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The Story of the Last Chrysanthemums

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312:, but remains dissatisfied. Then Otoku tracks down Kiku and re-inspires him. She becomes his common law wife and continues to encourage him. When his uncle dies, he is fired and forced to join a travelling troupe and their times together become even harder. Four years later, we see Kiku and Otoku on the road, their fellow actors squabbling over small amounts of money. Kiku has changed in character to the point where he even strikes her. She still loves him, but his love has clearly faded. Their position worsens and Otoku becomes very sick. 217: 450:, called it "one of the cinema's great outpourings of imaginative energy." John Pym praised the film's sets, which were "crammed with human detail," and, when "sometimes offset by shots of notably uncluttered spaces," highlighted "the isolation of the two principles in a teeming world dominated by class prejudice, harsh economics, and sheer blank human indifference." 301:
the only one frank enough to disclose his artistic shortcomings and urge him to improve himself. When Otoku is dismissed by Kiku's family for her over-closeness to the young master, with the potential for scandal, Kiku tracks her down and states that he wishes to marry her. His family is outraged and Kiku is forced to leave Tokyo, taking the train to
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Otoku goes to meet Kiku's brother to beg that he be given an acting role in Tokyo, re-using the famous family name. He agrees that Kiku can play the part he was due to play on two conditions: one, that his acting has improved; two, that he and Otoku separate, as this is needed to reconcile with their
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The Tokyo troupe visit Osaka and have a triumphant welcome. Kiku's father says that Kiku may take pride of place in the river parade after the performance. The landlord comes and tells Kiku that Otoku is ill and will die that night. Kiku hesitates as it is his evening of glory, but his father forces
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actor, who is training to succeed his father in an illustrious career. Whilst hypocritically praising Onoe's acting to his face, the rest of his father's troupe deride him behind his back. Otoku, who lives at the father's house as the young wet-nurse of the infant son of the father's natural son, is
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Kiku gives a bravura performance of Sumizome, a difficult and critical female role. He has at last found his niche and the fame he had always sought as a kabuki actor. Otoku watches sadly from the wings, but she is happy for him. The family agree that Kiku may perform in Tokyo. As Kiku boards the
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him, saying how much Otoku helped him. Ultimately Kiku's father accepts Kiku's marriage to Otoku and Kiku tells her this, but this reconciliation comes only when she is already on her deathbed (due, by implication, to
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train to Tokyo Otoku cannot be found, and Fuku hands him a letter from her, explaining everything. His companions explain that he must continue to Tokyo in order to make Otoku's sacrifice worthwhile. He is a success.
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Many critics regard the film as Mizoguchi's major pre-war achievement, if not his best work, lauding its cinematography, marked by the use of
1219: 885: 440:" and argued that "the theme of female sacrifice that informs most of his major works is given a singular resonance and complexity here." 561: 328:). Proud that he is at last happy, she urges him to join the river parade because the audience is waiting to see and praise him. 1044: 660: 469: 1209: 927: 122: 1148: 1224: 1194: 972: 1036: 1214: 457: 1028: 920: 285:(male actor specialising in playing female roles) struggling for artistic mastery in late 19th century Japan. 1068: 630: 1140: 1124: 956: 862: 690: 55: 526: 1084: 841: 28: 604: 1132: 894: 1179: 1012: 846: 361: 1116: 1052: 980: 433: 384:. It was also the initial film of what was later regarded as a trilogy about theater during the 278: 78: 410:
Muramatsu's short story was based on kabuki actor Kikunosuke Onoe II (尾上 菊之助(2代目), 1868–1897).
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She dies, while the theater's parade led by her husband can be heard in the distance.
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University of California, Berkeley Art Museum & Pacific Film Archive
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One year later, Kiku is acting alongside his uncle, Tamiro Naritaya in
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Kikunosuke Onoe, generally called Kiku, is the adopted son of a famous
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s list of best films of the year, and also won Mizoguchi an
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The Best Japanese Film of Every Year – From 1925 to Now
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was selected for the Cannes Classics section of the
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Boston: Twayne Publishers. p. 22. 1200:Films with screenplays by Yoshikata Yoda 742: 740: 713: 711: 436:pointed out Mizoguchi's "refusal to use 659:Rosenbaum, Jonathan (26 October 1985). 484: 720:"The Story of the Last Chrysanthemums" 691:"The Story of the Late Chrysanthemums" 661:"The Story of the Last Chrysanthemums" 490: 488: 7: 1021:The Story of the Last Chrysanthemums 848:The Story of the Last Chrysanthemums 837:The Story of the Last Chrysanthemums 826:The Story of the Last Chrysanthemums 815:The Story of the Last Chrysanthemums 454:The Story of the Last Chrysanthemums 374:The Story of the Last Chrysanthemums 352:Tokusaburo Arashi as Shikan Nakamura 266:The Story of the Late Chrysanthemums 237:The Story of the Last Chrysanthemums 22:The Story of the Last Chrysanthemums 380:studios after a short interlude at 376:was Mizoguchi's first film for the 358:Benkei Shiganoya as Kikuguro's wife 260:The Story of the Last Chrysanthemum 229:The Story of the Last Chrysanthemum 14: 1185:Films directed by Kenji Mizoguchi 1190:Japanese black-and-white films 1045:The Love of Sumako the Actress 1: 747:Brody, Richard (5 May 2014). 1220:Films based on short fiction 277:. Based on a short story by 1230:Films scored by Shirō Fukai 552:McDonald, Keiko I. (1984). 388:(the others being the lost 249: 1246: 1037:Utamaro and His Five Women 396:). The film ranked 2nd in 182:October 10, 1939 951: 458:2015 Cannes Film Festival 243: 231:(1939) by Kenji Mizoguchi 33:Theatrical release poster 26: 16:1939 Kenji Mizoguchi film 637:. British Film Institute 1149:Tales of the Taira Clan 1069:Portrait of Madame Yuki 500:Japanese Movie Database 1141:Princess Yang Kwei-Fei 1125:The Woman in the Rumor 957:The Morning Sun Shines 775:, in: Wakeman. p. 792. 577:Wakeman, John (1987). 232: 1085:The Lady of Musashino 884:(13 September 2016). 355:Yōko Umemura as Osato 269:, is a 1939 Japanese 227: 1210:Japanese drama films 1133:The Crucified Lovers 895:Criterion Collection 786:"Zangiku monogatari" 579:World Film Directors 394:The Life of an Actor 349:Kakuko Mori as Otoku 1013:Sisters of the Gion 861:(2 December 1999). 362:Kinnosuke Takamatsu 56:Matsutarō Kawaguchi 1225:Films about Kabuki 1195:Films about actors 1117:Sansho the Bailiff 1053:Women of the Night 981:The Water Magician 943:Films directed by 842:TCM Movie Database 790:Festival de Cannes 471:Zangiku monogatari 434:Jonathan Rosenbaum 405:Education Ministry 250:Zangiku monogatari 233: 105:Gonjurō Kawarazaki 74:Zangiku monogatari 1167: 1166: 1093:The Life of Oharu 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Index


Kenji Mizoguchi
Matsutarō Kawaguchi
Yoshikata Yoda
Shōfu Muramatsu
Minoru Miki
Shirō Fukai
Shochiku
drama film
Kenji Mizoguchi
Shōfu Muramatsu
onnagata
Tokyo
kabuki
Nagoya
Osaka
tuberculosis
Kinnosuke Takamatsu
Shochiku
Shinkō Kinema
Meiji period
Kinema Junpo
Education Ministry
long takes
dolly shots
Chicago Reader
Jonathan Rosenbaum
close-ups
Richard Brody
The New Yorker

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