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251:
In analyzing "The
Skaters", critic Brian McHale states that the poem "appears to make sense locally" but instead "one encounters an intractable flux of verbal 'found objects,' shifting styles and registers, teasing literary allusions and echoes, fragmentary narrative episodes and descriptive scenes."
177:
Ashbery later described the poem as "A meditation on my childhood which was rather solitary" and he often associated his childhood not as a painful experience but one of boredom. Ashbery agreed with that boredom was formative to his art, similar in vein to the statement of Larry Rivers to fellow New
172:
when I was writing âThe
Skaters,â the lines became unmanageably long. I would forget the end of the line before I could get to it. It occurred to me that perhaps I should do this at the typewriter, because I can type faster than I can write. So I did, and that is mostly the way I have written ever
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150:(b. 1927). Written from 1963 and in close to its final state in 1964, it was first published in Ashbery's fifth collection of poems,
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since. Occasionally I write a poem in longhand to see whether I can still do it. I don't want to be forever bound to this machine.
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423:
John
Ashbery: A Comprehensive Bibliography, including his art criticism, and with selected notes from unpublished materials
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that "the history of art and the history of each artistâs development are the response to the discomforts of boredom."
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302:. (London: Jonathan Cape, 1967), 32-62; and in a compilation of Ashbery's first five books: Ashbery, John.
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248:âwhere "the text is a series of juxtapositions; itâs hard to know if the poem is even about skaters."
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442:
McHale, Brian. "How (Not) to Read
Postmodernist Long Poems: The Case of Ashbery's 'The Skaters'." in
310:. (New York: Library of America, 2008), 147-178. Excerpts of the poem appeared in the Ashbery, John.
240:
457:
John
Ashbery: âThe Skatersâ from Rivers and Mountains, 1966 â a critical and genetic digital edition
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McHale, Brian. "How (Not) to Read
Postmodernist Long Poems: The Case of Ashbery's 'The Skaters'" in
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It is thought by several critics that the title "The
Skaters" refers to a passage in British poet
232:(47:53) â read by Ashbery at the Washington Square Art Gallery in New York City, August 23, 1964.
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meditation"âthat is, a rhetorical technique in which the poem is a writing about writing, as in
411:
Ashbery, John. "John
Ashbery in conversation with Mark Ford" (London: Between the Lines, 2003).
238:"The Skaters" is a puzzling poem that incorporates "techniques such as pastiche and moments of
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343:
Ashbery, John. Interview with Janet Bloom and Robert Losada, in
Packard, William (editor)
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Revue française d'études américaines 67: La poésie américaine: constructions lyriques
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Bernstein, Charles. "The
Meandering Yangtze. Rivers and Mountains (1966)" in
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314:. (New York: Viking Press, 1985), 71-79 and (London: Paladin, 1987), 75-83.
205:
19:
This article is about the poem. For the equivalent French title, see
465:
461:
306:. (Hopewell, New Jersey: Ecco, 1997), 194-223; and later in
384:
Getting At Experience: Ekphrasis in Ashberyâs âThe Skatersâ
373:. (Manchester, UK: Manchester University Press, 2000), 109.
435:
Milesi, Laurent. "Figuring out Ashbery: âThe Skatersâ" in
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21(3) (Fall 2000), 561-590. doi: 10.1215/03335372-21-3-561
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The Craft of Poetry Interviews from The New York Quarterly
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325:Interviews: John Ashbery, The Art of Poetry No. 33
432:. (New York: Columbia University Press, 1979).
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358:What Did I Do? The Unauthorized Autobiography
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323:John Ashbery interviewed by Peter A. Stitt.
168:, he wrote the poem largely on typewriter.
430:John Ashbery: An Introduction to the Poetry
156:published by Holt, Rinehart & Winston.
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298:The poem later appeared in Ashbery, John.
289:(New York: Library of America, 2008), 998.
164:According to an interview Ashbery gave to
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386:21 November 2010. Retrieved 2 July 2013.
425:. (New York: Garland Publishing, 1976).
360:. (New York: HarperCollins, 1992), 113.
287:John Ashbery: Collected Poems 1956-1987
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356:Rivers, Larry and Weinstein, Arnold.
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195:(1805), or possibly to a passage by
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347:. (New York: Doubleday, 1974), 119.
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568:Self-Portrait in a Convex Mirror
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189:'s autobiographical long poem
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285:Ford, Mark. "Chronology," in
112:Published in the collection
304:The Mooring of Starting Out
127:February 28, 1966
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621:And the Stars Were Shining
545:The Double Dream of Spring
197:American transcendentalist
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23:. For other uses, see
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532:The Tennis Court Oath
331:No. 90 (Winter 1983).
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662:Where Shall I Wander
557:The Vermont Notebook
539:Rivers and Mountains
274:Rivers and Mountains
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581:As We Know
525:Some Trees
256:References
241:ars poetic
131:1966-02-28
689:Breezeway
109:Publisher
56:Cover of
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439:(1996).
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103:English
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