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The piece was first performed in
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regime through the manipulation of fear. In a piece written in 1948, in reply to criticisms from
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227:"Why Spain" in Resistance, Rebellion, and Death. Trans. Justin O'Brien. New York, Vintage; 1960.
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36:relies largely or entirely on a
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209:Caligula and Three Other Plays
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480:Reflections on the Guillotine
615:. You can help Knowledge by
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556:Correspondance (1944-1959)
16:1948 play by Albert Camus
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466:The Myth of Sisyphus
418:The Misunderstanding
354:The Adulterous Woman
64:"The State of Siege"
49:improve this article
563:Algerian Chronicles
542:Notebooks 1951–1959
535:Notebooks 1942–1951
528:Notebooks 1935–1942
514:Betwixt and Between
432:The Just Assassins
425:The State of Siege
382:The Artist at Work
201:The State of Siege
170:state of emergency
166:The State of Siege
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498:Non-fiction
105:August 2011
672:1951 books
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656:Categories
306:The Plague
215:References
207:—in
194:The Plague
75:newspapers
473:The Rebel
375:The Guest
122:Gallimard
45:talk page
549:Nuptials
411:Caligula
313:The Fall
580:Related
160:in 1955
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174:plague
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