536:, with a definite beginning (the unsuccessful attempt to catch the mouse), middle (Miss Moppet pretending to be hurt and catching the mouse), and end (Miss Moppet teasing the mouse and his escape). Redfield notes that Potter makes the outcome of the plot uncertain and creates parity between the characters, which are naturally predator and prey; Potter makes Miss Moppet "young, inexperienced, female, and a pet", while the mouse is "mature, courageous, male, and independent". Redfield praises Potter's skill as an author; she uses the hole in the duster twice—to allow Miss Moppet to catch the mouse, but then for him to escape her—and uses phrases particularly suited for a parent to read aloud to a child ("This is the mouse ..."). Redfield concludes that while teasing is bad in the story—dangerous for the mouse, and cruel for the cat—Potter herself teases the reader in a good way, showing "us that teasing is a kind of loving when it is a kind of teaching. The poet plays with us, and by taking us through an unreal experience, teaches us what it is to live in the real world."
404:
millimetres (4.3 in × 98.1 in). As Lear writes, Potter "experimented with a panorama format of fourteen pictures on one long strip of paper which folded into a wallet tied with a ribbon". Lear explains that the format "although popular with readers was ultimately unsuccessful, because shopkeepers found them difficult to keep folded". Potter referred to this fact late in life when she said, "Bad Rabbit and Moppet were originally printed on long strips—The shops sensibly refused to stock them because they got unrolled and so bad to fold up again". MacDonald points out that the fragile panorama format was inappropriate for very young children.
298:
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495:"And because the Mouse has teased Miss Moppet—Miss Moppet thinks she will tease the Mouse; which is not at all nice of Miss Moppet." The kitten ties the mouse up in the duster then tosses it about like a ball. The mouse peeks from the hole in the duster. In the last illustration but one, Miss Moppet is seated upright on her rump and staring at the reader. The duster lies opened and empty in her paws. "She forgot about that hole in the duster", and the mouse has escaped. He dances a jig safely out of Miss Moppet's reach atop the cupboard.
209:
458:
40:
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1871:
392:"feigns illness in a rocking chair, wrapped up with flannel". Potter was modeling her sketches from a young kitten and, wanting not to show cruelty, she wrote of the kitten: "She should catch him by the tail / less unpleasant". Children's literature scholar Peter Hunt writes that Potter was careful to protect her young audience from graphic details and she refused to depict death in her stories.
1886:
593:(2003). Kutzer writes: "the illustrations are more fluid and the storyline more humorous and less moralistic". Potter was never at her best when writing for a clearly defined audience, Kutzer observes, and in writing a Victorian moral tale about teasing, Potter failed to completely engage the reader's imagination in either the story or the illustrations. However, as MacDonald notes,
540:
making Miss Moppet nothing more than a story describing the natural behaviour of kittens. Potter's anthropomorphized animals are in fact slightly naughty, yet in their naughtiness the punishment is never the moral of the tale. At the end of Miss Moppet, the kitten is not punished and the mouse dances on the cupboard. This leads
Chandler to quote literary scholar of
1898:
736:, and Garland's cartoon copied the text and parodied four panels of the story, with Callaghan as the mouse who escapes Thatcher the kitten. In 1986, MacDonald observed that Potter's books had become a "traditional part of childhood in most only English-speaking countries and in many of the countries into whose languages Potter's books have been translated".
699:, reported that Potter was considered one of the most popular classic writers, that anniversary editions of her work were published in 1993 and 2002, and the artwork has been "re-scanned to make the illustrations look fresher and brighter". The Frederick Warne name still appears on editions of Potter's books in English.
438:
in its panorama format, and republished the story in a book format that year. Potter illustrated a frontispiece of the kitten and mouse seated in profile, and a title page vignette of a mouse on all fours facing the reader for the book format. At 113 by 92 millimetres (4.4 by 3.6 in), the book's
403:
in
November 1906, and another 10,000 copies in December 1906. There were no subsequent printings in the panorama format. The strip folded accordion-fashion into a grey cloth wallet measuring 108 by 89 millimetres (4.3 in × 3.5 in). When opened, the panorama strip measured 108 by 2,492
539:
In her essay "Thoroughly Post-Victorian, Pre-Modern
Beatrix" professor of English Katherine Chandler points out that Potter, unlike most Victorian writers of children's books, wrote original stories based on the realism of animal behaviour. Chandler notes that Potter avoids moralizing in her tales,
469:
and green jacket "peeping out behind the cupboard, and making fun of Miss Moppet. He is not afraid of a kitten." Miss Moppet darts at him, but misses and bumps her head on the cupboard. She hits the cupboard very hard and rubs her nose. The mouse scurries to the top of the cupboard and watches her.
176:
Miss Moppet, the story's eponymous main character, is a kitten teased by a mouse. While pursuing him she bumps her head on a cupboard. She then wraps a duster about her head, and sits before the fire "looking very ill". The curious mouse creeps closer, is captured, "and because the Mouse has teased
649:
produced a Miss Moppet music box figurine. From 1983 to 1991, Schmid distributed two Miss Moppet
Christmas ornaments (3 and 1.5 inches (76 and 38 mm) tall), made by the Italian firm ANRI. Stuffed toy manufacturers requested licensing for Potter's figures early in the 20th century; however she
618:
Rabbit stuffed toy, an unpublished board game, and nursery wallpaper. Similar "side-shows" (as she termed the ancillary merchandise) were produced throughout her life. For a number of years Potter designed
Christmas cards with characters from her books that were sold to raise money for charities.
617:
Potter asserted her tales would one day be nursery classics, and part of the "longevity of her books comes from strategy", writes Potter biographer Ruth MacDonald. She was the first to exploit the commercial possibilities of her characters and tales; between 1903 and 1905 these included a Peter
236:
Potter's adolescence was as quiet as her childhood. She matured into a spinsterish young woman whose parents groomed her to be a permanent resident and housekeeper in their home. She continued to paint and draw, and experienced her first professional artistic success in 1890 when she sold six
1304:
547:, "there is nothing in work that resembles the moral tale. In fact if might be argued that she is writing something pretty close to a series of immoral tales". In addition Chandler notes that Potter's economic use of prose presages modernism, comparing her writing to that of
224:
and tutors, and passed a quiet childhood reading, painting, drawing, tending a nursery menagerie of small animals, and visiting museums and art exhibitions. Her interests in the natural world and country life were nurtured with holidays in
Scotland, the
177:
Miss Moppet—Miss Moppet thinks she will tease the Mouse; which is not at all nice of Miss Moppet". She ties him up in the duster and tosses him about. However, the mouse makes his escape, and once safely out of reach, dances a jig atop the cupboard.
258:
had once rejected the tale but, to maintain its position in the small-format children's book market, reconsidered and accepted the "bunny book" (as the firm called it) following the recommendation of their prominent children's book artist
629:. Hilltop was opened to visitors in 1946, and displayed her original artwork there until 1985. After Potter's death, Frederick Warne & Co granted licences to various firms for the production of merchandise based on her characters.
359:
explains that "pickle" was a word Potter used to describe "free-thinking exuberant people, like her cousin
Caroline, or mischievous kittens and small children." Potter used the same drawings of the kitten as a model for her next book,
566:
demonstrates Potter's ability to pare text and illustrations to essentials noting that she worked best with more complicated plots, more complicated characters, and stories with specific settings rather than generalized backgrounds.
431:. Potter's eyesight was failing and she refused to develop it. The story was published in book format with Potter's 1906 rough sketches for the first time in 1971. It is not included in the standard 23-volume Peter Rabbit library.
650:
refused to grant permission, having been disappointed with the quality of the proposed stuffed toys. Frederick Warne & Co retained rights to all Potter merchandise and in 1973 granted a licence to the Eden Toys company of
254:. Unable to find a buyer for her book, partially because the children's book market of the time depended on brightly coloured illustrations unlike Potter's line drawings, she decided to publish it privately in December 1901.
354:
was a difficult subject. "n exasperating model", Potter wrote, "I have borrowed a Kitten and I am rather glad of the opportunity of working at the drawings. It is very young and pretty and a most fearful pickle." Biographer
168:
for the 1906 Christmas season. Potter was born in London in 1866, and between 1902 and 1905 published a series of small-format children's books with Warne. In 1906, she experimented with an atypical panorama design for
387:
stories, possibly in an attempt to find career direction. So deep was her admiration, Lear speculates the scene of Miss Moppet wrapping her head in the duster comes from a similar scene in an Uncle Remus tale in which
575:, she indicates, rather than the typical Potter tale of causality, extended plot, and variety of character, and depends upon the archetypal animosity between cat and mouse with the cat being the dominant character.
276:
Potter continued to publish children's books with Warne, and by 1905 she found herself financially independent. Her books were selling well, and her income, combined with a small inheritance, allowed her to buy
1843:
626:
366:, which she dedicated in 1907 "to all Pickles—especially those that get upon my garden wall". Miss Moppet is one of Tom Kitten's sisters, and appears as a character in both books featuring him:
465:
The tale opens with an illustration of a wide-eyed kitten: "This is a Pussy called Miss Moppet, she thinks she has heard a mouse!" The following illustration depicts a mouse wearing a pink
335:", as explained by Taylor. The panorama format consisted of "long strips of paper, on which the individual pages of pictures and text were arranged in order from left to right."
2076:
968:
372:
473:
Miss Moppet ties a duster about her head and sits before the fire on a red hassock. The mouse's curiosity is piqued; he thinks she looks very ill, and comes sliding down the
829:
477:. "Miss Moppet looks worse and worse." The mouse creeps nearer. Miss Moppet holds her head in her paws and peeks at the mouse through a hole in the duster. "The Mouse comes
641:
which continued to issue the figurine under the "Royal Albert" brand until it was discontinued in 2002. From 1980 to 1995 when it went out of business, Schmid & Co. of
2245:
2343:
2407:
237:
illustrations of her pet rabbit to a greeting card publisher. She hoped to lead a useful life independent of her parents, and tentatively considered a career in
427:
was scheduled for publication in 1907 but fell victim to the pressures exerted by booksellers. It was set aside, but was proposed for publication in 1916 as
2412:
586:
1941:
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1968:
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1890:
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2238:
2034:
1772:
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978:
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244:
In 1900, Potter revised a tale that she had written for a child in 1893, fashioning it into a dummy book similar to the size and style of
184:
is considered one of Potter's lesser efforts, for young children it is valued as an introduction to books in general, and to the world of
263:. Potter agreed to colour her pen-and-ink illustrations according to Warne's requirements, and she suggested Warne use the new Hentschel
2139:
1902:
678:, remain in print, and are available as a complete set in a presentation box. A 400-page omnibus edition is also available, as is an
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1851:
1826:
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1644:
1619:
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951:
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Panorama section of Miss Moppet (left to right): tossing the mouse in the duster, a text page, and discovering the mouse has escaped
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441:
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317:
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250:
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2069:
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1150:
2132:
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2027:
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Potter died on
December 22, 1943, and left her home and the original illustrations for almost all of her books, including
307:
2097:
1961:
2272:
2217:
1999:
555:
297:
289:
died a few weeks after their secret engagement, she became depressed, but went on to devote herself to her stories.
2178:
2013:
351:
503:
2118:
2104:
689:
in 1984, Frederick Warne & Co remained a subsidiary company and continues to publish Potter's books. A 2002
670:
The 1918 hardcover edition cover had an onlay of this image of Miss Moppet peeking through a hole in the duster.
2251:
2020:
2006:
1992:
338:
331:'s illustrations, she intended to have the stories published in "panoramic format in the style of Cruikshank's
269:
2349:
609:
241:, but the all-male scientific community regarded her as nothing more than an amateur and she abandoned fungi.
1954:
1718:
1636:
729:
651:
646:
423:. Both were later published in a small-book 122 by 103 millimetres (4.8 in × 4.1 in) format.
255:
208:
165:
88:
457:
2289:
2062:
941:
634:
407:
362:
129:
682:, released in 2005. First edition and early edition Potter books are offered by antiquarian booksellers.
142:
572:
519:
380:
264:
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dimensions were smaller than other Peter Rabbit books. In 1917, she suggested to her publisher that
419:
were published in panorama format in
November and December 1906 in exactly the same measurements as
2299:
2261:
2111:
532:
706:
has been translated include
Chinese, French, German, Italian, Japanese, Spanish and Vietnamese; a
39:
2359:
1908:
1805:
1162:
544:
654:
to manufacture stuffed animals based on Potter's characters. Beginning in 1975 these included a
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2164:
1926:
1847:
1822:
1768:
1764:
1741:
1722:
1686:
1663:
1640:
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1547:
1530:
1511:
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1435:
1418:
1355:
1331:
1085:
974:
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725:
691:
511:
328:
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in 2005. First editions in the original format are available through antiquarian booksellers.
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is a tale about teasing, featuring a kitten and a mouse, that was written and illustrated by
2314:
2200:
1797:
1154:
715:
548:
260:
2330:
2171:
1912:
1836:
Taylor, Judy; Whalley, Joyce Irene; Hobbs, Anne Stevenson; Battrick, Elizabeth M. (1987).
833:
733:
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released a porcelain figurine of Miss Moppet in 1954; the firm was eventually acquired by
630:
598:
485:
But she forgot about that hole in the duster; and when she untied it – there was no Mouse!
323:
245:
311:, she considered developing books for a younger audience. Three stories were the result:
17:
1282:
2309:
1977:
1788:
1656:
1590:
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Beswick Pottery made a porcelain figurine of Miss Moppet tying the mouse in the duster.
220:
Rupert William Potter and his wife Helen (Leech) Potter in London. She was educated by
161:
53:
2376:
1837:
1630:
1166:
720:
686:
679:
638:
230:
226:
197:
1757:
173:, which booksellers disliked; the story was reprinted in 1916 in small book format.
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2195:
286:
185:
389:
301:
Wallet interior shows (left to right) the flap, title page, and first illustration
188:. The character of Miss Moppet was released as a porcelain figurine in 1954 and a
1711:
658:
Miss Moppet, which was discontinued in 2001 when Eden Toys went out of business.
2336:
666:
384:
282:
285:
in the Lake District in July of that year. When her longtime editor and fiancé
1885:
1866:
356:
147:
1551:
1534:
1422:
1141:
Chandler, Katherine (2007). "Thoroughly Post-Victorian, Pre-Modern Beatrix".
1682:
541:
527:
474:
221:
217:
1897:
1158:
2304:
1430:
Potter, Beatrix; translated by Patrice Charvet and Annie Thiriot (1976).
515:
238:
1809:
1359:
707:
642:
466:
193:
1921:
1801:
400:
830:"Historical survey of children's literature in the British Library"
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As of 2010, all 23 of Potter's small-format books, including
665:
655:
608:
554:
Ruth K. MacDonald, English and children's literature professor at
502:
456:
406:
337:
296:
207:
189:
1946:
196:
version, translated into seven languages, and was released in an
601:, and serves as a good initial approach to Potter's literature.
1950:
1934:
1612:
Beatrix Potter Collectibles: The Peter Rabbit Story Characters
346:
Potter was at Hill Top in July 1906 during the development of
1658:
International Companion Encyclopedia of Children's Literature
1449:
Potter, Beatrix; translated by Cornelia Krutz-Arnold (2002).
585:
according to M. Daphne Kutzer, an English professor at the
350:, and the kitten she borrowed as a model from a mason from
342:
Miss Moppet sits before the fire with her head in a duster.
1330:. Vol. 23 volumes. London: Frederick Warne & Co.
695:
article, written for the centennial of the publication of
1417:(in Chinese). Tai bei: 纯文学出版社, Chun wen xue chu ban she.
1782:
Redfield, James M. (1985). "An Aristotelian Analysis of
1546:. Vancouver: Canadian National Institute for the Blind.
718:
in a political cartoon in the 11 June 1976 issue of the
1468:
Potter, Beatrix; translated by Rosalba Ascorti (1990).
216:
Helen Beatrix Potter was born on July 28 1866 to
481:
close." Miss Moppet jumps and snags him by the tail.
2077:
The Tale of Samuel Whiskers or The Roly-Poly Pudding
1819:
Beatrix Potter: Artist, Storyteller and Countrywoman
1487:
Potter, Beatrix; translated by Momoko Ishii (1988).
1382:
Eccleshare, Julia (2002). "Peter Rabbit Turns 100".
970:
The Tale of Samuel Whiskers or The Roly-Poly Pudding
383:
and created a series of plates in the 1890s for his
373:
The Tale of Samuel Whiskers or The Roly-Poly Pudding
212:
The last illustration shows the mouse dancing a jig.
2323:
2282:
2246:
The Adventures of Peter Rabbit & Benjamin Bunny
2209:
2188:
2156:
1984:
137:
124:
111:
103:
95:
83:
75:
67:
59:
49:
2344:Roald & Beatrix: The Tail of the Curious Mouse
1839:Beatrix Potter 1866–1943: The Artist and Her World
1756:
1710:
1655:
434:By 1916 Frederick Warne & Co had discontinued
1413:Potter, Beatrix; translated by Zu Li Xia (1978).
1084:. London: Frederick Warne & Co. p. 140.
1042:
1040:
1038:
908:
906:
1178:
1176:
483:
399:were released in a panorama format priced at a
1415:小猫莫蓓小姐的故事 / Xiao mao mo bei xiao jie de gu shi
522:, in his article "An Aristotelian Analysis of
192:toy in 1973. The book has been published in a
1962:
581:was more successful than its companion piece
8:
1472:(in Italian). Milan: Sperling & Kupfer.
1063:
1061:
1010:
1008:
875:
873:
461:Miss Moppet discovers the mouse has escaped.
32:
1738:A History of the Writings of Beatrix Potter
1305:"Potter, Beatrix: The Story of Miss Moppet"
1075:
1073:
710:edition in English has also been prepared.
587:State University of New York at Plattsburgh
1969:
1955:
1947:
1942:Victoria and Albert Museum: Beatrix Potter
38:
31:
887:
885:
526:", finds the story follows the tenets of
379:Potter was an admirer of American author
1491:(in Japanese). Tokyo: Fukuinkan Shoten.
1434:(in French). London: F. Warne & Co.
1909:An omnibus of Potter's children's tales
1702:The Tale of Beatrix Potter: A Biography
1489:モペットちゃんのおはなし / Mopetto-chan no ohanashi
749:
2239:The World of Peter Rabbit and Friends
2035:The Tale of the Pie and the Patty-Pan
281:, a farm of 34 acres (14 ha) at
7:
2408:Children's books about mice and rats
1279:Journal of Antiques and Collectibles
732:in the government of Prime Minister
1610:Dubay, Debby; Sewall, Kara (2006).
1589:Ahearn, Allen and Patricia (1995).
1432:L'Histoire de Mademoiselle Moppette
233:home of her paternal grandparents.
1529:(in Vietnamese). Hanoi: Kim Đồng.
1082:Beatrix Potter: The Complete Tales
25:
1508:La historia de la señorita Minina
1453:(in German). Aarau: Sauerländer.
305:In 1906, as Potter was finishing
27:Children's book by Beatrix Potter
2049:The Story of a Fierce Bad Rabbit
1896:
1884:
1869:
1713:Beatrix Potter: A Life in Nature
1704:. Frederick Warne & Co. Ltd.
1654:Hunt, Peter; Sheila Ray (1996).
583:The Story of a Fierce Bad Rabbit
417:The Story of a Fierce Bad Rabbit
318:The Story of a Fierce Bad Rabbit
117:The Story of a Fierce Bad Rabbit
2418:Picture books by Beatrix Potter
2413:Children's books about bullying
2232:The Tale of Little Pig Robinson
2147:The Tale of Little Pig Robinson
2140:Cecily Parsley's Nursery Rhymes
1679:Beatrix Potter: Writing in Code
1143:Children's Literature Quarterly
591:Beatrix Potter: Writing in Code
265:three-colour printing technique
251:The Story of Little Black Sambo
2423:Frederick Warne & Co books
2126:Appley Dapply's Nursery Rhymes
2091:The Tale of Ginger and Pickles
2084:The Tale of the Flopsy Bunnies
2070:The Tale of Jemima Puddle-Duck
1629:Hobbs, Anne Stevenson (1989).
1510:(in Spanish). Madrid: Debate.
1451:Die Geschichte von Mieze Mozzi
1151:Johns Hopkins University Press
507:Miss Moppet catches the mouse.
442:Appley Dapply's Nursery Rhymes
1:
2133:The Tale of Johnny Town-Mouse
2042:The Tale of Mr. Jeremy Fisher
2028:The Tale of Mrs. Tiggy-Winkle
1935:Peter Rabbit official website
1470:La storia della micina Moppet
973:. London: F. Warne & Co.
946:. London: F. Warne & Co.
308:The Tale of Mr. Jeremy Fisher
2098:The Tale of Mrs. Tittlemouse
1877:Children's literature portal
445:be published in the smaller
429:The Story of the Sly Old Cat
267:in the printing process for
2403:Children's books about cats
2273:Peter Rabbit 2: The Runaway
2218:The Tales of Beatrix Potter
2000:The Tale of Squirrel Nutkin
1755:MacDonald, Ruth K. (1986).
1614:. Schiffer Publishing Ltd.
556:New Mexico State University
293:Development and publication
2439:
2179:The Tale of Kitty-in-Boots
2014:The Tale of Benjamin Bunny
1677:Kutzer, M. Daphne (2003).
1275:"The Tale of Peter Rabbit"
1263:Dubay 2006, pp. 91–92, 106
415:Twenty thousand copies of
229:, and Camfield Place, the
2350:Frederick Warne & Co.
2119:The Tale of Pigling Bland
2105:The Tale of Timmy Tiptoes
1842:. F. Warne & Co. and
1328:The World of Peter Rabbit
1046:MacDonald 1986, pp. 50–53
967:Potter, Beatrix (1987) .
940:Potter, Beatrix (2002) .
662:Reprints and translations
37:
33:The Story of Miss Moppet
18:The Story of Miss Moppett
2388:British children's books
2225:The Tailor of Gloucester
2056:The Story of Miss Moppet
2021:The Tale of Two Bad Mice
2007:The Tailor of Gloucester
1993:The Tale of Peter Rabbit
1922:The Story of Miss Moppet
1903:The Story of Miss Moppet
1891:The Story of Miss Moppet
1544:The story of Miss Moppet
1525:Potter, Beatrix (2007).
1506:Potter, Beatrix (1987).
1352:The Story of Miss Moppet
1326:Potter, Beatrix (2002).
1080:Potter, Beatrix (2006).
697:The Tale of Peter Rabbit
397:The Story of Miss Moppet
313:The Story of Miss Moppet
270:The Tale of Peter Rabbit
256:Frederick Warne & Co
182:The Story of Miss Moppet
166:Frederick Warne & Co
157:The Story of Miss Moppet
143:The Story of Miss Moppet
89:Frederick Warne & Co
1700:Lane, Margaret (1964).
1527:Chuyện về cô mèo Moppet
1227:Taylor 1996, pp. 208–11
1182:Kutzer 2003, pp. 129–30
900:Taylor 1986, pp. 106–07
765:MacDonald 1986, pp. 6–7
756:MacDonald 1986, pp. 1–4
730:motion of no confidence
652:Jersey City, New Jersey
647:Randolph, Massachusetts
395:Ten thousand copies of
2398:English-language books
2290:Beatrix Potter Gallery
2063:The Tale of Tom Kitten
1817:Taylor, Judy (1996) .
1736:Leslie Linder (1971).
1575:MacDonald 1987, p. 130
1254:Dubay 2006, pp. 128–31
1245:Dubay 2006, pp. 106–08
1236:Dubay 2006, pp. 30, 37
1200:MacDonald 1986, p. 128
943:The Tale of Tom Kitten
783:Taylor 1986, pp. 66–67
774:Taylor 1996, pp. 51–52
671:
635:Longton, Staffordshire
614:
597:remains in the Potter
508:
499:Scholarly commentaries
493:
462:
412:
368:The Tale of Tom Kitten
363:The Tale of Tom Kitten
343:
302:
213:
180:Although, critically,
130:The Tale of Tom Kitten
2393:British picture books
2383:1906 children's books
1905:at Wikimedia Commons}
1709:Lear, Linda (2008) .
1209:Lear 2008, pp. 172–75
1159:10.1353/chq.2007.0052
1104:Lear 2008, pp. 279–80
891:MacDonald 1986, p. 50
819:Lear 2007, pp. 144–47
792:MacDonald 1986, p. 13
702:Languages into which
669:
612:
558:, agrees, writing in
520:University of Chicago
506:
460:
410:
341:
300:
211:
79:Children's literature
1719:St. Martin's Griffin
1632:Beatrix Potter's Art
1131:Redfield 1985, p. 41
1122:Redfield 1985, p. 36
381:Joel Chandler Harris
2300:Near and Far Sawrey
2256:(television series)
2112:The Tale of Mr. Tod
1821:. Frederick Warne.
1740:. Frederick Warne.
1566:Taylor 1986, p. 215
1400:Taylor, 1986 p. 214
1218:Taylor 1987, p. 106
1113:Taylor 1987, p. 155
1067:Taylor 1987, p. 130
1055:Linder 1971, p. 246
1032:Linder 1971, p. 183
1014:Linder 1971, p. 426
921:Taylor 1986, p. 111
879:Taylor 1987, p. 129
164:, and published by
44:First edition cover
34:
2360:Hardwicke Rawnsley
1844:The National Trust
1409:See, for example:
1285:on 27 January 2011
993:Taylor 1987, p. 69
672:
615:
545:Humphrey Carpenter
509:
463:
413:
344:
303:
214:
2368:
2367:
2165:The Fairy Caravan
1927:Project Gutenberg
1901:Media related to
1889:The full text of
1774:978-0-8057-6917-3
1765:Twayne Publishers
1728:978-0-312-37796-0
1542:Potter, Beatrix.
1384:Publishers Weekly
1307:. Aleph-Bet Books
1191:DuBay 2006, p. 37
1023:Lear 2008, p. 213
980:978-0-7232-3475-3
930:Dubay 2006, p. 22
912:Lear 2007, p. 218
858:Lear 2007, p. 207
840:on 11 August 2018
810:Lear 2007, p. 145
801:Lear 2007, p. 144
726:Margaret Thatcher
692:Publishers Weekly
685:Although sold to
680:electronic format
518:professor at the
512:James M. Redfield
329:George Cruikshank
198:electronic format
153:
152:
96:Publication place
16:(Redirected from
2430:
2315:Moss Eccles Tarn
2267:
2257:
2201:Tabitha Twitchit
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1292:
1290:
1281:. Archived from
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836:. Archived from
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808:
802:
799:
793:
790:
784:
781:
775:
772:
766:
763:
757:
754:
716:Nicholas Garland
714:was parodied by
549:Ernest Hemingway
491:
261:L. Leslie Brooke
125:Followed by
112:Preceded by
42:
35:
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2438:
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2433:
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2331:Beswick Pottery
2319:
2278:
2265:
2255:
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2184:
2172:The Sly Old Cat
2152:
1980:
1975:
1933:
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1919:
1913:Standard Ebooks
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1676:
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1653:
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1637:Frederick Warne
1628:
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1592:Book Collecting
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867:Lane, pp. 83–84
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834:British Library
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631:Beswick Pottery
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425:The Sly Old Cat
324:The Sly Old Cat
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246:Helen Bannerman
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104:Media type
87:November 1906 (
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1863:External links
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589:and author of
560:Beatrix Potter
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333:Comic Alphabet
327:. Inspired by
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1893:at Wikisource
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1662:. Routledge.
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2355:Norman Warne
2342:
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2263:Peter Rabbit
2262:
2253:Peter Rabbit
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1796:(4): 32–41.
1793:
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1582:Bibliography
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1414:
1405:
1396:
1387:
1383:
1377:
1368:
1351:
1346:
1327:
1321:
1309:. Retrieved
1299:
1287:. Retrieved
1283:the original
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1002:Hunt, p. 286
998:
989:
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917:
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842:. Retrieved
838:the original
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186:Peter Rabbit
181:
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141:
128:
115:
29:
2337:Miss Potter
2210:Adaptations
2157:Other books
1784:Miss Moppet
1311:21 November
1289:14 November
1153:: 287–307.
844:19 November
728:had lost a
712:Miss Moppet
704:Miss Moppet
676:Miss Moppet
623:Miss Moppet
605:Merchandise
595:Miss Moppet
579:Miss Moppet
569:Miss Moppet
564:Miss Moppet
524:Miss Moppet
447:Miss Moppet
436:Miss Moppet
421:Miss Moppet
385:Uncle Remus
348:Miss Moppet
283:Near Sawrey
222:governesses
171:Miss Moppet
60:Illustrator
2377:Categories
2189:Characters
1595:. Putnam.
1360:B004UJSIMO
740:References
357:Linda Lear
352:Windermere
204:Background
148:Wikisource
2283:Locations
1985:The Tales
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528:Aristotle
475:bell-pull
390:Br'er Fox
218:barrister
84:Published
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516:classics
488:—
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401:shilling
376:(1908).
279:Hill Top
239:mycology
68:Language
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467:bow tie
194:Braille
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