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626:"a highly episodic collection of brief sound collages, each of them built on pulsing but sometimes quirky rhythms". He said it is Frith's "good humor and wit" that stops this work from becoming "purely assaultive skronk", and added that "there is a cheerfulness to even his most abrasive work that makes it far more listenable than that of many of his other ... colleagues of the period".
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is a collection of dozens of musical cells, "each recorded separately in increments of between 3 and 12 measures; all at the same tempo, and in the same key". The intention was that the modules could be assembled in any order to create the final piece. The reason for this approach was that Newman had
458:
She kind of gave me an idea of the sort of direction she wanted me to start from, and we planned out a structure of the piece, and then I would go and work on it and bring back my work. And she would criticize it and we would edit it together... It was a very important learning process for me because
621:
suite as a "pulsing barrage of sounds", broken occasionally by Frith's East-European rhythms and "angular" melodies, and Zorn's "atonal squawks". He found the sounds "attractive enough in themselves", but at times "a bit overwhelming in this dense and complex context". Anderson called
459:
I had never worked with a non-musician in that way... Sometimes she would make a suggestion that I really wouldn't like, but in the end, with compromise on both sides, we both ended up being pretty happy with the result.
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340:(omitted on the CD releases), commissioned by the Creation Production Company, written and directed by Matthew Maguire and first performed at La Mama ETC in New York City from 1 to 24 May 1987.
637:
suite "is unexpectedly weak", but had praise for Frith's bass playing towards the end of Part 1, and the inclusion of guests
Marclay, Tenko and Zorn. Gagné felt much the same about the
475:, at the time the state-of-the-art sampling and processing technology. On parts two and three of the suite Frith plays mostly "low-grade" instruments with added samples by turntablist
655:"a persuasive suite", adding that "they all seem to reflect and support each other through Frith's shifting atmospheres: barren landscapes punctuated by an ominous thudding pulse".
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that while it "has some beautiful stuff, mines a rather narrow vein in Frith's music; a beat-dominated, humorless, and strident vein". She opined that the writing in the
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suit, adding that "Frith's weird playing and tape manipulations start sounding more arbitrary or just clever or even redundant." However, she liked
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she could arrange the segments how she wished. In the end, she accepted Frith's demonstration sequence as the final piece.
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are used throughout, accompanied by horns, sporadic percussion and wordless vocals. The album is a mix of
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1165:– recorded BC Studios, June 1986; Noise New York, November 1986 to January 1987; Synclavier recorded in
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as "... a series of brilliantly evocative soundpieces with electronics, guitar, and sound effects ...".
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Nicole V. Gagné was a little more critical of the album. She wrote in her 1990 book,
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Frith composed all the music and plays most of the instruments, with assistance from
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and the New Works
Program of the Massachusetts Council on the Arts and Humanities;
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as "... patterns with constantly shifting accents and sub-divisions ...", and
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274:. It was recorded between June 1986 and April 1987, and released on a double
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suite as "... unrelenting slices of hard-edged sounds over a pulse ...",
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389:, Fred Frith continues his exploration of world dance music he began on
2002:
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suite was reworked and remastered in
February 2015, and released by
38:
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Reviewing the 2008 CD release of the album in the music journal,
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and first performed by her dance company at the Joyce
Theatre,
244:
The
Technology of Tears (And Other Music for Dance and Theatre)
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1112:– guitars, violin, percussion, keyboards, synclavier, voice
401:, this time supplementing traditional instrumentation with
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as a collaboration between Fred Frith, Rosalind Newman and
290:(United States) in 1988. It was re-issued on CD in 2008 by
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Digitally remastered at New York
Digital, August 1987
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to choreograph sequences for her dance company. For
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454:, Frith worked closely with Newman. He explained:
1047:"The Palace of Laughter, The Technology of Tears"
759:"The Palace of Laughter, The Technology of Tears"
2035:Live in Trondheim, Berlin & Limoges, Vol. 2
1424:The New York Times Archives, 25 February 1987 (
322:, commissioned by the Concert Dance Company of
294:(United Kingdom). All the CD releases omit the
556:
520:
484:requested that many changes be made, and with
270:albums Frith made, and is sometimes subtitled
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8:
1383:Sonic Transports: New Frontiers in Our Music
631:Sonic Transports: New Frontiers in Our Music
436:. She had previously used parts of Frith's
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2074:(with Lesli Dalaba, Eric Glick Rieman and
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286:(Switzerland), and on a double LP only by
29:
20:
2214:(with Nicolas Humbert and Marc Parisotto)
617:, Rick Anderson described the three-part
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1187:Cover images and photos – Pierre Hébert
1175:– recorded Noise New York, October 1986
1025:"Sadness, Its Bones Bleached Behind Us"
701:"Sadness, Its Bones Bleached Behind Us"
1229:"Frith, Fred: The Technology of Tears"
1872:All Is Always Now – Live at The Stone
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1181:– recorded Noise New York, April 1987
501:
7:
853:"A Deeper Understanding of Conflict"
2071:Dalaba Frith Glick Rieman Kihlstedt
726:The Technology of Tears (continued)
558:
522:
18:1988 studio album by Fred Frith
2095:50th Birthday Celebration Volume 5
748:"You Are What You Eat (continued)"
301:The album comprises three suites:
14:
405:to generate patterns, pulses and
298:suite (side 4 of the double LP).
266:. It is the first of a series of
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1851:Stone, Brick, Glass, Wood, Wire
332:National Endowment for the Arts
2030:(with François-Michel Pesenti)
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908:"The Old Man Moves a Mountain"
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467:suite, Frith experiments with
1:
2335:Albums produced by Fred Frith
1947:Live in Prague and Washington
1723:Field Days (The Amanda Loops)
1318:Schroeder, Rick (June 2009).
864:"The Turning of an Hourglass"
1544:French Frith Kaiser Thompson
1289:. p. 33. Archived from
1169:, June 1986 with programming
930:"Meditation Upon Propaganda"
1716:Nowhere, Sideshow, Thin Air
2351:
2195:Angels on the Edge of Time
2106:(with Carla Kihlstedt and
1190:Cover design – Peter Bäder
952:"The Relentless Landscape"
432:suite was commissioned by
330:and funded in part by the
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2103:The Compass, Log and Lead
1554:Fred Frith Guitar Quartet
1471:
1380:Gagné, Nicole V. (1990).
1320:"The Technology of Tears"
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974:"The Wolf Demon (part 2)"
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919:"The Wolf Demon (part 1)"
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463:On the first part of the
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2115:Duo (Victoriaville) 2005
1276:Lange, Art (July 1988).
1266:. Retrieved 8 July 2018.
272:Music for Dance volume 1
69:1986–1987, United States
1994:(with Bob Ostertag and
1919:With Friends Like These
1681:The Technology of Tears
1614:Cheap at Half the Price
1426:The Technology of Tears
1409:The Technology of Tears
1348:(subscription required)
1346:'s MasterFILE Complete
1163:The Technology of Tears
1140:The Technology of Tears
1130:The Technology of Tears
1120:The Technology of Tears
1003:The Technology of Tears
886:"Your Beautiful Corpse"
679:The Technology of Tears
663:All tracks composed by
387:The Technology of Tears
306:The Technology of Tears
215:The Technology of Tears
173:The Technology of Tears
24:The Technology of Tears
2275:Step Across the Border
2264:Fred Frith discography
1755:Step Across the Border
1420:Dance: Rosalind Newman
1342: – via
1036:"You Are What You Eat"
842:"Shelter For Them All"
712:"You Are What You Eat"
461:
2242:Friends & Enemies
2219:Laying Demons to Rest
2063:2 Gentlemen in Verona
1709:The Happy End Problem
963:"The Gaze That Sings"
897:"The Excellent Hyena"
456:
2202:, Gianni Gebbia and
2182:(with ARTE Quartett)
2159:The Art of Memory II
2139:The Stone: Issue Two
1815:Freedom in Fragments
1762:Middle of the Moment
1695:The Previous Evening
1663:Guitar Solos / Fifty
1256:Tyranny, "Blue" Gene
497:Professional ratings
2330:Fred Records albums
2325:RecRec Music albums
2224:Susana Santos Silva
2142:(with Chris Cutler)
2066:(with Chris Cutler)
2038:(with Chris Cutler)
2015:Live Improvisations
1974:(with Henry Kaiser)
1748:The Top of His Head
1260:Technology of Tears
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728:
681:
635:Technology of Tears
619:Technology of Tears
598:Technology of Tears
594:"Blue" Gene Tyranny
498:
465:Technology of Tears
452:Technology of Tears
430:Technology of Tears
428:The three-movement
182:The Top of His Head
1971:Who Needs Enemies?
1416:(list of releases)
1386:. De Falco Books.
1296:on 31 January 2023
1118:– alto saxophone (
1058:
1001:
875:"Birth of a Rebel"
817:
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471:'s newly acquired
403:digital technology
377:in November 2015.
308:, commissioned by
2320:Fred Frith albums
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2245:with Henry Kaiser
2211:Cut Up the Border
2147:The Sugar Factory
2083:What Leave Behind
2051:Traffic Continues
2043:The Art of Memory
2008:Ferdinand Richard
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1393:978-0-9625145-0-0
1136:Christian Marclay
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477:Christian Marclay
354:Christian Marclay
316:in February 1987;
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202:series chronology
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2190:(with John Zorn)
2162:(with John Zorn)
2098:(with John Zorn)
2046:(with John Zorn)
1931:Voice of America
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1776:Rivers and Tides
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1656:Clearing Customs
1649:To Sail, to Sail
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415:musique concrète
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2179:The Big Picture
2127:Ironic Universe
2120:Anthony Braxton
2076:Carla Kihlstedt
2056:Ensemble Modern
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1673:Music for Dance
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1519:Fred Frith Trio
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434:Rosalind Newman
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310:Rosalind Newman
268:Music for Dance
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2027:Helter Skelter
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2020:Tim Hodgkinson
2011:
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1991:Attention Span
1987:
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1911:Collaborations
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1790:Eye to Ear III
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1740:Music for Film
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1402:External links
1400:
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1366:, p. 243.
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1889:Composer only
1887:
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1844:Live in Japan
1841:
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1800:Composer only
1798:
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1785:
1784:
1783:Eye to Ear II
1780:
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1642:Eleventh Hour
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1585:Studio albums
1583:
1577:
1574:
1572:
1569:
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1564:
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1560:
1557:
1555:
1552:
1550:
1549:Death Ambient
1547:
1545:
1542:
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1537:
1535:
1534:The Orckestra
1532:
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1528:
1527:
1523:
1521:
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1516:
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1498:Skeleton Crew
1495:
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1095:
1093:"Jigsaw Coda"
1092:
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806:"Jigsaw Coda"
805:
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659:Track listing
658:
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607:
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555:
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502:Review scores
500:
491:
489:
487:
482:
478:
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466:
460:
455:
453:
449:
448:
447:Learn to Talk
443:
442:Skeleton Crew
439:
435:
431:
426:
424:
423:improvisation
420:
416:
412:
408:
404:
400:
399:
394:
393:
388:
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347:
339:
336:
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329:
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318:
315:
314:New York City
311:
307:
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278:and a single
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160:
156:
152:
148:
145:
142:
140:
136:
133:(Switzerland)
132:
129:
127:
123:
120:(CD releases)
109:(LP releases)
99:
95:
89:
86:
84:
81:
80:
78:
76:
72:
68:
64:
53:
49:
45:
40:
36:
32:
27:
22:
16:
2273:
2269:Fred Records
2240:
2234:Compilations
2217:
2209:
2204:Lars Hollmer
2193:
2185:
2177:
2165:
2157:
2145:
2137:
2125:
2113:
2101:
2093:
2081:
2069:
2061:
2049:
2041:
2033:
2025:
2013:
2001:
1989:
1984:René Lussier
1977:
1969:
1957:
1952:Chris Cutler
1945:
1936:Bob Ostertag
1929:
1924:Henry Kaiser
1917:
1895:
1877:
1870:
1865:Storytelling
1863:
1856:
1849:
1842:
1822:Back to Life
1820:
1813:
1806:
1788:
1781:
1774:
1767:
1760:
1753:
1746:
1728:
1721:
1714:
1707:
1700:
1693:
1686:
1680:
1679:
1661:
1654:
1647:
1640:
1633:
1626:
1619:
1612:
1605:
1598:
1593:Guitar Solos
1591:
1566:Aksak Maboul
1559:Maybe Monday
1524:
1517:
1510:
1505:Keep the Dog
1503:
1496:
1489:
1482:
1475:
1427:
1423:
1407:
1382:
1334:. Retrieved
1332:(4): 837–838
1329:
1323:
1298:. Retrieved
1291:the original
1284:
1278:"Fred Frith"
1271:
1236:. Retrieved
1233:RÄ“R Megacorp
1232:
1178:
1172:
1162:
1149:
1148:– trombone (
1139:
1129:
1119:
1059:
1002:
819:
772:
725:
678:
662:
652:
642:
638:
634:
630:
628:
623:
618:
612:
610:
605:
601:
597:
587:
485:
480:
469:Henry Kaiser
464:
462:
457:
451:
445:
437:
429:
427:
396:
390:
386:
384:
372:
369:Fred Records
364:
362:
343:
337:
328:Pier Voulkos
319:
305:
300:
295:
292:Fred Records
284:RecRec Music
271:
249:double album
243:
242:
241:
222:
214:
213:
199:
180:
172:
171:
162:
88:experimental
39:Studio album
15:
2315:1988 albums
2167:Still Urban
2132:Janet Feder
1979:Nous Autres
1964:Lol Coxhill
1959:French Gigs
1940:Phil Minton
1836:Live albums
1374:Works cited
996:CD releases
671:LP releases
288:SST Records
251:by English
164:Nous Autres
2309:Categories
2187:Late Works
2088:Toychestra
1769:Eye to Ear
1730:Propaganda
1702:Accidental
1607:Speechless
1576:Naked City
1512:Cosa Brava
1465:Fred Frith
1364:Gagné 1990
1213:Gagné 1990
1195:References
1179:Propaganda
1167:California
1157:Production
1146:Jim Staley
1126:Tenko Ueno
1110:Fred Frith
985:"Rashomon"
820:Propaganda
665:Fred Frith
653:Propaganda
606:Propaganda
473:synclavier
419:folk music
398:Speechless
374:Propaganda
365:Propaganda
358:Jim Staley
350:Tenko Ueno
338:Propaganda
296:Propaganda
264:Fred Frith
261:improvisor
153:chronology
151:Fred Frith
144:Fred Frith
83:Avant-rock
44:Fred Frith
1996:John Zorn
1526:Henry Now
1484:Art Bears
1477:Henry Cow
1428:premiere)
1128:– voice (
1116:John Zorn
1104:Personnel
941:"Liberty"
492:Reception
346:John Zorn
253:guitarist
2294:Category
1879:Woodwork
1858:Impur II
1808:Pacifica
1628:Clearing
1621:Quartets
1571:Material
1491:Massacre
1286:DownBeat
1264:AllMusic
1082:"Jigsaw"
818:Side D:
795:"Jigsaw"
771:Side C:
724:Side B:
677:Side A:
590:AllMusic
552:DownBeat
516:AllMusic
257:composer
139:Producer
66:Recorded
51:Released
41: by
2257:Related
2003:Dropera
1600:Gravity
1414:Discogs
1300:9 April
438:Gravity
411:Samples
392:Gravity
381:Content
228:(1996)
219:(1988)
186:(1989)
177:(1988)
168:(1987)
56: (
2222:(with
2198:(with
2170:(with
2150:(with
2130:(with
2118:(with
2086:(with
2054:(with
2018:(with
2006:(with
1982:(with
1962:(with
1950:(with
1934:(with
1922:(with
1688:Allies
1635:Prints
1390:
1336:8 July
1258:.
1238:8 July
1173:Jigsaw
1150:Jigsaw
1074:Length
1060:Jigsaw
1017:Length
834:Length
787:Length
773:Jigsaw
740:Length
693:Length
646:'s
643:Jigsaw
639:Jigsaw
624:Jigsaw
602:Jigsaw
510:Rating
507:Source
486:Jigsaw
481:Jigsaw
324:Boston
320:Jigsaw
224:Allies
131:RecRec
97:Length
1897:Impur
1344:EBSCO
1325:Notes
1294:(PDF)
1281:(PDF)
1085:14:48
1071:Title
1050:10:16
1039:18:46
1028:13:18
1014:Title
831:Title
798:14:39
784:Title
762:10:08
751:11:39
737:Title
704:13:05
690:Title
614:Notes
407:noise
247:is a
126:Label
75:Genre
1938:and
1388:ISBN
1338:2018
1302:2023
1240:2018
1096:3:07
988:3:30
977:1:05
966:1:03
955:0:59
944:1:59
933:3:06
922:1:07
911:1:06
900:1:25
889:1:17
878:1:51
867:2:04
856:0:54
845:1:36
809:3:04
715:7:22
649:coda
440:and
421:and
395:and
363:The
356:and
259:and
58:1988
54:1988
1412:at
1262:at
1067:No.
1010:No.
982:20.
971:19.
960:18.
949:17.
938:16.
927:15.
916:14.
905:13.
894:12.
883:11.
872:10.
827:No.
780:No.
733:No.
686:No.
444:'s
385:On
371:as
282:by
2311::
1422:.
1354:^
1330:65
1328:.
1322:.
1310:^
1283:.
1248:^
1231:.
1220:^
1203:^
1090:5.
1079:4.
1044:3.
1033:2.
1022:1.
861:9.
850:8.
839:7.
803:6.
792:5.
756:4.
745:3.
709:2.
698:1.
667:.
592:,
479:.
425:.
417:,
409:.
360:.
352:,
348:,
280:CD
276:LP
255:,
117:15
113:60
106:59
102:82
2226:)
2206:)
2174:)
2154:)
2134:)
2122:)
2110:)
2090:)
2078:)
2058:)
2022:)
2010:)
1998:)
1986:)
1966:)
1954:)
1942:)
1926:)
1457:e
1450:t
1443:v
1430:.
1396:.
1340:.
1304:.
1242:.
1152:)
1142:)
1132:)
1122:)
115::
104::
60:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
