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members of the Sydney Camera Circle and includes quite a number of pictures that had been sent for exhibition to London. In pictorial photography the greatest success is achieved in the realm of repose – in capturing glimpses of city or countryside, revealing some of the more restful moments of the passing hour. Some very striking examples of artistic fidelity in this direction are to be seen at the exhibition. The pictures cover a wide field, including photographs of sea and sky, of trees, of shipping, of crowded streets, of almost deserted thoroughfares and so on. Of all these, perhaps, those photographs in which trees form a dominant part of the composition are the most satisfying to the artistic sense. "Sentinels of the Wood" and "Cameo" by Mr J.E. Paton and Mr W.S. White, are exquisite examples of what the artist photographer may accomplish. "Flower
Sellers" by Mr C.W. Bostock – a picture which was reproduced in these pages some months ago – is well deserving of contemplation by amateurs, who so often are vexed by the difficulties of strong sunlight and deep shadows. It is a masterly piece of work. Among the pictures of pastoral life, one of stockmen watering their horses at a creek is a happy representation of a typical outback scene. The exhibitors are Messrs. C.W. Bostock, Chas. Wakeford, J.E. Paton, W.S. White, D.J. Webster, Monte Luke, H. Mallard, Arthur Ford, E.N. Poole, C. Laseron and Stanley William Eutrope."
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Harringtons
Photographic Journal, Tuesday 1 March 1921 Page 22: "In an exhibition of photographs opened on the 24th February at the Kodak Salon, George Street, Sydney, there are many examples of discerning selection of subject and artistic treatment in reproduction. The whole of the work is by
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The membership of the Sydney Camera Circle was predominantly male and rarely was there more than one woman member at a time, with the first woman admitted probably being
Florence Milson. Dates show period of membership:
55:, pledging to advance and promote a Pictorialist photography devoted to Australian sunlight and shadow as opposed to the greys and ‘dismal’ shadows of European styles. In this ambition they shared the ideals of the
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1922: Colonial
Competition 1922. Sydney Camera Circle takes first place with medals awarded to Henri Mallard and Florence Milson by the Amateur Photographer and Photography.
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interested in photography as an art form who shared constructive criticism and support at their meetings, exhibiting their work under the name of The Sydney Camera Circle.
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The group continued as an entity until 1978 when membership was dwindling in competition with that of the
Australian Photographic Society and the Camera Club of Sydney.
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October 1921: Melbourne Arts and Crafts exhibition shows 50 photographs by the members. Kodak
Melbourne shows the work in their windows.
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The Sydney Camera Circle was formed on 28 November 1916 at the
Bostock-Little Studio, Phillip Street, Sydney. The founders were
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400:(1st, hardback ed.). Montreal Kingston: McGill-Queen's University Press ; Power Publications. pp. 67 n.133.
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February 1921: Scottish
Photographic Federation Salon, Dundee included 60 prints from The Sydney Camera Circle.
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31:. It was most active before World War II, and was influential on Australian photography for fifty years.
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14 January to 1 April 1984 Art
Gallery of NSW 'The Sydney Camera Circle: The Early Years, 1916 – 1938'.
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Arthur
William Christopher Ford (1917–1922) Honorary Life Member (February 1964–September 1965)
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Harold Cazneaux letter to Jack Cato, National Library of Australia Manuscript MS 5416
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The Language of Light and Dark : Light and Place in Australian Photography
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152:, Honorary Member (October 1921–1978), Honorary Life Member (August 1972–1978)
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Charles E. Wakeford (1917–March 1965) Honorary Life Member (March 1965–1968)
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257:(1917–January 1967) Retail Manager–Harringtons Photographic Merchants
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July 1921: London Salon shows 9 prints by 8 members of the Circle.
366:'Australian Pictorial Photography', S.H. Ervin Gallery, Sydney.
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George James Morris (April 1925–1938) Hon.Secretary 1925–1936
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Mrs A.G. (Florence) Milson (1920–1921) First ‘Lady’ Member
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Robert Sidney Beverley (1962–1973) Chairman 1965–1973
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Kenneth Clifford (October 1963–resigned 3 June 1968)
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William Stewart White (1916–1932) Foundation Member
59:of Australian painters. The group was dominated by
176:Harold Richard Gazzard (November 1962–August 1976)
125:Clifford Stuart Christian (March 1957–June 1967)
119:Dr Arthur Ernest Fraser Chaffer (1928–June 1963)
101:R.E. Donald Brown (1949–1978) Chairman 1974–1978
251:Malcolm McKinnon (1916–1920) Foundation Member
245:J.G. McColl Associate Member (April 1923–1931)
343:14 to 28 February 1921: at the invitation of
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51:and William Stewart White. All six signed a
194:Kenneth Dudley Hastings (October 1949–1966)
83:Dr Michael L. Armstrong (October 1970–1971)
209:Kiichiro Ishida (April 1921–December 1923)
281:James Paton (1916–1938) Foundation Member
200:Douglas Raleigh Hill (November 1924–1938)
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218:Laurence R. James (June 1966–June 1967)
23:photographic society formed in 1916 in
524:Arts organizations established in 1916
272:William Heath Moffitt (June 1927–1938)
236:Ronald A. Lloyd (Joined 9 August 1967)
98:(1916–December 1935) Foundation Member
484:A history of The Sydney Camera Circle
284:John L. Phillips (9 August 1967–1978)
197:E.B. Hawkes (February 1932–July 1936)
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499:Australian photography organisations
293:Richard Vaughton Simpson (1928–1967)
240:Monte (Charles Robert Montague) Luke
164:Stanley William Eutropoe (1917–1978)
221:Harold N. Jones (1928–January 1970)
215:Harry Powell James (1935–June 1973)
248:Roy A. MacDonell (April 1971–1973)
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308:, Associate Member, May 1921–1949
47:, Malcolm McKinnon, James Paton,
529:1916 establishments in Australia
326:Kurt Winkler (October 1973–1978)
278:Robert Nasmyth (1949–March 1972)
104:William G. Bucklem (1930s–1940s)
314:Charles F. Walton (1940s–1950s)
203:James Hoey (February 1956–1978)
173:A.W.W. Gale (October 1940–1969)
131:Dr K. Courtney (12 March 1969–)
364:Art Gallery of New South Wales
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451:. 15 November 1927. p. 8
445:"The Photographic Exhibition"
433:. 11 October 1927. p. 8.
317:D'Arcy J. Webster (1918–1932)
302:Aleck Stern (March 1973–1978)
299:(1916–1920) Foundation Member
290:R.D. Roddenby (April 1971–**)
143:Dr Kevin Courtney (1969–1971)
212:Cyril V. Jackson (1949–1973)
179:George L. Graves (1966–1971)
134:Frank D. Collins (1940–1954)
206:Robert Holcombe (1918–1921)
191:Charles Haseron (1918–1921)
86:William Barrett (1918–1922)
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287:Edgar N. Poole (1917–1932)
233:Peter Lawrence (1925–1928)
155:Robert E. Dickinson (1971)
170:D. Fraser (May 1921–1937)
504:Australian photographers
362:12 June to 8 July 1979:
182:Nell Griffin (1974–1978)
161:Arthur Eades (1918–1920)
158:H.D. Dircks (1940s–1961)
122:Nell Chaffer (1963–1978)
17:The Sydney Camera Circle
429:"Charm Of The Camera".
396:Miles, Melissa (2015).
323:John Williams (1971–**)
228:Charles Francis Laseron
89:H. Bedggood (1924–1928)
514:History of photography
80:R.G. Allman (May 1921)
264:John William Metcalfe
224:Ken Kirkness (1971 -)
146:Q. Davis (?–May 1960)
338:Selected exhibitions
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110:(1940s–1967)
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449:The Mercury
188:(1940–1953)
493:Categories
431:The Herald
374:References
70:Membership
416:895338570
53:manifesto
29:Australia
140:(1939–*)
61:amateurs
455:23 June
35:History
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19:was a
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412:OCLC
402:ISBN
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