525:, with a definite beginning (the unsuccessful attempt to catch the mouse), middle (Miss Moppet pretending to be hurt and catching the mouse), and end (Miss Moppet teasing the mouse and his escape). Redfield notes that Potter makes the outcome of the plot uncertain and creates parity between the characters, which are naturally predator and prey; Potter makes Miss Moppet "young, inexperienced, female, and a pet", while the mouse is "mature, courageous, male, and independent". Redfield praises Potter's skill as an author; she uses the hole in the duster twice—to allow Miss Moppet to catch the mouse, but then for him to escape her—and uses phrases particularly suited for a parent to read aloud to a child ("This is the mouse ..."). Redfield concludes that while teasing is bad in the story—dangerous for the mouse, and cruel for the cat—Potter herself teases the reader in a good way, showing "us that teasing is a kind of loving when it is a kind of teaching. The poet plays with us, and by taking us through an unreal experience, teaches us what it is to live in the real world."
393:
millimetres (4.3 in × 98.1 in). As Lear writes, Potter "experimented with a panorama format of fourteen pictures on one long strip of paper which folded into a wallet tied with a ribbon". Lear explains that the format "although popular with readers was ultimately unsuccessful, because shopkeepers found them difficult to keep folded". Potter referred to this fact late in life when she said, "Bad Rabbit and Moppet were originally printed on long strips—The shops sensibly refused to stock them because they got unrolled and so bad to fold up again". MacDonald points out that the fragile panorama format was inappropriate for very young children.
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484:"And because the Mouse has teased Miss Moppet—Miss Moppet thinks she will tease the Mouse; which is not at all nice of Miss Moppet." The kitten ties the mouse up in the duster then tosses it about like a ball. The mouse peeks from the hole in the duster. In the last illustration but one, Miss Moppet is seated upright on her rump and staring at the reader. The duster lies opened and empty in her paws. "She forgot about that hole in the duster", and the mouse has escaped. He dances a jig safely out of Miss Moppet's reach atop the cupboard.
198:
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381:"feigns illness in a rocking chair, wrapped up with flannel". Potter was modeling her sketches from a young kitten and, wanting not to show cruelty, she wrote of the kitten: "She should catch him by the tail / less unpleasant". Children's literature scholar Peter Hunt writes that Potter was careful to protect her young audience from graphic details and she refused to depict death in her stories.
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582:(2003). Kutzer writes: "the illustrations are more fluid and the storyline more humorous and less moralistic". Potter was never at her best when writing for a clearly defined audience, Kutzer observes, and in writing a Victorian moral tale about teasing, Potter failed to completely engage the reader's imagination in either the story or the illustrations. However, as MacDonald notes,
529:
making Miss Moppet nothing more than a story describing the natural behaviour of kittens. Potter's anthropomorphized animals are in fact slightly naughty, yet in their naughtiness the punishment is never the moral of the tale. At the end of Miss Moppet, the kitten is not punished and the mouse dances on the cupboard. This leads
Chandler to quote literary scholar of
1887:
725:, and Garland's cartoon copied the text and parodied four panels of the story, with Callaghan as the mouse who escapes Thatcher the kitten. In 1986, MacDonald observed that Potter's books had become a "traditional part of childhood in most only English-speaking countries and in many of the countries into whose languages Potter's books have been translated".
688:, reported that Potter was considered one of the most popular classic writers, that anniversary editions of her work were published in 1993 and 2002, and the artwork has been "re-scanned to make the illustrations look fresher and brighter". The Frederick Warne name still appears on editions of Potter's books in English.
427:
in its panorama format, and republished the story in a book format that year. Potter illustrated a frontispiece of the kitten and mouse seated in profile, and a title page vignette of a mouse on all fours facing the reader for the book format. At 113 by 92 millimetres (4.4 by 3.6 in), the book's
392:
in
November 1906, and another 10,000 copies in December 1906. There were no subsequent printings in the panorama format. The strip folded accordion-fashion into a grey cloth wallet measuring 108 by 89 millimetres (4.3 in × 3.5 in). When opened, the panorama strip measured 108 by 2,492
528:
In her essay "Thoroughly Post-Victorian, Pre-Modern
Beatrix" professor of English Katherine Chandler points out that Potter, unlike most Victorian writers of children's books, wrote original stories based on the realism of animal behaviour. Chandler notes that Potter avoids moralizing in her tales,
458:
and green jacket "peeping out behind the cupboard, and making fun of Miss Moppet. He is not afraid of a kitten." Miss Moppet darts at him, but misses and bumps her head on the cupboard. She hits the cupboard very hard and rubs her nose. The mouse scurries to the top of the cupboard and watches her.
165:
Miss Moppet, the story's eponymous main character, is a kitten teased by a mouse. While pursuing him she bumps her head on a cupboard. She then wraps a duster about her head, and sits before the fire "looking very ill". The curious mouse creeps closer, is captured, "and because the Mouse has teased
638:
produced a Miss Moppet music box figurine. From 1983 to 1991, Schmid distributed two Miss Moppet
Christmas ornaments (3 and 1.5 inches (76 and 38 mm) tall), made by the Italian firm ANRI. Stuffed toy manufacturers requested licensing for Potter's figures early in the 20th century; however she
607:
Rabbit stuffed toy, an unpublished board game, and nursery wallpaper. Similar "side-shows" (as she termed the ancillary merchandise) were produced throughout her life. For a number of years Potter designed
Christmas cards with characters from her books that were sold to raise money for charities.
606:
Potter asserted her tales would one day be nursery classics, and part of the "longevity of her books comes from strategy", writes Potter biographer Ruth MacDonald. She was the first to exploit the commercial possibilities of her characters and tales; between 1903 and 1905 these included a Peter
225:
Potter's adolescence was as quiet as her childhood. She matured into a spinsterish young woman whose parents groomed her to be a permanent resident and housekeeper in their home. She continued to paint and draw, and experienced her first professional artistic success in 1890 when she sold six
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536:, "there is nothing in work that resembles the moral tale. In fact if might be argued that she is writing something pretty close to a series of immoral tales". In addition Chandler notes that Potter's economic use of prose presages modernism, comparing her writing to that of
213:
and tutors, and passed a quiet childhood reading, painting, drawing, tending a nursery menagerie of small animals, and visiting museums and art exhibitions. Her interests in the natural world and country life were nurtured with holidays in
Scotland, the
166:
Miss Moppet—Miss Moppet thinks she will tease the Mouse; which is not at all nice of Miss Moppet". She ties him up in the duster and tosses him about. However, the mouse makes his escape, and once safely out of reach, dances a jig atop the cupboard.
247:
had once rejected the tale but, to maintain its position in the small-format children's book market, reconsidered and accepted the "bunny book" (as the firm called it) following the recommendation of their prominent children's book artist
618:. Hilltop was opened to visitors in 1946, and displayed her original artwork there until 1985. After Potter's death, Frederick Warne & Co granted licences to various firms for the production of merchandise based on her characters.
348:
explains that "pickle" was a word Potter used to describe "free-thinking exuberant people, like her cousin
Caroline, or mischievous kittens and small children." Potter used the same drawings of the kitten as a model for her next book,
555:
demonstrates Potter's ability to pare text and illustrations to essentials noting that she worked best with more complicated plots, more complicated characters, and stories with specific settings rather than generalized backgrounds.
420:. Potter's eyesight was failing and she refused to develop it. The story was published in book format with Potter's 1906 rough sketches for the first time in 1971. It is not included in the standard 23-volume Peter Rabbit library.
639:
refused to grant permission, having been disappointed with the quality of the proposed stuffed toys. Frederick Warne & Co retained rights to all Potter merchandise and in 1973 granted a licence to the Eden Toys company of
243:. Unable to find a buyer for her book, partially because the children's book market of the time depended on brightly coloured illustrations unlike Potter's line drawings, she decided to publish it privately in December 1901.
343:
was a difficult subject. "n exasperating model", Potter wrote, "I have borrowed a Kitten and I am rather glad of the opportunity of working at the drawings. It is very young and pretty and a most fearful pickle." Biographer
157:
for the 1906 Christmas season. Potter was born in London in 1866, and between 1902 and 1905 published a series of small-format children's books with Warne. In 1906, she experimented with an atypical panorama design for
376:
stories, possibly in an attempt to find career direction. So deep was her admiration, Lear speculates the scene of Miss Moppet wrapping her head in the duster comes from a similar scene in an Uncle Remus tale in which
564:, she indicates, rather than the typical Potter tale of causality, extended plot, and variety of character, and depends upon the archetypal animosity between cat and mouse with the cat being the dominant character.
265:
Potter continued to publish children's books with Warne, and by 1905 she found herself financially independent. Her books were selling well, and her income, combined with a small inheritance, allowed her to buy
1832:
615:
355:, which she dedicated in 1907 "to all Pickles—especially those that get upon my garden wall". Miss Moppet is one of Tom Kitten's sisters, and appears as a character in both books featuring him:
454:
The tale opens with an illustration of a wide-eyed kitten: "This is a Pussy called Miss Moppet, she thinks she has heard a mouse!" The following illustration depicts a mouse wearing a pink
324:", as explained by Taylor. The panorama format consisted of "long strips of paper, on which the individual pages of pictures and text were arranged in order from left to right."
2065:
957:
361:
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Miss Moppet ties a duster about her head and sits before the fire on a red hassock. The mouse's curiosity is piqued; he thinks she looks very ill, and comes sliding down the
818:
466:. "Miss Moppet looks worse and worse." The mouse creeps nearer. Miss Moppet holds her head in her paws and peeks at the mouse through a hole in the duster. "The Mouse comes
630:
which continued to issue the figurine under the "Royal Albert" brand until it was discontinued in 2002. From 1980 to 1995 when it went out of business, Schmid & Co. of
2237:
2335:
2399:
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illustrations of her pet rabbit to a greeting card publisher. She hoped to lead a useful life independent of her parents, and tentatively considered a career in
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was scheduled for publication in 1907 but fell victim to the pressures exerted by booksellers. It was set aside, but was proposed for publication in 1916 as
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1930:
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1957:
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In 1900, Potter revised a tale that she had written for a child in 1893, fashioning it into a dummy book similar to the size and style of
173:
is considered one of Potter's lesser efforts, for young children it is valued as an introduction to books in general, and to the world of
252:. Potter agreed to colour her pen-and-ink illustrations according to Warne's requirements, and she suggested Warne use the new Hentschel
2128:
1891:
667:, remain in print, and are available as a complete set in a presentation box. A 400-page omnibus edition is also available, as is an
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1815:
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1608:
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Panorama section of Miss Moppet (left to right): tossing the mouse in the duster, a text page, and discovering the mouse has escaped
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239:
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2079:
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2058:
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2030:
2016:
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Potter died on
December 22, 1943, and left her home and the original illustrations for almost all of her books, including
296:
2086:
1950:
2264:
2209:
1988:
544:
286:
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died a few weeks after their secret engagement, she became depressed, but went on to devote herself to her stories.
2167:
2002:
340:
492:
2107:
2093:
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in 1984, Frederick Warne & Co remained a subsidiary company and continues to publish Potter's books. A 2002
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The 1918 hardcover edition cover had an onlay of this image of Miss Moppet peeking through a hole in the duster.
2243:
2009:
1995:
1981:
327:
320:'s illustrations, she intended to have the stories published in "panoramic format in the style of Cruikshank's
258:
2341:
598:
230:, but the all-male scientific community regarded her as nothing more than an amateur and she abandoned fungi.
1943:
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718:
640:
635:
412:. Both were later published in a small-book 122 by 103 millimetres (4.8 in × 4.1 in) format.
244:
197:
154:
77:
446:
2281:
2051:
930:
623:
396:
351:
118:
671:, released in 2005. First edition and early edition Potter books are offered by antiquarian booksellers.
131:
561:
508:
369:
253:
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dimensions were smaller than other Peter Rabbit books. In 1917, she suggested to her publisher that
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were published in panorama format in
November and December 1906 in exactly the same measurements as
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2253:
2100:
521:
695:
has been translated include
Chinese, French, German, Italian, Japanese, Spanish and Vietnamese; a
28:
2351:
1897:
1794:
1151:
533:
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to manufacture stuffed animals based on Potter's characters. Beginning in 1975 these included a
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1836:
1811:
1757:
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1730:
1711:
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1344:
1320:
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963:
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714:
680:
500:
317:
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in 2005. First editions in the original format are available through antiquarian booksellers.
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is a tale about teasing, featuring a kitten and a mouse, that was written and illustrated by
2306:
2192:
1786:
1143:
704:
537:
249:
2322:
2160:
1901:
1825:
Taylor, Judy; Whalley, Joyce Irene; Hobbs, Anne Stevenson; Battrick, Elizabeth M. (1987).
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722:
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released a porcelain figurine of Miss Moppet in 1954; the firm was eventually acquired by
619:
587:
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But she forgot about that hole in the duster; and when she untied it – there was no Mouse!
312:
234:
300:, she considered developing books for a younger audience. Three stories were the result:
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2301:
1966:
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1645:
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Beswick Pottery made a porcelain figurine of Miss Moppet tying the mouse in the duster.
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Rupert William Potter and his wife Helen (Leech) Potter in London. She was educated by
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42:
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1826:
1619:
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709:
675:
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219:
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162:, which booksellers disliked; the story was reprinted in 1916 in small book format.
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275:
174:
378:
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Wallet interior shows (left to right) the flap, title page, and first illustration
177:. The character of Miss Moppet was released as a porcelain figurine in 1954 and a
1700:
647:
Miss Moppet, which was discontinued in 2001 when Eden Toys went out of business.
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655:
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271:
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in the Lake District in July of that year. When her longtime editor and fiancé
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1855:
345:
136:
1540:
1523:
1411:
1130:
Chandler, Katherine (2007). "Thoroughly Post-Victorian, Pre-Modern Beatrix".
1671:
530:
516:
463:
210:
206:
1886:
1147:
2296:
1419:
Potter, Beatrix; translated by Patrice Charvet and Annie Thiriot (1976).
504:
227:
1798:
1348:
696:
631:
455:
182:
1910:
1790:
389:
819:"Historical survey of children's literature in the British Library"
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As of 2010, all 23 of Potter's small-format books, including
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Ruth K. MacDonald, English and children's literature professor at
491:
445:
395:
326:
285:
196:
178:
1935:
185:
version, translated into seven languages, and was released in an
590:, and serves as a good initial approach to Potter's literature.
1939:
1923:
1601:
Beatrix Potter Collectibles: The Peter Rabbit Story Characters
335:
Potter was at Hill Top in July 1906 during the development of
1647:
International Companion Encyclopedia of Children's Literature
1438:
Potter, Beatrix; translated by Cornelia Krutz-Arnold (2002).
574:
according to M. Daphne Kutzer, an English professor at the
339:, and the kitten she borrowed as a model from a mason from
331:
Miss Moppet sits before the fire with her head in a duster.
1319:. Vol. 23 volumes. London: Frederick Warne & Co.
684:
article, written for the centennial of the publication of
1406:(in Chinese). Tai bei: 纯文学出版社, Chun wen xue chu ban she.
1771:
Redfield, James M. (1985). "An Aristotelian Analysis of
1535:. Vancouver: Canadian National Institute for the Blind.
707:
in a political cartoon in the 11 June 1976 issue of the
1457:
Potter, Beatrix; translated by Rosalba Ascorti (1990).
205:
Helen Beatrix Potter was born on July 28 1866 to
470:
close." Miss Moppet jumps and snags him by the tail.
2066:
The Tale of Samuel Whiskers or The Roly-Poly Pudding
1808:
Beatrix Potter: Artist, Storyteller and Countrywoman
1476:
Potter, Beatrix; translated by Momoko Ishii (1988).
1371:
Eccleshare, Julia (2002). "Peter Rabbit Turns 100".
959:
The Tale of Samuel Whiskers or The Roly-Poly Pudding
372:
and created a series of plates in the 1890s for his
362:
The Tale of Samuel Whiskers or The Roly-Poly Pudding
201:
The last illustration shows the mouse dancing a jig.
2315:
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2238:
The Adventures of Peter Rabbit & Benjamin Bunny
2201:
2177:
2145:
1973:
126:
113:
100:
92:
84:
72:
64:
56:
48:
38:
2336:Roald & Beatrix: The Tail of the Curious Mouse
1828:Beatrix Potter 1866–1943: The Artist and Her World
1745:
1699:
1644:
423:By 1916 Frederick Warne & Co had discontinued
1402:Potter, Beatrix; translated by Zu Li Xia (1978).
1073:. London: Frederick Warne & Co. p. 140.
1031:
1029:
1027:
897:
895:
1167:
1165:
472:
388:were released in a panorama format priced at a
1404:小猫莫蓓小姐的故事 / Xiao mao mo bei xiao jie de gu shi
511:, in his article "An Aristotelian Analysis of
181:toy in 1973. The book has been published in a
1951:
570:was more successful than its companion piece
8:
1461:(in Italian). Milan: Sperling & Kupfer.
1052:
1050:
999:
997:
864:
862:
450:Miss Moppet discovers the mouse has escaped.
21:
1727:A History of the Writings of Beatrix Potter
1294:"Potter, Beatrix: The Story of Miss Moppet"
1064:
1062:
699:edition in English has also been prepared.
576:State University of New York at Plattsburgh
1958:
1944:
1936:
1931:Victoria and Albert Museum: Beatrix Potter
27:
20:
876:
874:
515:", finds the story follows the tenets of
368:Potter was an admirer of American author
1480:(in Japanese). Tokyo: Fukuinkan Shoten.
1423:(in French). London: F. Warne & Co.
1898:An omnibus of Potter's children's tales
1691:The Tale of Beatrix Potter: A Biography
1478:モペットちゃんのおはなし / Mopetto-chan no ohanashi
738:
2231:The World of Peter Rabbit and Friends
2024:The Tale of the Pie and the Patty-Pan
270:, a farm of 34 acres (14 ha) at
7:
2400:Children's books about mice and rats
1268:Journal of Antiques and Collectibles
721:in the government of Prime Minister
1599:Dubay, Debby; Sewall, Kara (2006).
1578:Ahearn, Allen and Patricia (1995).
1421:L'Histoire de Mademoiselle Moppette
222:home of her paternal grandparents.
1518:(in Vietnamese). Hanoi: Kim Đồng.
1071:Beatrix Potter: The Complete Tales
14:
1497:La historia de la señorita Minina
1442:(in German). Aarau: Sauerländer.
294:In 1906, as Potter was finishing
16:Children's book by Beatrix Potter
2038:The Story of a Fierce Bad Rabbit
1885:
1873:
1858:
1702:Beatrix Potter: A Life in Nature
1693:. Frederick Warne & Co. Ltd.
1643:Hunt, Peter; Sheila Ray (1996).
572:The Story of a Fierce Bad Rabbit
406:The Story of a Fierce Bad Rabbit
307:The Story of a Fierce Bad Rabbit
106:The Story of a Fierce Bad Rabbit
2410:Picture books by Beatrix Potter
2405:Children's books about bullying
2224:The Tale of Little Pig Robinson
2136:The Tale of Little Pig Robinson
2129:Cecily Parsley's Nursery Rhymes
1668:Beatrix Potter: Writing in Code
1132:Children's Literature Quarterly
580:Beatrix Potter: Writing in Code
254:three-colour printing technique
240:The Story of Little Black Sambo
2415:Frederick Warne & Co books
2115:Appley Dapply's Nursery Rhymes
2080:The Tale of Ginger and Pickles
2073:The Tale of the Flopsy Bunnies
2059:The Tale of Jemima Puddle-Duck
1618:Hobbs, Anne Stevenson (1989).
1499:(in Spanish). Madrid: Debate.
1440:Die Geschichte von Mieze Mozzi
1140:Johns Hopkins University Press
496:Miss Moppet catches the mouse.
431:Appley Dapply's Nursery Rhymes
1:
2122:The Tale of Johnny Town-Mouse
2031:The Tale of Mr. Jeremy Fisher
2017:The Tale of Mrs. Tiggy-Winkle
1924:Peter Rabbit official website
1459:La storia della micina Moppet
962:. London: F. Warne & Co.
935:. London: F. Warne & Co.
297:The Tale of Mr. Jeremy Fisher
2087:The Tale of Mrs. Tittlemouse
1866:Children's literature portal
434:be published in the smaller
418:The Story of the Sly Old Cat
256:in the printing process for
2395:Children's books about cats
2265:Peter Rabbit 2: The Runaway
2210:The Tales of Beatrix Potter
1989:The Tale of Squirrel Nutkin
1744:MacDonald, Ruth K. (1986).
1603:. Schiffer Publishing Ltd.
545:New Mexico State University
282:Development and publication
2431:
2168:The Tale of Kitty-in-Boots
2003:The Tale of Benjamin Bunny
1666:Kutzer, M. Daphne (2003).
1264:"The Tale of Peter Rabbit"
1252:Dubay 2006, pp. 91–92, 106
404:Twenty thousand copies of
218:, and Camfield Place, the
2342:Frederick Warne & Co.
2108:The Tale of Pigling Bland
2094:The Tale of Timmy Tiptoes
1831:. F. Warne & Co. and
1317:The World of Peter Rabbit
1035:MacDonald 1986, pp. 50–53
956:Potter, Beatrix (1987) .
929:Potter, Beatrix (2002) .
651:Reprints and translations
26:
22:The Story of Miss Moppet
2380:British children's books
2217:The Tailor of Gloucester
2045:The Story of Miss Moppet
2010:The Tale of Two Bad Mice
1996:The Tailor of Gloucester
1982:The Tale of Peter Rabbit
1911:The Story of Miss Moppet
1892:The Story of Miss Moppet
1880:The Story of Miss Moppet
1533:The story of Miss Moppet
1514:Potter, Beatrix (2007).
1495:Potter, Beatrix (1987).
1341:The Story of Miss Moppet
1315:Potter, Beatrix (2002).
1069:Potter, Beatrix (2006).
686:The Tale of Peter Rabbit
386:The Story of Miss Moppet
302:The Story of Miss Moppet
259:The Tale of Peter Rabbit
245:Frederick Warne & Co
171:The Story of Miss Moppet
155:Frederick Warne & Co
146:The Story of Miss Moppet
132:The Story of Miss Moppet
78:Frederick Warne & Co
1689:Lane, Margaret (1964).
1516:Chuyện về cô mèo Moppet
1216:Taylor 1996, pp. 208–11
1171:Kutzer 2003, pp. 129–30
889:Taylor 1986, pp. 106–07
754:MacDonald 1986, pp. 6–7
745:MacDonald 1986, pp. 1–4
719:motion of no confidence
641:Jersey City, New Jersey
636:Randolph, Massachusetts
384:Ten thousand copies of
2390:English-language books
2282:Beatrix Potter Gallery
2052:The Tale of Tom Kitten
1806:Taylor, Judy (1996) .
1725:Leslie Linder (1971).
1564:MacDonald 1987, p. 130
1243:Dubay 2006, pp. 128–31
1234:Dubay 2006, pp. 106–08
1225:Dubay 2006, pp. 30, 37
1189:MacDonald 1986, p. 128
932:The Tale of Tom Kitten
772:Taylor 1986, pp. 66–67
763:Taylor 1996, pp. 51–52
660:
624:Longton, Staffordshire
603:
586:remains in the Potter
497:
488:Scholarly commentaries
482:
451:
401:
357:The Tale of Tom Kitten
352:The Tale of Tom Kitten
332:
291:
202:
169:Although, critically,
119:The Tale of Tom Kitten
2385:British picture books
2375:1906 children's books
1894:at Wikimedia Commons}
1698:Lear, Linda (2008) .
1198:Lear 2008, pp. 172–75
1148:10.1353/chq.2007.0052
1093:Lear 2008, pp. 279–80
880:MacDonald 1986, p. 50
808:Lear 2007, pp. 144–47
781:MacDonald 1986, p. 13
691:Languages into which
658:
601:
547:, agrees, writing in
509:University of Chicago
495:
449:
399:
330:
289:
200:
68:Children's literature
1708:St. Martin's Griffin
1621:Beatrix Potter's Art
1120:Redfield 1985, p. 41
1111:Redfield 1985, p. 36
370:Joel Chandler Harris
2292:Near and Far Sawrey
2248:(television series)
2101:The Tale of Mr. Tod
1810:. Frederick Warne.
1729:. Frederick Warne.
1555:Taylor 1986, p. 215
1389:Taylor, 1986 p. 214
1207:Taylor 1987, p. 106
1102:Taylor 1987, p. 155
1056:Taylor 1987, p. 130
1044:Linder 1971, p. 246
1021:Linder 1971, p. 183
1003:Linder 1971, p. 426
910:Taylor 1986, p. 111
868:Taylor 1987, p. 129
153:, and published by
33:First edition cover
23:
2352:Hardwicke Rawnsley
1833:The National Trust
1398:See, for example:
1274:on 27 January 2011
982:Taylor 1987, p. 69
661:
604:
534:Humphrey Carpenter
498:
452:
402:
333:
292:
203:
2360:
2359:
2154:The Fairy Caravan
1916:Project Gutenberg
1890:Media related to
1878:The full text of
1763:978-0-8057-6917-3
1754:Twayne Publishers
1717:978-0-312-37796-0
1531:Potter, Beatrix.
1373:Publishers Weekly
1296:. Aleph-Bet Books
1180:DuBay 2006, p. 37
1012:Lear 2008, p. 213
969:978-0-7232-3475-3
919:Dubay 2006, p. 22
901:Lear 2007, p. 218
847:Lear 2007, p. 207
829:on 11 August 2018
799:Lear 2007, p. 145
790:Lear 2007, p. 144
715:Margaret Thatcher
681:Publishers Weekly
674:Although sold to
669:electronic format
507:professor at the
501:James M. Redfield
318:George Cruikshank
187:electronic format
142:
141:
85:Publication place
2422:
2307:Moss Eccles Tarn
2259:
2249:
2193:Tabitha Twitchit
1960:
1953:
1946:
1937:
1927:
1926:
1918:
1889:
1877:
1868:
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1791:10.2307/25305287
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1331:
1330:
1312:
1306:
1305:
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1301:
1290:
1284:
1283:
1281:
1279:
1270:. Archived from
1259:
1253:
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1244:
1241:
1235:
1232:
1226:
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1217:
1214:
1208:
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836:
834:
825:. Archived from
815:
809:
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800:
797:
791:
788:
782:
779:
773:
770:
764:
761:
755:
752:
746:
743:
705:Nicholas Garland
703:was parodied by
538:Ernest Hemingway
480:
250:L. Leslie Brooke
114:Followed by
101:Preceded by
31:
24:
2430:
2429:
2425:
2424:
2423:
2421:
2420:
2419:
2365:
2364:
2361:
2356:
2323:Beswick Pottery
2311:
2270:
2257:
2247:
2197:
2173:
2161:The Sly Old Cat
2141:
1969:
1964:
1922:
1921:
1908:
1902:Standard Ebooks
1864:
1859:
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1854:
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1824:
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1770:
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1743:
1737:
1724:
1718:
1697:
1688:
1682:
1665:
1659:
1642:
1636:
1626:Frederick Warne
1617:
1611:
1598:
1592:
1581:Book Collecting
1577:
1568:
1563:
1559:
1554:
1550:
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1507:
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1309:
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1292:
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1287:
1277:
1275:
1262:Dubay, Debbie.
1261:
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856:Lane, pp. 83–84
855:
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823:British Library
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723:James Callaghan
653:
620:Beswick Pottery
596:
490:
481:
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444:
414:The Sly Old Cat
313:The Sly Old Cat
284:
235:Helen Bannerman
195:
93:Media type
76:November 1906 (
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1967:Beatrix Potter
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1852:External links
1850:
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1778:Chicago Review
1768:
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1748:Beatrix Potter
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616:National Trust
595:
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578:and author of
549:Beatrix Potter
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322:Comic Alphabet
316:. Inspired by
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1882:at Wikisource
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1681:0-415-94352-3
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1658:0-203-16812-7
1654:
1651:. Routledge.
1649:
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25:
19:
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2347:Norman Warne
2334:
2327:
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2255:Peter Rabbit
2254:
2245:Peter Rabbit
2244:
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2208:
2189:Mr. McGregor
2185:Peter Rabbit
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2015:
2008:
2001:
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1807:
1785:(4): 32–41.
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1571:Bibliography
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1403:
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1335:
1316:
1310:
1298:. Retrieved
1288:
1276:. Retrieved
1272:the original
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991:Hunt, p. 286
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831:. Retrieved
827:the original
813:
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175:Peter Rabbit
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18:
2329:Miss Potter
2202:Adaptations
2146:Other books
1773:Miss Moppet
1300:21 November
1278:14 November
1142:: 287–307.
833:19 November
717:had lost a
701:Miss Moppet
693:Miss Moppet
665:Miss Moppet
612:Miss Moppet
594:Merchandise
584:Miss Moppet
568:Miss Moppet
558:Miss Moppet
553:Miss Moppet
513:Miss Moppet
436:Miss Moppet
425:Miss Moppet
410:Miss Moppet
374:Uncle Remus
337:Miss Moppet
272:Near Sawrey
211:governesses
160:Miss Moppet
49:Illustrator
2369:Categories
2178:Characters
1584:. Putnam.
1349:B004UJSIMO
729:References
346:Linda Lear
341:Windermere
193:Background
137:Wikisource
2275:Locations
1974:The Tales
1672:Routledge
1541:317481033
1524:278282530
1412:426004930
1156:144475968
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