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treatment, one cannot help feeling that part of its charm has gone, now that the splendid isolation of the soldier has been lost by the sudden appearance of another soldier .... Whoever overpainted this detail at such an early stage in the picture's history seemed to have understood that he could actually strengthen the composition."
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The painting was cleaned in 2004. During this treatment, old overpainting dating to the eighteenth century or earlier was removed, revealing a second soldier whose legs are visible below the arch at left. In 2005, the art historian Bart
Cornelis wrote: "Although the painting looks brilliant after
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is the most enigmatic of
Fabritius's scant few works.... This is a public painting of inward emotion; a civic guard with a private mind.... He might be a deserter, outsider or anti-hero. Fabritius withholds his story, almost to the point of abstraction".
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68 cm × 58 cm (27 in × 23 in)
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Cornelis, B. (2005). "Carel
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First survey exhibition ever of the work of Carel
Fabritius
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Thunderclap: A Memoir of Art and Life & Sudden Death
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This article about a seventeenth-century painting is a
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330:Portrait of Abraham de Potter
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