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Dibdin wrote in his memoirs that he wrote all the songs and half of the piece, but preferred to remain anonymous as an author. Despite its success, neither
Fawcett nor the theatre shared any proceeds, leading Didbin to comment "I am the only one concerned who shared not of the riches of a mine,
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Reviews credited the horses for acting "their parts well, independently of the prompter, and though one of them made a false step, none of them were guilty of a false pronunciation." Just as with the prior year's
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on April 24, 1812. It was a popular production, with additional productions in 1814, 1816, and 1819 at
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productive at two theatres, but of which the treasures have remained to me a secret till this day."
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A Biographical
Dictionary of Actors, Actresses, Musicians, Dancers, Managers, etc., Vol. 5
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A History of
Equestrian Drama in the United States: Hippodrama’s Pure Air
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at Covent Garden, critics continued to lament the intrusion of
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The Secret Mine: An
Equestrian Melo-Drama, in Two Acts
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182:Some Account of the English Stage, vol. 8
158:The Reminiscences of Thomas Dibdin, Vol I
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115:The London Review and Literary Journal
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21:is an 1812 equestrian play by
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213:1823 New York edition of play
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111:Theatrical Journal (review)
88:Mrs. H. Johnston as Zaphyra
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54:into legitimate venues.
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145:The Universal Magazine
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94:Mrs. Parker as Camilla
91:Miss Feron as Zobeide
38:Astley's Amphitheatre
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68:Original London cast
62:The Old Miner Ousted
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126:Poppiti, Kimberly.
82:Barrymore as Ismael
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23:Thomas John Dibdin
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