477:, by its very nature, is artificial." After discarding the material, Hellman began shooting around "page 10" of the screenplay. He felt the story was "perfectly simple" and did not need any additional information to help the audience figure things out. Nonetheless, Corman insisted on Hellman inserting a certain amount of exposition that Corman hoped would help explain the story. Corman felt that if mention was made three times during the course of the film that Gashade had a brother, audiences would not be confused by the climactic sequence. Hellman reluctantly agreed.
355:
Hellman, production had to shut down for half a day when Oates refused to speak a lengthy amount of dialogue in the way
Hellman wanted, preferring instead to whisper the lines almost unintelligibly. Oates stormed away from the film crew in anger when the director insisted. After Oates finally returned late in the afternoon, Hellman allowed the actor to read the lines the way he wanted, as long as he also read them in Hellman's preferred manner. In the editing room, Hellman rejected Oates's version.
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who is now closely following a man up the side of a rock formation. The man turns around and
Gashade sees that the man is his look-alike brother, Coigne. Gashade attempts to tackle the woman as she pulls out a gun and takes aim at Coigne, but it is too late; Coigne and the woman shoot each other dead. Gashade, lying next to the woman's corpse, whispers, "Coigne". Spear stumbles aimlessly under the hot sun.
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Spear forbids him from doing so. The woman says that the journey would be much easier without Coley. Spear and she demand that he be left behind. Gashade, under threat by Spear, reluctantly agrees and tells Coley he will come back for him soon. As they ride away, Spear brags to Coley that he was the one who killed Leland, and threatens to shoot Coley if he tries to follow and tell
Gashade.
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followed by a stranger dressed in black. He is Billy Spear, who continues to keep his distance from them. Gashade sees that the woman appears to be signaling to the man. Coley makes attempts to talk to the woman, but she continually taunts and insults him. She also repeatedly refuses to answer any of
Gashade's questions regarding the purpose of their journey.
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committed in revenge for the accidental trampling death of "a little person" in town, which may have been caused by
Gashade's brother, Coigne. Coigne had inexplicably rushed away from their camp moments before the shooting death. Coley becomes increasingly paranoid and Gashade takes his friend's gun away from him.
396:. Although Perkins enjoyed working on both of Hellman's Westerns, and became good friends with Warren Oates, she was dismayed that Hellman insisted on such realism that he allowed only the most minimal of makeup to be applied to the actors. She felt she was constantly filmed in an unflattering manner.
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The three see a bearded man sitting in the middle of the desert nursing a broken leg. The man tells the woman that the person she is seeking is only one day's ride away. She leaves him a canteen of water. Meanwhile, the bearded man's lost horse is found by Coley. He mounts the horse and rides back to
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Willet
Gashade, a former bounty hunter, returns to his small mining camp after a lengthy absence and finds his slow-witted friend Coley in a state of fear. Coley explains to Gashade that their partner, Leland Drum, had been shot to death two days before by an unseen assassin. The killing was possibly
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for
Gashade, Hellman was shopping in a Los Angeles bookstore when he suddenly and simultaneously thought of Perkins, Warren Oates, and Will Hutchins for the main roles. Perkins was Hellman's next-door neighbor at the time, and she had known both Hellman and Nicholson for many years, having first met
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All of the horses die. The group runs out of water, but they still keep moving. Gashade sees Spear growing weaker, and when the moment is right, attacks him. They fight, and after knocking Spear unconscious, Gashade grabs a large rock and crushes the killer's gun hand. Gashade walks after the woman,
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According to
Hellman, Eastman's script was used almost exactly as written, with no need for any rewrites. Hellman felt, though, that the first part of the script had too much expository material involving Gashade's trip through the desert as he returned to the mining camp, so Hellman simply deleted
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At night, having mistaken random gunshots by Coley as a signal from the woman, Spear suddenly walks into their camp and joins them. Hired by the woman as a gunslinger for reasons unknown, Spear is suspicious and hostile toward
Gashade and contemptuous of Coley. He repeatedly threatens both of their
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The young woman is rude and insulting to both
Gashade and Coley. She refuses to tell them her name. The three stop briefly in Crosstree. Gashade learns that Coigne was seen there only a day or two before. As they continue traveling slowly through the hot desert, Gashade observes that they are being
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The woman rides her horse hard. When it dies of exhaustion, Coley gives his horse to the woman and Gashade allows Coley to ride with him. Later, the woman loses the trail and asks Gashade to lead on. Gashade's horse shows signs of fatigue, so Gashade tells Coley to join the woman on her horse, but
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The following day, a young woman shoots her horse to death immediately outside of the camp. The sound of the gunshot temporarily sends the frightened Coley into hiding. Gashade examines the dead horse and notes that it appeared to be perfectly healthy, though the woman had said its leg was broken.
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in the genre since 1957. When director Hellman first suggested Oates as the star of the film, co-star and co-producer Nicholson immediately agreed with the choice, but during the filming, Nicholson and Oates repeatedly clashed, with the two frequently ending up in screaming matches. According to
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No U.S. distributor expressed any interest in either film. Nicholson sold the foreign rights to a French film producer, but the producer went bankrupt, and the prints of both films remained in bond at the Paris airport for almost two years. After "considerable legal maneuvering", Hellman and
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Corman financed the picture, serving as the film's uncredited executive producer. The budget was $ 75,000. Shooting began on April 15, 1965, with a production crew consisting of only seven individuals. During the first two days of the production, actual shooting was extremely limited due to
622:... Hellman builds remorselessly on the atmosphere and implications of the 'quest' until it assumes a terrifying importance in itself... What Hellman has done is to take the basic tools of the Western, and use them, without in anyway diluting or destroying their power, as the basis for a
574:). They decided to pass on a theatrical release. Instead, both films were sold directly to television. In 1971, theatrical rights to the film were obtained by Jack H. Harris Enterprises Inc., who purchased the rights based "on the strength of Jack Nicholson's new-found fame."
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near-constant rain, which caused severe flooding in the areas where they had planned to shoot. Hellman estimated that $ 5,000 of the already small budget was eaten up by the wasted time. Another $ 10,000 of the budget were for the horse wranglers' salaries, the only
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of the film, apart from the actors. Corman's deal with Hellman and Nicholson was that if the film went over budget, any additional costs would come out of their own pockets. Despite the initial problems, the film was completed for the original budget estimate.
598:(1981), after admitting he had difficulties with the "puzzling" climax, noted, "But while the end may ask more questions than it answers, the exciting journey that brings us to this point is one of the most rewarding sequences in the history of Westerns."
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was never released theatrically, had sparse television showings, and therefore initially had a very limited core of fans. Critics who did manage to view the film were extremely enthusiastic, and generally found it superior to Hellman's companion Western,
406:, Nicholson had been asked by Hellman to co-produce the film. The director called that decision "the biggest mistake of my life." Nicholson was constantly worried about the budget and repeatedly argued with Hellman over minuscule budgetary concerns.
272:, and was produced by Nicholson and Hellman. The story is about two men who are hired by a mysterious woman to accompany her to a town located many miles across the desert. During their journey, they are closely tracked by a black-clad
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hit and played for over a year in Paris. Also in 1968, the U.S. rights for both were sold to the Walter Reade Organization, a New York-based theatre chain that occasionally distributed films (they also handled the initial release of
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and presented it to Roger Corman to produce. Corman did not care for the script, but asked if the two would be willing to do a Western for him, instead. When they expressed an interest, Corman further suggested that they film
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as Coley: As Gashade's dimwitted friend, Hutchins was cast in the same burst of inspiration that Hellman had when he also thought of Warren Oates and Millie Perkins for the other lead roles in the film. Like Oates, when
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The woman offers Gashade a thousand dollars to lead her to a place called Kingsley. Although openly distrustful of her, he grudgingly accepts the offer. Coley, apparently smitten by the woman, accompanies them.
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539:, a similarly mysterious Western that also featured Nicholson and Perkins in the cast. Both films were completed in a total of six weeks of continuous shooting (three weeks per film).
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them while all of them were attending the same acting class. Hellman immediately telephoned Nicholson with his casting idea. Nicholson agreed that the three actors would be perfect.
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Nicholson were able to get the rights reverted to them. In 1968, Hellman managed to get both films theatrical showings in Paris, albeit without a distributor. According to Hellman,
376:, which ran from 1957 to 1961. Both Perkins and Hellman later recalled the actor as being a funny and charming man, who never complained about the often adverse filming conditions.
297:. No other domestic distributor had expressed any interest in the films. Walter Reade decided to bypass a theatrical release, and the two titles were sold directly to television.
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notes that "Hellman's calculated style, replete with disorientating close-ups and strange moments... confirm the detached fatalism of his story. This is a marvelous film."
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Because of the restrictively low budget, no lighting equipment was used during the shoot. Gregory Sandor shot the entire film in existing light (XL). For the film's many
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never made...If it weren’t so funny in its inimitable absurdist way, I suppose one could call it pretentious, but only at the risk of missing all the scary fun."
448:, which were produced by Fred Roos and filmed back-to-back in the Philippines. After completing the films, the director and actor wrote a screenplay called
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described the film as "ighly effective, playing with various levels of character and ideas... it is a fine western stylization that should not be missed."
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Westerns, in a manner similar to the Philippine-shot movies they had just finished. They agreed, and while Nicholson started working on the script for
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Hellman reportedly spent over a year editing the films, a claim Hellman vigorously denies. In 1967, both films received excellent reviews at the
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said it was an "...ultimately powerful film with an offbeat performance by Nicholson as a hired gun... and an incredible, unexpected finale."
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as Billy Spear: This was the young actor's 13th film appearance, and his fourth with director Hellman. In addition to playing the odious
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began production, Hutchins was already fully identified with the Western genre, having starred for several years in the
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Hellman and Nicholson scouted locations for several weeks, and looked at such familiar locales as
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was her fifth film, immediately followed by another starring role in Hellman's companion Western,
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the group. He charges at Spear, who shoots him dead. Gashade buries his friend in the sand.
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The Shooting and Ride in the Whirlwind: We Can Bring a Good Bit of Rope
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In 1964, Monte Hellman and Jack Nicholson had made two films together,
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links this odd movie, which he calls Hellman’s first masterpiece, to
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618:"Probably the first Western which really deserves to be called
729:"Badass Intensity and Holy Cool: A Warren Oates Retrospective"
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When Hollywood came to town: a history of moviemaking in Utah
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the film has a 100% rating based on reviews from 16 critics.
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was completed, production immediately commenced on Hellman's
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This article is about the 1966 film. For other uses, see
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as Willett Gashade: By the time Warren Oates starred in
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as the Woman: Best known for playing the title role in
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lives. Gashade advises Coley to keep away from Spear.
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desert, back-to-back with Hellman's similar Western
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822:DVD, VCI Video, 2000, audio commentary.
785:DVD, VCI Video, 2000, audio commentary.
350:, having appeared in dozens of film and
885:"Top Ten Corman – Part Three: Westerns"
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1511:English-language Western (genre) films
1012:. Cashiers Du Cinemart. Archived from
652:has referred to the film as the first
1140:Rosenbaum, Jonathan (June 26, 1996).
656:, and cited it as an inspiration for
427:James Campbell as Cross Tree Townsman
415:Guy El Tsosie as Indian at Cross Tree
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461:, Hellman asked their mutual friend
1182:from the original on June 30, 2022.
1516:English-language independent films
346:, he had become a veteran Western
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1496:Revisionist Western (genre) films
1491:Films scored by Richard Markowitz
1078:Leonard Maltin's Movie Guide 2007
1058:Monte Hellman: His Life and Films
1010:"Monte Hellman: In His Own Words"
672:Monte Hellman: His Life and Films
279:The film was shot in 1965 in the
1148:. Chicago Reader. Archived from
1471:Films directed by Monte Hellman
1466:American Western (genre) films
883:Vagg, Stephen (May 15, 2024).
705:List of American films of 1966
691:On review aggregation website
500:and the "desolate desert" for
412:Charles Eastman as Bearded Man
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1060:, McFarland & Co., 2002.
666:. He would later write that "
1461:1960s English-language films
1231:AFI Catalog of Feature Films
1176:"A Dozen Eccentric Westerns"
862:"Jack Nicholson Filmography"
840:"Millie Perkins Filmography"
544:Montreal World Film Festival
244:film edited and directed by
636:The Aurum Film Encyclopedia
409:B.J. Merholz as Leland Drum
180:February 24, 1971
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1476:American independent films
1456:1966 Western (genre) films
1080:, Plume Paperbacks, 2006.
754:"Warren Oates Filmography"
480:After briefly considering
418:Brandon Carroll as Sheriff
165:October 23, 1966
149:Jack H. Harris Enterprises
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16:1966 film by Monte Hellman
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1038:. Internet Movie Database
295:Walter Reade Organization
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21:Shooting (disambiguation)
931:Monaco, James (editor).
902:D'Arc, James V. (2010).
571:Night of the Living Dead
256:Adrien Joyce). It stars
1340:Beast from Haunted Cave
935:, Perigee Books, 1992.
385:The Diary of Anne Frank
248:, with a screenplay by
139:Santa Clara Productions
1501:1966 independent films
1144:Acid Western: Dead Man
1119:Hardy, Phil (editor).
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1364:Ride in the Whirlwind
1152:on September 29, 2007
1123:, Aurum Press, 1983.
1016:on September 27, 2011
991:, Delta Books, 1981.
967:, Delta Books, 1981.
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588:Ride in the Whirlwind
537:Ride in the Whirlwind
459:Ride in the Whirlwind
394:Ride in the Whirlwind
286:Ride in the Whirlwind
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548:Cannes Film Festival
421:Wally Moon as Deputy
1396:China 9, Liberty 37
1172:Rosenbaum, Jonathan
727:Sobczynski, Peter.
492:before deciding on
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1486:Films shot in Utah
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650:Jonathan Rosenbaum
370:television series
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1380:Two-Lane Blacktop
1356:Back Door to Hell
1076:Maltin, Leonard.
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681:Waiting for Godot
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1205:November 18,
1203:. Retrieved
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31:The Shooting
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1388:Cockfighter
1105:January 25,
1042:January 26,
989:Cult Movies
964:Cult Movies
620:existential
606:David Pirie
596:Cult Movies
592:Danny Peary
506:Glen Canyon
252:(using the
71:Produced by
51:Directed by
44:film poster
1451:1966 films
1445:Categories
1101:. Time Out
868:August 13,
864:. Allmovie
846:August 13,
842:. Allmovie
760:August 13,
756:. Allmovie
711:References
631:Phil Hardy
624:Kafkaesque
475:Exposition
432:Production
274:gunslinger
205:82 minutes
184:1971-02-24
169:1966-10-23
130:Production
61:Written by
578:Reception
508:in Utah.
498:Whirlwind
465:to write
373:Sugarfoot
254:pseudonym
132:companies
111:Edited by
1243:AllMovie
1180:Archived
738:June 30,
699:See also
663:Dead Man
611:Time Out
565:arthouse
229:$ 75,000
218:Language
119:Music by
83:Starring
1289:at the
1274:at the
1228:at the
1156:June 3,
889:Filmink
626:drama."
554:Release
450:Epitaph
404:villain
242:Western
221:English
210:Country
182: (
167: (
1431:(2010)
1423:(2006)
1415:(1989)
1407:(1988)
1404:Iguana
1399:(1978)
1391:(1974)
1383:(1971)
1375:(1966)
1367:(1966)
1359:(1964)
1351:(1964)
1343:(1959)
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531:After
368:ABC-TV
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226:Budget
190:Dallas
188: (
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175:SFIFF
1254:IMDb
1207:2018
1158:2007
1125:ISBN
1107:2007
1082:ISBN
1062:ISBN
1044:2007
1022:2006
993:ISBN
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969:ISBN
937:ISBN
908:ISBN
870:2022
848:2022
824:ISBN
787:ISBN
762:2022
740:2016
442:and
334:Cast
301:Plot
281:Utah
1263:at
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