Knowledge (XXG)

The Sick Stockrider

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scene and the kiddies romping on the “grassy mound” of the deceased. were, easy things to finish up with. All the.pictures are as good as the best imported, indeed, the children, frisking about the grave is a fine photographic effort. .When the “Sick Stockrider” is shown—it has had two successful innings at Hoyt’s —the poem is recited by Roy Redgrave, ’ who gets his best effects when the Stockrider and his mate are on the screen, and Bryant’s lips seem to move in unison with the verse.
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bush scene, with exhibitions of buckjumping, and was followed by the exciting chase of the bush ranger, 'Starlight.' and his gang, by the troopers' and bush men, the Tjnsrl ranaer at bay, and the struggle in the watercourse.. The lights and shades, the tragedies and comedies of bush life, were followed by the death of the stock rider, with the sturdy bush children romping over his crave — altogether a very fine and vivid production, which elicited a round of applause.
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The views wore very life-like and distinct, and illustrated the stockrider reeling from lm saddle, and as his mate tended him beneath the trees, recalling the scenes of his past life 'wheeling through the wild scrub the cattle in the wood,' Yarding the cattle gave opportunity for a fine and animated
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A sure draw on the bills, but not the easiest of themes for picture treatment. George Bryant played the dying man, whilst Godfrey Cass did the friend who shook his pillows up. a bit. The incidents of the sick one's old colonial days were arranged for interpolation as the yarn proceeded. The death
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The only drawback to it is that there is no connected 'story ' in the poem, only a series of incidents of bush life, so that the attention of the audience cannot be oarried to a culminating climax; but that the feature which does not apply to other films by the same company, where the dramatic
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The movie screened to thirty full houses in Victoria. It has been described as "solid and stagey with shaking canvas sets, an exaggerated alcoholic scene and a bull-goring sequence in which an actor tumble turns across an animal all too obviously at rest."
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It was the first of the company's film's released "though it was not the largest of their productions, they thought they had something which would appeal to all present. They were Australians, and hopeful of interesting the public in Australian pictures."
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wrote that "the film, though well made and essentially picturesque, had not sufficient of a story to grip the attention of an ordinary pint lire theatre attendance."
1002: 1132: 1157: 1147: 858: 866: 833: 1137: 1069: 874: 234:, established in 1913. It was shot at the company's studio in Elsternwick, Melbourne and near Healesville. It was finished by August 1913 361: 187:
The film presents the verses of the poem one by one, separated by illustrated tableaux. It tells the story about a dying stockman.
1152: 1045: 786: 365: 1142: 922: 535: 507: 479: 1053: 970: 906: 826: 1061: 930: 890: 168: 914: 986: 1077: 882: 791: 594: 978: 819: 382: 800: 994: 898: 635: 451: 1127: 1104: 743: 227: 172: 57: 1018: 954: 231: 176: 96: 775: 689: 566: 410: 598:. Launceston, Tas.: National Library of Australia. 15 October 1913. p. 3 Edition: DAILY 230:'s ballad was first published in 1870, the year of his death. The movie was the first from 303: 81: 1121: 1096: 843: 164: 46: 32: 1010: 210: 201: 196: 71: 67: 36: 719:, Sydney, N.S.W: John Haynes and J.F. Archibald, 9 October 1913, nla.obj-686314068 414:. Vol. XII, no. 5. New South Wales, Australia. 15 March 1930. p. 6 962: 639:. Vol. 51, no. 2709. Victoria, Australia. 20 September 1913. p. 6 148: 684: 658: 630: 561: 405: 811: 738: 589: 530: 502: 474: 377: 446: 256:
Contemporary reports said it was a box office success. However years later
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Screenings were often accompanied by a lecturer who would recite the poem.
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The cast performed a show for the people of Healesville during production.
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and is one of the few Australian silent films to survive in its entirety.
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Healesville and Yarra Glen Guardian (Vic. : 1900 - 1942)
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Healesville and Yarra Glen Guardian (Vic. : 1900 - 1942)
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Australian Film 1900–1977: A Guide to Feature Film Production
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also announced plans to film the poem but no movie resulted.
1088: 1029: 850: 144: 136: 126: 103: 87: 77: 63: 52: 42: 28: 23: 503:"Healesville and Yarra Glen Guardian and Standard" 475:"Healesville and Yarra Glen Guardian and Standard" 406:"LOCAL ACTORS SHOWED U.S.A. WAY TO MAKE PICTURES" 690:The Prahran Telegraph (Vic. : 1889 - 1930) 567:The Prahran Telegraph (Vic. : 1889 - 1930) 436:, Melbourne: Oxford University Press, 1998, p41 827: 8: 834: 820: 812: 673:– via National Library of Australia. 647:– via National Library of Australia. 491:– via National Library of Australia. 422:– via National Library of Australia. 351:– via National Library of Australia. 322:Mary Bateman, 'Lincoln Cass Filmography', 20: 1003:The Life's Romance of Adam Lindsay Gordon 618:Australian Cinema: The First Eighty Years 556: 554: 315: 7: 480:Healesville And Yarra Glen Guardian 175:. It was the first production from 282:interest is sustained through out. 14: 268:A contemporary review said that: 1133:Australian black-and-white films 616:Graham Shirley and Brian Adams, 1158:Australian films based on poems 1148:Films directed by W. J. Lincoln 1046:Captain Midnight, the Bush King 787:National Film and Sound Archive 207:George Bryant as the stockrider 366:National Archives of Australia 1: 1138:Australian silent short films 432:Andrew Pike and Ross Cooper, 859:It Is Never Too Late to Mend 867:The Mystery of a Hansom Cab 590:"ENGLISH AMUSEMENT COMPANY" 169:1870 poem of the same title 163:is a 1913 film directed by 1174: 1070:Get-Rich-Quick Wallingford 620:, Currency Press 1989 p 42 562:"PICTURE FILM PRODUCTION," 362:Details of original script 289:wrote that the title was: 659:"Who's Who in the Movies" 204:as the stock rider's mate 875:The Luck of Roaring Camp 132:2,000 feet or 2,500 feet 112:18 August 1913 447:"AUSTRALIAN-MADE FILMS" 1153:1910s Australian films 796:by Adam Lindsay Gordon 383:Williamstown Chronicle 326:, June–July 1980 p 175 296: 284: 275: 636:The Prahran Telegraph 291: 279: 277:Another review said: 270: 1143:Films based on poems 1030:Films as writer only 18:1913 Australian film 1105:The Power of Wealth 939:The Sick Stockrider 802:The Sick Stockrider 794:The Sick Stockrider 782:The Sick Stockrider 771:The Sick Stockrider 713:"AT POVERTY POINT." 228:Adam Lindsay Gordon 173:Adam Lindsay Gordon 160:The Sick Stockrider 152:English intertitles 58:Adam Lindsay Gordon 24:The Sick Stockrider 955:The Remittance Man 739:"AUSTRALIAN FILMS" 232:Lincoln-Cass Films 177:Lincoln-Cass Films 97:Lincoln-Cass Films 1115: 1114: 923:Breaking the News 851:Films as director 792:Original text of 727:– via Trove 631:"MOVING PICTURES" 156: 155: 56:original poem by 1165: 1054:Within Our Gates 971:The Road to Ruin 907:The Double Event 836: 829: 822: 813: 757: 756: 754: 752: 735: 729: 728: 726: 724: 709: 703: 702: 700: 698: 685:"Royal Pictures" 681: 675: 674: 672: 670: 655: 649: 648: 646: 644: 627: 621: 614: 608: 607: 605: 603: 586: 580: 579: 577: 575: 558: 549: 548: 546: 544: 527: 521: 520: 518: 516: 499: 493: 492: 490: 488: 471: 465: 464: 462: 460: 443: 437: 430: 424: 423: 421: 419: 402: 396: 395: 393: 391: 374: 368: 359: 353: 352: 350: 348: 333: 327: 320: 119: 117: 21: 1173: 1172: 1168: 1167: 1166: 1164: 1163: 1162: 1118: 1117: 1116: 1111: 1089:Plays as writer 1084: 1025: 918:(lost, c. 1911) 846: 840: 766: 761: 760: 750: 748: 737: 736: 732: 722: 720: 711: 710: 706: 696: 694: 683: 682: 678: 668: 666: 657: 656: 652: 642: 640: 629: 628: 624: 615: 611: 601: 599: 588: 587: 583: 573: 571: 560: 559: 552: 542: 540: 529: 528: 524: 514: 512: 501: 500: 496: 486: 484: 473: 472: 468: 458: 456: 445: 444: 440: 431: 427: 417: 415: 404: 403: 399: 389: 387: 376: 375: 371: 360: 356: 346: 344: 335: 334: 330: 321: 317: 312: 304:Harry Southwell 301: 266: 247: 225: 193: 185: 151: 129: 122: 115: 113: 106: 99: 92: 90: 70: 35: 19: 12: 11: 5: 1171: 1169: 1161: 1160: 1155: 1150: 1145: 1140: 1135: 1130: 1120: 1119: 1113: 1112: 1110: 1109: 1101: 1092: 1090: 1086: 1085: 1083: 1082: 1074: 1066: 1062:Within the Law 1058: 1050: 1042: 1033: 1031: 1027: 1026: 1024: 1023: 1015: 1007: 999: 991: 983: 975: 967: 959: 951: 943: 935: 931:Rip Van Winkle 927: 919: 911: 903: 895: 891:The Lost Chord 887: 879: 871: 863: 854: 852: 848: 847: 841: 839: 838: 831: 824: 816: 810: 809: 798: 789: 778: 765: 764:External links 762: 759: 758: 730: 704: 676: 650: 622: 609: 581: 550: 522: 494: 466: 438: 425: 411:Smith's Weekly 397: 369: 354: 328: 314: 313: 311: 308: 300: 297: 265: 262: 246: 243: 224: 221: 220: 219: 216: 213: 208: 205: 199: 192: 189: 184: 181: 154: 153: 146: 142: 141: 138: 134: 133: 130: 127: 124: 123: 121: 120: 109: 107: 104: 101: 100: 95: 93: 88: 85: 84: 82:Maurice Bertel 79: 78:Cinematography 75: 74: 65: 61: 60: 54: 50: 49: 44: 40: 39: 30: 26: 25: 17: 13: 10: 9: 6: 4: 3: 2: 1170: 1159: 1156: 1154: 1151: 1149: 1146: 1144: 1141: 1139: 1136: 1134: 1131: 1129: 1126: 1125: 1123: 1107: 1106: 1102: 1099: 1098: 1097:The Bush King 1094: 1093: 1091: 1087: 1080: 1079: 1075: 1072: 1071: 1067: 1064: 1063: 1059: 1056: 1055: 1051: 1048: 1047: 1043: 1040: 1039: 1035: 1034: 1032: 1028: 1021: 1020: 1016: 1013: 1012: 1008: 1005: 1004: 1000: 997: 996: 992: 989: 988: 984: 981: 980: 976: 973: 972: 968: 965: 964: 960: 957: 956: 952: 949: 948: 944: 941: 940: 936: 933: 932: 928: 925: 924: 920: 917: 916: 915:After Sundown 912: 909: 908: 904: 901: 900: 896: 893: 892: 888: 885: 884: 880: 877: 876: 872: 869: 868: 864: 861: 860: 856: 855: 853: 849: 845: 844:W. J. Lincoln 842:The works of 837: 832: 830: 825: 823: 818: 817: 814: 808: 804: 803: 799: 797: 795: 790: 788: 784: 783: 779: 777: 773: 772: 768: 767: 763: 746: 745: 740: 734: 731: 718: 714: 708: 705: 692: 691: 686: 680: 677: 664: 660: 654: 651: 638: 637: 632: 626: 623: 619: 613: 610: 597: 596: 591: 585: 582: 569: 568: 563: 557: 555: 551: 538: 537: 532: 526: 523: 510: 509: 504: 498: 495: 482: 481: 476: 470: 467: 454: 453: 448: 442: 439: 435: 429: 426: 413: 412: 407: 401: 398: 385: 384: 379: 378:"Advertising" 373: 370: 367: 363: 358: 355: 342: 338: 332: 329: 325: 324:Cinema Papers 319: 316: 309: 307: 305: 298: 295: 290: 288: 283: 278: 274: 269: 263: 261: 259: 254: 250: 244: 242: 238: 235: 233: 229: 222: 217: 214: 212: 209: 206: 203: 200: 198: 195: 194: 190: 188: 182: 180: 178: 174: 170: 167:based on the 166: 165:W. J. Lincoln 162: 161: 150: 147: 143: 139: 135: 131: 125: 111: 110: 108: 102: 98: 94: 86: 83: 80: 76: 73: 69: 66: 62: 59: 55: 51: 48: 47:W. J. Lincoln 45: 41: 38: 34: 33:W. J. Lincoln 31: 27: 22: 16: 1103: 1095: 1076: 1068: 1060: 1052: 1044: 1036: 1017: 1011:Nurse Cavell 1009: 1001: 993: 987:The Reprieve 985: 977: 969: 961: 953: 945: 938: 937: 929: 921: 913: 905: 897: 889: 881: 873: 865: 857: 801: 793: 781: 770: 749:. Retrieved 742: 733: 721:, retrieved 717:The Bulletin 716: 707: 695:. Retrieved 688: 679: 667:. Retrieved 662: 653: 641:. Retrieved 634: 625: 617: 612: 600:. Retrieved 595:The Examiner 593: 584: 572:. Retrieved 565: 541:. Retrieved 534: 525: 513:. Retrieved 506: 497: 485:. Retrieved 478: 469: 457:. Retrieved 450: 441: 433: 428: 416:. Retrieved 409: 400: 388:. Retrieved 381: 372: 357: 345:. Retrieved 340: 331: 323: 318: 302: 292: 287:The Bulletin 286: 285: 280: 276: 271: 267: 257: 255: 251: 248: 239: 236: 226: 211:Beryl Bryant 202:Godfrey Cass 197:Roy Redgrave 186: 159: 158: 157: 128:Running time 105:Release date 72:Godfrey Cass 68:Roy Redgrave 37:Godfrey Cass 15: 1078:Officer 666 1019:La Revanche 963:Transported 883:Called Back 531:"ARBOR DAY" 149:Silent film 29:Directed by 1128:1913 films 1122:Categories 979:The Crisis 663:Table Talk 341:The Herald 310:References 258:Table Talk 223:Production 218:Ward Lyons 215:Tom Cannam 116:1913-08-18 89:Production 43:Written by 995:The Wreck 899:The Bells 452:The Argus 145:Languages 140:Australia 1038:Moonlite 947:Moondyne 744:The Mail 264:Critical 64:Starring 53:Based on 807:AustLit 751:25 July 723:19 July 669:19 July 602:9 April 574:18 June 487:19 July 459:9 April 418:19 July 390:9 April 347:19 July 245:Release 137:Country 114: ( 91:company 1108:(1900) 1100:(1893) 1081:(1916) 1073:(1916) 1065:(1916) 1057:(1915) 1049:(1911) 1041:(1910) 1022:(1916) 1014:(1916) 1006:(1916) 998:(1913) 990:(1913) 982:(1913) 974:(1913) 966:(1913) 958:(1913) 950:(1913) 942:(1913) 934:(1912) 926:(1912) 910:(1911) 902:(1911) 894:(1911) 886:(1911) 878:(1911) 870:(1911) 862:(1911) 697:7 July 543:7 July 515:7 July 299:Remake 643:2 May 776:IMDb 753:2012 725:2024 699:2015 671:2024 645:2016 604:2012 576:2015 545:2015 517:2015 489:2024 461:2012 420:2024 392:2012 349:2024 191:Cast 183:Plot 805:at 785:at 774:at 364:at 171:by 1124:: 741:. 715:, 687:. 661:. 633:. 592:. 564:. 553:^ 533:. 505:. 477:. 449:. 408:. 380:. 339:. 835:e 828:t 821:v 755:. 701:. 606:. 578:. 547:. 519:. 463:. 394:. 118:)

Index

W. J. Lincoln
Godfrey Cass
W. J. Lincoln
Adam Lindsay Gordon
Roy Redgrave
Godfrey Cass
Maurice Bertel
Lincoln-Cass Films
Silent film
W. J. Lincoln
1870 poem of the same title
Adam Lindsay Gordon
Lincoln-Cass Films
Roy Redgrave
Godfrey Cass
Beryl Bryant
Adam Lindsay Gordon
Lincoln-Cass Films
Harry Southwell
"The Herald (Melbourne, Vic. : 1861 - 1954) - 16 Aug 1913 - p6"
Details of original script
National Archives of Australia
"Advertising"
Williamstown Chronicle
"LOCAL ACTORS SHOWED U.S.A. WAY TO MAKE PICTURES"
Smith's Weekly
"AUSTRALIAN-MADE FILMS"
The Argus
"Healesville and Yarra Glen Guardian and Standard"
Healesville And Yarra Glen Guardian

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