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Power set his re-working of the play in a contemporary
American urban setting, and used rhyming couplets and a range of musical styles such as hip-hop, soul, funk, R&B and a capella to relate to the story to contemporary concerns. Charles Isherwood, a critic for the
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in 2006 for
Outstanding Musical, Outstanding Choreographer (Bill T. Jones) and Outstanding Sound Design (Darron L. West).
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called the play "a strange new hybrid: a hip-hop musical comedy-tragedy."
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110:"SMU Meadows School of the Arts presents "The Seven" by Will Power"
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The New York
Theatre Workshop presentation was directed by
162:"Riffing and Scratching and Remixing Aeschylus"
36:is a modernized version of the Greek tragedy,
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58:fighting to gain control over the city of
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160:Isherwood, Charles (February 13, 2006).
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88:. The play was awarded
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18:Seven (disambiguation)
90:Lucille Lortel Awards
84:with choreography by
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42:written in 467 BC by
39:Seven Against Thebes
16:For other uses, see
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136:"The Seven"
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82:Jo Bonney
56:Polynices
44:Aeschylus
34:The Seven
25:The Seven
114:SMU News
52:Eteocles
50:' sons,
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60:Thebes
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