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the man who ruined her, years ago. She reveals her knowledge to her husband, who prevents the marriage and alienates his daughter. This spreads and husband and wife, father and daughter, step-parent and child are all angered and alienated. When the daughter learns the reasons behind her disappointment she is struck with pity and makes a speech about trying again with her stepmother, only to go to her and find her dead, evidently by suicide.
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As the play progresses we see the misery of the mismatched couple and their shared efforts to foster a bond between
Tanqueray's young and impeccably proper daughter Ellean and her young unhappy stepmother. This is compromised when Mrs Tanqueray learns the identity of her stepdaughter's fiancé; he is
310:
The play opens with a late night dinner between the widower Mr
Tanqueray and some of his longtime professional friends. All are upper class members of British society, and the friends are disturbed when they learn of the forthcoming second marriage of Tanqueray to a Mrs Paula Jarman, a woman with a
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119:
led Pinero to reconsider his approach to playwriting, which now seemed old-fashioned by comparison. He was far from uncritical of Ibsen's plays, but recognised that if he was to be a serious dramatist he must treat social problems and human misconduct frankly.
56:
and despite causing some shock to his audiences by its scandalous subject it was a box-office success, and was revived in London and New York in many productions during the 20th century.
134:, to whom Pinero then offered the play, said, "Sorry, I daren't do it". He had second thoughts, and accepted it. It was presented at the St James's on 27 May 1893. The cast was:
94:(1889), in which past misdeeds come to haunt a seemingly respectable man. Pinero intended the central character to kill himself at the climax of the play, but the actor-manager
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The piece was a box-office success and was still playing to full houses when
Alexander, who disliked acting in long runs, closed the production in April 1894.
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where self-appointed guardians of morality condemned it, and audiences flocked to see it. There were London revivals in 1895 at the St James's, 1901 at the
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52:. It utilises the "Woman with a past" plot, popular in nineteenth century melodrama. The play was first produced in 1893 by the actor-manager
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105:– came to be produced, Pinero remained firm: the play would, and did, end in tragedy. While he was planning it, several plays of
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records New York revivals in 1900, 1902, 1907, 1908, 1913 and 1924. More recently, the play has been revived in the
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53:
833:
819:
Plays by A. W. Pinero: The
Schoolmistress, The Second Mrs Tanqueray, Trelawny of the 'Wells', The Thunderbolt
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centred on "a woman with a past". Hare thought it too shocking for his audience and declined to present it.
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appeared in an
Italian adaptation in 1905, and the play was given in English in Paris in 1907 at the
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were all given in London for the first time during 1891 and 1892, mostly at special matinées.
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persuaded him to tone down the ending to avoid alienating his respectable society audience.
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were presented in London for the first time, regarded by much of polite society as
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441:(1992). A BBC television adaptation was broadcast in 1962, starring
150:) successfully leaps over a hurdle marked "Convention", followed by
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27:
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has broadcast several radio adaptations of the play, starring
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cartoon showing Pinero's relief as the second Mrs
Tanqueray (
782:(fourteenth ed.). London: Sir Isaac Pitman and Sons.
90:(1890). Wishing to write about serious subjects, he wrote
666:, Internet Broadway Database. Retrieved 10 December 2020
529:, Oxford University Press. Retrieved 10 December 2020
723:, British Film Institute. Retrieved 10 December 2020
704:, British Film Institute. Retrieved 10 December 2020
516:"Pinero, Sir Arthur Wing (1855–1934), playwright"
429:and André Morell (1954), Margaret Robertson and
381:in 1916, with Alexander in his original role. A
35:as Paula Tanqueray in the 1902 Broadway revival
330:took the play on tour in Britain, and then to
8:
688:Wardle, Irving. "New life in the dead sea",
342:, 1913 at the St James's and 1922 at the
21:The Second Mrs Tanqueray (disambiguation)
745:, BBC Genome. Retrieved 10 December 2020
763:. Niwot: University of Colorado Press.
527:Oxford Dictionary of National Biography
507:
463:
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366:in the title role in 1950, and at the
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16:1893 stage play by Arthur Wing Pinero
7:
273:It happened that a few Weeks later
14:
802:. London: Angus & Robertson.
714:"The Second Mrs Tanqueray (1952)"
702:"The Second Mrs Tanqueray (1916)"
289:She had refused to take her Niece
199:Gordon Jayne, MD – Murray Hathorn
880:British plays adapted into films
843:
293:To hear this Entertaining Piece:
130:, the actor-manager running the
60:Background and first performance
301:To Punish her for Telling Lies.
277:Her Aunt was off to the Theatre
72:and other comedies, including
1:
885:Plays set in the 19th century
821:. Cambridge University Press.
453:Notes, references and sources
265:Cautionary Tales for Children
113:, blunt and shocking. Seeing
817:Rowell, George, ed. (1986).
643:"Miss Nethersole in Paris",
581:"The Second Mrs Tanqueray",
533:UK public library membership
281:To see that Interesting Play
68:had won fame as a writer of
870:Plays by Arthur Wing Pinero
853:public domain audiobook at
557:Dawick, pp. 169 and 173–175
385:was released in 1952, with
297:A Deprivation Just and Wise
226:(later Charlotte Granville)
165:Sir George Orreyed, Bart –
101:When his next such drama –
906:
736:"The Second Mrs Tanqueray"
657:"The Second Mrs Tanqueray"
356:Internet Broadway Database
285:The Second Mrs. Tanqueray.
254:The play is referenced in
18:
778:Gaye, Freda, ed. (1967).
761:Pinero: A Theatrical Life
692:, 16 December 1981, p. 13
188:Frank Misquith, QC, MP –
41:The Second Mrs. Tanqueray
850:The Second Mrs Tanqueray
834:The Second Mrs Tanqueray
780:Who's Who in the Theatre
741:23 November 2022 at the
662:23 November 2022 at the
521:12 November 2019 at the
319:Revivals and adaptations
124:The Second Mrs Tanqueray
103:The Second Mrs Tanqueray
352:Théâtre Sarah-Bernhardt
679:, 30 August 1950, p. 6
514:Wearing, J. P. (2004)
379:adapted for the cinema
171:Captain Hugh Ardale –
155:
64:The English dramatist
36:
800:The Great Stage Stars
759:Dawick, John (1993).
675:"Haymarket Theatre",
485:The Lady from the Sea
202:Morse – Alfred Holles
167:Adolphus Vane-Tempest
140:
33:Mrs. Patrick Campbell
31:
719:16 June 2019 at the
634:, 24 May 1905, p. 10
224:Mrs Patrick Campbell
148:Mrs Patrick Campbell
87:The Cabinet Minister
19:For other uses, see
647:, 7 June 1907, p. 4
630:"Waldorf Theatre",
612:Morley, pp. 206–208
585:, 3 June 1893, p. 9
217:Charlotte Granville
159:Aubrey Tanqueray –
393:as Tanqueray. The
383:later film version
370:in 1981, starring
311:"bad reputation".
156:
132:St James's Theatre
66:Arthur Wing Pinero
50:Arthur Wing Pinero
37:
809:978-0-8160-1401-9
770:978-0-87081-302-3
531:(subscription or
443:Elizabeth Sellars
399:Margaret Rawlings
344:Playhouse Theatre
177:Cayley Drummle –
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128:George Alexander
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389:as Paula and
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46:problem play
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479:Rosmersholm
433:(1967) and
340:New Theatre
213:Amy Roselle
179:Cyril Maude
173:Ben Webster
111:avant garde
84:(1887) and
875:1893 plays
864:Categories
502:References
81:Dandy Dick
690:The Times
677:The Times
645:The Times
632:The Times
535:required)
439:Gary Bond
258:'s poem,
229:Ellean –
96:John Hare
855:LibriVox
798:(1986).
739:Archived
717:Archived
660:Archived
519:Archived
470:Ibsen's
425:(1951),
417:(1944),
405:(1940),
360:West End
332:Broadway
239:Source:
222:Paula –
78:(1885),
788:5997224
753:Sources
583:The Era
260:Matilda
242:The Era
215:(later
192:(later
181:(later
806:
786:
767:
473:Ghosts
354:. The
116:Ghosts
70:farces
458:Notes
362:with
262:, in
143:Punch
44:is a
804:ISBN
784:OCLC
765:ISBN
488:and
445:and
437:and
421:and
413:and
401:and
306:Plot
837:at
395:BBC
48:by
866::
728:^
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550:^
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185:)
23:.
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