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had a strong print identity that was modelled on
Victorian tabloids. According to editor Hebblethwaite, "This is a love affair with the printed word. We go to libraries to study old newspapers – we will never just be a website, and I've never thought of the internet as a threat. In a way,
187:. The initial print run of 10,000 had grown to 60,000 copies after five years, with five issues appearing per year, distributed free in 72 towns and cities. The paper's articles are written by established music journalists (some contributing pseudonymously), industry figures and musicians.
238:, said that what set the paper apart was its unconventional presentation style, with word plays in headlines such as "Wet Paint dripping in confidence at dry run for Bloc Party tour" or "Wolf People as good as a bit of howl's your father". According to
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is the equivalent of a vinyl record." As for its editorial philosophy, Hebblethwaite has said, "It will never follow hype, shake the oily hands of those who wish to influence her, lick the arses of musicians, or print top 10 lists."
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160:. It was founded in 2005 by designer Mickey Gibbons and editor Phil Hebblethwaite and had a circulation of more than 50,000.
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had an average readership in excess of 50,000 readers in the UK and
Ireland, putting it ahead of titles like
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offered "a candid, if not sometimes ruthless, response to the music industry from the inside outwards".
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was an independent bi-monthly free UK music newspaper, printed in the format of a
Victorian
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producer who liked the name, because he had once made a successful record sampling
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also contained a pull-out comics section, which featured early work by
425:"The Stool Pigeon Music Newspaper; Interview with Phil Hebblethwaite"
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328:"Pigeon fanciers coo song of love to newspaper with loft ambitions"
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was founded in 2005, with £10,000 in start-up funds provided by a
450:"British Invasion #3: The Comics of the Stool Pigeon, PopMatters"
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Founded by an award-winning magazine designer, Mickey
Gibbons,
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ceased publication with its last issue
December/January 2013.
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Defunct music magazines published in the United
Kingdom
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523:Defunct newspapers published in the United Kingdom
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392:"Pigeon ruffles feathers in music world"
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269:. The paper was also available in
82:Mickey Gibbons, Phil Hebblethwaite
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326:Hann, Michael (3 February 2010).
359:Pakinkis, Tom (18 August 2011).
35:Cover of the July 2012 issue of
175:marketing executive and former
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185:Kid Creole and the Coconuts
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232:Michael Hann, writing for
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423:Staff (18 June 2009).
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429:Transition Tradition
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90:January 2005
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502:The Quietus
494:Feature on
177:house music
164:Description
102:Final issue
87:First issue
62:Circulation
16:UK magazine
512:Categories
366:Music Week
277:References
251:Music Week
216:Krent Able
228:Reception
71:Publisher
56:Bimonthly
53:Frequency
489:Facebook
260:Kerrang!
126:Language
118:Based in
475:Twitter
298:28 June
158:tabloid
134:Website
129:English
110:Country
94:2005-01
92: (
79:Founder
434:9 July
403:9 July
372:9 July
339:9 July
271:Berlin
214:, and
173:Levi's
121:London
66:53,676
45:Editor
293:"ABC"
436:2012
405:2012
374:2012
341:2012
300:2012
263:and
499:on
487:on
473:on
266:NME
218:.
183:by
143:.uk
141:.co
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96:)
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