281:" She had asked a friend to publicize the fake suicide of J.J. Jadway in order to discourage investigation into the book's author because, more than 20 years ago, it would have been bad for her if it were discovered she was the author, but she should not hide any longer. She proceeds to explain that the man with whom the female protagonist of the novel was having sex, as the book showed, had had problems with impotence, and had become able to experience intercourse because of her. Her feeling of what this man reawakened in her, having not taken a lover for many years, makes her realize she wants to be with him – all of this occurring inside her head during her experience of the seven minutes of intercourse.
707:, which had started out pretty well, bogs down hopelessly in its courtroom legalisms and its absolutely non-cliff-hanging rush to unearth the real identity of the mythical J.J. Jadway", citing some problems with the movie's complicated plot and "enormous cast of characters". In addressing the movie's use of nudity, he wrote " has never been so much concerned with undressing his girls (there are maybe five seconds of nudity in "The Seven Minutes") as admiring their appetites, their overwhelming proportions (but not so much their seductive flesh), their often destructive and self-destructive wills."
1012:
579:, Meyer planned nude scenes in this mainstream film. He informed female lead candidates that nudity would be integral to their roles, and after casting interviews, considered Marianne McAndrew to be suitable. He subsequently signed her for the lead role of Maggie Russell. McAndrew, previously known for her work as the prim and proper
262:
most of whom tried to emphasize the more lurid and salacious aspects of the book. Its content was considered so sexually explicit that it was banned as obscene in over 30 countries. Apparently. J.J. Jadway was so despondent over the treatment of his book that he committed suicide; one of his friends found him and reported it.
1073:
688:
to the screen more or less faithfully and seriously, and I think that was a mistake. The courtroom scenes and philosophical discussions clashed with the melodrama (as they also do in the Irving
Wallace novel), and the result was a film of a project that should probably not have been made at all, and
257:
where two detectives enter a bookstore and purchase a copy of the eponymous book, then the prosecutor brings charges against the bookstore for selling obscene material. The trial soon creates a heated debate about the issue of pornography vs. free speech. The young defense lawyer, Mike
Barrett, must
713:
wrote that Irving
Wallace's original novel was a "potboiler" "which averted the essence of the problem in resolving the story", and noted that Russ Meyer was a "censor-exploited as well as a censor-exploiting filmmaker", who began with a story handicap and added a few of his own. They expanded that
261:
In examining the history of the book, the defense attorney discovered it was written by J.J. Jadway, an
American expatriate living in Europe. The book was originally published in English by a publisher in France, and eventually picked up by various tawdry publishing companies in the United States,
269:
The attorney defending the book is contacted by
Constance Cumberland, a member of a local decency society who decides to testify in court about the young man who committed the rape and other things surrounding the book. She had spoken with the young man, and his motivation for the rape was not the
265:
As the trial takes place, the prosecutor finds ordinary members of the public who find the book grossly offensive (one of whom admits on cross-examination by the defense that she cannot even repeat out loud one of the words used in the book to describe what the female protagonist was doing in bed
31:
1022:
284:
The jury finds the book not obscene. The prosecutor says that decision only applies in that part of the state, and he can try again somewhere else in
California. The attorney who won the case chastises him, pointing out that it is ridiculous to try to restrict what adults choose to read in their
620:
was "going to be a very interesting film. I was worried after the first cut but Russ handled the sex extremely well. When I saw the first half I was going to ask him to slow the picture down. And it's rare for me to ask a guy to slow a picture down. I mean, so people could understand the story
526:. You are the spokesperson against the forces of censorship." And Irving Wallace sits there with this profound look. They gave me $ 2.7 million for the film, but no tits and ass... I had another property I should have done instead. But Brown gave me the blue smoke up my ass. So I did it."
273:
Constance also admits that she knew J.J. Jadway, the book's author, that he did not die of a heart attack in Europe in the 1950s as was reported, and that she knew that the book's content was not intended to be pornographic but rather an examination of a woman's sexuality.
1083:
656:
Meyer later said "The first night in every theater was packed. And the next night: three people. Why? The audience knows...It was a good film. But attaching my name to that film was a bummer. It does a great disservice to everyone concerned."
676:
was intended as a serious consideration of pornography and censorship and, alas, that is the way Meyer approached it. He got serious about the theme. He had been harassed for years by various amateur and professional vigilantes, and intended
507:. "We've discovered that he's very talented and cost conscious", said Fox president Richard Zanuck. "He can put his finger on the commercial ingredients of a film and do it exceedingly well. We feel he can do more than undress people."
266:
with her lover), and the defense finds professionals in academia and the media who attest to the book's value as literature. The prosecution then puts the young man who committed the rape on the stand to say the book drove him to it.
979:
589:, accepted the role based upon her wish to change her own image and in order to gain more work within the industry. She reported that during the filming, Meyer was "considerate and gentlemanly".
529:"Russ is trying to do something different for him", said Wallace. "As far as I can tell it will not be a skinflick and at least for most of it the movie will follow the line of my novel."
669:"It was boring and tedious", he said in 1975. "I should never have taken it on. Message pictures are never successful. This one had too much courtroom and not enough he-ing and she-ing."
621:
better. But when I saw the whole film with the second half – the trial – I understood what he was doing...I've never seen a good trial in a film – a trial that isn't slow, isn't boring."
714:
Meyer used "cardboard-caricatures of his heavies" which obscured issues, and included the "regular time-out for the sexually-liberated dalliances which have been his stock in trade."
1333:
288:
A note at the end of the movie states that for a woman during a session of lovemaking, the average length of time from initial arousal to orgasm is about seven minutes.
253:
is charged with rape, an eager prosecutor who is against pornography (and preparing for an upcoming election) uses the scandal to declare the book as obscene, sets up a
684:
Ebert admitted there were some nice touches like making a U.S. Senator from
California a woman played by Yvonne De Carlo "but Meyer's main thrust seemed to be to bring
666:
Meyer later said, "I made the mistake of reading my reviews. What the public wants are big laughs and big tits and lots of ‘em. Lucky for me that's what I like, too."
1953:
1044:
989:
285:
homes when no harm has been shown (as it was in this case, since the book was simply a scapegoat used to explain away the case of alleged rape by the young man.)
636:
The soundtrack contains three songs written by Stu
Phillips (composer) and Bob Stone (lyricist): "Love Train" sung by Don Reed, "The Seven Minutes" performed by
1933:
1138:
1849:
1943:
1938:
1928:
1175:
751:
1542:
1868:
1665:
1165:
672:
Roger Ebert later said the movie "was unsuited to Meyer's strongest points, which are eroticism, action and parody in about equal doses.
1918:
510:
Meyer later said of his time at Fox, "I made the mistake of acquiring a big fat head while I was there. I was flush with victory from
1913:
1256:
1229:
1202:
1148:
1219:
1192:
1948:
1923:
1785:
1246:
852:
1908:
1809:
723:
477:
1958:
1753:
1473:
1777:
277:
When she is asked how she could know this, Constance responds with a bombshell, "Because I am J.J. Jadway, and I wrote
1705:
879:
681:
as his statement against censorship. The result, whatever it was, was not a Russ Meyer film in the classical vein."
1801:
1903:
452:
In June 1969, Fox announced it would make the movie in the next 18 months. It would be produced and directed by
1658:
491:
537:"We're casting it much like an English movie", said Meyer. "We're really paying attention to the vignettes."
1338:
630:
414:
135:
1721:
1364:
545:
402:
540:
As with many of his movies, Meyer used several actors from his previous productions, including then-wife
1638:
1314:
1049:
945:
772:
549:
504:
351:
1569:
1508:
825:
1697:
1689:
703:
reviewer Roger
Greenspun wrote "I don't think that a court of law is the right Russ Meyer arena, and
585:
580:
1898:
1651:
1107:
30:
612:
While the movie was being made
Richard Zanuck was fired as head of production and was replaced by
481:
for Fox. Fox was happy with the movie and signed a contract with Meyer to make three more movies:
1825:
1745:
1574:
1547:
576:
1251:. Contemporary film and television series (illustrated ed.). Wayne State University Press.
1140:
Kings of the Bs: Working Within the Hollywood System: an Anthology of Film History and Criticism
1713:
1605:
1294:
1277:
1252:
1225:
1198:
1171:
1144:
1017:
747:
641:
453:
441:
bought the rights to three novels by Irving Wallace for $ 1.5 million. The first of these was
303:
234:
97:
69:
1769:
438:
150:
1442:
1841:
1737:
1616:
1078:
767:
744:
Twentieth Century Fox: A Corporate and Financial History (The Scarecrow Filmmakers Series)
557:
363:
333:
254:
109:
663:
received a lukewarm reception from critics and was a rare commercial failure for Meyer.
1876:
553:
486:
369:
357:
315:
238:
75:
1892:
1761:
1610:
1412:
Berkowitz, Stan (January–February 1973). "Sex, Violence and Drugs All in Good Fun!".
613:
420:
297:
93:
1729:
984:
963:
Martin, Betty (October 10, 1970). "MOVIE CALL SHEET: Coproducers Set for 'Eagle'".
910:
569:
541:
496:
408:
339:
327:
321:
309:
105:
101:
1197:(reprint, illustrated ed.). Random House, Inc. pp. 278, 279, 280, 426.
1833:
949:
603:
Wallace requested Meyer use Picassos from his personal collection in the movie.
592:
565:
396:
375:
345:
1485:
1137:
McCarthy, Todd; Flynn, Charles, eds. (1973). "Russ Meyer: King of the Nudies".
1674:
645:
561:
472:
390:
381:
249:
After a teenager, Jerry Griffith (John Sarno), who purchased the erotic novel
230:
44:
1632:
1194:
Big Bosoms and Square Jaws: The Biography of Russ Meyer, King of the Sex Film
908:
Ebert, Roger (July–August 1980). "Russ Meyer: Ten Years After the 'Beyond'".
637:
1627:
1621:
1526:
Preston, Marilynn (April 27, 1975). "Meyer: Up to his old chicks again".
1599:
1397:
Haber, Joyce (October 14, 1970). "Miss Moreau Able to Suit Lee Marvin".
925:
Haber, Joyce. (January 11, 1971). "Kim Darby Passes Her 'Tiger' Test".
1793:
794:
Haber, Joyce (April 25, 1968). "Wallace Novel: Very Controversial".
1292:
Haber, Joyce (October 7, 1970). "'Portnoy' Moves Off the Fox Lot".
609:
Meyer said it was "a very wordy picture" so he used rapid cutting.
1275:
Haber, Joyce (May 11, 1970). "Crenna Assumes His Executive Role".
1221:
Drive-in Dream Girls: a Galaxy of B-movie Starlets of the Sixties
940:
Haber, J. (October 7, 1970). "'Portnoy' moves off the fox lot".
459:
The book came out in October 1969 and became a best seller. The
1647:
1248:
Imitations of Life: a Reader on Film & Television Melodrama
1341:
1643:
1327:
1325:
914:. Vol. 16, no. 4. New York. pp. 43–48, 80.
1543:"'The 7 Minutes': Court Is Focus of Russ Meyer's Latest"
1143:(Illustrated ed.). E. P. Dutton. pp. 110–132.
229:
is a 1971 American drama movie directed and produced by
560:
makes an appearance along with veteran character actor
1427:"Once Just a Shadow, Fox's Elmo Williams Now on Own".
1270:
1268:
1416:. Vol. 9, no. 1. New York. pp. 47–51.
1307:
1305:
1860:
1681:
258:also solve the mystery of the novel's true author.
214:
206:
198:
188:
165:
157:
141:
131:
123:
115:
89:
81:
64:
50:
40:
23:
1365:"Unsung Aussie Actors – Ron Randell: A Top Twenty"
746:. Lanham, Maryland: Scarecrow Press. p. 256.
575:Known as "King of the Nudies" for his work in the
471:Fleischer withdrew, and the movie was assigned to
853:"Books of The Times: The Schlock of Recognition"
1312:Kleiner, Dick (January 24, 1971). "Show Beat".
1224:(illustrated ed.). McFarland. p. 52.
1013:"King of the Nudies on Biggest Film Caper Yet"
1659:
1334:"Nudity has its place in films, says actress"
1122:"King of the Nudies to Film 'Dolls' Sequel".
1105:"Albuquerque, New Mexico, October 01, 1963".
8:
270:book, but his own fears over his sexuality.
1666:
1652:
1644:
1467:
1465:
1463:
1170:. Andrews McMeel Publishing. p. 555.
1074:"The 'skin-flicks' of producer Russ Meyer"
809:"20 Films Scheduled for Shooting at Fox".
29:
20:
903:
901:
734:
1954:Films based on works by Irving Wallace
1850:Beneath the Valley of the Ultra-Vixens
1472:Ebert, Roger (January–February 1973).
1443:"The Seven Minutes (1971) Soundtrack"
1045:"Sex Film Producer Gets Major Script"
568:also had a role in the movie, and DJ
7:
1484:(1). New York: 35–46. Archived from
1382:"Mitzi's Friends Will Take to Air".
1053:. Associated Press. October 19, 1969
978:Myers, Cynthia (December 14, 1969).
880:"Meyer to Make 3 More Films for Fox"
463:called it "impossible to put down."
1507:Ebert, Roger (September 22, 2004).
1072:Cross, Robert (February 16, 1969).
1011:Thomas, Kevin (November 30, 1969).
1541:Greenspun, Roger (July 24, 1971).
1332:Scott, Vernon (January 29, 1971).
878:Weiler, A.H. (February 17, 1970).
233:. The movie was based on the 1969
14:
1363:Vagg, Stephen (August 10, 2019).
1167:Roger Ebert's Movie Yearbook 2010
851:Leonard, John (October 2, 1969).
606:Filming started 14 October 1970.
1786:Finders Keepers, Lovers Weepers!
1474:"Russ Meyer: King of the Nudies"
1509:"King of the funny skin flicks"
824:Weiler, A. H. (April 6, 1969).
1934:Films based on American novels
1810:Beyond the Valley of the Dolls
1386:. April 27, 1970. p. e17.
1318:. Victoria, Texas. p. 11.
1111:. October 1, 1963. p. B7.
724:List of American films of 1971
689:certainly not by Russ Meyer."
640:and "Midnight Tricks" sung by
478:Beyond the Valley of the Dolls
1:
1754:Faster, Pussycat! Kill! Kill!
1021:. p. S18. Archived from
813:. June 23, 1969. p. c18.
522:. They told me, "You must do
449:, which he finished in 1968.
1944:Films directed by Russ Meyer
1939:Films scored by Stu Phillips
1929:1970s English-language films
1778:Good Morning and... Goodbye!
1431:. July 3, 1971. p. h11.
1082:. p. A8. Archived from
387:John Sarno as Jerry Griffith
1802:Cherry, Harry & Raquel!
1706:Wild Gals of the Naked West
1975:
1919:American legal drama films
629:The music was composed by
1191:McDonough, Jimmy (2006).
35:Theatrical release poster
28:
1914:American courtroom films
742:Solomon, Aubrey (1989).
577:sexploitation film genre
516:Cherry, Harry and Raquel
492:Everything in the Garden
1949:Films about pornography
1924:1970s legal drama films
1339:Sarasota Herald-Tribune
1124:Mt Vernon Register News
336:as Constance Cumberland
174:July 23, 1971
16:1971 film by Russ Meyer
1909:20th Century Fox films
1245:Landy, Marcia (1991).
556:. Established actress
235:novel of the same name
1315:The Victoria Advocate
1218:Lisanti, Tom (2003).
1164:Ebert, Roger (2009).
1126:. September 26, 1969.
1050:Eugene Register-Guard
773:Turner Classic Movies
503:from a 1966 novel by
1959:1970s American films
1698:Eve and the Handyman
1690:The Immoral Mr. Teas
826:"This Bomb For Hire"
54:Richard Warren Lewis
1570:"The Seven Minutes"
1108:Albuquerque Tribune
992:on January 24, 2013
768:"The Seven Minutes"
475:, who had directed
399:as Cardinal McManus
384:as Harvey Underwood
354:as Sergeant Kellogg
1639:TCM Movie Database
1548:The New York Times
1488:on January 5, 2008
884:The New York Times
857:The New York Times
830:The New York Times
698:The New York Times
595:had a small role.
485:, from a novel by
372:as Clay Rutherford
360:as Sean O'Flanagan
279:The Seven Minutes.
1886:
1885:
1872:(unfinished film)
1869:Who Killed Bambi?
1818:The Seven Minutes
1714:Europe in the Raw
1634:The Seven Minutes
1623:The Seven Minutes
1612:The Seven Minutes
1601:The Seven Minutes
1578:. January 1, 1971
1429:Los Angeles Times
1399:Los Angeles Times
1384:Los Angeles Times
1295:Los Angeles Times
1278:Los Angeles Times
1177:978-0-7407-8536-8
1018:Los Angeles Times
965:Los Angeles Times
942:Los Angeles Times
927:Los Angeles Times
811:Los Angeles Times
796:Los Angeles Times
753:978-0-8108-4244-1
705:The Seven Minutes
686:The Seven Minutes
679:The Seven Minutes
674:The Seven minutes
661:The Seven Minutes
642:Neil Merryweather
524:The Seven Minutes
483:The Seven Minutes
454:Richard Fleischer
447:The Seven Minutes
445:. The second was
393:as Anna Lou White
330:as Frank Griffith
306:as Maggie Russell
304:Marianne McAndrew
251:The Seven Minutes
226:The Seven Minutes
222:
221:
98:Marianne McAndrew
70:The Seven Minutes
24:The Seven Minutes
1966:
1904:1971 drama films
1770:Common Law Cabin
1668:
1661:
1654:
1645:
1588:
1587:
1585:
1583:
1566:
1560:
1559:
1557:
1555:
1538:
1532:
1531:
1523:
1517:
1516:
1504:
1498:
1497:
1495:
1493:
1469:
1458:
1457:
1455:
1453:
1439:
1433:
1432:
1424:
1418:
1417:
1409:
1403:
1402:
1394:
1388:
1387:
1379:
1373:
1372:
1360:
1354:
1353:
1351:
1349:
1329:
1320:
1319:
1309:
1300:
1299:
1289:
1283:
1282:
1272:
1263:
1262:
1242:
1236:
1235:
1215:
1209:
1208:
1188:
1182:
1181:
1161:
1155:
1154:
1134:
1128:
1127:
1119:
1113:
1112:
1102:
1096:
1095:
1093:
1091:
1086:on July 25, 2012
1069:
1063:
1062:
1060:
1058:
1041:
1035:
1034:
1032:
1030:
1025:on July 25, 2012
1008:
1002:
1001:
999:
997:
988:. Archived from
975:
969:
968:
960:
954:
953:
937:
931:
930:
922:
916:
915:
905:
896:
895:
893:
891:
875:
869:
868:
866:
864:
848:
842:
841:
839:
837:
821:
815:
814:
806:
800:
799:
791:
785:
784:
782:
780:
764:
758:
757:
739:
702:
616:. Williams said
439:20th Century Fox
428:Production notes
342:as Norman Quandt
318:as Luther Yerkes
181:
179:
161:20th Century Fox
151:20th Century Fox
33:
21:
1974:
1973:
1969:
1968:
1967:
1965:
1964:
1963:
1889:
1888:
1887:
1882:
1856:
1677:
1672:
1617:Rotten Tomatoes
1596:
1591:
1581:
1579:
1568:
1567:
1563:
1553:
1551:
1540:
1539:
1535:
1528:Chicago Tribune
1525:
1524:
1520:
1506:
1505:
1501:
1491:
1489:
1471:
1470:
1461:
1451:
1449:
1441:
1440:
1436:
1426:
1425:
1421:
1411:
1410:
1406:
1396:
1395:
1391:
1381:
1380:
1376:
1362:
1361:
1357:
1347:
1345:
1331:
1330:
1323:
1311:
1310:
1303:
1291:
1290:
1286:
1274:
1273:
1266:
1259:
1244:
1243:
1239:
1232:
1217:
1216:
1212:
1205:
1190:
1189:
1185:
1178:
1163:
1162:
1158:
1151:
1136:
1135:
1131:
1121:
1120:
1116:
1104:
1103:
1099:
1089:
1087:
1079:Chicago Tribune
1071:
1070:
1066:
1056:
1054:
1043:
1042:
1038:
1028:
1026:
1010:
1009:
1005:
995:
993:
980:"Gal on the go"
977:
976:
972:
962:
961:
957:
939:
938:
934:
924:
923:
919:
907:
906:
899:
889:
887:
877:
876:
872:
862:
860:
850:
849:
845:
835:
833:
823:
822:
818:
808:
807:
803:
793:
792:
788:
778:
776:
766:
765:
761:
754:
741:
740:
736:
732:
720:
700:
695:
654:
627:
601:
558:Yvonne De Carlo
535:
501:The Final Steal
495:from a play by
469:
435:
430:
423:as Mrs. Merrick
378:as Phil Sanford
366:as Judge Upshaw
364:Harold J. Stone
334:Yvonne De Carlo
300:as Mike Barrett
294:
255:sting operation
247:
218:$ 2.415 million
191:
184:
177:
175:
168:
153:
146:
144:
110:Yvonne De Carlo
108:
104:
100:
96:
73:
59:
55:
36:
17:
12:
11:
5:
1972:
1970:
1962:
1961:
1956:
1951:
1946:
1941:
1936:
1931:
1926:
1921:
1916:
1911:
1906:
1901:
1891:
1890:
1884:
1883:
1881:
1880:
1877:A Clean Breast
1873:
1864:
1862:
1861:Related topics
1858:
1857:
1855:
1854:
1846:
1838:
1830:
1822:
1814:
1806:
1798:
1790:
1782:
1774:
1766:
1758:
1750:
1742:
1734:
1726:
1718:
1710:
1702:
1694:
1685:
1683:
1682:Films directed
1679:
1678:
1673:
1671:
1670:
1663:
1656:
1648:
1642:
1641:
1630:
1619:
1608:
1595:
1594:External links
1592:
1590:
1589:
1561:
1533:
1530:. p. e16.
1518:
1499:
1459:
1434:
1419:
1404:
1401:. p. e16.
1389:
1374:
1355:
1321:
1301:
1298:. p. E17.
1284:
1281:. p. E17.
1264:
1257:
1237:
1230:
1210:
1203:
1183:
1176:
1156:
1149:
1129:
1114:
1097:
1064:
1036:
1003:
970:
955:
932:
929:. p. h13.
917:
897:
870:
843:
816:
801:
798:. p. e13.
786:
759:
752:
733:
731:
728:
727:
726:
719:
716:
694:
691:
653:
650:
626:
623:
600:
597:
572:made a cameo.
554:James Iglehart
546:Charles Napier
534:
531:
487:Irving Wallace
468:
465:
461:New York Times
434:
431:
429:
426:
425:
424:
418:
412:
406:
403:Charles Napier
400:
394:
388:
385:
379:
373:
370:James Iglehart
367:
361:
358:John Carradine
355:
349:
343:
337:
331:
325:
324:as Faye Osborn
319:
316:Jay C. Flippen
313:
312:as Elmo Duncan
307:
301:
293:
290:
246:
243:
239:Irving Wallace
220:
219:
216:
212:
211:
208:
204:
203:
200:
196:
195:
192:
189:
186:
185:
183:
182:
171:
169:
166:
163:
162:
159:
158:Distributed by
155:
154:
149:
147:
142:
139:
138:
133:
129:
128:
125:
121:
120:
117:
116:Cinematography
113:
112:
91:
87:
86:
83:
79:
78:
76:Irving Wallace
66:
62:
61:
52:
48:
47:
42:
38:
37:
34:
26:
25:
15:
13:
10:
9:
6:
4:
3:
2:
1971:
1960:
1957:
1955:
1952:
1950:
1947:
1945:
1942:
1940:
1937:
1935:
1932:
1930:
1927:
1925:
1922:
1920:
1917:
1915:
1912:
1910:
1907:
1905:
1902:
1900:
1897:
1896:
1894:
1879:
1878:
1874:
1871:
1870:
1866:
1865:
1863:
1859:
1852:
1851:
1847:
1844:
1843:
1839:
1836:
1835:
1831:
1828:
1827:
1823:
1820:
1819:
1815:
1812:
1811:
1807:
1804:
1803:
1799:
1796:
1795:
1791:
1788:
1787:
1783:
1780:
1779:
1775:
1772:
1771:
1767:
1764:
1763:
1762:Mondo Topless
1759:
1756:
1755:
1751:
1748:
1747:
1743:
1740:
1739:
1735:
1732:
1731:
1727:
1724:
1723:
1719:
1716:
1715:
1711:
1708:
1707:
1703:
1700:
1699:
1695:
1692:
1691:
1687:
1686:
1684:
1680:
1676:
1669:
1664:
1662:
1657:
1655:
1650:
1649:
1646:
1640:
1636:
1635:
1631:
1629:
1625:
1624:
1620:
1618:
1614:
1613:
1609:
1607:
1603:
1602:
1598:
1597:
1593:
1577:
1576:
1571:
1565:
1562:
1550:
1549:
1544:
1537:
1534:
1529:
1522:
1519:
1514:
1510:
1503:
1500:
1487:
1483:
1479:
1475:
1468:
1466:
1464:
1460:
1448:
1444:
1438:
1435:
1430:
1423:
1420:
1415:
1408:
1405:
1400:
1393:
1390:
1385:
1378:
1375:
1370:
1366:
1359:
1356:
1344:
1343:
1340:
1335:
1328:
1326:
1322:
1317:
1316:
1308:
1306:
1302:
1297:
1296:
1288:
1285:
1280:
1279:
1271:
1269:
1265:
1260:
1258:0-8143-2065-1
1254:
1250:
1249:
1241:
1238:
1233:
1231:0-7864-1575-4
1227:
1223:
1222:
1214:
1211:
1206:
1204:0-307-33844-4
1200:
1196:
1195:
1187:
1184:
1179:
1173:
1169:
1168:
1160:
1157:
1152:
1150:0-525-14090-5
1146:
1142:
1141:
1133:
1130:
1125:
1118:
1115:
1110:
1109:
1101:
1098:
1085:
1081:
1080:
1075:
1068:
1065:
1052:
1051:
1046:
1040:
1037:
1024:
1020:
1019:
1014:
1007:
1004:
991:
987:
986:
981:
974:
971:
967:. p. a7.
966:
959:
956:
951:
947:
943:
936:
933:
928:
921:
918:
913:
912:
904:
902:
898:
885:
881:
874:
871:
858:
854:
847:
844:
832:. p. D13
831:
827:
820:
817:
812:
805:
802:
797:
790:
787:
775:
774:
769:
763:
760:
755:
749:
745:
738:
735:
729:
725:
722:
721:
717:
715:
712:
708:
706:
699:
692:
690:
687:
682:
680:
675:
670:
667:
664:
662:
658:
651:
649:
647:
643:
639:
634:
632:
624:
622:
619:
618:Seven Minutes
615:
614:Elmo Williams
610:
607:
604:
598:
596:
594:
590:
588:
587:
586:Hello, Dolly!
582:
578:
573:
571:
567:
563:
559:
555:
551:
550:Henry Rowland
547:
543:
538:
532:
530:
527:
525:
521:
517:
513:
508:
506:
502:
498:
494:
493:
488:
484:
480:
479:
474:
466:
464:
462:
457:
455:
450:
448:
444:
440:
432:
427:
422:
421:Edith Evanson
419:
416:
415:Lynn Hamilton
413:
410:
407:
404:
401:
398:
395:
392:
389:
386:
383:
380:
377:
374:
371:
368:
365:
362:
359:
356:
353:
352:Charles Drake
350:
348:as Merle Reid
347:
344:
341:
338:
335:
332:
329:
326:
323:
320:
317:
314:
311:
308:
305:
302:
299:
298:Wayne Maunder
296:
295:
291:
289:
286:
282:
280:
275:
271:
267:
263:
259:
256:
252:
244:
242:
240:
236:
232:
228:
227:
217:
213:
209:
205:
202:United States
201:
197:
193:
187:
173:
172:
170:
164:
160:
156:
152:
148:
140:
137:
134:
130:
126:
122:
118:
114:
111:
107:
103:
99:
95:
94:Wayne Maunder
92:
88:
84:
80:
77:
72:
71:
67:
63:
58:
53:
51:Screenplay by
49:
46:
43:
39:
32:
27:
22:
19:
1875:
1867:
1848:
1840:
1832:
1824:
1817:
1816:
1808:
1800:
1792:
1784:
1776:
1768:
1760:
1752:
1744:
1736:
1728:
1720:
1712:
1704:
1696:
1688:
1633:
1622:
1611:
1600:
1580:. Retrieved
1573:
1564:
1552:. Retrieved
1546:
1536:
1527:
1521:
1512:
1502:
1490:. Retrieved
1486:the original
1481:
1478:Film Comment
1477:
1452:February 16,
1450:. Retrieved
1446:
1437:
1428:
1422:
1414:Film Comment
1413:
1407:
1398:
1392:
1383:
1377:
1368:
1358:
1346:. Retrieved
1337:
1313:
1293:
1287:
1276:
1247:
1240:
1220:
1213:
1193:
1186:
1166:
1159:
1139:
1132:
1123:
1117:
1106:
1100:
1088:. Retrieved
1084:the original
1077:
1067:
1055:. Retrieved
1048:
1039:
1027:. Retrieved
1023:the original
1016:
1006:
994:. Retrieved
990:the original
985:Toledo Blade
983:
973:
964:
958:
941:
935:
926:
920:
911:Film Comment
909:
890:February 16,
888:. Retrieved
886:. p. 34
883:
873:
863:February 16,
861:. Retrieved
859:. p. 45
856:
846:
836:February 16,
834:. Retrieved
829:
819:
810:
804:
795:
789:
777:. Retrieved
771:
762:
743:
737:
710:
709:
704:
697:
696:
685:
683:
678:
673:
671:
668:
665:
660:
659:
655:
635:
631:Stu Phillips
628:
617:
611:
608:
605:
602:
591:
584:
581:Irene Molloy
574:
570:Wolfman Jack
542:Edy Williams
539:
536:
528:
523:
519:
515:
511:
509:
505:Peter George
500:
497:Edward Albee
490:
482:
476:
470:
460:
458:
451:
446:
442:
436:
409:Wolfman Jack
340:Jackie Gayle
328:Lyle Bettger
322:Edy Williams
310:Philip Carey
287:
283:
278:
276:
272:
268:
264:
260:
250:
248:
225:
224:
223:
190:Running time
167:Release date
136:Stu Phillips
127:Dick Wormell
106:Edy Williams
102:Philip Carey
68:
56:
18:
1834:Supervixens
1826:Black Snake
1746:Motorpsycho
1513:Roger Ebert
1492:January 11,
1447:RingosTrack
593:Ron Randell
566:Tom Selleck
433:Development
397:David Brian
376:Tom Selleck
346:Ron Randell
194:115 minutes
82:Produced by
57:Uncredited:
41:Directed by
1899:1971 films
1893:Categories
1722:Fanny Hill
1675:Russ Meyer
730:References
646:Lynn Carey
625:Soundtrack
562:Olan Soule
473:Russ Meyer
467:Russ Meyer
411:as himself
405:as Iverson
391:Jan Shutan
382:Olan Soule
231:Russ Meyer
178:1971-07-23
143:Production
119:Fred Mandl
85:Russ Meyer
60:Manny Diez
45:Russ Meyer
950:156513468
652:Reception
638:B.B. King
437:In 1965,
124:Edited by
1738:Mudhoney
1628:AllMovie
946:ProQuest
779:March 9,
718:See also
693:Critical
599:Shooting
443:The Plot
207:Language
132:Music by
90:Starring
65:Based on
1637:at the
1582:July 9,
1575:Variety
1554:July 3,
1369:Filmink
1348:July 6,
1090:July 9,
1057:July 9,
1029:July 9,
996:July 9,
711:Variety
533:Casting
417:as Avis
210:English
199:Country
176: (
145:company
1853:(1979)
1845:(1976)
1837:(1975)
1829:(1973)
1821:(1971)
1813:(1970)
1805:(1970)
1797:(1968)
1794:Vixen!
1789:(1968)
1781:(1967)
1773:(1967)
1765:(1966)
1757:(1965)
1749:(1965)
1741:(1965)
1733:(1964)
1725:(1964)
1717:(1963)
1709:(1962)
1701:(1961)
1693:(1959)
1255:
1228:
1201:
1174:
1147:
948:
750:
518:, and
499:; and
215:Budget
1730:Lorna
701:'
512:Vixen
1606:IMDb
1584:2010
1556:2010
1494:2008
1454:2024
1350:2010
1253:ISBN
1226:ISBN
1199:ISBN
1172:ISBN
1145:ISBN
1092:2010
1059:2010
1031:2010
998:2010
892:2024
865:2024
838:2024
781:2016
748:ISBN
644:and
552:and
292:Cast
245:Plot
1842:Up!
1626:at
1615:at
1604:at
1342:UPI
583:in
520:BVD
237:by
74:by
1895::
1572:.
1545:.
1511:.
1480:.
1476:.
1462:^
1445:.
1367:.
1336:.
1324:^
1304:^
1267:^
1076:.
1047:.
1015:.
982:.
944:.
900:^
882:.
855:.
828:.
770:.
648:.
633:.
564:.
548:,
544:,
514:,
489:;
456:.
241:.
1667:e
1660:t
1653:v
1586:.
1558:.
1515:.
1496:.
1482:9
1456:.
1371:.
1352:.
1261:.
1234:.
1207:.
1180:.
1153:.
1094:.
1061:.
1033:.
1000:.
952:.
894:.
867:.
840:.
783:.
756:.
180:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
