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The Streets of London (1934 film)

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Frank Harvey was reported as working on a script in January 1934. The play had been mounted as a farce but Harvey set it back in its own period and to emphasise that it catered for 19th century tastes. It was done as a play within a play, so the audience would see theatre curtains and glimpses to the
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Captain Fairweather deposits money with the banker Gideon Bloodgood. After learning that Bloodgood's bank is shaky, Fairweather tries to retrieve the money and dies in an argument with the banker. Bloodgood keeps the money but his clerk, Badger, finds out about it. Years later he blackmails his old
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Peter Fitzpatrick, Thring's biographer, later wrote that seeing the film today "it is still hard to avoid, let alone answer, the question that must surely have struck Frank Thring as he watched its rushes: why was it made?"
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A burlesque of transpontine melodrama which fails to come off and only succeeds in being tiresomely boring. The actors also fail to enter into the right spirit of burlesque and the production, generally, is of a poor
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It was revived in London in 1933, with the production sending up the material as a farce. This proved popular, as did Thring's Australian production at the
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audience. At one stage it was announced that the running time would only be 40 minutes but in the end it went for over an hour.
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in February 1934. Vision of theatre audiences was taken at the Tivoli in Melbourne on 17 February 1934.
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Thring decided to film the production as part of a number of theatre adaptations – the other one being
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The film was rejected for registration under the quality clause of the New South Wales
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The play was re-staged at the Minerva Theatre and featured in the 1952 documentary
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which Thring had produced on stage the previous year. It was the last film made by
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The film was released in England in 1936 but received poor reviews,
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Australian Film 1900–1977: A Guide to Feature Film Production
545:. Perth. 11 February 1934. p. 6 Section: First Section 760:– this play was adapted to a London setting to become 347:
The film appears to have been made immediately after
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It was a filmed version of a play by 700:. Sydney. 17 February 1952. p. 14 175:is a 1934 Australian film directed by 642:. Melbourne. 10 June 1936. p. 11 7: 238:Frank Bradley as Captain Fairweather 214:Leonard Stephens as Paul Fairweather 35:Poster for original stage production 14: 919:Australian black-and-white films 929:Australian films based on plays 721:, Monash University Press, 2013 211:Ethel Newman as Mrs Fairweather 196:boss with proof of the murder. 924:Films directed by F. W. Thring 1: 619:Andrew Pike and Ross Cooper, 244:Beatrice Esmonde as Mrs Puffy 934:1930s English-language films 517:. 31 January 1934. p. 8 489:. 12 January 1934. p. 6 950: 634:"Screen Notes: By Preview" 805: 573:. 27 July 1934. p. 7 570:The Sydney Morning Herald 514:The Sydney Morning Herald 486:The Sydney Morning Herald 433:. 3 July 1937. p. 12 430:The Sydney Morning Herald 247:Darcy Kelway as Don Puffy 28: 819:A Co-respondent's Course 229:as Hon. Mark Levingstone 412:F.W. Thring Production' 235:Ashton Jarry as Edwards 185:Efftee Film Productions 113:Efftee Film Productions 822:(1931) (producer only) 814:(1931) (producer only) 681:– see 6'30" to 10'30". 382: 326:in Melbourne in 1933. 891:The Streets of London 843:The Sentimental Bloke 762:The Streets of London 744:The Streets of London 733:The Streets of London 719:The Two Frank Thrings 410:The Streets of London 377: 375:s critic calling it: 317:The Streets of London 241:George Blunt as Puffy 217:Phyllis Baker as Lucy 172:The Streets of London 24:The Streets of London 752:The Poor of New York 717:Fitzpatrick, Peter, 672:Theatre in Australia 390:Theatre in Australia 313:The Poor of New York 18:1934 Australian film 223:as Gideon Bloodgood 878:(1934) (abandoned) 851:His Royal Highness 754:by Dion Boucicault 509:"Australian Films" 232:Noel Boyd as Aleda 901: 900: 867:A Ticket in Tatts 835:Oh! What a Night! 697:The Sunday Herald 660:Fitzpatrick p 223 425:"Music and Drama" 305: 304: 290:Original language 168: 167: 941: 811:The Haunted Barn 791: 784: 777: 768: 758:Internet Archive 710: 709: 707: 705: 688: 682: 675: 667: 661: 658: 652: 651: 649: 647: 630: 624: 617: 611: 610: 608: 606: 589: 583: 582: 580: 578: 561: 555: 554: 552: 550: 542:The Sunday Times 533: 527: 526: 524: 522: 505: 499: 498: 496: 494: 477: 471: 470: 468: 466: 449: 443: 442: 440: 438: 421: 415: 406: 374: 256: 227:Campbell Copelin 135: 133: 88:Campbell Copelin 33: 21: 949: 948: 944: 943: 942: 940: 939: 938: 904: 903: 902: 897: 801: 795: 728: 714: 713: 703: 701: 690: 689: 685: 670: 668: 664: 659: 655: 645: 643: 632: 631: 627: 618: 614: 604: 602: 591: 590: 586: 576: 574: 563: 562: 558: 548: 546: 537:"Old-Time Play" 535: 534: 530: 520: 518: 507: 506: 502: 492: 490: 481:"English Plays" 479: 478: 474: 464: 462: 451: 450: 446: 436: 434: 423: 422: 418: 407: 403: 398: 372: 359: 332: 324:Garrick Theatre 307:The play was a 282:Place premiered 268:Dion Boucicault 254: 202: 193: 181:Dion Boucicault 145: 138: 131: 129: 122: 115: 108: 106: 86: 64:Dion Boucicault 36: 19: 12: 11: 5: 947: 945: 937: 936: 931: 926: 921: 916: 906: 905: 899: 898: 896: 895: 887: 883:Clara Gibbings 879: 871: 863: 855: 847: 839: 838:(1932) (short) 831: 823: 815: 806: 803: 802: 796: 794: 793: 786: 779: 771: 765: 764: 748: 740: 727: 726:External links 724: 723: 722: 712: 711: 683: 662: 653: 625: 612: 584: 565:"Efftee Films" 556: 528: 500: 472: 444: 416: 400: 399: 397: 394: 363:Film Quota Act 358: 355: 350:Clara Gibbings 337:Clara Gibbings 331: 328: 303: 302: 299: 295: 294: 291: 287: 286: 283: 279: 278: 275: 274:Date premiered 271: 270: 265: 261: 260: 253: 250: 249: 248: 245: 242: 239: 236: 233: 230: 224: 218: 215: 212: 209: 201: 198: 192: 189: 166: 165: 162: 158: 157: 154: 150: 149: 146: 143: 140: 139: 137: 136: 125: 123: 120: 117: 116: 111: 109: 104: 101: 100: 98:Arthur Higgins 95: 94:Cinematography 91: 90: 81: 77: 76: 71: 67: 66: 60: 56: 55: 52: 48: 47: 42: 38: 37: 34: 26: 25: 17: 13: 10: 9: 6: 4: 3: 2: 946: 935: 932: 930: 927: 925: 922: 920: 917: 915: 912: 911: 909: 893: 892: 888: 885: 884: 880: 877: 876: 872: 869: 868: 864: 861: 860: 856: 853: 852: 848: 845: 844: 840: 837: 836: 832: 829: 828: 824: 821: 820: 816: 813: 812: 808: 807: 804: 800: 792: 787: 785: 780: 778: 773: 772: 769: 763: 759: 755: 753: 749: 746: 745: 741: 739: 735: 734: 730: 729: 725: 720: 716: 715: 699: 698: 693: 687: 684: 680: 676: 673: 666: 663: 657: 654: 641: 640: 635: 629: 626: 622: 616: 613: 600: 599: 594: 593:"Advertising" 588: 585: 572: 571: 566: 560: 557: 544: 543: 538: 532: 529: 516: 515: 510: 504: 501: 488: 487: 482: 476: 473: 460: 459: 454: 448: 445: 432: 431: 426: 420: 417: 413: 411: 405: 402: 395: 393: 391: 386: 381: 376: 371: 366: 364: 356: 354: 352: 351: 345: 341: 339: 338: 329: 327: 325: 320: 318: 314: 310: 300: 296: 292: 288: 284: 280: 276: 272: 269: 266: 262: 257: 252:Original play 251: 246: 243: 240: 237: 234: 231: 228: 225: 222: 219: 216: 213: 210: 207: 204: 203: 199: 197: 190: 188: 186: 182: 178: 174: 173: 163: 159: 155: 151: 147: 141: 127: 126: 124: 118: 114: 110: 102: 99: 96: 92: 89: 85: 82: 78: 75: 72: 68: 65: 61: 57: 53: 49: 46: 43: 39: 32: 27: 22: 16: 890: 889: 881: 873: 865: 857: 849: 841: 833: 825: 817: 809: 799:F. W. Thring 761: 751: 747:at Oz Movies 743: 732: 718: 702:. Retrieved 695: 686: 671: 665: 656: 644:. Retrieved 637: 628: 620: 615: 603:. Retrieved 596: 587: 575:. Retrieved 568: 559: 547:. Retrieved 540: 531: 519:. Retrieved 512: 503: 491:. Retrieved 484: 475: 463:. Retrieved 456: 447: 435:. Retrieved 428: 419: 409: 404: 389: 387: 383: 378: 369: 367: 360: 348: 346: 342: 335: 333: 321: 316: 312: 306: 221:Guy Hastings 206:Frank Harvey 194: 177:F. W. Thring 171: 170: 169: 144:Running time 121:Release date 84:Frank Harvey 74:F. W. Thring 54:Frank Harvey 45:F. W. Thring 15: 859:Harmony Row 414:at AusStage 370:Picturegoer 70:Produced by 41:Directed by 914:1934 films 908:Categories 875:Sheepmates 704:21 October 396:References 330:Production 264:Written by 148:85 minutes 105:Production 51:Written by 797:Films of 646:10 August 639:The Argus 605:10 August 598:The Argus 577:10 August 549:10 August 521:10 August 493:10 August 465:10 August 458:The Argus 437:10 August 380:standard. 309:melodrama 301:Melodrama 208:as Badger 156:Australia 285:New York 161:Language 80:Starring 62:play by 59:Based on 827:Diggers 679:YouTube 357:Release 293:English 164:English 153:Country 130: ( 107:company 894:(1934) 886:(1934) 870:(1934) 862:(1933) 854:(1932) 846:(1932) 830:(1931) 674:(1952) 373:' 298:Genre 738:IMDb 706:2012 648:2012 607:2012 579:2012 551:2012 523:2012 495:2012 467:2012 439:2012 277:1857 200:Cast 191:Plot 132:1934 128:1934 756:at 736:at 677:on 910:: 694:. 636:. 595:. 567:. 539:. 511:. 483:. 455:. 427:. 392:. 790:e 783:t 776:v 134:)

Index


F. W. Thring
Dion Boucicault
F. W. Thring
Frank Harvey
Campbell Copelin
Arthur Higgins
Efftee Film Productions
F. W. Thring
Dion Boucicault
Efftee Film Productions
Frank Harvey
Guy Hastings
Campbell Copelin
Dion Boucicault
melodrama
Garrick Theatre
Clara Gibbings
Clara Gibbings
Film Quota Act
The Streets of London F.W. Thring Production'
"Music and Drama"
The Sydney Morning Herald
"Music, Drama & Films Back to the Sixties"
The Argus
"English Plays"
The Sydney Morning Herald
"Australian Films"
The Sydney Morning Herald
"Old-Time Play"

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