Knowledge (XXG)

The Somme (film)

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is more than a war picture. It deals with humanity in the war, the bitter and the sweet, the fineness and the hellishness, the friendliness and the hate. It is utterly free from hokum, but full of sentiment. It you are a red-blooded Britisher, you will not want to miss
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moved to the newly established New Era films to carry on the cycle. When Barkas fell ill, Wetherell was brought in to take over the project. Although Wetherell received the directors credit, much of the film was made by Barkas and
258:. "ere words fail utterly to describe even one scene of this mighty picture taken from the battlefields of France. Judging by the excitement and enthuasiasm created in its first Canadian showing, 632: 588: 531: 198:
format. It involved a number of the personnel who had previously worked on a successful series of documentary reconstructions of First World War battles by
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Tivoli hosted the first Canadian showing, with hundreds of people being "turned away" from the theatre daily.
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Toronto ads touted that the Imperial Army Museum provided the footage; its actual name is the
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released between 1921 and 1927. British Instructional Films had finished their series with
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will undoubtedly duplicate its effect every time it is thrown on the screen.
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A "masterpiece of British pictures," a "press agent" for the film told
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The following year the company released another docudrama,
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This article related to a British film of the 1920s is a
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Index

M.A. Wetherell
Geoffrey Barkas
Boyd Cable
E. Gordon Craig
Sydney Blythe
Freddie Young
Geoffrey Barkas
New Era Films
documentary film
M.A. Wetherell
Battle of the Somme
First World War
Isleworth Studios
docudrama
British Instructional Films
The Battles of Coronel and Falkland Islands
Geoffrey Barkas
Boyd Cable
Imperial War Museum
Q-Ships
Toronto, Ontario theatre
The Toronto Daily Star
The Somme
IMDb
v
t
e
M. A. Wetherell
Livingstone
Robinson Crusoe

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