Knowledge (XXG)

The Skin of Love

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continues and an odd dynamic evolves between the three. Despite having a boyfriend, Luis becomes increasingly uneasy, driving the boat excessively fast and crumpling up a portrait the young man draws of him. Luis orders them to dance in front of him on the beach and they end up frolicking in the sand together, which angers him. He questions the young man on if he is in love with his wife, leading to the two men fighting as the waves crash around them. Luis drives off in his boat, and he is later found dead washed up on the shore. The two continue their romance.
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A young man on holiday, drawing at the beach to pay for his expenses, meets an attractive woman with long, honey blond hair. While sketching her, they develop a friendship. They take a swim together and have refreshments before she departs. A romance blossoms and they have sex at his apartment, as
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While on a boat trip one day, the woman invites him to her mansion to meet her wealthy middle-aged husband, Luis, and he is asked to stay with them at their mansion. It becomes evident to the young man that her husband is homosexual and they have no chemistry together, and their relationship
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believed that the production was a mistake, remarking that "anecdotal insufficiency of the chosen matter makes such a languid and lazy visual procedure that, unintentionally, it dangerously approaches the arrogant emptiness of certain French cinema."
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wrote: "Both the story and the cast illustrate remarkably about the director's expressive dichotomy, forced to grant a series of elements to introduce others more in keeping with his seriousness". Carlos Morelli of
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wrote that "It is difficult to sustain an aspect like the one intended with the mere display of Mar del Plata landscapes". In his book
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his portraits on the walls look on. Besotted with her, he draws many pictures of her in the nude during his spare time on the beach.
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composed the soundtrack. Though not critically acclaimed, it became a popular film on television in Argentina.
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The screenplay was written by the director Mario David, working with
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composed the Latin jazz soundtrack, while the editing was done by
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Cine argentino: modernidad y vanguardias, 1957/1983, Volume 2
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Cine argentino: modernidad y vanguardias, 1957/1983
182: 174: 164: 141: 133: 119: 109: 99: 89: 71: 56: 45: 35: 21: 425:Manrupe, RaĂșl; Portela, MarĂ­a Alejandra (2001). 427:Un diccionario de films argentinos (1930-1995) 381: 379: 377: 507: 326:. The film was not well-received critically. 8: 514: 500: 492: 216:, who also wrote the script, working with 27: 18: 212:romantic comedy-drama film directed by 373: 322:The film premiered on 26 July 1973 in 672:Argentine romantic comedy-drama films 7: 128:CinematogrĂĄfica TrĂ­o Globus Baires 14: 667:1970s romantic comedy-drama films 362:List of Argentine films of 1973 1: 657:Films directed by Mario David 306:was hired to shoot the film. 652:1970s Spanish-language films 662:Films shot in Mar del Plata 693: 584:Cantaniño cuenta un cuento 412:"International Film Guide" 530: 450:Manetti, Ricardo (2005). 26: 677:1973 comedy-drama films 150:26 July 1973 137:Producciones Imperial 272:Claudio GarcĂ­a Satur 230:Claudio GarcĂ­a Satur 80:Claudio GarcĂ­a Satur 616:Con la misma bronca 544:Disputas en la cama 414:. 1973. p. 64. 345:El Heraldo del Cine 16:1973 Argentine film 600:El Grito de Celina 522:Films directed by 387:"La piel del amor" 302:. Cinematographer 634: 633: 608:La cruz invertida 192: 191: 684: 560:The Skin of Love 516: 509: 502: 493: 482:La Piel del amor 468: 467: 447: 441: 440: 422: 416: 415: 408: 402: 401: 399: 397: 391:Cinenacional.com 383: 202:La piel del amor 196:The Skin of Love 157: 155: 31: 22:The Skin of Love 19: 692: 691: 687: 686: 685: 683: 682: 681: 637: 636: 635: 630: 526: 520: 477: 472: 471: 464: 449: 448: 444: 437: 424: 423: 419: 410: 409: 405: 395: 393: 385: 384: 375: 370: 358: 320: 304:Adelqui Camusso 300:Isaac Aisemberg 296: 288:JesĂșs Berenguer 283:David Llewellyn 263: 250: 238:David Llewellyn 218:Isaac Aisemberg 167: 160: 153: 151: 144: 129: 124: 122: 94:Adelqui Camusso 51:Isaac Aisemberg 17: 12: 11: 5: 690: 688: 680: 679: 674: 669: 664: 659: 654: 649: 639: 638: 632: 631: 629: 628: 620: 612: 604: 596: 588: 580: 572: 568:El Amor infiel 564: 556: 548: 540: 531: 528: 527: 521: 519: 518: 511: 504: 496: 490: 489: 476: 475:External links 473: 470: 469: 462: 442: 435: 417: 403: 389:(in Spanish). 372: 371: 369: 366: 365: 364: 357: 354: 328:AgustĂ­n Mahieu 319: 316: 308:VĂ­ctor Proncet 295: 292: 291: 290: 285: 280: 277:HĂ©ctor Alterio 274: 269: 267:Susana GimĂ©nez 262: 259: 249: 246: 242:VĂ­ctor Proncet 234:HĂ©ctor Alterio 226:Susana GimĂ©nez 190: 189: 184: 180: 179: 176: 172: 171: 168: 165: 162: 161: 159: 158: 147: 145: 142: 139: 138: 135: 134:Distributed by 131: 130: 127: 125: 120: 117: 116: 114:VĂ­ctor Proncet 111: 107: 106: 101: 97: 96: 91: 90:Cinematography 87: 86: 84:HĂ©ctor Alterio 76:Susana GimĂ©nez 73: 69: 68: 58: 54: 53: 49:Mario David, 47: 43: 42: 37: 33: 32: 24: 23: 15: 13: 10: 9: 6: 4: 3: 2: 689: 678: 675: 673: 670: 668: 665: 663: 660: 658: 655: 653: 650: 648: 645: 644: 642: 626: 625: 624:La revelaciĂłn 621: 618: 617: 613: 610: 609: 605: 602: 601: 597: 594: 593: 589: 586: 585: 581: 578: 577: 573: 570: 569: 565: 562: 561: 557: 554: 553: 549: 546: 545: 541: 538: 537: 533: 532: 529: 525: 517: 512: 510: 505: 503: 498: 497: 494: 488: 484: 483: 479: 478: 474: 465: 463:9789509807891 459: 455: 454: 446: 443: 438: 436:950-05-0896-6 432: 428: 421: 418: 413: 407: 404: 392: 388: 382: 380: 378: 374: 367: 363: 360: 359: 355: 353: 351: 347: 346: 340: 335: 334: 329: 325: 317: 315: 313: 309: 305: 301: 293: 289: 286: 284: 281: 278: 275: 273: 270: 268: 265: 264: 260: 258: 254: 247: 245: 243: 239: 235: 231: 227: 223: 222:Mar del Plata 219: 215: 211: 208: 204: 203: 198: 197: 188: 185: 181: 177: 173: 169: 163: 149: 148: 146: 140: 136: 132: 126: 118: 115: 112: 108: 105: 102: 98: 95: 92: 88: 85: 81: 77: 74: 70: 66: 65:Elida Stantic 63:(executive), 62: 59: 55: 52: 48: 44: 41: 38: 34: 30: 25: 20: 622: 614: 606: 598: 590: 582: 574: 566: 559: 558: 550: 542: 534: 481: 452: 445: 426: 420: 406: 394:. Retrieved 349: 343: 331: 324:Buenos Aires 321: 312:Oscar Pariso 297: 255: 251: 201: 200: 195: 194: 193: 166:Running time 143:Release date 104:Oscar Pariso 592:El bromista 536:El Ayudante 524:Mario David 224:, it stars 214:Mario David 57:Produced by 40:Mario David 36:Directed by 647:1973 films 641:Categories 552:Paño verde 368:References 333:La OpiniĂłn 294:Production 220:. Shot in 170:77 minutes 154:1973-07-26 121:Production 61:Hugo Flesc 46:Written by 576:La Rabona 318:Reception 210:Argentine 178:Argentina 100:Edited by 356:See also 183:Language 110:Music by 72:Starring 279:as Luis 205:) is a 187:Spanish 175:Country 152: ( 123:company 67:(chief) 627:(1996) 619:(1988) 611:(1985) 603:(1983) 595:(1981) 587:(1979) 579:(1979) 571:(1974) 563:(1973) 555:(1973) 547:(1972) 539:(1971) 460:  433:  396:6 July 339:ClarĂ­n 487:IMDb 458:ISBN 431:ISBN 398:2020 261:Cast 248:Plot 236:and 207:1973 485:at 330:of 643:: 376:^ 314:. 240:. 232:, 228:, 82:, 78:, 515:e 508:t 501:v 466:. 439:. 400:. 199:( 156:)

Index


Mario David
Isaac Aisemberg
Hugo Flesc
Elida Stantic
Susana Giménez
Claudio GarcĂ­a Satur
HĂ©ctor Alterio
Adelqui Camusso
Oscar Pariso
VĂ­ctor Proncet
Spanish
1973
Argentine
Mario David
Isaac Aisemberg
Mar del Plata
Susana Giménez
Claudio GarcĂ­a Satur
HĂ©ctor Alterio
David Llewellyn
VĂ­ctor Proncet
Susana Giménez
Claudio GarcĂ­a Satur
HĂ©ctor Alterio
David Llewellyn
JesĂșs Berenguer
Isaac Aisemberg
Adelqui Camusso
VĂ­ctor Proncet

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