29:
406:
234:
123:
treatment, one cannot help feeling that part of its charm has gone, now that the splendid isolation of the soldier has been lost by the sudden appearance of another soldier .... Whoever overpainted this detail at such an early stage in the picture's history seemed to have understood that he could actually strengthen the composition."
122:
The painting was cleaned in 2004. During this treatment, old overpainting dating to the eighteenth century or earlier was removed, revealing a second soldier whose legs are visible below the arch at left. In 2005, the art historian Bart
Cornelis wrote: "Although the painting looks brilliant after
134:
is the most enigmatic of
Fabritius's scant few works.... This is a public painting of inward emotion; a civic guard with a private mind.... He might be a deserter, outsider or anti-hero. Fabritius withholds his story, almost to the point of abstraction".
151:
298:
443:
266:
238:
467:
477:
436:
318:
259:
108:
82:
429:
28:
334:
252:
462:
350:
167:
107:, created in 1654. Its dimensions are 68 by 58 cm (27 by 23 in). The work is in the collection of the
472:
310:
405:
387:
155:
381:
326:
290:
275:
104:
39:
413:
369:
456:
127:
64:
375:
183:
233:
112:
86:
116:
90:
74:
68 cm × 58 cm (27 in × 23 in)
244:
198:
Cornelis, B. (2005). "Carel
Fabritius. The Hague and Schwerin".
248:
152:
First survey exhibition ever of the work of Carel
Fabritius
217:
Thunderclap: A Memoir of Art and Life & Sudden Death
417:
412:
This article about a seventeenth-century painting is a
170:, Essential Vermeer 2.0. Retrieved on 21 August 2014.
361:
282:
78:
70:
60:
45:
35:
21:
299:Portrait of a Seated Woman with a Handkerchief
437:
260:
103:is an oil-on-canvas painting by Dutch artist
8:
444:
430:
267:
253:
245:
194:
192:
186:", Kraenz.com. Retrieved on 21 August 2014
27:
18:
144:
7:
402:
400:
158:, 2009. Retrieved on 21 August 2014.
219:. New York: Scribner, pp. 159, 162.
184:Der "Torwache" von Carel Fabritius
14:
404:
232:
16:1654 painting by Carel Fabritius
1:
319:Portrait of Abraham de Potter
239:The Sentry by Carel Fabritius
468:Paintings by Carel Fabritius
416:. You can help Knowledge by
478:17th-century painting stubs
83:Staatliches Museum Schwerin
494:
399:
168:The Sentry, Carl Fabritius
115:. It represents a resting
26:
215:Cumming, Laura (2023).
200:The Burlington Magazine
351:Young Man in a Fur Cap
241:at Wikimedia Commons
311:Hagar and the Angel
388:Johannes Fabritius
156:Leica Microsystems
109:Staatliches Museum
425:
424:
397:
396:
237:Media related to
96:
95:
485:
446:
439:
432:
408:
401:
382:Barent Fabritius
269:
262:
255:
246:
236:
220:
213:
207:
206:(1223): 132–134.
196:
187:
181:
177:
171:
165:
159:
149:
56:
54:
31:
19:
493:
492:
488:
487:
486:
484:
483:
482:
453:
452:
451:
450:
398:
393:
357:
327:A View of Delft
278:
276:Carel Fabritius
273:
229:
224:
223:
214:
210:
197:
190:
182:Regine Kränz, "
179:
178:
174:
166:
162:
150:
146:
141:
105:Carel Fabritius
52:
50:
40:Carel Fabritius
17:
12:
11:
5:
491:
489:
481:
480:
475:
470:
465:
463:1654 paintings
455:
454:
449:
448:
441:
434:
426:
423:
422:
409:
395:
394:
392:
391:
385:
379:
373:
370:Slaughtered Ox
365:
363:
359:
358:
356:
355:
347:
339:
331:
323:
315:
314:(c. 1643–1645)
307:
295:
286:
284:
280:
279:
274:
272:
271:
264:
257:
249:
243:
242:
228:
227:External links
225:
222:
221:
208:
188:
172:
160:
143:
142:
140:
137:
126:Art historian
94:
93:
80:
76:
75:
72:
68:
67:
62:
58:
57:
47:
43:
42:
37:
33:
32:
24:
23:
15:
13:
10:
9:
6:
4:
3:
2:
490:
479:
476:
474:
471:
469:
466:
464:
461:
460:
458:
447:
442:
440:
435:
433:
428:
427:
421:
419:
415:
410:
407:
403:
389:
386:
383:
380:
377:
374:
372:
371:
367:
366:
364:
360:
353:
352:
348:
345:
344:
340:
337:
336:
335:The Goldfinch
332:
329:
328:
324:
321:
320:
316:
313:
312:
308:
305:
301:
300:
296:
293:
292:
288:
287:
285:
281:
277:
270:
265:
263:
258:
256:
251:
250:
247:
240:
235:
231:
230:
226:
218:
212:
209:
205:
201:
195:
193:
189:
185:
176:
173:
169:
164:
161:
157:
153:
148:
145:
138:
136:
133:
129:
128:Laura Cumming
124:
120:
118:
114:
110:
106:
102:
101:
92:
88:
84:
81:
77:
73:
69:
66:
65:Oil on canvas
63:
59:
48:
44:
41:
38:
34:
30:
25:
20:
418:expanding it
411:
368:
349:
342:
341:
333:
325:
317:
309:
303:
297:
289:
216:
211:
203:
199:
175:
163:
147:
131:
125:
121:
99:
98:
97:
473:Dogs in art
304:attribution
180:(in German)
119:and a dog.
457:Categories
343:The Sentry
139:References
132:The Sentry
100:The Sentry
71:Dimensions
22:The Sentry
390:(brother)
384:(brother)
376:Rembrandt
294:(c. 1643)
283:Paintings
130:writes, "
378:(master)
113:Schwerin
87:Schwerin
79:Location
362:Related
302:(1644;
91:Germany
51: (
354:(1654)
346:(1654)
338:(1654)
330:(1652)
322:(1649)
117:sentry
61:Medium
36:Artist
414:stub
291:Hera
53:1654
49:1654
46:Year
204:147
111:in
459::
202:,
191:^
154:,
89:,
85:,
445:e
438:t
431:v
420:.
306:)
268:e
261:t
254:v
55:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
