works 189:Let Wives Tak Tent 64:) is a theatrical 53:L'école des femmes 40: 35:L'École des femmes 749: 748: 725:Troupe of Molière 559:Le Médecin volant 476:Media related to 258:Stellan Skarsgård 776: 769:Plays by Molière 720:Illustre Théâtre 709:Madeleine Béjart 537: 530: 523: 514: 495: 494: 488: 475: 451:Related articles 444: 443: 432: 426: 425: 418: 412: 411: 404: 398: 397: 390: 384: 383: 372: 366: 365: 354: 272:Audio recordings 63: 58: 37: 784: 783: 779: 778: 777: 775: 774: 773: 754: 753: 750: 745: 697: 622:The Misanthrope 615:L'Amour médecin 546: 541: 508:Theatre History 492: 486: 468: 453: 448: 447: 434: 433: 429: 420: 419: 415: 406: 405: 401: 392: 391: 387: 376:Jean d'Ormesson 374: 373: 369: 356: 355: 351: 346: 290:Caedmon Records 283:François Périer 274: 201:Gateway Theatre 174: 150: 127: 90: 56: 24: 17: 12: 11: 5: 782: 780: 772: 771: 766: 756: 755: 747: 746: 744: 743: 735: 727: 722: 717: 714:Armande Béjart 711: 705: 703: 699: 698: 696: 695: 688: 681: 674: 667: 660: 653: 646: 639: 632: 625: 618: 611: 604: 597: 590: 583: 576: 569: 562: 554: 552: 548: 547: 542: 540: 539: 532: 525: 517: 511: 510: 505: 489: 481: 467: 466:External links 464: 463: 462: 452: 449: 446: 445: 427: 413: 399: 385: 367: 348: 347: 345: 342: 341: 340: 325:Richard Wilbur 317: 302:Stephen Porter 298:Richard Wilbur 294:Lyceum Theatre 286: 273: 270: 269: 268: 261: 256:as Agnes, and 242: 237:as Agnes, and 227:Stephen Porter 223:Lyceum Theatre 219:Richard Wilbur 215: 212:ANTA Playhouse 204: 186: 177:The Compagnie 173: 170: 165: 164: 163: 162: 149: 146: 126: 123: 119: 118: 115: 112: 109: 106: 103: 100: 97: 89: 86: 32:Front page of 15: 13: 10: 9: 6: 4: 3: 2: 781: 770: 767: 765: 762: 761: 759: 752: 741: 740: 736: 733: 732: 728: 726: 723: 721: 718: 715: 712: 710: 707: 706: 704: 700: 694: 693: 689: 687: 686: 682: 680: 679: 675: 673: 672: 668: 666: 665: 661: 659: 658: 654: 652: 651: 647: 645: 644: 640: 638: 637: 633: 631: 630: 626: 624: 623: 619: 617: 616: 612: 610: 609: 605: 603: 602: 598: 596: 595: 591: 589: 588: 584: 582: 581: 577: 575: 574: 570: 568: 567: 563: 561: 560: 556: 555: 553: 549: 545: 538: 533: 531: 526: 524: 519: 518: 515: 509: 506: 504: 500: 499: 490: 485: 484:Plot overview 482: 479: 474: 470: 469: 465: 461: 460:(short story) 459: 455: 454: 450: 441: 440:explore.bl.uk 437: 431: 428: 423: 417: 414: 409: 403: 400: 395: 389: 386: 381: 377: 371: 368: 363: 359: 353: 350: 343: 338: 334: 333:1-58081-384-4 330: 327:translation ( 326: 322: 318: 315: 312:as Agnes and 311: 308:as Arnolphe, 307: 306:Brian Bedford 303: 299: 295: 291: 287: 284: 280: 276: 275: 271: 266: 262: 259: 255: 252:as Arnolphe, 251: 247: 243: 240: 236: 233:as Arnolphe, 232: 231:Brian Bedford 228: 224: 220: 216: 213: 209: 205: 202: 198: 194: 190: 187: 184: 180: 176: 175: 171: 169: 161: 158: 157: 156: 155: 154: 147: 145: 142: 138: 135: 131: 124: 122: 116: 113: 110: 107: 104: 101: 98: 95: 94: 93: 87: 85: 83: 79: 75: 71: 67: 62: 54: 50: 46: 45: 36: 30: 26: 22: 751: 737: 729: 690: 683: 676: 669: 662: 655: 648: 641: 634: 627: 620: 613: 606: 599: 593: 592: 585: 578: 571: 564: 557: 497: 457: 439: 430: 416: 402: 388: 379: 370: 361: 352: 310:Joan Van Ark 265:György Fehér 250:Allan Edwall 235:Joan Van Ark 208:Louis Jouvet 188: 166: 159: 151: 143: 139: 136: 132: 128: 120: 91: 81: 43: 42: 41: 25: 742:(2007 film) 734:(1978 film) 487:(in French) 314:David Dukes 281:, starring 279:Michel Puig 239:David Dukes 197:Robert Kemp 764:1662 plays 758:Categories 636:Amphitryon 344:References 337:Judy Greer 260:as Horace. 254:Lena Nyman 241:as Horace. 57:pronounced 650:The Miser 339:as Agnes. 319:In 2009, 288:In 1971, 608:Dom Juan 601:Tartuffe 503:LibriVox 378:(1997). 739:Molière 731:Molière 702:Related 544:Molière 458:Iceberg 263:1983-84 210:at the 185:in 1947 70:Molière 716:(wife) 671:Psyché 331:  179:Jouvet 66:comedy 49:French 551:Works 193:Scots 329:ISBN 244:1983 125:Plot 195:by 760:: 438:. 360:. 55:; 51:: 536:e 529:t 522:v 442:. 410:. 396:. 364:. 47:( 23:.

Index

School for Wives (film)

French
[lekɔldefam]
comedy
Molière
Palais Royal theatre
brother of the King
Jouvet
Edinburgh International Festival
Scots
Robert Kemp
Gateway Theatre
Louis Jouvet
ANTA Playhouse
Richard Wilbur
Lyceum Theatre
Stephen Porter
Brian Bedford
Joan Van Ark
David Dukes
Ingmar Bergmandirected
Allan Edwall
Lena Nyman
Stellan Skarsgård
György Fehér
Michel Puig
François Périer
Caedmon Records
Lyceum Theatre

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