131:. Later, he becomes an informant for Israeli intelligence. Saeed and his wife Baqiyya (باقية, which means "she who has remained" in Arabic) have one son together, Walaa. Unlike his father, Walaa becomes a member of the resistance, and he and his mother are later killed by Israeli forces. Despite Saeed's cooperation with Israel, he is sent to prison multiple times, where he is assaulted by the guards.
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is regarded as a classic of Arabic literature, and was ranked the 6th-best Arabic novel of the 20th century by the Arabic
Writers Union. Nancy Coffin wrote that the book's success "lies in its ability to straddle the expectations of both acceptable politics and good literature and, perhaps even more
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Habibi used a comic mode to mitigate the intensity of his world in Israel and to make the story easier for readers to understand. This would have been more difficult had he used a straightforward historical narrative. Habiby showed his resistance against oppressive
Israeli policies by using Arabic
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The novel's name comes from merging the Arabic words for pessimist (al-mutasha'im المتشائم) and optimist (al-mutafa'il المتفائل), to describe the narrator Saeed's unique way of viewing the world. Saeed, the novel's narrator, frequently recounts tragic events related to his family and the plight of
149:'s forward to an English translation of the book stated that its "unanimous welcome" derived from the fact that it was "highly original, fresh, and, being cast in the straight ironic mode of comic fiction, it was a challenge to the existing modes of fiction in the Arab World."
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The story begins with a
Palestinian man named Saeed, who writes in a letter to an unnamed recipient that he was visited by people from outer space. The letter describes Saeed's life in Israel, after he was forced to flee from his childhood home during the
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Saloul, Ihab (2008). ""Performative
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Pessoptimist: A Palestinian who became a Citizen of Israel
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important, the fine lines between military response and political solution."
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Poetics of Love in the Arabic Novel: Nation-State, Modernity and
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Palestinians, but adds in comic flourishes to show his "optimistic" side.
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168:إميل حبيبي وصورة الباقين بأرضهم بعد النكبة
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