26:
343:
He manages to chronicle the setbacks, the breakthroughs, and the sheer toil of writing; the constant cutting and re-arranging of numbers with composer Fritz Loewe; the first reactions of friends to new songs, and the never-ending search for perfection in the delicate balance between melody line and
524:
773:
241:, in the third star role; and the production and success of the show. Lerner includes some technical discussion of how lyrics are constructed and what makes – or does not make – them work well.
229:; the acquisition from Pascal's estate of the rights to adapt Shaw's play; the casting of the original production and the complications inherent in casting a non-singer,
906:
204:. And in order to explain the part that I, myself, played I shall have to begin with the biographical sketch that usually appears at the back of the program.
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He gives brief accounts of his and Loewe's lives and careers before their meeting in 1942 and then skips from that year to 1952, and the genesis of
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found the book "a long, rambling work, always fascinating in its detailed reminiscences", and thought its greatest strength that:
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171:, including Lerner's Oscar for best screenplay and both partners' award for the title song. The partners' last collaboration was
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The book is dedicated to Loewe: "To Fritz, without whom this would have been an address book". Lerner explains the purpose of
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calls Lerner's book a "partial autobiography … one of the most readable and quotable of the genre". London's
318:
revealed that her late husband had been inspired by "the one brief shining moment that was known as
Camelot".
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233:, in the lead role of a musical; the selection of an unknown newcomer,
263:'s novella of the same name; the creation of the work; the casting of
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chapter gives Lerner's account of his meeting with the film producer
79:, in which he describes the genesis, writing and production of three
54:
125:, beginning in 1942. Their first three shows were unsuccessful, but
402:"Lerner, Alan Jay (1918-1986), lyricist, librettist, and author"
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in 1951 fared better. In 1956 the collaborators triumphed with
370:
158:
408:, Oxford University Press, 1999. Retrieved September 3, 2021
774:
The Great Songs from "My Fair Lady" and Other
Broadway Hits
365:
was reissued in 1989 by
Columbus Books and in 1994 by the
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praised it as "Alan Jay Lerner's terrific autobiography".
307:
as a musical; the crucial role played by their director,
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became the most honored film musical ever, winning nine
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called "one of the delights of the evening schedule".
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radio broadcast a serialization of the book, read by
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259:to consider making a film musical adaptation of
237:, as the heroine; and the choice of a veteran,
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83:he created in partnership with the composer
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907:Non-fiction books about musical theatre
527:, WorldCat. Retrieved September 3, 2021
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157:record for longest-running show. Their
255:covers the suggestion by the producer
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394:
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326:The book was published in 1978 by
105:. The book was published in 1978.
14:
835:I've Grown Accustomed to Her Face
758:Nat King Cole Sings My Fair Lady
753:(1958 Oscar Peterson Trio album)
121:collaborated on a succession of
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192:In short, this is the story of
737:(1956 Broadway cast recording)
699:The Opening of Misty Beethoven
16:1978 memoir by Alan Jay Lerner
1:
860:One If by Clam, Two If by Sea
814:I Could Have Danced All Night
275:; working with the director,
828:Get Me to the Church on Time
821:On the Street Where You Live
406:American National Biography
350:American National Biography
143:, their musical version of
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777:(1964 Andy Williams album)
515:, October 21, 2000, p. 223
800:With a Little Bit of Luck
769:(1964 Billy Taylor album)
745:(1956 Shelly Manne album)
554:Lerner, Alan Jay (1978).
540:, October 20, 2000, p. 73
525:"The Street Where I Live"
502:, February 8, 1979, p. 31
322:Publication and reception
23:
304:The Once and Future King
271:and the failure to cast
885:The Street Where I Live
766:My Fair Lady Loves Jazz
556:The Street Where I Live
410:(subscription required)
363:The Street Where I Live
187:The Street Where I Live
119:Frederick (Fritz) Loewe
72:The Street Where I Live
793:Wouldn't It Be Loverly
189:in his introduction:
332:Hodder and Stoughton
666:George Bernard Shaw
655:George Bernard Shaw
558:. London: Coronet.
465:Lerner, pp. 188–254
456:Lerner, pp. 136–187
420:Lerner, title pages
400:Moore, James Ross.
20:
447:Lerner, pp. 30–135
293:In the chapter on
153:, which broke the
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893:
807:The Rain in Spain
565:978-0-340-25453-0
330:in the US and by
265:Maurice Chevalier
117:and the composer
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77:Alan Jay Lerner
75:is a memoir by
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761:(1963 album)
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734:My Fair Lady
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334:in Britain.
328:W. W. Norton
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294:
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273:Dirk Bogarde
257:Arthur Freed
252:
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231:Rex Harrison
223:My Fair Lady
222:
220:
216:My Fair Lady
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209:My Fair Lady
208:
206:
201:
197:
194:My Fair Lady
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140:My Fair Lady
138:
132:
131:in 1947 and
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112:
100:
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90:My Fair Lady
88:
71:
70:
69:
694:(1964 film)
674:Cecil Lewis
668:adapted by
369:. In 2000,
299:T. H. White
845:Television
715:Man Pasand
626:Characters
385:References
313:First Lady
279:; and the
109:Background
661:Pygmalion
650:Pygmalion
538:The Times
513:The Times
511:"Radio",
500:The Stage
480:971451247
474:WorldCat
379:The Times
356:The Times
337:The Stage
309:Moss Hart
301:'s novel
150:Pygmalion
128:Brigadoon
61:Published
901:Category
377:, which
177:(1960).
161:musical
155:Broadway
123:musicals
81:musicals
43:Language
877:Related
707:Galatea
548:Sources
488:4626666
344:lyrics.
295:Camelot
288:Camelot
261:Colette
202:Camelot
181:Content
174:Camelot
102:Camelot
46:English
867:Selfie
726:Albums
718:(1980)
710:(1977)
702:(1976)
642:Source
562:
486:
478:
200:, and
55:Memoir
33:Author
683:Films
51:Genre
672:and
612:and
560:ISBN
484:OCLC
482:and
476:OCLC
347:The
267:and
253:Gigi
246:Gigi
221:The
198:Gigi
164:Gigi
145:Shaw
99:and
96:Gigi
64:1978
795:? "
608:by
371:BBC
159:MGM
147:'s
903::
404:,
393:^
283:.
211:.
196:,
93:,
87::
862:"
858:"
855:"
851:"
837:"
833:"
830:"
826:"
823:"
819:"
816:"
812:"
809:"
805:"
802:"
798:"
791:"
620:)
616:(
596:e
589:t
582:v
568:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
